2018年08月31日

SANDRA VÁSQUEZ DE LA HORRA: América sin Fronteras @ David Nolan New York

SANDRA VÁSQUEZ DE LA HORRA: América sin Fronteras
@David Nolan New York
527 West 29th Street
New York, NY 10001
USA
March 15 – April 28, 2018

installation views
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Sandra Vásquez de la Horra
América sin Fronteras (America Without Borders)
2017
graphite, watercolor, and wax on four pieces of paper
84 1/4 x 61 1/2 in
214 x 156.2 cm
SV6633

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Sandra Vásquez de la Horra
Seres de Olokun (Olokun's Creatures)
2017
graphite and wax on two pieces of paper
39 1/2 x 27 3/4 in
100.3 x 70.5 cm
SV6635

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Sandra Vásquez de la Horra
La verdad es demasiado grande (The Truth Is Too Big)
2017
graphite, sanguine, watercolor, and wax on two pieces of paper
52 3/4 x 40 3/8 in
134 x 102.6 cm
SV6640

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Sandra Vásquez de la Horra
Señorita Bibliotecaria (The Librarian Lady)
2016
graphite, watercolor, and wax on paper
42 x 26 in
106.7 x 66 cm
SV6639

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Sandra Vásquez de la Horra
Lazarus
2017
graphite, sanguine, wax crayon, and wax on four pieces of paper
84 1/2 x 62 in
214.6 x 157.5 cm
SV6634

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Sandra Vásquez de la Horra
Baile Circence (Circus Dance)
2017
graphite and wax on folded paper
22 x 23 in
55.9 x 58.4 cm
SV6647

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Sandra Vásquez de la Horra
Tunel II (Tunnel II)
2017
graphite, sanguine, and wax on folded paper
11 3/4 x 13 in
29.8 x 33 cm
SV6649
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REFLEX II @ Bartha Contemporary, London

REFLEX II
Jill Baroff, Susan Morris, Beat Zoderer
@Bartha Contemporary
25 Margaret Street
London W1W 8RX
UK
22.02.-05.05.2018

installation view
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Susan Morris, Motion Capture Drawing [SPDR]: Facing View, 2012 (Print 2017)
Archival Inkjet on Hahnemühle paper, Edition 2 of 3 (+ 2AP), 110 x 192 cm (framed)

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Beat Zoderer, Kleiner Dip & Fold 1 to 4, 2014
Acrylic on printed vellum, 29 x 20.7 cm (each)

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Kleiner Dip & Fold, No. 1, 2014
Acrylic on printed vellum, 29 x 20.7 cm

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Kleiner Dip & Fold, No. 2, 2014
Acrylic on printed vellum, 29 x 20.7 cm

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Kleiner Dip & Fold, No. 3, 2014
Acrylic on printed vellum, 29 x 20.7 cm

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Kleiner Dip & Fold, No. 4, 2014
Acrylic on printed vellum, 29 x 20.7 cm

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Jill Baroff, Elbe, 2014
Pigmented ink on Japanese gampi mounted on rag, 115 x 115 cm

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Detail: Elbe, 2014
Pigmented ink on Japanese gampi mounted on rag, 115 x 115 cm

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Jill Baroff, New York Harbor (Xaver), 2014
Pigmented ink on Japanese gampi mounted on rag, 115 x 115 cm

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Detail: New York Harbor (Xaver), 2014
Pigmented ink on Japanese gampi mounted on rag, 115 x 115 cm

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Susan Morris, Plumb Line Drawing No.08, 2009
Black pigment on paper, 120 x 100 cm

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Susan Morris, Motion Capture Drawing 1:1 Detail No. 4, 2012
Archival Inkjet on Hahnemühle paper, Edition 1 of 3, 75 x 100 cm
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BIALA: WORKS FROM THE ESTATE AND THE HARVEY AND PHYLLIS LICHTENSTEIN COLLECTION @ TIBOR DE NAGY GALLERY, New York

BIALA: WORKS FROM THE ESTATE AND THE HARVEY AND PHYLLIS LICHTENSTEIN COLLECTION
@TIBOR DE NAGY GALLERY
15 Rivington St, New York, NY 10002
USA
January 6 - February 11, 2018

installation views
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La Masion de peintre, 1985
oil on canvas
51 x 63 1/2 inches

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Canari dans des cages, 1986
oil on canvas
31 1/2 x 23 inches

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Horse and Carriage, c. 1983
oil and collage on canvas
45 x 58 inches

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Study for "Nature morte rose rouge et noire", c. 1977
oil on canvas
13 x 16 1/8 inches

