2018年08月30日

JORINDE VOIGT: Integral @ David Nolan New York

JORINDE VOIGT: Integral
@David Nolan New York
527 West 29th Street
New York, NY 10001
USA
May 4 – June 22, 2018

installation views
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Jorinde Voigt
Immersive Integral IV
2018
ink, India ink, gold leaf, pastel, oil chalks, pencil on paper
93 1/2 x 55 5/16 in
237.5 x 140.5 cm
JV6728

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Jorinde Voigt
Immersion II (5)
2018
ink, India ink, gold leaf, pastels, oil chalks, pencil on paper
40 3/16 x 26 in
102 x 66 cm
JV6675

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Jorinde Voigt
Immersion VI (4)
2018
ink, India ink, aluminium leaf, pastels, oil chalks, pencil on paper
29 15/16 x 22 1/16 in
76 x 56 cm
JV6702

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Jorinde Voigt
Immersion VIII (4)
2018
ink, India ink, gold leaf, pastel, oil chalks, pencil on paper
30 1/8 x 22 1/16 in
76.5 x 56 cm
JV6713
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TREVOR WINKFIELD - SAINTS, DANCERS AND ACROBATS @ TIBOR DE NAGY GALLERY, New York

TREVOR WINKFIELD - SAINTS, DANCERS AND ACROBATS
@TIBOR DE NAGY GALLERY
15 Rivington St, New York, NY 10002
USA
February 17 – March 25, 2018

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Trevor Winkfield
The Painter in Her Studio, 2014
acrylic on linen
31 x 45 1/2 inches

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Trevor Winkfield
Signals, 2013
acrylic on linen
38 1/2 x 45 1/2 inches

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Trevor Winkfield
The Acrobats, 2015
acrylic on linen
36 x 43 1/2 inches

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Trevor Winkfield
The Floating Crocodile and Her Keeper, 2013
acrylic on linen
39 3/4 x 38 1/2 inches

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Trevor Winkfield
The First Dance, 2017
acrylic on linen
39 x 36 inches

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Trevor Winkfield
Acrobat, 2015
acrylic on linen
31 1/2 x 24 inches

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Trevor Winkfield
St. George and the Dragon, 2017
acrylic on linen
34 x 34 inches

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Trevor Winkfield
The Studio, 2015
acrylic on linen
29 3/4 x 34 1/2 inches

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Trevor Winkfield
The Sundial, 2017
acrylic on linen
32 1/4 x 19 1/4 inches

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Trevor Winkfield
At the Circus, 2016
acrylic on linen
18 1/4 x 15 1/2 inches
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Korakrit Arunanondchai: A workshop for peace: nowhere to go: let the song hold us: in a room filled with people with funny names 4 @ C L E A R I N G, Brussels

Korakrit Arunanondchai: A workshop for peace: nowhere to go: let the song hold us: in a room filled with people with funny names 4
@C L E A R I N G, Brussels
Avenue Van Volxemlaan 311, 1190 Brussels, Belgium
April 19, 2018 - June 30, 2018

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Workshop for Peace, from a place/ not so familiar/ but relatable/ through the sound/ of its breath, 2018
21 clay models of UN Secretariat building, cast of Boychild’s head, cast of artist’s grandfather’s hands,
clay, wood, metal armature, banana leafs, soil, resin, varieties of plant life, moss
122 x 236 x 181 inches (310 x 600 x 460 cm)

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Workshop for Peace/Oceans of trauma, Rivers of dried up hopes and dreams=the joy of being human-being, 2018
Clay model of United Nations Headquarters, silicone oarfish with artist’s face sculpted on, deceased tree
root system, dried flowers, dried orange peels, dried durian shells, blown blue glass, dried mushrooms,
lobster shells, LED lights programmed after breath algorithm, neon lights, resin, plexi encasement
72 1/4 x 71 x 47 inches (183.5 x 180.3 x 119.4 cm)

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Workshop for Peace / Death of Pan, 2018
Clay model of United Nations Headquarters in New York, deceased tree root system, blown red glass,
plastic model of Dhammakaya Temple Pagoda, used ceremonial candles collected from wat Buddha
Thai Thavorn Vanaram Temple in Queens, New York, fiber optic cables, LED lights programmed
after breath algorithm, goat horns, plastic, taxidermy rats, various species of bird eggs, coconut,
resin, neon lights, plexi encasement.
72 1/4 x 71 x 47 inches (183.5 x 180.3 x 119.4 cm)

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with history in a room filled with people with funny names 4, 2017
HD video, 23 minutes 32 seconds

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Workshop for Peace / Cry Pan Cry, 2018
Clay model of United Nations Headquarters architecture, deceased tree root system, blown red glass, clay, clam
and oyster shell, tissue paper, resin, neon lights, LED lights programmed after breath algorithm, plexi encasement
72 1/4 x 71 x 47 inches (183.5 x 180.3 x 119.4 cm)

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There’s a word I’m trying to remember from a feeling I’m about to have (let the song hold us), 2018
Giant rat costume, cast of artist’s grandfather’s hands, denim jacket, fog machine, metal armature
79 x 35 x 81 inches (200 x 90 x 205 cm)

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To experience the vertigo of the world and see it dissolve into light, 2018
Hand Carved Naga Sculpture in teak wood rubbed with “Dad’s dirt”
(dirt collected from areas in which King RAMA 9 of Thailand has walked on) placed in a fireplace
Dimensions variable

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Objects made by Tipyavarna Nitibhon

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madeleine boschan: BB 105 / 146 @ Galerie Lange+Pult, Zürich

madeleine boschan: BB 105 / 146
@Galerie Lange+Pult
Limmatstrasse 291
CH-8005 Zürich
Switzerland
13 october - 18 november 2017

installation views
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Une écriture corporelle (bleu), 2017
Madeleine Boschan – BB 105 / 146
Galerie Lang-e + Pult, Zurich

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Une écriture corporelle (jaune), 2017
Champagnerkreide, Dispersionsfarbe, Eitempera, Pigment, Schichtholz
61 x 44 x -20,3 cm

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Une écriture corporelle (2017)
Champagnerkreide, Dispersionsfarbe, Eitempera, Pigment, Schichtholz
81 x 44 x 21 cm

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Une écriture corporelle (lilas), 2017
Champagnerkreide, Dispersionsfarbe, Eitempera, Pigment, Schichtholz
61 x 44 x 20,3 cm

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Une écriture corporelle (menthe), 2017
Champagnerkreide, Dispersionsfarbe, Eitempera, Pigment, Schichtholz
71 x 50 x 26,5 cm

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Une écriture corporelle (vert claire et ivoire), 2017
Aluminium lackiert, 2-teilig
300 x 300 x 76,5 cm
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Allyson Strafella: field @ Bartha Contemporary, London

Allyson Strafella: field
@Bartha Contemporary
25 Margaret Street
London W1W 8RX
UK
18.05.-07.07.2018

installation view
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Allyson Strafella, untitled, 1993
Typed marks on paper, 24.5 x 21.5 cm

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Allyson Strafella, untitled, 1993
Typed marks on carbon, 25 x 21.5 cm

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Allyson Strafella, untitled, 1993
Typed marks on paper, 27.5 x 21.5 cm

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Allyson Strafella, untitled, 1993
Typed marks on carbon, 27.5 x 21.5 cm

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Allyson Strafella, underlines I, 1999
Typed marks on carbon, 27.5 x 21.5 cm

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Allyson Strafella, lines, 1997
Typed marks on carbon, 27.5 x 21.5 cm

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Allyson Strafella, untitled, 1995
Typed marks on paper, 27.5 x 21.5 cm

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Allyson Strafella, untitled, 1993
Typed marks on carbon, 27.5 x 21.5 cm

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Allyson Strafella, untitled, 1993
Typed marks on carbon, 27.5 x 21.5 cm

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Allyson Strafella, dash, 1999
Typed marks on carbon, 27.5 x 21.5 cm

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Allyson Strafella, twice, 2000
Typed marks on paper, 20.5 x 14 cm

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Allyson Strafella, fine, 2000
Typed marks on paper, 19 x 12.7 cm

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Allyson Strafella, foothill, 2008
Typed marks on paper, 14.2 x 30.6 cm

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Allyson Strafella, partial mound, 2007
Typed marks on paper, 20.3 x 12.7 cm

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Allyson Strafella, kilo. 2009
Typed marks on carbon paper, 21 x 21 cm

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Allyson Strafella, partial track, 2006
Typed marks on tracing paper, 23.5 x 20 cm

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Allyson Strafella, rail, cluster I, cluster II, 2000
Typed marks on transfer paper, 15 x 13.4 cm

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Allyson Strafella, crenelation, 2008
Typed marks on paper, 13.5 x 12.5 cm

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Allyson Strafella, transfer, 2010
Typed marks on transfer paper, 35 x 24 cm

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Allyson Strafella, confluent A, 2007
Typed marks on transfer paper, 28 x 23.5 cm

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Allyson Strafella, biscayne, 2007
Typed marks on paper, 24.5 x 23.6 cm

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Allyson Strafella, second dweller, 2011
Typed marks on tracing paper, 45.7 x 29.2 cm

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Allyson Strafella, tenon, 2005
Typed marks on paper, 20.9 x 12.7 cm

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Allyson Strafella, ledge, 2006
Typed marks on paper, 12.7 x 21.5 cm

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Allyson Strafella, break, 2008
Typed marks on paper, 41.6 x 29.5 cm

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Allyson Strafella, red blade, 2009
Typed marks on paper, 22.5 x 15.5 cm

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Allyson Strafella, shoulder, 2008
Typed marks on paper, 22.4 x 17 cm

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Allyson Strafella, green mound, 2008
Typed marks on paper, 34.6 x 28.2 cm

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Allyson Strafella, ligature, 2005
Typed marks on paper, 12.5 x 17.2 cm

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Allyson Strafella, cwm, 2010
Typed marks on paper, 22 x 12.7 cm

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Allyson Strafella, blue, 2010
Typed marks on paper, 28 x 30 cm

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Allyson Strafella, component, 2006
Typed marks on tracing paper, 38.1 x 28.6 cm

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Allyson Strafella, factor I, 2007
Typed marks on transfer paper, 27.3 x 27 cm

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Allyson Strafella, east plotl, 2009
Typed marks on paper, 26.6 x 21 cm

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Allyson Strafella, striation, 2009
Typed marks on paper, 26.5 x 27.5 cm

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Allyson Strafella, flipped catenary, 2013
Custom marks typed on paper, 75.6 x 60 cm

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Allyson Strafella, acre, 2012
Typed marks on paper, 14 x 18.4 cm

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Allyson Strafella, through, 2009
Typed marks on transfer paper, 22 x 13 cm

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Allyson Strafella, hover, 2010
Typed marks on paper, 25 x 21 cm

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Allyson Strafella, belly dweller, 2005
Typed marks on carbon, 21.5 x 12 cm

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Allyson Strafella, surface mound, 2014
Typed marks on green carbon paper, 20.3 x 24 cm

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Allyson Strafella, half, 2015
Typed marks on paper, 38.5 x 21.5 cm

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Allyson Strafella, truncated form, 2009
Typed marks on paper, 44.5 x 29.2 cm

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Allyson Strafella, variation on dogleg #4, 2014
Typed marks on carbon paper, 31 x 26 cm

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Allyson Strafella, tidal, 2017
Typed marks on pigmented abaca paper, 31 x 28.5 cm

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Allyson Strafella, contact, 2017
Typed marks on pigmented abaca paper, 36 x 27 cm

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Allyson Strafella, catch, 2017
Typed marks on pigmented abaca paper, 30 x 25 cm

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Allyson Strafella, steppe, 2016
Typed marks on paper, 28.5 x 20 cm

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Allyson Strafella, lacuna flipped, 2007
Typed marks on paper, 34.5 x 26 cm

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Allyson Strafella, double, 2014
Typed marks on pigmented abaca paper, 22 x 16.5 cm

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Allyson Strafella, yellow bale, 2017
Typed marks on pigmented abaca paper, 34 x 28.5 cm

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Allyson Strafella, articulation detail, 2015
Typed marks on pigmented abaca paper, 17.5 x 12 cm

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Allyson Strafella, offset, 2015
Typed marks on pigmented abaca paper, 28.5 x 28 cm

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Allyson Strafella, score II, 2015
Typed marks on pigmented abaca paper, 28.5 x 28 cm

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Allyson Strafella, band, 2017
Typed marks on pigmented abaca paper, 30.5 x 24 cm

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Allyson Strafella, yellow bend, 2017
Typed marks on transfer paper, 16.5 x 25.2 cm

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Allyson Strafella, module b, 2015
Typed marks on pigmented abaca paper, 31 x 22 cm

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Allyson Strafella, yaw, 2015
Typed marks on pigmented abaca paper, 34 x 28 cm

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Allyson Strafella, preserve, 2017
Typed marks on pigmented abaca papaer, 19 x 16.5 cm

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partial mound a, 2006
typed marks on paper, 20.4 x 12.5 cm

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Allyson Strafella, columbia county, 2017
Typed marks on pigmented abaca paper, 29 x 26 cm

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elongated mound, 2009
typed marks on paper, 18.7 x 12.4 cm

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Allyson Strafella, maine, 2017
Typed marks on pigmented abaca paper, 35.5 x 26 cm

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family I, 2009
typed marks on paper, 12.5 x 12.3 cm

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Allyson Strafella, range, 2017
Typed marks on pigmented abaca paper, 58 x 29 cm

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Allyson Strafella, family II, 2009
typed marks on paper, 12.5 x 12 cm

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Allyson Strafella, gatefold, 2015
Custom marks on pigmented abaca paper, 88 x 54.5 cm

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Allyson Strafella, punchcut master, 2013
typed marks on red carbon, 25.5 x 22 cm

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Allyson Strafella, early, 2014
Custom marks on pigmented abaca paper, 86 x 62 cm

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Scored right, 2015
typed marks on pigmented abaca, 27.8 x 23 cm

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Allyson Strafella, pull, 2014
Custom marks on pigmented abaca paper, 84.5 x 62 cm

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Allyson Strafella, scored middle, 2015
Typed marks on red carbon, 28 x 23 cm

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Allyson Strafella, band, 2018
Typed marks on pigmented abaca paper, 33 x 29 cm

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articulation A, 2015
typed marks on transfer paper, 28.3 x 24 cm

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position, 2015
typed marks on pigmented abaca paper, 33.2 x 22.5 cm

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Allyson Strafella, burrow, 2017
Typed marks on transfer paper, 30.5 x 27.5 cm

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Quay, 2015
typed marks on pigmented abaca paper, 30.5 x 22.5 cm

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Allyson Strafella, range section, 2017
Typed marks on transfer paper, 30.6 x 29 cm

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catenary, 2007
typed marks on gampi, 36.7 x 26.5 cm

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Allyson Strafella, tidal A, 2017
Typed marks on transfer paper, 33.3 x 28.2 cm

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cleave, 2015
typed marks on pigmented abaca paper, 30 x 27.7 cm

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yaw, 2015
typed marks on pigmented abaca paper, 38 x 28.3 cm

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Allyson Strafella, pool, 2013
Typed marks on pigmented abaca, 29 x 21 cm

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Allyson Strafella, suspension detail, 2013
Typed marks on pigmented abaca, 28 x 20 cm

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Allyson Strafella, variation on peak #6, 2014
typed marks on blue carbon paper, 33 x 28 cm
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