2018年10月25日

EMANUEL ROSSETTI
: RELAY RUST

 @ JAN KAPS, MEXICO CITY

EMANUEL ROSSETTI
: RELAY RUST


@JAN KAPS, MEXICO CITY
Praga 35
Juárez 06600
México City
Mexico
August 10 – September 15, 2018

installation views
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HEART, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 39 CM × 49 CM

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SHRED CRANK, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 24 CM × 34 CM

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MODEL, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 39 CM × 49 CM

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UHU, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 39 CM × 49 CM

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SCISSORS, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 39 CM × 49 CM

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BRUSH, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 39 CM × 49 CM

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UHU, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 39 CM × 49 CM

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CRANK, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 39 CM × 49 CM

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ARROW, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 39 CM × 49 CM

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DRAGON, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 39 CM × 49 CM

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DRAGON, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 39 CM × 49 CM

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CARLA, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 24 CM × 34 CM

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MAP (DETAIL), 2018, 360° CAMERA, SELFIE STICK, FISHING WIRE, WIFI ROUTER, STREAMING SERVER, MEDIA PLAYER AND PROJECTOR HIDDEN IN PLINTH, VARIABLE DIMENSIONS

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MAP (DETAIL), 2018, 360° CAMERA, SELFIE STICK, FISHING WIRE, WIFI ROUTER, STREAMING SERVER, MEDIA PLAYER AND PROJECTOR HIDDEN IN PLINTH, VARIABLE DIMENSIONS

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DRAGON, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 39 CM × 49 CM

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SCISSORS, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 39 CM × 49 CM

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SCISSORS, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 39 CM × 49 CM

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ANTI-UBU, 2018, INOX, RETRIEVING MAGNET, FISHING WIRE, 25 × 22 × 22 CM

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EMANUEL ROSSETTI & STEFAN TCHEREPNIN (AKA STAGED WORLDS), WORMHOLE / DRONE, 2018, ALUMINIUM DUCT TUBE, 31 CM × 40 CM × 44 CM

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SHREDS, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 24 CM × 34 CM

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SHREDS, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 24 CM × 34 CM

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DEAD HORSE ISLAND, 2017, SOUND PIECE, LOOPED AUDIO, 46 MIN 10 SEC

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MODEL, 2018, B/W PRINT, MOUNTED ON ALUMINIUM, 39 CM × 49 CM
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CONCEPTUAL FEEDBACK @ HONOR FRASER, Los Angeles

CONCEPTUAL FEEDBACK
CURATED BY EMILY GONZALEZ-JARRETT
@HONOR FRASER
2622 S. LA CIENEGA BLVD., LOS ANGELES, CALIFORNIA 90034, USA
FEBRUARY 17, 2018 − MAY 26, 2018

installation views
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Sarah Cain, created out of magic from under a rock, 2017 Acrylic, seashells, beads, acrylic thread, and wire on canvas 72 x 60 inches

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Kaz Oshiro, Three Steel Beams, 2016 Acrylic on canvas 10 x 96 x 48 inches

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Kate Costello, Slime, 2017 Ink on paper 50 x 38 inches

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Kate Costello, Slime, 2017 Ink on paper 50 x 38 inches

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Rachel DuVall, Untitled, 2017 Linen, natural dyes, and ash 115 x 64 inches

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Tarrah Krajnak, Elizabeth Pavlik (Redaction/Hands, Erase/Hair & Coffee, Re-Photograph/Redact & Hasselblad/Body) from Master Rituals 1: Ansel's the Making of 40 Photographs), 2017 Single-channel video, color, sound 5 minutes 15 seconds

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Tarrah Krajnak, Post-Performance Objects: Erased Ansel (Carolyn Portrait), Polaroid Test Poses, Elizabeth over Carolyn (Re-Photographed & Redacted), Erased Carolyn (Double Negative Contact Print) from Master Rituals , 0000 Four Polaroids, pigment print, pigment print with ink and highlighter, silver gelatin print, magnetic boards, and magnets 71 x 71 inches

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Brenna Youngblood, Untitled (Rainbow) #2, 2014 Acrylic on canvas 72 x 60 inches

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Vincent Ramos, Motown Took Us There and Motown Brought Us Back, 2008 Graphite on paper 18 x 15 inches

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Vincent Ramos, Untitled (Bumpin'), 2007 Felt tip marker and tape on paper 24 x 10 inches

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Vincent Ramos, Love, 2007 Ballpoint pen, felt tip marker, and pencil on paper 13 x 10 inches

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Vincent Ramos, Night, Day and The Days of the Week, 2007 Ballpoint pen, felt tip marker, and pencil on paper 13 x 10 inches

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Vincent Ramos, One Word Titles, 2007 Ballpoint pen, felt tip marker, and pencil on paper 13 x 10 inches

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Vincent Ramos, Places, 2007 Ballpoint pen, felt tip marker, and pencil on paper 13 x 10 inches

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Vincent Ramos, Man and Seasons, 2007 Ballpoint pen, felt tip marker, and pencil on paper 13 x 10 inches

