2018年08月25日

VHILS "ANNIHILATION" @ OVER THE INFLUENCE, LOS ANGELES

VHILS "ANNIHILATION"
@OVER THE INFLUENCE, LOS ANGELES
833 EAST 3RD STREET
LOS ANGELES CA 90013
USA
February 23, 2018 / April 1, 2018

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MIYA ANDO – “OBOROZUKI (MOON OBSCURED BY CLOUDS)” @ Nancy Toomey Fine Art, San Francisco

MIYA ANDO – “OBOROZUKI (MOON OBSCURED BY CLOUDS)”
@Nancy Toomey Fine Art
1275 Minnesota Street
San Francisco, CA 94107
USA
January 4 to February 22, 2018

installation views
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Miya Ando, November Kumo (Cloud) 6, 2017, Ink on Aluminum Composite, 49.5 x 49.5 x 2 Inches Framed

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Miya Ando, November Kumo (Cloud) 1, 2017, Ink on Aluminum Composite, 49.5 x 49.5 x 2 Inches Framed

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Miya Ando, Gekkou (Moonlight) November 9, 2017, Pigment, Silver Leaf, Arches Paper, 45.5 x 34.5 x 1.75 Inches Framed

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Miya Ando, Yaoke (Dawn) 4.8, 2017, Pigment, Dye, Urethane, Resin, Aluminum, 48 x 96 Inches

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Miya Ando, November Sky Blue Cloud, 2017, Dye on Aluminum, 48 x 48 Inches

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Miya Ando, Gekkou (Moonlight) November 6, 2017, Pigment, Silver Leaf, Arches Paper, 45.5 x 34.5 x 1.75 Inches Framed

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Miya Ando, November Kumo (Cloud) 3, 2017, Ink on Aluminum Composite, 49.5 x 49.5 x 2 Inches Framed

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Miya Ando, Gekkou (Moonlight) November 4, 2017, Pigment, Silver Leaf, Arches Paper, 45.5 x 34.5 x 1.75 Inches Framed

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Miya Ando, Kumo (Cloud) 4.8.6, 2017, Ink on Aluminum Alucore, 49.5 x 97 x 2 Inches Framed

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Miya Ando, Blue Silver Cloud 4.4.1, 2017, Dye on Aluminum, 48 x 48 Inches

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Miya Ando, Kumo Cloud, 2017, Ink and Glass, 4 x 6 x 1.75 Inches, Edition of 5

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Miya Ando, Kumo Cloud, 2017, Ink and Glass, 4 x 6 x 1.75 Inches, Edition of 5

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Miya Ando, Kumo (Cloud) 60.30.3, 2017 (Front and Back), Solid Glass Sculpture, 60 x 30 Inches, 12 x 24 Inches Base

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Miya Ando, Kumo (Cloud) 60.30.3, 2017 (Front), Solid Glass Sculpture, 60 x 30 Inches, 12 x 24 Inches Base

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Miya Ando, Kumo (Cloud) 60.30.3, 2017 (Back), Solid Glass Sculpture, 60 x 30 Inches, 12 x 24 Inches Base
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LOUISE BONNET | New Works @ NINO MIER GALLERY, 7313 Santa Monica Blvd, Los Angeles

LOUISE BONNET | New Works
@NINO MIER GALLERY, 7313 Santa Monica Blvd
7313 Santa Monica Blvd
Los Angeles, CA 90046
USA
MARCH 24 – MAY 5, 2018

installation views
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Untitled, 2018, Colored pencil on paper, 12 x 9 in (30.5 x 22.9 cm), LB18.009

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Untitled, 2018, Colored pencil on paper, 9 x 12 in (22.9 x 30.5 cm), LB18.015

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Untitled, 2018, Colored pencil on paper, 14 x 11 in (35.6 x 27.9 cm), LB18.013

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Untitled, 2018, Colored pencil on paper, 12 x 9 in (30.5 x 22.9 cm), LB18.011

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Untitled, 2018, Colored pencil on paper, 9 x 12 in( 22.9 x 30.5 cm), LB18.010

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Untitled, 2017, Colored pencil on paper, 14 x 11 in (35.6 x 27.9 cm), LB17.033

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Untitled, 2018, Colored pencil on paper, 11 x 14 in (27.9 x 35.6 cm), LB18.014

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Untitled, 2018, Colored pencil on paper, 14 x 11 in (35.6 x 27.9 cm), LB18.012

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The Cane Chair, 2018, Oil on linen, 72 x 60 in (182.9 x 152.4 cm), LB18.008

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Stump with Fig Leaf, 2018, Oil on linen, 72 x 60 in (182.9 x 152.4 cm), LB18.003

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The Wood Floor, 2018, Oil on linen, 72 x 120 in (182.9 x 304.8 cm), LB18.006

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The Cylclops, 2018, Oil on linen, 72 x 120 in (182.9 x 304.8 cm), LB18.005

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The Gold Chain, 2018, Oil on linen, 64 x 56 in (162.6 x 142.2 cm), LB18.002

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The Stump, 2018, Oil on linen 72 x 60 in (182.9 x 152.4 cm), LB18.004

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The Satin Sheet, 2018, Oil on linen, 40 x 30 in (101.6 x 76.2 cm), LB18.007

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Untitled, 2017, Colored pencil on paper, 12 x 9 in, (30.5 x 22.9 cm), LB17.035
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Tony Lewis: Howling @ Shane Campbell Gallery, South Loop, Chicago

Tony Lewis: Howling
@Shane Campbell Gallery , South Loop
2021 S WABASH AVE
CHICAGO IL 60616
USA
September 12 - October 21, 2017

installation views
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Tony Lewis Hm Hm! 2017 Graphite, pencil, and colored pencil on paper mounted on wood 78h x 100w x 2d in TL431

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Tony Lewis Ha! 2017 Graphite, pencil, and colored pencil on paper mounted on wood 78h x 100w x 2d in TL434

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Tony Lewis Ho Ho! 2017 Graphite, pencil, and colored pencil on paper mounted on wood 78h x 100w x 2d in TL435

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Tony Lewis He He! 2017 Graphite, pencil, and colored pencil on paper mounted on wood 78h x 100w x 2d in TL426

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Tony Lewis Hardy Har Har! 2017 Graphite, pencil, and colored pencil on paper mounted on wood 78h x 100w x 2d in TL433
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SOUL RECORDINGS @ Luis De Jesus Los Angeles

SOUL RECORDINGS
LEX BROWN
CAITLIN CHERRY
EBONY G. PATTERSON
DEBORAH ROBERTS
PAUL ANTHONY SMITH
EDRA SOTO
LISA C SOTO
PETER WILLIAMS
@Luis De Jesus Los Angeles
2685 S LA CIENEGA BOULEVARD
LOS ANGELES, CA 90034
USA
Feb 17 - Mar 24, 2018

installation views
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EBONY G. PATERSON, ...THEY WERE BEAUTIFUL LIKE THE MOON... THEY WERE JUST BABIES... THEY WERE JUST GIRLS... (...WHEN THEY GROW UP), 2016-2018, HAND-EMBELLISHED JACQUARD TAPESTRY, BEADS, GLITTER, APPLIQU�S, EMBROIDERY, TASSELS, TRIM, RHINESTONES, BUTTONS, AND HAND-CUT ELEMENTS WITH BROKEN METAL AND PLASTIC TROPHY HEADS, AND HAND-CAST BALLOONS, 108 X 36 X 96 IN

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EBONY G. PATERSON, DETAIL OF ...THEY WERE BEAUTIFUL LIKE THE MOON... THEY WERE JUST BABIES... THEY WERE JUST GIRLS... (...WHEN THEY GROW UP), 2016-2018, HAND-EMBELLISHED JACQUARD TAPESTRY, BEADS, GLITTER, APPLIQU�S, EMBROIDERY, TASSELS, TRIM, RHINESTONES, BUTTONS, AND HAND-CUT ELEMENTS WITH BROKEN METAL AND PLASTIC TROPHY HEADS, AND HAND-CAST BALLOONS, 108 X 36 X 96 IN

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DEBORAH ROBERTS, BREAKING RANKS, 2018, COLLAGE AND GOLD PIGMENT ON PAPER, 30 X 22 IN

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DEBORAH ROBERTS, THE INTRUSION, 2018, COLLAGE, GOLD PIGMENT, AND PAINT ON PAPER, 30 X 22 IN

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CAITLIN CHERRY, MIT, 2017, OIL ON CANVAS, 36 X 24 IN

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CAITLIN CHERRY, HARVARD, 2017, OIL ON CANVAS, 36 X 24 IN

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CAITLIN CHERRY, YALE, 2017, OIL ON CANVAS, 36 X 24 IN

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LEX BROWN, LIP GLOSS ALURT, 2017, HD VIDEO, 05:12 MIN

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CAITLIN CHERRY, BLACCHYNA, 2017, OIL ON CANVAS, 36 X 24 IN

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CAITLIN CHERRY, MINNESOTA, 2017, OIL ON CANVAS, 36 X 24 IN

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EBONY G. PATTERSON, UNTITLED (DISCIPLE VII) FROM GANGSTAS FOR LIFE, 2008, MIXED MEDIA ON HAND-CUT PAPER, 48 X 36 IN

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LISA C SOTO, MY BROKEN BRIDGE, THE GAP IN YOU SADDENS ME, MAKES ME WANT TO REPAIR YOU, REPAIR US. LAYERS OF OUR STORIES, OUR TRUTHS, OUR HEARTBREAK EMBEDDED IN MY MAGNETIZED LINES. ALL OF OUR JOY AND PAIN COMPRESSED INTO THESE KNOTS. HOW DO WE BRIDGE THIS GAP? LET'S CREATE A PATH ABOVE THIS OCEAN. LET'S CREATE A FORCE FIELD., 2018, MAGNETIC TAPE, COPPER, BRASS WIRE, 336 X 8 IN

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PAUL ANTHONY SMITH, MASK #4, 2015, UNIQUE PICOTAGE ON PIGMENT PRINT, 40 X 30 IN

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PAUL ANTHONY SMITH, UNTITLED (GRAY AREA 3.1), 2017, OIL AND SILKSCREEN CANVAS, 84 X 50 IN

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PETER WILLIAMS, SPECIAL K II, KAEPERNICK, 2017, OIL ON CANVAS WITH PENCIL;, 30 X 30 IN

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PETER WILLIAMS, #137, 2017, OIL ON CANVAS WITH PENCIL, 60 X 66 IN

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PETER WILLIAMS, SPECIAL K, KNEELING, 2017, OIL ON CANVAS WITH PENCIL, 50 X 40 IN

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LEX BROWN, OVER, 2018, PLASTER, TEXTILE, WOOD, 24 X 30 IN

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LEX BROWN, KITCHEN TABLE, 2018, PLASTER, TEXTILE, WOOD, 40 X 6 IN

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EDRA SOTO, OPEN 24 HOURS / HOME, 2018, MDF PANELS, SHELVES, 38 BOTTLES OF COGNAC (REMY MARTIN HENNESSY, E&J, D'USSE, AND COURVOISIER), 80 X 53 X 30 IN

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EDRA SOTO, OPEN 24 HOURS / HOME, 2018, MDF PANELS, SHELVES, 38 BOTTLES OF COGNAC (REMY MARTIN HENNESSY, E&J, D'USSE, AND COURVOISIER), 80 X 53 X 30 IN

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EDRA SOTO, DETAIL OF OPEN 24 HOURS / HOME, 2018, MDF PANELS, SHELVES, 38 BOTTLES OF COGNAC (REMY MARTIN HENNESSY, E&J, D'USSE, AND COURVOISIER), 80 X 53 X 30 IN

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EDRA SOTO, 1-1-17: UV VODKA, HENNESSY, PATRON, 1800 REPOSADO, MILLER, COLT 45, NEW AMSTERDAM, PAUL MASSON, BOONE'S, 2017, RISOGRAPH ON PAPER, 11 X 14 IN

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EDRA SOTO, 1-7-17: HENNESSY, RÉMY MARTIN, AVION, BUDWEISER, MILLER, NEW AMSTERDAM, 2017, RISOGRAPH ON NEWSPRINT, 11 X 14 IN

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EDRA SOTO, 3-27-17: NEW AMSTERDAM, WILD IRISH ROSE, VS, PATRON, MICKEY'S STEEL RESERVE, RÉMY MARTIN, MEMBER'S MARK, 2017, RISOGRAPH ON PAPER, 11 X 14 IN
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