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Untitled (Isabel de Bourbon d'apres Velasquez), c. 1990
oil on canvas
57 1/2 x 64 inches

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Five Tulips, 1997
oil on canvas
13 x 16 inches

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Fleurs dans une tasse, 1985
oil on canvas
9 1/2 x 7 1/2 inches

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Study for "Facade sur Cour", c. 1983-84
mixed media on paper
12 3/4 x 10 1/2 inches

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Campo St. Spirito Venici, c. 1982
oil on canvas
57 1/4 x 38 inches

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Study for "Interior with Dominique", c. 1967
gouache on paper
6 1/2 x 7 1/2 inches

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Study for "Dominique", c. 1967
mixed media on paper
10 1/2 x 12 3/4 inches

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Study for "Arbre et la Mer: Provincetown", 1985
gouache on paper
9 1/2 x 10 1/4 inches

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Two Pink Peonies, 1993
oil on canvas
14 x 9 1/2 inches

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Le chat aux bords verts (Ebony), 1986
oil on canvas
31 1/2 x31 1/2 inches

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Black Cupboard, 1975
oil on canvas
13 7/8 x 10 5/8 inches

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Vase fond noir, faude rose en haut (la Rose), 1976
oil and collage on canvas
45 3/4 x 35 inches

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Cuisine Fond Blanc, 1969
oil on canvas
36 1/4 x 28 3/4 inches

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Blue Kitchen, 1969
oil on canvas
62 x 44 1/2 inches

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Untitled (White Still Life with Flowers), c. 1974
oil on canvas
63 1/2 x 38 inches

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The Yard in Winter, 1985
oil on canvas
32 x 45 1/2 inches

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Vue despuis de la Giudecca, 1985
oil on canvas
77 x 59 inches

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Porte de l'Umilta, 1985
oil on canvas
77 x 102 inches

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Untitled (Three Pink Tulips), 1973
oil on canvas
10 1/2 x 8 3/4 inches

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Untitled (Anemones Bouquet), 1973
oil on canvas
14 x 10 1/2 inches

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Bouquet du Jour, 1985
oil on canvas
13 3/4 x 10 3/4 inches
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Eduardo Paolozzi: THROW AWAY THE LADDER @ C L E A R I N G, Brooklyn, New York

Eduardo Paolozzi: THROW AWAY THE LADDER
@C L E A R I N G, Brooklyn
396 Johnson Avenue, Brooklyn, NY 11206, USA
March 23, 2018 - April 22, 2018

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General Dynamic F.U.N
Volume II of Moonstrips Empire News, 1965-70
Portfolio of four cover pages + fifty prints + one collating chart
55 framed elements, 17 x 12 inches (43 x 30.5 cm) each
AP from the edition of 350

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U.E.V. (Universal Electronic Vacuum), 1967
Portfolio of ten screenprints + technical sheet, introduction and poster
13 framed elements, 35 x 24 inches (88.8 x 61 cm) each
Edition 53 / 75

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Memory Matrix

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A formula that can shatter into a million glass bullets

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Horizon of Expectations

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Protocol-Sentences

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Spontaneous Discrimination Non-Spontaneous Discrimination

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7 pyramide in form einer achtelskugel

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Sun City

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Computer-Epoch

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883. Whipped Cream, a Taste of Honey, Peanuts, Lemon Tea, others

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War Games Revised
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Jacob Kassay / Olivier Mosset @ Galerie Lange+Pult, Zürich

Jacob Kassay / Olivier Mosset
@Galerie Lange+Pult
Limmatstrasse 291
CH-8005 Zürich
Switzerland
26.08.-7.10.2017

installation views
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Jacob Kassay
1:1 (psig), 2016
lead
14 x 15 x 9 cm

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Olivier Mosset
Untitled, 2014
car lacquer on Nielsen aluminium frame
70,6 x 70,6 cm

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Olivier Mosset
Untitled, 2014
car lacquer on Nielsen aluminium frame
70,6 x 70,6 cm

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Olivier Mosset
Untitled, 2014
car lacquer on Nielsen aluminium frame
70,6 x 70,6 cm

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Olivier Mosset
Untitled, 2014
car lacquer on Nielsen aluminium frame
70,6 x 70,6 cm

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Olivier Mosset
Unititled, 2002
acrylic on canvas
45 x 45 cm
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2018年08月30日

JORINDE VOIGT: Integral @ David Nolan New York

JORINDE VOIGT: Integral
@David Nolan New York
527 West 29th Street
New York, NY 10001
USA
May 4 – June 22, 2018

installation views
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Jorinde Voigt
Immersive Integral IV
2018
ink, India ink, gold leaf, pastel, oil chalks, pencil on paper
93 1/2 x 55 5/16 in
237.5 x 140.5 cm
JV6728