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Vincent Ramos, Double Meaning 1, 2007 Ballpoint pen, felt tip marker, and pencil on paper 13 x 10 inches

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Vincent Ramos, Colors and Numbers, 2007 Ballpoint pen, felt tip marker, and pencil on paper 13 x 10 inches

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Vincent Ramos, Names in Songs and Girls Names, 2007 Ballpoint pen, felt tip marker, and pencil on paper 13 x 10 inches

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Vincent Ramos, Double Meaning 2, 2007 Ballpoint pen, felt tip marker, and pencil on paper 13 x 10 inches

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Glen Wilson, If You See Me, Say What's Up! , 0000 Salvaged steel gate, chain-link mesh, double-sided UV-printed polystyrene, and decomposed granite 80 x 49 x 27 inches

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Dan Levenson, Clarisse Brüngger / Corinne Hangartner, 2017 Oil on linen with hardware 16 x 23 inches

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Sherin Guirguis, Bint El Nil I, 2018 Pencil, acrylic, wood, steel, brass, and gold leaf 76 x 15 x 15 inches

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Victoria Fu, Circle Prism 1, 2017 Archival inkjet print 16 x 16 inches

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Victoria Fu, Circle Prism 2, 2017 Archival inkjet print 16 x 16 inches

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Victoria Fu, Circle Prism 4, 2017 Archival inkjet print 16 x 16 inches
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sara gernsbacher: broke peace bloom @ Franklin Parrasch Gallery, New York

sara gernsbacher: broke peace bloom
@Franklin Parrasch Gallery
53 east 64 street
new york, ny 10065
USA
March 6th - April 14th, 2018

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Pulmo in Air, 2018
pigmented silicone, acrylic, canvas
33-1/2 x 11-1/2 inches

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Gated Rib Ridge, 2018
pigmented silicone, acrylic, canvas
67 x 17 x 5 inches

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BodyinBoil, 2018
pigmented silicone, acrylic, canvas
32 x 10 inches

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Orange Flare Tide, 2018
pigmented silicone, acrylic, canvas
21-1/4 x 22-1/2 inches

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Bent in Grass, 2018
pigmented silicone, acrylic, canvas
75 x 31-1/2 inches

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Center Sun in Glove, 2018
pigmented silicone, acrylic, canvas
32 x 23 inches

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Guard in Garden, 2018
pigmented silicone, acrylic, canvas
41 x 7-1/4 x 1-1/2 inches

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Broke Peace Bloom, 2018
pigmented silicone, acrylic, canvas
66 x 25 inches

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Orange Legs Run, 2018
pigmented silicone, acrylic, canvas
44 x 20 inches
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Cecilia Vicuña: La India Contaminada @ Lehmann Maupin, New York, W 22 Street

Cecilia Vicuña: La India Contaminada
@Lehmann Maupin, New York, W 22 Street
536 West 22nd Street
New York, NY 10011
USA
May 19 – July 6, 2018

installation views
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CECILIA VICUÑA
Quipu Viscera, 2017
site-specific installation of dyed, unspun wool
dimensions variable
LM27850

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CECILIA VICUÑA
Caracol Azul (Blue Snail), 2017
site-specific installation of dyed, unspun wool
30.25 x 201.75 x 40.5 inches (installed)
76.8 x 512.4 x 102.9 cm
overall dimensions variable
LM27851

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CECILIA VICUÑA
Leoparda de Ojitos, 1976
oil on cotton canvas
55.375 x 35.5 inches (image)
140.7 x 90.2 cm
LM26568

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CECILIA VICUÑA
Camilo Torres, 1978
oil on cotton canvas
54.875 x 46.75 inches (image)
139.4 x 118.7 cm
LM26570

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CECILIA VICUÑA
Lenin, 1972
oil on canvas
28.5 x 21.5 x 1.25 inches
72.4 x 54.6 x 3.2 cm
signed and dated lower right
LM26537

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CECILIA VICUÑA
La Noche de la Especies, 2009
graphite on paper with three-channel video animation, color, looped
20 parts, dimensions variable
duration: 60 minutes, 4 seconds
installed dimensions variable
LM27914
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2018年10月24日

PATRICK MARTINEZ: REMEMBERING TO FORGET @ CHARLIE JAMES GALLERY, Los Angeles

PATRICK MARTINEZ: REMEMBERING TO FORGET
@CHARLIE JAMES GALLERY
969 Chung King Road
Los Angeles, CA 90012
USA
SEPTEMBER 8 - OCTOBER 13, 2018

installation views
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Fallen Empire, Stucco, ceramic, ceramic tile, mixed media and found banner tarp on panel, 96 x 156 inches, 2018

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Closed, Out of Business, Stucco, neon, mean streak, spray paint, latex house paint and store sign with vinyl decal on panel, 60 x 60 inches, 2018

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Remembering to Forget, Ceramic, mixed media and stucco on panel, 60 x 60 inches, 2018

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Morning and Night (James Baldwin & Angela Davis), Neon on plexiglass, 30 x 36 inches, Edition of 3, 2018
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Contemplation and Practice - Meg Hitchcock, Jill Parisi, Eleanor White @ KENISE BARNES FINE ART, New York

Contemplation and Practice - Meg Hitchcock, Jill Parisi, Eleanor White
@KENISE BARNES FINE ART
1947 PALMER AVENUE, LARCHMONT, NEW YORK 10538
USA
March 3 - April 14, 2018

installation views
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Meg Hitchcock, Life Eternal, 2015, letters cut from the Bibles, 24 x 18 inches (unframed), 28.25 x 24.25 inches (framed)

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Life Eternal (detail), 2015, letters cut from the Bibles, 24 x 18 inches (unframed), 28.25 x 24.25 inches (framed)

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Meg Hitchcock, Mundaka Upanishad , 2012, letters cut from the Koran, 28 x 22.25 inches (unframed), 33 x 27.5 inches (framed)

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Meg Hitchcock, Mundaka Upanishad (detail), 2012, letters cut from the Koran, 28 x 22.25 inches (unframed), 33 x 27.5 inches (framed)

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Meg Hitchcock, The Cloud of Unknowing , 2015, letters cut from the Upanishads, 24.5 x 22.5 inches (unframed), 28.25 x 26.25 inches (framed)

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Meg Hitchcock, The Cloud of Unknowing (detail), 2015, letters cut from the Upanishads, 24.5 x 22.5 inches (unframed), 28.25 x 26.25 inches (framed)

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Meg Hitchcock,  King of Prayers , 2017, letters cut from the Bible, 17 x 45 inches (unframed), 22.5 x 50.5 inches (framed)

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Meg Hitchcock,  King of Prayers (detail), 2017, letters cut from the Bible, 17 x 45 inches (unframed), 22.5 x 50.5 inches (framed)

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Meg Hitchcock,  Shoonya:  Vijnana Bhairava Tantra , 2009, letters cut from the Torah (The Book of Deuteronomy), 30 x 22 inches (unframed), 34.5 x 27.25 inches (framed)

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Meg Hitchcock,  Shoonya:  Vijnana Bhairava Tantra (detail), 2009, letters cut from the Torah (The Book of Deuteronomy), 30 x 22 inches (unframed), 34.5 x 27.25 inches (framed)

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Jill Parisi, Greenwell's Glory (front view), 2018, intaglio prints on lokta tissue weight paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, faux fur, fur, feathers, entomology pins in glass cloche, 15 inches x 9.75 inch diameter

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Jill Parisi,  Greenwell's Glory (top view), 2018, intaglio prints on lokta tissue weight paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, faux fur, fur, feathers, entomology pins in glass cloche, 15 inches x 9.75 inch diameter

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Jill Parisi,  Greenwell's Glory (detail), 2018, intaglio prints on lokta tissue weight paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, faux fur, fur, feathers, entomology pins in glass cloche, 15 inches x 9.75 inch diameter

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Jill Parisi,  Greenwell's Glory (detail), 2018 intaglio prints on lokta tissue weight paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, faux fur, fur, feathers, entomology pins in glass cloche, 15 inches x 9.75 inch diameter

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Jill Parisi, Sister Nancy's Picnic , 2018, intaglio prints on lokta tissue weight paper, digital prints on kozo paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, fur, feathers, 36.5 x 36.5 x 6.5 inches (framed in acrylic shadowbox)

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Jill Parisi, Sister Nancy's Picnic (detail), 2018, intaglio prints on lokta tissue weight paper, digital prints on kozo paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, fur, feathers, 36.5 x 36.5 x 6.5 inches (framed in acrylic shadowbox)

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Jill Parisi, Mallard and Claret (front view), 2017, relief prints on yukushi and kizukishi tissue weight papers, intaglio prints on tissue weight lokta paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, fur, feathers, entomology pins in glass cloche, 12 inches x 11.75 inch diameter

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Jill Parisi, Mallard and Claret (top view), 2017, relief prints on yukushi and kizukishi tissue weight papers, intaglio prints on tissue weight lokta paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, fur, feathers, entomology pins in glass cloche, 12 inches x 11.75 inch diameter

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Jill Parisi, Mallard and Claret (detail), 2017, relief prints on yukushi and kizukishi tissue weight papers, intaglio prints on tissue weight lokta paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, fur, feathers, entomology pins in glass cloche, 12 inches x 11.75 inch diameter

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Jill Parisi, Mallard and Claret (detail), 2017, relief prints on yukushi and kizukishi tissue weight papers, intaglio prints on tissue weight lokta paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, fur, feathers, entomology pins in glass cloche, 12 inches x 11.75 inch diameter

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Jill Parisi, Rainbow Trout Lily (front view), 2018, relief prints on yukushi and kizukishi tissue weight papers, fiber reactive dye, acrylic ink, wire, fur, feathers, entomology pins in glass cloche, 8 inches x 8 inch diameter

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Jill Parisi, Rainbow Trout Lily (top view), 2018, relief prints on yukushi and kizukishi tissue weight papers, fiber reactive dye, acrylic ink, wire, fur, feathers, entomology pins in glass cloche, 8 inches x 8 inch diameter

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Jill Parisi, Rainbow Trout Lily (detail), 2018, relief prints on yukushi and kizukishi tissue weight papers, fiber reactive dye, acrylic ink, wire, fur, feathers, entomology pins in glass cloche, 8 inches x 8 inch diameter,

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Jill Parisi, Fishnet Fire Flower , 2018, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, fur, 12.5 x 12.5 x 6.25 inches

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Jill Parisi, Vanishing Girl Lily , 2017, acrylic ink on handmade overbeaten abaca fiber, wire, feathers, 10.5 x 10.5 x 6.25 inches

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Jill Parisi, Superfly , 2017, fiber reactive dye on handmade overbeaten abaca fiber, wire, fur, feathers, metallic threads, 10.5 x 10.5 x 6.25 inches

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Jill Parisi, Sexy Sea Creature , 2018, fiber reactive dye on handmade overbeaten abaca fiber, wire, fur, 12.5 x 12.5 x 6.25 inches

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Jill Parisi, Sunnyside , 2018, fiber reactive dye, acrylic ink on handmade overbeaten abaca fiber, wire, fur, 12.5 x 12.5 x 6.25 inches

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Jill Parisi, Day and Night / Night and Day Lily , 2017, acrylic ink on handmade overbeaten abaca fiber, wire, fur, feathers, 10.5 x 10.5 x 6.25 inches

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Eleanor White ,  Blue Brown Dots , 2018, wood ash, acrylic, polymer medium on paper, 57.5 x 17.75 inches (unframed), 61 x 21 inches (framed)

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Eleanor White ,  Blue Brown Dots (detail), 2018, wood ash, emu eggshell, acrylic, polymer medium on paper, 57.5 x 17.75 inches (unframed), 61 x 21 inches (framed)

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Eleanor White, Emu Ash Honeycomb Black Paper , 2018, wood ash, emu eggshell, graphite, acrylic, polymer medium on paper, 30 x 23 inches (unframed), 33.5 x 26.5 inches (framed)

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Eleanor White, Emu Ash Honeycomb Black Paper (detail), 2018, wood ash, emu eggshell, graphite, acrylic, polymer medium on paper, 30 x 23 inches (unframed), 33.5 x 26.5 inches (framed)

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Eleanor White, Eggshell/Ash Mandala , 2018 eggshell, wood ash,acrylic, polymer medium on paper, 33.5 x 29.88 inches (unframed), 36.75 x 33 inches (framed)

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leanor White, Eggshell/Ash Mandala (detail), 2018 eggshell, wood ash acrylic, polymer medium on paper, 33.5 x 29.88 inches (unframed), 36.75 x 33 inches (framed)

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Eleanor White, Mandala Abstraction , 2018, eggshell, emu eggshell, ash, acrylic, polymer medium on paper, 48.625 x 34 inches (unframed), 51 x 36 inches (framed)

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Eleanor White,  Mandala Abstraction  (detail), 2018, eggshell, emu eggshell, ash, acrylic, polymer medium on paper 48.625 x 34 inches (unframed) 51 x 36 inches (framed)

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Eleanor White, Grey Multi Dot (large), 2018, eggshell, ash, glass bead, ink, emu eggshell, acrylic, polymer medium on paper, 47 x 32 inches (unframed), 50.5 x 34.75 inches (framed)

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Eleanor White, Grey Multi Dot (large) (detail), 2018, eggshell, ash, glass bead, ink, emu eggshell, acrylic, polymer medium on paper, 47 x 32 inches (unframed), 50.5 x 34.75 inches (framed)
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Nicholas Hlobo: Ulwamkelo @ Lehmann Maupin, New York, W 22 Street

Nicholas Hlobo: Ulwamkelo
@Lehmann Maupin, New York, W 22 Street
536 West 22nd Street
New York, NY 10011
USA
July 12 – August 24, 2018

installation views
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NICHOLAS HLOBO
Phantsi Komngcunube, 2017
ribbon and leather on canvas
94.49 x 71.65 inches
240 x 182 cm
LM25862

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NICHOLAS HLOBO
Intlantsana, 2017
ribbon on canvas
47.24 x 70.87 inches
120 x 180 cm
LM25864

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NICHOLAS HLOBO
Intlantsana (detail), 2017
ribbon on canvas
47.24 x 70.87 inches
120 x 180 cm
LM25864

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NICHOLAS HLOBO
Dangazela, 2017
ribbon and leather on canvas
47.24 x 70.87 inches
120 x 180 cm
LM26039

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NICHOLAS HLOBO
Fak'unyawo, 2017
ribbon, leather, and wooden shoe last on cotton canvas
47.24 x 47.24 inches (diameter)
120 x 120 cm
LM25860
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Paul Kneale, Toby Ziegler: After Image @ CASSINA PROJECTS, New York

Paul Kneale, Toby Ziegler: After Image
@CASSINA PROJECTS
508 W 24TH STREET
NEW YORK, NY 10011
USA
February 28, 2017 - April 15, 2017

installation views
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Toby Ziegler
'Oracle', 2017
Two-channel video
Edition of 3
variable dimensions

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Toby Ziegler
'Failed design for a ouija board', 2017
Oil on aluminum, 62.25x112.25 in | 158x285 cm

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Toby Ziegler
'Failed design for a ouija board (2)', 2017
Oil on aluminum, 67.25x110.25 in | 171x280 cm

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Toby Ziegler
'Shadow systems', 2017 Oil on aluminum, 43.25x69.75 in | 110x177 cm

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Toby Ziegler
'Double Meander', 2017 Oil on aluminum, 61x90.5 in | 155x230 cm

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Paul Kneale
'Ibiza Poetry Prize', 2017 Inkjet on canvas, 78x55 in | 198x139.75 cm

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Paul Kneale
'Missed Universe', 2017
Inkjet on canvas, 78x55 in | 198x139.75 cm

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Paul Kneale
'High on an End Note', 2017,
Inkjet on canvas, 78x55 in | 198x139.75 cm

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Paul Kneale
'Used Aura', 2017
Inkjet on canvas,
78x55 in | 198x139.75 cm

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Paul Kneale
Lack Holes and Maybe Universes, 2017
Found objects and neon

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Paul Kneale
'Experience Economy in Retrograde', 2017
Inkjet on canvas,
113.5x162.5 in | 288x412.75 cm
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

dennis hopper: serigraphs @ Franklin Parrasch Gallery, New York

dennis hopper: serigraphs
@Franklin Parrasch Gallery
53 east 64 street
new york, ny 10065
USA
April 27th - June 2nd, 2018

1dennishopper.jpg
Fractured Girl (billboard), Los Angeles, 1988
(from 1965 photograph "Fractured Girl (billboard), Los Angeles")
serigraph: 1 of 2 Printer's Proofs, signed "D Hopper" lower right
37-1/2 x 55-1/2 inches

2dennishopper.jpg
Broken Window (Harlem), 1988
(from 1961 photograph "Broken Window (Harlem)")
serigraph: 2 of 3 Printer's Proofs, signed "D Hopper" lower right
37-1/2 x 55-1/2 inches

3dennishopper.jpg
Bad Heart (Goldtone), 1988
(from 1961 photograph "Bad Heart")
serigraph: 2 of 3 Printer's Proofs, signed "D Hopper" lower left
37-1/2 x 55-1/2 inches

4dennishopper.jpg
Tire With Paper Shreds (Goldtone), 1988
(from photograph c. 1961-1965
serigraph: 1 of 2 Printer's Proofs, signed "D Hopper" lower right
37-1/2 x 55-1/2 inches

5dennishopper.jpg
Art Forum-Andy Warhol (Blue), 1988
serigraph: 3 of 4 Printer's Proofs,
36-1/4 x 35-1/2 inches

6dennishopper.jpg
Art Forum-Andy Warhol (Light Silver), 1988
serigraph: 1 of 4 Printer's Proofs,
36-1/4 x 35-1/2 inches

7dennishopper.jpg
Art Forum-Andy Warhol (Black and White), 1988
serigraph: 2 of 4 Printer's Proofs,
36-1/4 x 35-1/2 inches

8dennishopper.jpg
Art Forum-Andy Warhol (White), 1988
serigraph: 4 of 4 Printer's Proofs,
36-1/4 x 35-1/2 inches
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

2018年10月23日

WILL INSLEY: Mythological Elsewhere from ONECITY, 1970s-90s @ WESTWOOD GALLERY, New York

WILL INSLEY: Mythological Elsewhere from ONECITY, 1970s-90s
@WESTWOOD GALLERY
262 Bowery, New York, NY 10012
USA
September 14 - November 30, 2018

installation views
1will-insley.jpg

2will-insley.jpg

3will-insley.jpg

4will-insley.jpg

5will-insley.jpg

6will-insley.jpg

7will-insley.jpg

8will-insley.jpg

9will-insley.jpg

10will-insley.jpg

11will-insley.jpg
WILL INSLEY
1929-2011
/Building/ No. 6 Channel Space Spiral, 1973
vintage photomontage
47.5 x 47.5 inches

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WILL INSLEY
1929-2011
Wall Fragment No. 93.11, 1993
acrylic on masonite
80 x 80 x 3 inches

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WILL INSLEY
1929-2011
Wall Fragment No. 99.1, 1999
acrylic on masonite
18.5 x 21.5 inches

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WILL INSLEY
1929-2011
Wall Fragment 1993.8-1994.3
1993-94
acrylic on Masonite
42 x 24.5 x 2 inches

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WILL INSLEY
1929-2011
Wall Fragment No. 93.12, 1993
acrylic on masonite
80 x 80 x 3 inches

16will-insley.jpg
Wall Fragment No. 90.7
1990
acrylic on masonite
25 x 26.5 inches

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WILL INSLEY
1929-2011
Wall Fragment No. 90.8-93.6
1990
acrylic on masonite
25 x 26.5 inches

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Wall Fragment No. 98.1, 1998
acrylic on masonite
28.5 x 25.5 inches

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WILL INSLEY
1929-2011

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WILL INSLEY
1929-2011
Wall Fragment No. 94.6, 1994
acrylic on masonite
80 x 80 x 3 inches

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WILL INSLEY
1929-2011
Wall Fragment No. 03.02, 1989/03
acrylic, pencil on masonite
84 x 87 x 2.5 inches

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WILL INSLEY
1929-2011
Wall Fragment No. 94.7, 1994
acrylic on masonite
80 x 80 x 3 inches

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WILL INSLEY
1929-2011
Slip Space Flip, 1969
pencil on cardboard
30.25 x 30.25 inches

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WILL INSLEY
1929-2011
Slip Space Double, 1969
pencil on cardboard
30.25 x 30.25 inches

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WILL INSLEY
1929-2011
/Buildings/ No. 19-20 Interior Building Corridor of Life Gate – view from the air, 1970-72
vintage photomontage
15.25 x 15.25 inches

26will-insley.jpg
WILL INSLEY
1929-2011
/Buildings/ No. 19-20 Interior Building Corridor of Life Gate – view from the ground, 1970-72
vintage photomontage
15.25 x 15.25 inches

27will-insley.jpg
WILL INSLEY
1929-2011
/Buildings/ No. 19-20 Interior Building Corridor of Life Gate – view from the air, 1970-72
vintage photomontage
15.25 x 15.25 inches

28will-insley.jpg
WILL INSLEY
1929-2011
/Building/ No. 17 Passage Space Spiral – view from the ground, 1970
vintage photomontage
68.75 x 68.75 inches

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WILL INSLEY
1929-2011
/Building/ No. 17 Passage Space Spiral – view from the air, 1970
vintage photomontage
68.75 x 68.75 inches

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WILL INSLEY
1929-2011
/Buildings/ No. 19-20 Interior Building Corridor of Life Gate – view from the air, 1970-72
vintage photomontage
47.5 x 47.5 inches

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WILL INSLEY
1929-2011
/Building/ No. 8 Volume Space 2 – view from the air, 1968-70
mixed media, wood, graphite
30 x 30 x 3 inches

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WILL INSLEY
1929-2011
/Building/ No. 8 Volume Space 2 – view from the air, 1968/73
vintage photomontage
47.5 x 47.5 inches

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WILL INSLEY
1929-2011/Buildings/ No. 19-20 Interior Building Corridor of Life Gate and /Building/ No. 17 Passage Space Spiral, 1970-72
vintage photomontage, 12 x 12 inches each

34will-insley.jpg
WILL INSLEY
1929-2011
/Buildings/ No. 19-20 Interior Building Corridor of Life Gate – view from the air and ground, 1970-72
vintage photomontage, 12 x 12 inches each

35will-insley.jpg
WILL INSLEY
1929-2011
/Buildings/ No. 19-20 Interior Building Corridor of Life Gate – view from the ground and air, 1970-72
vintage photomontage, 12 x 12 inches each

36will-insley.JPG
/Buildings/ No. 19-20 Interior Building Corridor of Life Gate View from the Ground, 1970-72
vintage photomontage
30 x 30 inches
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

Anti-Pareidolia, New Paintings by Andrea Kantrowitz @ KENISE BARNES FINE ART, New York

Anti-Pareidolia, New Paintings by Andrea Kantrowitz
@KENISE BARNES FINE ART
1947 PALMER AVENUE, LARCHMONT, NEW YORK 10538
USA
March 3 - April 14, 2018

installation views
1andreakantrowitz.jpg

2andreakantrowitz.jpg

3andreakantrowitz.JPG

4andreakantrowitz.jpg
Verrucosa Sanguine , 2018, oil on canvas, 40 x 40 inches

5andreakantrowitz.jpg
Serpulae Occultatum, 2018, oil on canvas, 40 x 40 inches

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Serpulae Occultatum (detail), 2018, oil on canvas, 40 x 40 inche

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Anthozoa Stellae, 2018, oil on canvas, 36 x 48 inches

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Anthozoa Stellae (detail), 2018, oil on canvas, 36 x 48 inches

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Brassica Oleracea Caput, 2018, oil on canvas, 30 x 30 inches

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Brassica Oleracea Caput (detail), 2018, oil on canvas, 30 x 30 inches

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Brassica Oleracea Medulla , 2018, oil on canvas, 30 x 30 inches

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Brassica Oleracea Medulla (detail), 2018, oil on canvas, 30 x 30 inches

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Brassica Oleracea Solum , 2018, oil on canvas, 30 x 30 inches

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Brassica Oleracea Solum (detail), 2018, oil on canvas, 30 x 30 inches

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Granatum Scissa , 2017, oil on canvas, 36 x 96 inches (triptych)

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Granatum Scissa (left), 2017, oil on canvas, 36 x 96 inches (triptych)

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Granatum Scissa (center), 2017, oil on canvas, 36 x 96 inches (triptych)

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Granatum Scissa (right), 2017, oil on canvas, 36 x 96 inches (triptych)

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Granatum Scissa (detail), 2017, oil on canvas, 36 x 96 inches (triptych)

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Shawangunk Krustallos Lutum , 2018, oil on canvas, 30 x 30 inches

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Shawangunk Krustallos Lutum (detail), 2018, oil on canvas, 30 x 30 inches

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Shawangunk Krustallos Mavros , 2018, oil on canvas, 30 x 30 inches

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Shawangunk Krustallos Mavros (detail), 2018, oil on canvas, 30 x 30 inches

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Shawangunk Krustallos Prásinos , 2018, oil on canvas, 30 x 30 inches

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Shawangunk Krustallos Prásinos (detail), 2018, oil on canvas, 30 x 30 inches

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Shawangunk Krustallos To Kokkino , 2018, oil on canvas, 30 x 30 inches

27andreakantrowitz.jpg
Shawangunk Krustallos To Kokkino (detail), 2018, oil on canvas, 30 x 30 inches,
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

Nari Ward: CORRECTIONAL @ Lehmann Maupin, Seoul

Nari Ward: CORRECTIONAL
@Lehmann Maupin, Seoul
74-18, Yulgok-ro 3-gil
Jongno-gu, Seoul
Korea
August 28 – October 20, 2018

installation views
1nariward.jpeg

2nariward.jpeg

3nariward.jpeg

4nariward.jpeg

5nariward.jpeg

6nariward.jpeg

7nariward.jpeg

8nariward.jpeg

9nariward.jpeg
NARI WARD
Swing Low, 2015
bronze, rope
28 x 27 x 13 inches
71.1 x 68.6 x 33 cm
rope length variable
LM21403
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.

10nariward.jpeg
NARI WARD
Swing Low (detai), 2015
bronze, rope
28 x 27 x 13 inches
71.1 x 68.6 x 33 cm
rope length variable
LM21403
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.

11nariward.jpeg
NARI WARD
Correctional Circle 1280, 2018
oak wood, copper sheet, copper nails, and darkening patina
48 x 48 inches (diameter)
121.9 x 121.9 cm
LM28812
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.

12nariward.jpeg
NARI WARD
Correctional Circle 1280 (detail), 2018
oak wood, copper sheet, copper nails, and darkening patina
48 x 48 inches (diameter)
121.9 x 121.9 cm
LM28812
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.

13nariward.jpeg
NARI WARD
#477, 2014
copper sheet and copper tacks on board
12 x 14 inches (board)
30.5 x 35.6 cm
LM20723
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.

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NARI WARD
Royal Alpha, 2017
U.S. currency edges, acrylic paint, indelible ink, overproof white rum, and used cash register drawers on wood panel
68.75 x 56.75 x 4.5 inches
174.6 x 144.1 x 11.4 cm
LM25401
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.
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Janis Avotins, Rebecca Salter, Giuseppe Uncini: In Praise of Shadows @ CASSINA PROJECTS, New York

Janis Avotins, Rebecca Salter, Giuseppe Uncini: In Praise of Shadows
@CASSINA PROJECTS
508 W 24TH STREET
NEW YORK, NY 10011
USA
May 3 - July 28, 2017

installation views
1In_Praise_of_Shadows.jpeg

2In_Praise_of_Shadows.jpg

3In_Praise_of_Shadows.jpg

4In_Praise_of_Shadows.jpg

5In_Praise_of_Shadows.jpg

6In_Praise_of_Shadows.jpg

7In_Praise_of_Shadows.jpg

8In_Praise_of_Shadows.jpg

9In_Praise_of_Shadows.jpg
Rebecca Salter
Untitled KK55, 2007
Mixed media on linen
55x51.5 in | 140x130 cm

10In_Praise_of_Shadows.jpg
Rebecca Salter
Untitled AD30, 2012
Mixed media on paper on linen
63x71 in | 160x180 cm

11In_Praise_of_Shadows.jpg
Giuseppe Uncini
Architetture n.213, 2006
Concrete & iron
39.5x60x7 in | 100x152x18 cm

12In_Praise_of_Shadows.jpg
Janis Avotins
Untitled, 2017
Acrylic on canvas
73.75x134 in | 187x340 cm

13In_Praise_of_Shadows.jpg
Janis Avotins
Untitled, 2017
Oil on canvas
45x35.5 in | 114x90 cm

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Giuseppe Uncini
Ombra di due quadrati mt.4, 1973
Concrete & laminated wood
25.5x35.5x6.25 in | 65x90x16 cm

15In_Praise_of_Shadows.jpg
Giuseppe Uncini
Ombra di due quadrati mt.4, 1973
Concrete & laminated wood
25.5x35.5x6.25 in | 65x90x16 cm

16In_Praise_of_Shadows.jpg
Janis Avotins, Untitled, 2017, 41.25x26.5 in_0101
Untitled, 2017
Oil on canvas
41.25x26.5 in | 105x67.5 cm

17In_Praise_of_Shadows.jpg
Giuseppe Uncini
Spazi di ferro n.120, 1992
Concrete & iron
13.75x22.75x2.75 in | 35x58x8 cm

18In_Praise_of_Shadows.jpg
Rebecca Salter
Untitled AG12, 2014
Mixed media on muslin on canvas
63x82.75 in | 160x210 cm

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Janis Avotins
Untitled, 2017
Oil on canvas
61.5x18.25 in | 156x46.5 cm

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Janis Avotins
Untitled, 2017
Acrylic on canvas
79x137.5 in | 201x349 cm

21In_Praise_of_Shadows.jpg
Janis Avotins
Untitled, 2017
Oil on canvas
61x22.5 in | 155x57 cm

22In_Praise_of_Shadows.jpg
Rebecca Salter
H31, 1993
Mixed media on canvas
84x48 in | 214x122 cm

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Rebecca Salter
Untitled H2, 1992
Mixed media on canvas
48x72 in | 122 x 183 cm
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peter alexander: recent work @ Franklin Parrasch Gallery, New York

peter alexander: recent work
@Franklin Parrasch Gallery
53 east 64 street
new york, ny 10065
USA
September 20th - October 27th, 2018

installation views
1peteralexander.jpg

2peteralexander.jpg

3peteralexander.jpg

4peteralexander.jpg

5peteralexander.jpeg

6peteralexander.jpeg

7peteralexander.jpg

8peteralexander.jpeg
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2018年10月22日

Liza Lou: Classification and Nomenclature of Clouds @ Lehmann Maupin, New York, W 24 Street & W 22 Street

Liza Lou: Classification and Nomenclature of Clouds
@Lehmann Maupin, New York, W 24 Street & W 22 Street
501 W 24th Street
New York, NY 10011
&
536 West 22nd Street
New York, NY 10011
USA
September 6 – October 27, 2018

installation views
1lizalou.jpeg

2lizalou.jpeg

3lizalou.jpeg

4lizalou.jpeg

5lizalou.jpeg

6lizalou.jpeg

7lizalou.jpeg

8lizalou.jpeg

9lizalou.jpeg

10lizalou.jpeg

11lizalou.jpeg

12lizalou.jpeg

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LIZA LOU
The Clouds, 2015-2018
site-specific installation of oil paint on woven glass beads and thread on canvas
600 parts, each: 13.78 x 13.78 inches
35 x 35 cm
220 x 526 x 3 inches (overall)
558.8 x 1336 x 7.6 cm
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.
Photo: Matthew Herrmann

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LIZA LOU
The Clouds, 2015-2018
site-specific installation of oil paint on woven glass beads and thread on canvas
600 parts, each: 13.78 x 13.78 inches
35 x 35 cm
220 x 526 x 3 inches (overall)
558.8 x 1336 x 7.6 cm
LM27095

15lizalou.jpeg
LIZA LOU
The Clouds, 2015-2018
site-specific installation of oil paint on woven glass beads and thread on canvas
600 parts, each: 13.78 x 13.78 inches
35 x 35 cm
220 x 526 x 3 inches (overall)
558.8 x 1336 x 7.6 cm
LM27095

16lizalou.jpeg
LIZA LOU
Pyrocumulus, 2018
oil paint on woven glass beads on canvas
55.75 x 56.25 x 3 inches
141.6 x 142.9 x 7.6 cm
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.
Photo: Joshua White

17lizalou.jpeg
LIZA LOU
Pyrocumulus (detail), 2018
oil paint on woven glass beads on canvas
55.75 x 56.25 x 3 inches
141.6 x 142.9 x 7.6 cm
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.
Photo: Joshua White

18lizalou.jpeg
LIZA LOU
Stratus Fractus, 2018
oil paint on woven glass beads on canvas
59.5 x 55.5 x 2.5 inches
151.1 x 141 x 6.4 cm
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.
Photo: Joshua White

19lizalou.jpeg
LIZA LOU
Stratus Fractus (detail), 2018
oil paint on woven glass beads on canvas
59.5 x 55.5 x 2.5 inches
151.1 x 141 x 6.4 cm
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.
Photo: Joshua White

20lizalou.jpeg
LIZA LOU
Drawing Instrument II, 2016-2018
ink and paint on canvas on wood
70 x 70 x 1.25 inches
177.8 x 177.8 x 3.2 cm
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.
Photo: Joshua White

21lizalou.jpeg
LIZA LOU
Drawing Instrument II (detail), 2016-2018
ink and paint on canvas on wood
70 x 70 x 1.25 inches
177.8 x 177.8 x 3.2 cm
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.
Photo: Joshua White

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LIZA LOU
Primary, 2018
woven glass beads and thread
21 x 14 x 12 inches
53.3 x 35.6 x 30.5 cm
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.
Photo: Joshua White

23lizalou.jpeg
LIZA LOU
Drawing Instrument (film still), 2018
single-channel video projection, color, sound
dimensions variable
duration: 6 minutes, 17 seconds
LM28773

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LIZA LOU
Drawing Instrument (film still), 2018
single-channel video projection, color, sound
dimensions variable
duration: 6 minutes, 17 seconds
LM28773
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする