2018年10月28日

JEREMY EVERETT | PROPOSAL FOR A DEFECTIVE MONUMENT @ Edouard Malingue Gallery, Shanghai

JEREMY EVERETT | PROPOSAL FOR A DEFECTIVE MONUMENT
@Edouard Malingue Gallery, Shanghai
2202, 2879 Longteng Avenue
Xuhui District, Shanghai 200232
China
08.09.18 - 21.10.18

installation views
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Eric van Hove: METAMODERN APPARATUSES @ (re)D., Antwerpen

Eric van Hove: METAMODERN APPARATUSES
@(re)D.
Mechelsesteenweg 4
2000 Antwerpen
Belgium
24 May – 23 June 2018

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Eric van Hove - Mahjouba I (2016) (Photo: Alessio Mei)

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Eric van Hove - Mahjouba I, 2016 - Mixed media (13 materials) : Red copper, yellow copper, camel bones, cider wood, resin, tin, recycled brass, recycled aluminium, goat skin, Chinese electronics and electric parts, battery & magnets - 200 x 70 x 113 cm - edition of 3

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Eric van Hove - BMW 7-series 760i intake manifold , 2018 - Mixed media (6 materials): Nickeled silver, yellow copper, cow bone, wood glue, tin & leather - 76 x 76 x 14 cm - edition of 5 and 1 A.P.

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Eric van Hove - Alfasud Crankshaft, 2018 - Mixed media (7 Materials): Lemon wood, Thuya wood, recycled aluminum, steel, yellow copper, wood glue & sunflower oil - 50 x 25 x 25 cm - edition of 3

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Kinship @ Jessica Silverman Gallery, San Francisco

Kinship
oko Ono, Barbara Kasten, Judy Chicago, Mary Heilmann, Lynn Hershman Leeson, Amikam Toren, Suzanne Blank Redstone, John Waters, Ian Wallace, Donald Woodman, Catherine Wagner, Grayson Perry, Isaac Julien, Tammy Rae Carland, Andrea Bowers, Susanne M. Winterling, Mickalene Thomas, Haegue Yang, Luke Butler, Nicole Wermers, Julian Hoeber, Hank Willis Thomas, Matt Lipps, John Houck, Christopher Badger, N Dash, Davina Semo, Sean Raspet, Heather Rasmussen, Hayal Pozanti, Ru O’Connell, Dashiell Manley, Margo Wolowiec, Hugh Scott Douglas, Matthew Angelo Harrison, Woody De Othello
@Jessica Silverman Gallery
488 Ellis Street
San Francisco, CA 94109
USA
July 19-August 31, 2018

installation views


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Woody De Othello
Sometimes spending too much time alone leads to loneliness, 2018
Ceramic, glaze
44 x 17 x 5 inches / 111.8 x 43.2 x 12.7 cm

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Mickalene Thomas
Jet Blue #3, 2018
Oil paint, glitter, tape, charcoal and oil pastel on paper
54 1/4 x 44 1/2 inches / 137.7 x 113 cm

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Judy Chicago
Study for Birth 2, 1981-1983
Sprayed paint, ink, and embroidery on fabric
21 x 38 inches / 53.34 x 96.52 cm

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Gay Waves, 2018
Signed, titled, dated verso Acrylic on wood panel
6 x 6 x 5/8 inches / 15.2 x 15.2 x 1.6 cm

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Hayal Pozanti
LIBERATE, 2018
Acrylic on canvas
41 x 121 inches / 104.1 x 307.3 cm

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Dashiell Manley
e.f.w. (t.s.f.n.), 2018
Oil on linen
82 x 53 inches / 208.3 x 134.6 cm

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Barbara Kasten
Progression One, 2017
Fujiflex Digital Print, fluorescent acrylic
36 × 36 × 5 5/8 inches / 91.4 × 91.4 × 14.3 cm

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Julian Hoeber
Execution Changes #95A & 95B (CS, Q1, URJ, DC, Q2, LLJ, DC, Q3, LLJ, DC, Q4, URJ, DC), 2018
Acrylic on linen and acrylic and gouache on linen
Each: 30 x 20 inches / 76.2 x 50.8 cm

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Ziggy, 2017
Pulped frame, colorless acrylic
63 3/4 x 52 inches / 162 x 132 cm

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Haegue Yang
Sonic Egg with Enthralling Tetrad – Copper Crater, 2016
Steel stand, metal grid, powder coating, casters, copper plated bells, metal rings, turbine vents
52.36 x 30.31 x 34.25 inches / 133 x 77 x 87 cm

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Yoko Ono
Painting to Be Stepped On, 1966 / 1988
Bronze
18 x 14 x 1 1/2 inches / 45.7 x 35.6 x 3.8 cm

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Matthew Angelo Harrison
Dark Silhouette: Composition of Borrowed inlets #2, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
Sculpture: 24 1/2 x 10 x 6 3/4 inches / 62.2 x 25.4 x 17.1 cm

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Hank Willis Thomas
I Am Many, 2012
Liquitex on canvas
72 x 48 inches / 182.9 x 121.9 cm

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Tammy Rae Carland
A rose is a rose, 2018
Image: 44 x 44 inches / 111.8 x 111.8 cm

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Matt Lipps
Untitled (table), 2008
33 x 46 inches / 83.8 x 116.8 cm
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MEL DAVIS: MEET ME IN THE USUAL PLACE @ HONOR FRASER, Los Angeles

MEL DAVIS: MEET ME IN THE USUAL PLACE
@HONOR FRASER
2622 S. LA CIENEGA BLVD., LOS ANGELES, CALIFORNIA 90034, USA
NOVEMBER 04, 2017 − FEBRUARY 10, 2018

installation views
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Mel Davis, Burch Cruch, 2017 Oil on canvas 60 x 52 inches

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Mel Davis, Curtains, 2017 Oil on canvas 60 x 52 inches
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Mel Davis, Lemons, 2017 Oil on canvas 22 x 28 inches

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Mel Davis, Lilies, 2017 Oil on canvas 22 x 28 inches

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Mel Davis, Palm, 2017 Oil on linen 22 x 28 inches

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Mel Davis, River, 2017 Oil on linen 28 x 22 inches

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Mel Davis, Still Life with Tapestry, 2017 Oil on canvas 22 x 28 inches

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Mel Davis, Wandering, 2017 Oil on canvas 22 x 28 inches
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Jana Schröder: Kadlites and Kinkrustations 2/2 @ NATALIA HUG, Köln

Jana Schröder: Kadlites and Kinkrustations 2/2
@NATALIA HUG
Jülicher Straße 14
50674 Köln, Germany
April 19 − June 02, 2018

installation views
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Jana Schröder, Kadlites L7, 2018, Acrylic, graphite, lead and oil on canvas, 240 × 200 cm (94 1/2 × 78 3/4 inches)

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Jana Schröder, Kadlites L6, 2018, Acrylic, graphite, lead and oil on canvas, 240 × 200 cm (94 1/2 × 78 3/4 inches)

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Jana Schröder, Kadlites L4, 2018, Acrylic, graphite, lead and oil on canvas, 240 × 200 cm (94 1/2 × 78 3/4 inches)
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2018年10月27日

Carolina Fusilier: Angel Engines @ NATALIA HUG, Köln

Carolina Fusilier: Angel Engines
@NATALIA HUG
Jülicher Straße 14
50674 Köln, Germany
September 06 − October 20, 2018

installation views
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Carolina Fusilier, Angel Engines, 2018, Oil on canvas,aluminium frame 92 × 145 cm (36 1/4 × 57 1/8 inches)

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Carolina Fusilier, Angel Engines, 2018, Oil on canvas,aluminium frame 92 × 145 cm (36 1/4 × 57 1/8 inches)

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Carolina Fusilier, Dreams of Water Pipe Deity, 2018, seashell, sound, spray paint 37 × 18 cm (14 5/8 × 7 1/8 inches)

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Dreams of Water Pipe Deity, 2018, glasses with tap water, aluminum, sound 168 × 30 cm (66 1/8 × 11 3/4 inches)

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Carolina Fusilier, Angel Engines, 2018, Oil on canvas, triptych, aluminium frame, 96 × 69 cm (37 3/4 × 27 1/8 inches) each
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Woody De Othello: Living Room @ Jessica Silverman Gallery, San Francisco

Woody De Othello: Living Room
@Jessica Silverman Gallery
488 Ellis Street
San Francisco, CA 94109
USA
September 13-October 27, 2018

installation views
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All Talk Ceramic, glaze, epoxy coating, resin, urethane rubber, electrical cord
40 x 9 x 12 inches / 101.6 x 22.9 x 30.5 cm
2018

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All Hear
Custom glazed tiles, ceramic, glaze
58 1/2 x 14 x 15 inches / 148.6 x 35.6 x 38.1 cm
2018

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Shelf life
Ceramic, glaze
11 x 11 1/2 x 12 1/2 inches / 27.9 x 29.2 x 31.8 cm
2018

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Alone at the table
Concrete, resin and fiberglass coated styrofoam, paint, automotive clear coat, ceramic, glaze
Chair: 60 1/2 x 28 x 26 inches / 153.7 x 71.1 x 66 cm
Vase: 21.5 x 14 x 23 inches / 54.6 x 35.6 x 58.4 cm
2018

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Exhale
Ceramic and glaze
17 x 15 x 4 inches / 43.2 x 38.1 x 10.2 cm
2018

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Knows For
Ceramic, glaze, electrical cords, light bulbs
23 x 16 x 10 inches / 58.4 x 40.6 x 25.4 cm
2018

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Locked Down
Ceramic, glaze, carved wood, custom glazed tiles
57 x 50 1/2 x 38 1/2 inches / 144.8 x 128.3 x 97.8 cm
2018

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Alternate view

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Giving Up
Ceramic, glaze, concrete
27 x 38 x 38 inches / 68.6 x 96.5 x 96.5 cm
2018

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Oracle
Ceramic, glaze
46 x 24 x 20 inches / 116.8 x 61 x 50.8 cm
2018

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What Lies Behind?
Ceramic, glaze, gold overglaze
18 x 21 x 3 inches / 45.7 x 53.3 x 7.6 cm
2018

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Messenger
Ceramic, glaze, carved wood, white gold overglaze
54 x 21 x 20 inches / 137.2 x 53.3 x 50.8 cm
2018

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Speak no evil
Acrylic on paper
20 3/4 x 25 3/4 inches / 52.7 x 65.4 cm
2018

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Self Support
Acrylic on paper
25 3/4 x 20 3/4 inches / 65.4 x 52.7 cm
2018

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Hanging on
Acrylic on paper 20 3/4 x 25 3/4 inches / 52.7 x 65.4 cm
2018
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STEVEN BALDI | LIFE AS CANON SEES IT @ Koenig & Clinton, New York

STEVEN BALDI | LIFE AS CANON SEES IT
@Koenig & Clinton
1329 Willoughby Ave
Brooklyn, NY 11237
United States
March 2–April 8, 2018

installation views
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Steven Baldi, Corner break 2, enamel and flashe on paper, 19 x 24 in (48.3 x 61 cm), 2017

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Steven Baldi, Manufactum, acrylic on paper, 14 x 11 in (35.6 x 27.9 cm), 2017

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Steven Baldi, Canon stretched and squeezed (red), acrylic and transfer paper on paper, 19 x 24 in (48.3 x 61 cm), 2017

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Steven Baldi, Canon spread, screw in the gutter, acrylic and colored pencil on paper, 19 x 24 in (48.3 x 61 cm), 2017

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Steven Baldi, Weingart, acrylic, flashe and transfer paper on paper, 16 x 12 in (40.6 x 30.5 cm), 2018

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Steven Baldi, Chocolate mask (Nikon), acrylic and transfer paper on paper, 24 x 19 in (61 x 48.3 cm), 2017

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Steven Baldi, Fill, acrylic and flashe on paper, 17 x 12 1/2 in (43.2 x 31.8 cm), 2017

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Steven Baldi, Frutiger, acrylic, flashe and pencil on paper, 17 x 12 1/4 in (43.2 x 31 cm), 2018

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Steven Baldi, Canon O isolated and extruded, acrylic and transfer paper on paper, 19 x 24 in (48.3 x 61 cm), 2017

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Steven Baldi, Volume/compression (with film digitizing adapter), acrylic, flashe and transfer paper on paper, Diptych: each panel 17 3/4 x 12 5/8 inches (45.1 x 32.1 cm), 17 7/8 x 12 3/4 inches (45.4 x 32.4 cm), 2017

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Steven Baldi, Life as Canon sees it, acrylic and transfer paper on paper, 24 x 19 in (61 x 48.3 cm), 2017

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Steven Baldi, Copying adapter, acrylic, flashe and transfer paper on paper, 14 x 11 in (35.6 x 27.9 cm), 2017

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Steven Baldi, Private syntax, acrylic, flashe and transfer paper on paper, 24 x 19 in (61 x 48.3 cm), 2017

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Steven Baldi, Fill, acrylic and flashe on paper, 17 x 12 1/2 in (43.2 x 31.8 cm), 2017

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Steven Baldi, Painted wrench (loosening up), acrylic and flashe on paper, 14 x 11 in (35.6 x 27.9 cm), 2018

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Steven Baldi, 2 Masters, acrylic, flashe and pencil on paper, 14 x 11 in (35.6 x 27.9 cm), 2017
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MIRIAM SCHAPIRO @ HONOR FRASER, Los Angeles

MIRIAM SCHAPIRO
@HONOR FRASER
2622 S. LA CIENEGA BLVD., LOS ANGELES, CALIFORNIA 90034, USA
NOVEMBER 04, 2017 − FEBRUARY 10, 2018

installation views
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Keyhole, 1971 Acrylic and spray-paint on canvas 71 x 106 inches

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Byzantium, 1967 Acrylic on canvas 108 x 72 inches

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Canyon, 1967 Acrylic on canvas 31 x 25 inches

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Borrega Take, 1967 Acrylic on canvas 84 x 60 inches

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Thunderbird, 1970 Acrylic on canvas 72 x 80 inches

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Computer Series, 1969 Acrylic and spray-paint on canvas 49 x 59 inches

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Normal Heights, 1969 Acrylic on canvas 72 x 80 inches

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Mylar Series (Computer Series), 1971 Tape on mylar 42 x 47 inches
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Dirk Vander Eecken: THE NEW PAINTINGS @ (re)D., Antwerpen

Dirk Vander Eecken: THE NEW PAINTINGS
@(re)D.
Mechelsesteenweg 4
2000 Antwerpen
Belgium
9 September – 13 October 2018

installation views
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If love is a red dress (2018) - acrylics on canvas - 150x120cm

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2018年10月26日

TYLER COBURN | REMOTE VIEWER @ Koenig & Clinton, New York

TYLER COBURN | REMOTE VIEWER
@Koenig & Clinton
1329 Willoughby Ave
Brooklyn, NY 11237
United States
April 20–July 27, 2018

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Remote Viewer (installation view, Koenig & Clinton, Brooklyn)

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Remote Viewer (installation view, Koenig & Clinton, Brooklyn)

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Remote Viewer (installation view, Koenig & Clinton, Brooklyn)

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Remote Viewer (object), 2017, high-density MDF and semi-gloss paint, 45.3 x 140.1 x 5.9 in (115 x 355 x 15 cm), edition 1 of 3 plus 2AP (installation view, Koenig & Clinton, Brooklyn)

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Remote Viewer (object), 2017, high-density MDF and semi-gloss paint, 45.3 x 140.1 x 5.9 in (115 x 355 x 15 cm), edition 1 of 3 plus 2AP (detail view, Koenig & Clinton, Brooklyn)

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Remote Viewer (installation view, Koenig & Clinton, Brooklyn)

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Remote Viewer (installation view, Koenig & Clinton, Brooklyn)

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Remote Viewer (animation), 2018, digital animation of drawings from Upton Sinclair's 1930 book Mental Radio, r.t.: 7 minutes 42 seconds (installation view, Koenig & Clinton, Brooklyn)

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Remote Viewer (animation), 2018, digital animation of drawings from Upton Sinclair's 1930 book Mental Radio, r.t.: 7 minutes 42 seconds (installation view, Koenig & Clinton, Brooklyn)

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Remote Viewer (animation), 2018, digital animation of drawings from Upton Sinclair's 1930 book Mental Radio, r.t.: 7 minutes 42 seconds (installation view, Koenig & Clinton, Brooklyn)

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Tyler Coburn, Remote Viewer (takeaway), laser print on vellum, 11 x 8 1/2 in (27.9 x 21. 6 cm), 2018, open edition
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Georgia Marsh: Arc Paintings @ Senior & Shopmaker Gallery, New York

Georgia Marsh: Arc Paintings
@Senior & Shopmaker Gallery
210 Eleventh Avenue, 8th Floor
New York, NY 10001
USA
May 17 - July 20, 2018

installation views
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Georgia Marsh (American, b. 1950)
Arc X: Double Pitch, 2017
Oil on Duralar mounted on Plexiglas
40 x 60 inches (101.6 x 152.4 cm)

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Arc V: White Pitch
Georgia Marsh
2016-18
oil on Duralar mounted on Plexiglas
40 x 48 inches (101.6 x 121.9 cm)

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Arc VII: Red Double
Georgia Marsh
2016-17
oil on Duralar mounted to Plexiglas
40 x 48 inches (101.6 x 121.9 cm)

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Cartouche 2
Georgia Marsh
2015-18
oil on Duralar mounted on Plexiglas
42 x 30 inches (106.7 x 76.2 cm)

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Arc IX
Georgia Marsh
2017
oil on Duralar mounted on Plexiglas
28 x 28 inches (71.1 x 71.1 cm)

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Arc VIII
Georgia Marsh
2017
oil on Duralar mounted on Plexiglas
28 x 28 inches (71.1 x 71.1 cm)

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Arc XI
Georgia Marsh
2018
oil on Duralar mounted on Plexiglas
51 x 34 inches (129.5 x 86.4 cm)

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Arc XII
Georgia Marsh
2018
oil on Duralar mounted on Plexiglas
51 x 34 inches (129.5 x 86.4 cm)

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Arc XIII
Georgia Marsh
2018
oil on Duralar mounted on Plexiglas
51 x 34 inches (129.5 x 86.4 cm)

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Arc XIII
Georgia Marsh
2018
oil on Duralar mounted on Plexiglas
51 x 34 inches (129.5 x 86.4 cm)

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Arc VI: Green Double
Georgia Marsh
2016
oil on Duralar mounted on Plexiglas
32 x 48 inches (81.3 x 121.9 cm)
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Paul Czerlitzki @ KONRAD FISCHER GALERIE DÜSSELDORF

Paul Czerlitzki
@KONRAD FISCHER GALERIE DÜSSELDORF
40233 DÜSSELDORF
Platanenstrasse 7
Germany
07. Sep 2018 - 03. Nov 2018

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Fleshout 11
2018
acrylic gel and bone glue on canvas
46 x 46 cm

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Fleshout 11
2018
acrylic gel and bone glue on canvas
46 x 46 cm

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September 01
2016
acrylic on canvas
210 x 190 cm

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September 01
2016
acrylic on canvas
210 x 190 cm

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Untitled 01
2011 - 2018
acrylic on canvas
210 x 190 cm

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Fleshout 03
2018
acrylic gel and bone glue on canvas
190 x 170 cm

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Fleshout 03
2018
acrylic gel and bone glue on canvas
190 x 170 cm

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ANNA 03
2016 - 2018
pigment on canvas
90 x 60 cm

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Fleshout 02
2018
acrylic gel and bone glue on canvas
190 x 170 cm

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Fleshout 02
2018
acrylic gel and bone glue on canvas
190 x 170 cm
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SOL LEWITT @ HONOR FRASER, Los Angeles

SOL LEWITT
@HONOR FRASER
2622 S. LA CIENEGA BLVD., LOS ANGELES, CALIFORNIA 90034, USA
FEBRUARY 17, 2018 − MAY 24, 2018

installation views
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Incomplete Open Cube 11/1, 1974 Enamel on aluminum 42 x 42 x 42 inches

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Isometric Drawing, 1981 Ink on paper 19 x 19 inches

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BK XV, 2000 Cold-rolled steel, painted 23 x 34 x 34 inches

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Isometric Drawing, 1981 Ink on paper 19 x 19 inches

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Open Geometric Structure IV, 1990 Wood painted white, three parts 38 x 38 x 172 inches

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Progression, 2000 Acrylic on wood 36 x 29 x 36

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Serial Project 1, 1966 Sprayed enamel on aluminum 19 x 107 x 32 inches

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Serial Project ABCD 5, 1968 Steel, lacquer, and tape 8 x 57 x 57 inches
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Catherine Opie: So long as they are wild @ Lehmann Maupin, Hong Kong

Catherine Opie: So long as they are wild
@Lehmann Maupin, Hong Kong
407 Pedder Building
12 Pedder Street, Hong Kong
May 17 – July 7, 2018

installation views
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CATHERINE OPIE
Cobalt Blue Sky, 2015
pigment print
31 x 46 x 2 inches
78.7 x 116.8 x 5.1 cm
LM27901
c Catherine Opie. Courtesy Regen Projects, Los Angeles and Lehmann Maupin, New York and Hong Kong

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CATHERINE OPIE
Untitled #4 (Yosemite Valley), 2015
pigment print
31 x 46 x 2 inches
78.7 x 116.8 x 5.1 cm
LM27283
c Catherine Opie. Courtesy Regen Projects, Los Angeles and Lehmann Maupin, New York and Hong Kong

14catherine-opie.jpg
CATHERINE OPIE
Untitled #5 (Yosemite Valley), 2015
pigment print
31 x 46 x 2 inches
78.7 x 116.8 x 5.1 cm
LM27902
c Catherine Opie. Courtesy Regen Projects, Los Angeles and Lehmann Maupin, New York and Hong Kong

15catherine-opie.jpg
CATHERINE OPIE
Yosemite Falls #4, 2015
pigment print
31 x 46 x 2 inches
78.7 x 116.8 x 5.1 cm
LM27903
c Catherine Opie. Courtesy Regen Projects, Los Angeles and Lehmann Maupin, New York and Hong Kong
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