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Jorinde Voigt
Immersion II (5)
2018
ink, India ink, gold leaf, pastels, oil chalks, pencil on paper
40 3/16 x 26 in
102 x 66 cm
JV6675

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Jorinde Voigt
Immersion VI (4)
2018
ink, India ink, aluminium leaf, pastels, oil chalks, pencil on paper
29 15/16 x 22 1/16 in
76 x 56 cm
JV6702

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Jorinde Voigt
Immersion VIII (4)
2018
ink, India ink, gold leaf, pastel, oil chalks, pencil on paper
30 1/8 x 22 1/16 in
76.5 x 56 cm
JV6713
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TREVOR WINKFIELD - SAINTS, DANCERS AND ACROBATS @ TIBOR DE NAGY GALLERY, New York

TREVOR WINKFIELD - SAINTS, DANCERS AND ACROBATS
@TIBOR DE NAGY GALLERY
15 Rivington St, New York, NY 10002
USA
February 17 – March 25, 2018

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Trevor Winkfield
The Painter in Her Studio, 2014
acrylic on linen
31 x 45 1/2 inches

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Trevor Winkfield
Signals, 2013
acrylic on linen
38 1/2 x 45 1/2 inches

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Trevor Winkfield
The Acrobats, 2015
acrylic on linen
36 x 43 1/2 inches

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Trevor Winkfield
The Floating Crocodile and Her Keeper, 2013
acrylic on linen
39 3/4 x 38 1/2 inches

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Trevor Winkfield
The First Dance, 2017
acrylic on linen
39 x 36 inches

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Trevor Winkfield
Acrobat, 2015
acrylic on linen
31 1/2 x 24 inches

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Trevor Winkfield
St. George and the Dragon, 2017
acrylic on linen
34 x 34 inches

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Trevor Winkfield
The Studio, 2015
acrylic on linen
29 3/4 x 34 1/2 inches

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Trevor Winkfield
The Sundial, 2017
acrylic on linen
32 1/4 x 19 1/4 inches

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Trevor Winkfield
At the Circus, 2016
acrylic on linen
18 1/4 x 15 1/2 inches
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Korakrit Arunanondchai: A workshop for peace: nowhere to go: let the song hold us: in a room filled with people with funny names 4 @ C L E A R I N G, Brussels

Korakrit Arunanondchai: A workshop for peace: nowhere to go: let the song hold us: in a room filled with people with funny names 4
@C L E A R I N G, Brussels
Avenue Van Volxemlaan 311, 1190 Brussels, Belgium
April 19, 2018 - June 30, 2018

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Workshop for Peace, from a place/ not so familiar/ but relatable/ through the sound/ of its breath, 2018
21 clay models of UN Secretariat building, cast of Boychild’s head, cast of artist’s grandfather’s hands,
clay, wood, metal armature, banana leafs, soil, resin, varieties of plant life, moss
122 x 236 x 181 inches (310 x 600 x 460 cm)

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Workshop for Peace/Oceans of trauma, Rivers of dried up hopes and dreams=the joy of being human-being, 2018
Clay model of United Nations Headquarters, silicone oarfish with artist’s face sculpted on, deceased tree
root system, dried flowers, dried orange peels, dried durian shells, blown blue glass, dried mushrooms,
lobster shells, LED lights programmed after breath algorithm, neon lights, resin, plexi encasement
72 1/4 x 71 x 47 inches (183.5 x 180.3 x 119.4 cm)

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Workshop for Peace / Death of Pan, 2018
Clay model of United Nations Headquarters in New York, deceased tree root system, blown red glass,
plastic model of Dhammakaya Temple Pagoda, used ceremonial candles collected from wat Buddha
Thai Thavorn Vanaram Temple in Queens, New York, fiber optic cables, LED lights programmed
after breath algorithm, goat horns, plastic, taxidermy rats, various species of bird eggs, coconut,
resin, neon lights, plexi encasement.
72 1/4 x 71 x 47 inches (183.5 x 180.3 x 119.4 cm)

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with history in a room filled with people with funny names 4, 2017
HD video, 23 minutes 32 seconds

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Workshop for Peace / Cry Pan Cry, 2018
Clay model of United Nations Headquarters architecture, deceased tree root system, blown red glass, clay, clam
and oyster shell, tissue paper, resin, neon lights, LED lights programmed after breath algorithm, plexi encasement
72 1/4 x 71 x 47 inches (183.5 x 180.3 x 119.4 cm)

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There’s a word I’m trying to remember from a feeling I’m about to have (let the song hold us), 2018
Giant rat costume, cast of artist’s grandfather’s hands, denim jacket, fog machine, metal armature
79 x 35 x 81 inches (200 x 90 x 205 cm)

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To experience the vertigo of the world and see it dissolve into light, 2018
Hand Carved Naga Sculpture in teak wood rubbed with “Dad’s dirt”
(dirt collected from areas in which King RAMA 9 of Thailand has walked on) placed in a fireplace
Dimensions variable

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Objects made by Tipyavarna Nitibhon

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madeleine boschan: BB 105 / 146 @ Galerie Lange+Pult, Zürich

madeleine boschan: BB 105 / 146
@Galerie Lange+Pult
Limmatstrasse 291
CH-8005 Zürich
Switzerland
13 october - 18 november 2017

installation views
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Une écriture corporelle (bleu), 2017
Madeleine Boschan – BB 105 / 146
Galerie Lang-e + Pult, Zurich

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Une écriture corporelle (jaune), 2017
Champagnerkreide, Dispersionsfarbe, Eitempera, Pigment, Schichtholz
61 x 44 x -20,3 cm

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Une écriture corporelle (2017)
Champagnerkreide, Dispersionsfarbe, Eitempera, Pigment, Schichtholz
81 x 44 x 21 cm

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Une écriture corporelle (lilas), 2017
Champagnerkreide, Dispersionsfarbe, Eitempera, Pigment, Schichtholz
61 x 44 x 20,3 cm

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Une écriture corporelle (menthe), 2017
Champagnerkreide, Dispersionsfarbe, Eitempera, Pigment, Schichtholz
71 x 50 x 26,5 cm

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Une écriture corporelle (vert claire et ivoire), 2017
Aluminium lackiert, 2-teilig
300 x 300 x 76,5 cm
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Allyson Strafella: field @ Bartha Contemporary, London

Allyson Strafella: field
@Bartha Contemporary
25 Margaret Street
London W1W 8RX
UK
18.05.-07.07.2018

installation view
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Allyson Strafella, untitled, 1993
Typed marks on paper, 24.5 x 21.5 cm

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Allyson Strafella, untitled, 1993
Typed marks on carbon, 25 x 21.5 cm

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Allyson Strafella, untitled, 1993
Typed marks on paper, 27.5 x 21.5 cm

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Allyson Strafella, untitled, 1993
Typed marks on carbon, 27.5 x 21.5 cm

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Allyson Strafella, underlines I, 1999
Typed marks on carbon, 27.5 x 21.5 cm

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Allyson Strafella, lines, 1997
Typed marks on carbon, 27.5 x 21.5 cm

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Allyson Strafella, untitled, 1995
Typed marks on paper, 27.5 x 21.5 cm

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Allyson Strafella, untitled, 1993
Typed marks on carbon, 27.5 x 21.5 cm

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Allyson Strafella, untitled, 1993
Typed marks on carbon, 27.5 x 21.5 cm

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Allyson Strafella, dash, 1999
Typed marks on carbon, 27.5 x 21.5 cm

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Allyson Strafella, twice, 2000
Typed marks on paper, 20.5 x 14 cm

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Allyson Strafella, fine, 2000
Typed marks on paper, 19 x 12.7 cm

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Allyson Strafella, foothill, 2008
Typed marks on paper, 14.2 x 30.6 cm

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Allyson Strafella, partial mound, 2007
Typed marks on paper, 20.3 x 12.7 cm

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Allyson Strafella, kilo. 2009
Typed marks on carbon paper, 21 x 21 cm

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Allyson Strafella, partial track, 2006
Typed marks on tracing paper, 23.5 x 20 cm

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Allyson Strafella, rail, cluster I, cluster II, 2000
Typed marks on transfer paper, 15 x 13.4 cm

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Allyson Strafella, crenelation, 2008
Typed marks on paper, 13.5 x 12.5 cm

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Allyson Strafella, transfer, 2010
Typed marks on transfer paper, 35 x 24 cm

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Allyson Strafella, confluent A, 2007
Typed marks on transfer paper, 28 x 23.5 cm

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Allyson Strafella, biscayne, 2007
Typed marks on paper, 24.5 x 23.6 cm

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Allyson Strafella, second dweller, 2011
Typed marks on tracing paper, 45.7 x 29.2 cm

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Allyson Strafella, tenon, 2005
Typed marks on paper, 20.9 x 12.7 cm

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Allyson Strafella, ledge, 2006
Typed marks on paper, 12.7 x 21.5 cm

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Allyson Strafella, break, 2008
Typed marks on paper, 41.6 x 29.5 cm

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Allyson Strafella, red blade, 2009
Typed marks on paper, 22.5 x 15.5 cm

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Allyson Strafella, shoulder, 2008
Typed marks on paper, 22.4 x 17 cm

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Allyson Strafella, green mound, 2008
Typed marks on paper, 34.6 x 28.2 cm

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Allyson Strafella, ligature, 2005
Typed marks on paper, 12.5 x 17.2 cm

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Allyson Strafella, cwm, 2010
Typed marks on paper, 22 x 12.7 cm

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Allyson Strafella, blue, 2010
Typed marks on paper, 28 x 30 cm

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Allyson Strafella, component, 2006
Typed marks on tracing paper, 38.1 x 28.6 cm

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Allyson Strafella, factor I, 2007
Typed marks on transfer paper, 27.3 x 27 cm

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Allyson Strafella, east plotl, 2009
Typed marks on paper, 26.6 x 21 cm

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Allyson Strafella, striation, 2009
Typed marks on paper, 26.5 x 27.5 cm

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Allyson Strafella, flipped catenary, 2013
Custom marks typed on paper, 75.6 x 60 cm

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Allyson Strafella, acre, 2012
Typed marks on paper, 14 x 18.4 cm

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Allyson Strafella, through, 2009
Typed marks on transfer paper, 22 x 13 cm

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Allyson Strafella, hover, 2010
Typed marks on paper, 25 x 21 cm

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Allyson Strafella, belly dweller, 2005
Typed marks on carbon, 21.5 x 12 cm

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Allyson Strafella, surface mound, 2014
Typed marks on green carbon paper, 20.3 x 24 cm

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Allyson Strafella, half, 2015
Typed marks on paper, 38.5 x 21.5 cm

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Allyson Strafella, truncated form, 2009
Typed marks on paper, 44.5 x 29.2 cm

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Allyson Strafella, variation on dogleg #4, 2014
Typed marks on carbon paper, 31 x 26 cm

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Allyson Strafella, tidal, 2017
Typed marks on pigmented abaca paper, 31 x 28.5 cm

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Allyson Strafella, contact, 2017
Typed marks on pigmented abaca paper, 36 x 27 cm

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Allyson Strafella, catch, 2017
Typed marks on pigmented abaca paper, 30 x 25 cm

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Allyson Strafella, steppe, 2016
Typed marks on paper, 28.5 x 20 cm

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Allyson Strafella, lacuna flipped, 2007
Typed marks on paper, 34.5 x 26 cm

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Allyson Strafella, double, 2014
Typed marks on pigmented abaca paper, 22 x 16.5 cm

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Allyson Strafella, yellow bale, 2017
Typed marks on pigmented abaca paper, 34 x 28.5 cm

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Allyson Strafella, articulation detail, 2015
Typed marks on pigmented abaca paper, 17.5 x 12 cm

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Allyson Strafella, offset, 2015
Typed marks on pigmented abaca paper, 28.5 x 28 cm

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Allyson Strafella, score II, 2015
Typed marks on pigmented abaca paper, 28.5 x 28 cm

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Allyson Strafella, band, 2017
Typed marks on pigmented abaca paper, 30.5 x 24 cm

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Allyson Strafella, yellow bend, 2017
Typed marks on transfer paper, 16.5 x 25.2 cm

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Allyson Strafella, module b, 2015
Typed marks on pigmented abaca paper, 31 x 22 cm

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Allyson Strafella, yaw, 2015
Typed marks on pigmented abaca paper, 34 x 28 cm

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Allyson Strafella, preserve, 2017
Typed marks on pigmented abaca papaer, 19 x 16.5 cm

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partial mound a, 2006
typed marks on paper, 20.4 x 12.5 cm

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Allyson Strafella, columbia county, 2017
Typed marks on pigmented abaca paper, 29 x 26 cm

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elongated mound, 2009
typed marks on paper, 18.7 x 12.4 cm

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Allyson Strafella, maine, 2017
Typed marks on pigmented abaca paper, 35.5 x 26 cm

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family I, 2009
typed marks on paper, 12.5 x 12.3 cm

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Allyson Strafella, range, 2017
Typed marks on pigmented abaca paper, 58 x 29 cm

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Allyson Strafella, family II, 2009
typed marks on paper, 12.5 x 12 cm

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Allyson Strafella, gatefold, 2015
Custom marks on pigmented abaca paper, 88 x 54.5 cm

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Allyson Strafella, punchcut master, 2013
typed marks on red carbon, 25.5 x 22 cm

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Allyson Strafella, early, 2014
Custom marks on pigmented abaca paper, 86 x 62 cm

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Scored right, 2015
typed marks on pigmented abaca, 27.8 x 23 cm

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Allyson Strafella, pull, 2014
Custom marks on pigmented abaca paper, 84.5 x 62 cm

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Allyson Strafella, scored middle, 2015
Typed marks on red carbon, 28 x 23 cm

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Allyson Strafella, band, 2018
Typed marks on pigmented abaca paper, 33 x 29 cm

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articulation A, 2015
typed marks on transfer paper, 28.3 x 24 cm

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position, 2015
typed marks on pigmented abaca paper, 33.2 x 22.5 cm

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Allyson Strafella, burrow, 2017
Typed marks on transfer paper, 30.5 x 27.5 cm

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Quay, 2015
typed marks on pigmented abaca paper, 30.5 x 22.5 cm

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Allyson Strafella, range section, 2017
Typed marks on transfer paper, 30.6 x 29 cm

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catenary, 2007
typed marks on gampi, 36.7 x 26.5 cm

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Allyson Strafella, tidal A, 2017
Typed marks on transfer paper, 33.3 x 28.2 cm

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cleave, 2015
typed marks on pigmented abaca paper, 30 x 27.7 cm

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yaw, 2015
typed marks on pigmented abaca paper, 38 x 28.3 cm

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Allyson Strafella, pool, 2013
Typed marks on pigmented abaca, 29 x 21 cm

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Allyson Strafella, suspension detail, 2013
Typed marks on pigmented abaca, 28 x 20 cm

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Allyson Strafella, variation on peak #6, 2014
typed marks on blue carbon paper, 33 x 28 cm
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

2018年08月29日

Tactile Line @ Bartha Contemporary, London

Tactile Line
Sasha Holzer, Sam Messenger, David Murphy, Giulia Ricci
@Bartha Contemporary
25 Margaret Street
London W1W 8RX
UK
19.07.-22.09.2018

installation view
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David Murphy, Long Ending (White), 2017
Casein paint and scratches on gesso panel, 39 x 21.5 x 2.5 cm

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David Murphy, Long Ending (White), detail, 2017
Casein paint and scratches on gesso panel, 39 x 57 x 2.5 cm

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David Murphy, Long Ending (Ochre), detail, 2018
Casein paint and scratches on gesso panel, 122 x 87 x 3 cm

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Orientation / Disorientation no.13
Framed in UV and antireflective wood frame
Exhibitions: The Edge of Printing (Royal Academy) 2016

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Sasha Holzer, Fall (Cherry), 2012
Carved cherry wood, 138 x 37.5 cm

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Sasha Holzer, Fall (Elm), 2012
Carved elm wood, 137.2 x 38 cm

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Sasha Holzer, Path, 2016
Carved oak wood, 38.8 x 24.3 cm

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Sasha Holzer, Field, 2016
Carved oak wood, 30 x 45.5 cm

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Sam Messenger, Untitled (Cryograph Studies), 2015 - 16
Ink frozen on paper, mounted under acrylic glass coverslip with aluminium frames, 63 unique and individual part, 206.5 x 194 cm

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Giulia Ricci, Parallel Bend 51, 2018
Ink on paper, 49.5 x 69.5 cm

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Giulia Ricci, Parallel Bend 53, 2018
Ink on paper, 49.5 x 69.5 cm
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

JESS: Secret Compartments @ TIBOR DE NAGY GALLERY, New York

JESS: Secret Compartments
@TIBOR DE NAGY GALLERY
15 Rivington St, New York, NY 10002
USA
March 29 – May 6, 2018

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Jess (Collins)
Untitled (with Wanda Landowska)
circa 1952-1953
collage

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Jess (Collins)
Untitled (with Joan Crawford head)
circa 1952-1953
collage
18 x 23 inches

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Jess (Collins)
Untitled (Pooh), 1952
Collage
17 1/2 x 23 12 inches

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Jess (Collins)
Xrysxrossanthemums, 1978
collage
19 1/2 x 23 3/4 inches

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Jess (Collins)
Book cover (for Jess: Paste-ups (and Assemblies) 1951-1983), 1983
collage
10 1/4 x 21 inches

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Jess (Collins)
Eight - A Daydream of Fortune, 1993
mixed media paper collage on board
9 1/4 x 10 1/2 inches

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Jess (Collins)
Sultry Eucalyptus Beach, 1953
Oil on canvas
20 1/4 x 16 inches

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Jess (Collins)
Sea Cove, 1952
oil on canvas
17 7/8 x 23 7/8 inches

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Jess (Collins)
Prison Isle, 1954
Oil on board
11 7/8 x 15 3/4 inches

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Jess (Collins)
On Corbett's Dismissal, 1951
Oil on canvas
41 x 33 inches

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Jess (Collins)
Apollon-Hyakinthos, 1962
oil on canvas
60 x 30 inches

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Jess (Collins)
A Wish in the Form of a Landscape 1954
Oil on canvas
40 x 52 inches

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Jess (Collins)
Ex. 2 - Crito's Socrates: Translation #3, 1964
oil on canvas mounted on wood
18 x 25 inches

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Jess (Collins)
In Praise of Sir Edward Translation #7, 1965
Oil on canvas mounted on wood
28 x 18 inches

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Jess (Collins)
The Opening of the Field, 1960
Ink and mixed media collage
16 x 10 1/2 inches

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Jess (Collins)
Unkinged by Affection, 1963
ink on paper
12 3/4 x 10 inches

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Jess (Collins)
Cover for Credences 3, 1976
collage
8 1/2 x 14 inches

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Jess (Collins)
Prelude, 1955
oil on canvas
32 x 27 inches

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Jess (Collins)
Lovers III Erotic Triptych 1959 and 1969
Wax crayon on paper mounted to cabinet

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Jess (Collins)
"Attention Which Is The Eye of The Heart": Salvages III, 1963-72
oil on canvas
24 x 30 inches

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Jess (Collins)
Emblems for Robert Dunca II, 7 Once more, remembering, you build the shrine to Ameninias, 1989
collage
4 1/4 x 5 1/2 inches

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Jess (Collins)
Emblems for Robert Duncan II, 3 They were there for they are here, 1989
collage
4 1/4 x 5 1/2 inches

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Jess (Collins)
Emblems for Robert Duncan II:, #4, "the ayre of the music carries", 1989
collage
4 1/4 x 5 5/8 inches (tondo)
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

HUMA BHABHA @ C L E A R I N G, Upper East Side, New York

HUMA BHABHA
@C L E A R I N G, Upper East Side
43 East 78th Street, New York, NY 10075, USA
April 22, 2018 - May 26, 2018

installation views
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Friend, 2015
Painted bronze
83.75 x 37.25 x 5.8 inches (212.7 x 94.6 x 14.7 cm)

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Friend, 2015
Painted bronze
83.75 x 37.25 x 5.8 inches (212.7 x 94.6 x 14.7 cm)

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Untitled, 2015
Marker, dust, acrylic paint on paper
49 x 59 inches (124.5 x 149.9 cm)

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Untitled, 2015
Marker, dust, acrylic paint on paper
69.25 x 44.5 inches (175.9 x 113 cm)

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Snakes, 2013
Rubber tires, metal
7 x 78 x 12 inches (17.8 x 198.1 x 30.5 cm)

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Moment to Moment, 2013 – 2014
Lacquered bronze
16.25 x 8.75 x 1.75 inches (41.3 x 22.2 x 4.4 cm)
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

MARINA PINSKY @ 303 Gallery, New York

MARINA PINSKY
@303 Gallery
555 W 21st Street
New York, NY 10011
USA
February 22 – March 31, 2018

installation views
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4marina-pinsky.jpeg

5marina-pinsky.jpeg

6marina-pinsky.jpeg

7marina-pinsky.jpeg

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Marina Pinsky
Pine Tree Flag 2
2017
Silver gelatin print
55 1/8 x 68 1/2 inches (140 x 174 cm)
58 x 71 3/8 inches (147.3 x 181.3 cm) framed
Edition of 3, with 1 AP
MPI 161

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Marina Pinsky
Trigger Trace 3
2018
Granite, pigments, polyurethane foam, Plasti Dip, nylon, stainless steel
16 1/8 x 28 1/2 x 15 inches (41 x 72.4 x 38.1 cm)
pedestal: 39 3/8 x 39 3/8 x 39 3/8 inches (100 x 100 x 100 cm)
MPI 167

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Marina Pinsky
Cucumber Assembly Kit
2018
Acrylic paint, concrete, epoxy, high-density polyethylene, plastic, primer, steel, sand, urethane plastic
17 3/4 x 94 x 34 5/8 inches (45.1 x 238.8 x 87.9 cm)
MPI 168

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Marina Pinsky
Trigger Trace 1
2018
Granite, pigments, polyurethane foam, Plasti Dip, nylon, stainless steel
16 3/8 x 29 1/4 x 15 1/2 inches (41.6 x 74.3 x 39.4 cm)
pedestal: 39 3/8 x 39 3/8 x 39 3/8 inches (100 x 100 x 100 cm)
MPI 165

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Marina Pinsky
Trigger Trace 2
2018
Granite, pigments, polyurethane foam, Plasti Dip, nylon, stainless steel
15 1/2 x 28 1/2 x 16 inches (39.4 x 72.4 x 40.6 cm)
pedestal: 39 3/8 x 39 3/8 x 39 3/8 inches (100 x 100 x 100 cm)
MPI 166

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Marina Pinsky
Snow Mask 8
2017
Silver gelatin paper direct positive photograph
4 x 5 inches (10.2 x 12.7 cm)
12 3/4 x 13 1/4 inches (32.4 x 33.7 cm) framed
MPI 188

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Marina Pinsky
Pine Tree Flag 1
2017
Silver gelatin print
55 1/8 x 68 1/2 inches (140 x 174 cm)
58 x 71 3/8 inches (147.3 x 181.3 cm) framed
Edition of 3, with 1 AP
MPI 162

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Marina Pinsky
Creeper
2017
Silver gelatin print
55 1/8 x 68 1/2 inches (140 x 174 cm)
58 x 71 3/8 inches (147.3 x 181.3 cm) framed
Edition of 3, with 1 AP
MPI 163

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Marina Pinsky
Snow Mask 1
2017
Silver gelatin paper direct positive photograph
4 x 5 inches (10.2 x 12.7 cm)
12 3/4 x 13 1/4 inches (32.4 x 33.7 cm) framed
MPI 164

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Marina Pinsky
Snow Mask 2
2017
Silver gelatin paper direct positive photograph
4 x 5 inches (10.2 x 12.7 cm)
12 3/4 x 13 1/4 inches (32.4 x 33.7 cm) framed
MPI 182

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Marina Pinsky
String Bean Leaf Assembly Kit
2018
Acrylic paint, concrete, epoxy, high-density polyethylene, plastic, primer, steel, sand, urethane plastic
18 1/4 x 63 x 56 1/4 inches (46.4 x 160 x 142.9 cm)
MPI 169

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Marina Pinsky
Snow Mask 4
2017
Silver gelatin paper direct positive photograph
4 x 5 inches (10.2 x 12.7 cm)
12 3/4 x 13 1/4 inches (32.4 x 33.7 cm) framed
MPI 184

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Marina Pinsky
Snow Mask 5
2017
Silver gelatin paper direct positive photograph
4 x 5 inches (10.2 x 12.7 cm)
12 3/4 x 13 1/4 inches (32.4 x 33.7 cm) framed
MPI 185

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Marina Pinsky
Young Pumpkin Leaf Assembly Kit
2018
Acrylic paint, concrete, epoxy, milling foam, PVC plastic, urethane plastic, primer, sand
17 1/8 x 50 x 33 3/8 inches (43.5 x 127 x 84.8 cm)
MPI 170

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Marina Pinsky
Snow Mask 3
2017
Silver gelatin paper direct positive photograph
4 x 5 inches (10.2 x 12.7 cm)
12 3/4 x 13 1/4 inches (32.4 x 33.7 cm) framed
MPI 183

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Marina Pinsky
Snow Mask 6
2017
Silver gelatin paper direct positive photograph
4 x 5 inches (10.2 x 12.7 cm)
12 3/4 x 13 1/4 inches (32.4 x 33.7 cm) framed
MPI 186

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Marina Pinsky
Mature Pumpkin Leaf Assembly Kit
2018
Acrylic paint, concrete, epoxy, milling foam, PVC plastic, urethane plastic, primer, sand
17 5/8 x 58 1/2 x 26 inches (44.8 x 148.6 x 66 cm)
MPI 171

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Marina Pinsky
Snow Mask 7
2017
Silver gelatin paper direct positive photograph
4 x 5 inches (10.2 x 12.7 cm)
12 3/4 x 13 1/4 inches (32.4 x 33.7 cm) framed
MPI 187

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Marina Pinsky
Wyckoff House Model
2018
Ceramic, nylon, painted wood, Styrofoam, stainless steel
14 7/8 x 37 1/4 x 23 1/2 inches (37.8 x 94.6 x 59.7 cm)
Table: 29 3/4 x 52 3/4 x 38 1/4 inches (75.6 x 134 x 97.2 cm)
MPI 172
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

DELPHINE REIST / MATTHEW FEYLD @ Galerie Lange+Pult, Zürich

DELPHINE REIST / MATTHEW FEYLD
@Galerie Lange+Pult
Limmatstrasse 291
CH-8005 Zürich
Switzerland
24.11.2017 -27.01.2018

installation views
1drmf.jpg

2drmf.jpg

3drmf.jpg

4drmf.jpg

5drmf.jpg

6drmf.jpg
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする