2018年10月24日

PATRICK MARTINEZ: REMEMBERING TO FORGET @ CHARLIE JAMES GALLERY, Los Angeles

PATRICK MARTINEZ: REMEMBERING TO FORGET
@CHARLIE JAMES GALLERY
969 Chung King Road
Los Angeles, CA 90012
USA
SEPTEMBER 8 - OCTOBER 13, 2018

installation views
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Fallen Empire, Stucco, ceramic, ceramic tile, mixed media and found banner tarp on panel, 96 x 156 inches, 2018

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Closed, Out of Business, Stucco, neon, mean streak, spray paint, latex house paint and store sign with vinyl decal on panel, 60 x 60 inches, 2018

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Remembering to Forget, Ceramic, mixed media and stucco on panel, 60 x 60 inches, 2018

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Morning and Night (James Baldwin & Angela Davis), Neon on plexiglass, 30 x 36 inches, Edition of 3, 2018
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Contemplation and Practice - Meg Hitchcock, Jill Parisi, Eleanor White @ KENISE BARNES FINE ART, New York

Contemplation and Practice - Meg Hitchcock, Jill Parisi, Eleanor White
@KENISE BARNES FINE ART
1947 PALMER AVENUE, LARCHMONT, NEW YORK 10538
USA
March 3 - April 14, 2018

installation views
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Meg Hitchcock, Life Eternal, 2015, letters cut from the Bibles, 24 x 18 inches (unframed), 28.25 x 24.25 inches (framed)

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Life Eternal (detail), 2015, letters cut from the Bibles, 24 x 18 inches (unframed), 28.25 x 24.25 inches (framed)

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Meg Hitchcock, Mundaka Upanishad , 2012, letters cut from the Koran, 28 x 22.25 inches (unframed), 33 x 27.5 inches (framed)

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Meg Hitchcock, Mundaka Upanishad (detail), 2012, letters cut from the Koran, 28 x 22.25 inches (unframed), 33 x 27.5 inches (framed)

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Meg Hitchcock, The Cloud of Unknowing , 2015, letters cut from the Upanishads, 24.5 x 22.5 inches (unframed), 28.25 x 26.25 inches (framed)

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Meg Hitchcock, The Cloud of Unknowing (detail), 2015, letters cut from the Upanishads, 24.5 x 22.5 inches (unframed), 28.25 x 26.25 inches (framed)

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Meg Hitchcock,  King of Prayers , 2017, letters cut from the Bible, 17 x 45 inches (unframed), 22.5 x 50.5 inches (framed)

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Meg Hitchcock,  King of Prayers (detail), 2017, letters cut from the Bible, 17 x 45 inches (unframed), 22.5 x 50.5 inches (framed)

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Meg Hitchcock,  Shoonya:  Vijnana Bhairava Tantra , 2009, letters cut from the Torah (The Book of Deuteronomy), 30 x 22 inches (unframed), 34.5 x 27.25 inches (framed)

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Meg Hitchcock,  Shoonya:  Vijnana Bhairava Tantra (detail), 2009, letters cut from the Torah (The Book of Deuteronomy), 30 x 22 inches (unframed), 34.5 x 27.25 inches (framed)

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Jill Parisi, Greenwell's Glory (front view), 2018, intaglio prints on lokta tissue weight paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, faux fur, fur, feathers, entomology pins in glass cloche, 15 inches x 9.75 inch diameter

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Jill Parisi,  Greenwell's Glory (top view), 2018, intaglio prints on lokta tissue weight paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, faux fur, fur, feathers, entomology pins in glass cloche, 15 inches x 9.75 inch diameter

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Jill Parisi,  Greenwell's Glory (detail), 2018, intaglio prints on lokta tissue weight paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, faux fur, fur, feathers, entomology pins in glass cloche, 15 inches x 9.75 inch diameter

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Jill Parisi,  Greenwell's Glory (detail), 2018 intaglio prints on lokta tissue weight paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, faux fur, fur, feathers, entomology pins in glass cloche, 15 inches x 9.75 inch diameter

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Jill Parisi, Sister Nancy's Picnic , 2018, intaglio prints on lokta tissue weight paper, digital prints on kozo paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, fur, feathers, 36.5 x 36.5 x 6.5 inches (framed in acrylic shadowbox)

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Jill Parisi, Sister Nancy's Picnic (detail), 2018, intaglio prints on lokta tissue weight paper, digital prints on kozo paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, fur, feathers, 36.5 x 36.5 x 6.5 inches (framed in acrylic shadowbox)

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Jill Parisi, Mallard and Claret (front view), 2017, relief prints on yukushi and kizukishi tissue weight papers, intaglio prints on tissue weight lokta paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, fur, feathers, entomology pins in glass cloche, 12 inches x 11.75 inch diameter

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Jill Parisi, Mallard and Claret (top view), 2017, relief prints on yukushi and kizukishi tissue weight papers, intaglio prints on tissue weight lokta paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, fur, feathers, entomology pins in glass cloche, 12 inches x 11.75 inch diameter

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Jill Parisi, Mallard and Claret (detail), 2017, relief prints on yukushi and kizukishi tissue weight papers, intaglio prints on tissue weight lokta paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, fur, feathers, entomology pins in glass cloche, 12 inches x 11.75 inch diameter

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Jill Parisi, Mallard and Claret (detail), 2017, relief prints on yukushi and kizukishi tissue weight papers, intaglio prints on tissue weight lokta paper, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, fur, feathers, entomology pins in glass cloche, 12 inches x 11.75 inch diameter

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Jill Parisi, Rainbow Trout Lily (front view), 2018, relief prints on yukushi and kizukishi tissue weight papers, fiber reactive dye, acrylic ink, wire, fur, feathers, entomology pins in glass cloche, 8 inches x 8 inch diameter

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Jill Parisi, Rainbow Trout Lily (top view), 2018, relief prints on yukushi and kizukishi tissue weight papers, fiber reactive dye, acrylic ink, wire, fur, feathers, entomology pins in glass cloche, 8 inches x 8 inch diameter

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Jill Parisi, Rainbow Trout Lily (detail), 2018, relief prints on yukushi and kizukishi tissue weight papers, fiber reactive dye, acrylic ink, wire, fur, feathers, entomology pins in glass cloche, 8 inches x 8 inch diameter,

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Jill Parisi, Fishnet Fire Flower , 2018, fiber reactive dye, acrylic ink on handmade overeaten abaca fiber, wire, fur, 12.5 x 12.5 x 6.25 inches

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Jill Parisi, Vanishing Girl Lily , 2017, acrylic ink on handmade overbeaten abaca fiber, wire, feathers, 10.5 x 10.5 x 6.25 inches

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Jill Parisi, Superfly , 2017, fiber reactive dye on handmade overbeaten abaca fiber, wire, fur, feathers, metallic threads, 10.5 x 10.5 x 6.25 inches

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Jill Parisi, Sexy Sea Creature , 2018, fiber reactive dye on handmade overbeaten abaca fiber, wire, fur, 12.5 x 12.5 x 6.25 inches

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Jill Parisi, Sunnyside , 2018, fiber reactive dye, acrylic ink on handmade overbeaten abaca fiber, wire, fur, 12.5 x 12.5 x 6.25 inches

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Jill Parisi, Day and Night / Night and Day Lily , 2017, acrylic ink on handmade overbeaten abaca fiber, wire, fur, feathers, 10.5 x 10.5 x 6.25 inches

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Eleanor White ,  Blue Brown Dots , 2018, wood ash, acrylic, polymer medium on paper, 57.5 x 17.75 inches (unframed), 61 x 21 inches (framed)

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Eleanor White ,  Blue Brown Dots (detail), 2018, wood ash, emu eggshell, acrylic, polymer medium on paper, 57.5 x 17.75 inches (unframed), 61 x 21 inches (framed)

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Eleanor White, Emu Ash Honeycomb Black Paper , 2018, wood ash, emu eggshell, graphite, acrylic, polymer medium on paper, 30 x 23 inches (unframed), 33.5 x 26.5 inches (framed)

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Eleanor White, Emu Ash Honeycomb Black Paper (detail), 2018, wood ash, emu eggshell, graphite, acrylic, polymer medium on paper, 30 x 23 inches (unframed), 33.5 x 26.5 inches (framed)

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Eleanor White, Eggshell/Ash Mandala , 2018 eggshell, wood ash,acrylic, polymer medium on paper, 33.5 x 29.88 inches (unframed), 36.75 x 33 inches (framed)

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leanor White, Eggshell/Ash Mandala (detail), 2018 eggshell, wood ash acrylic, polymer medium on paper, 33.5 x 29.88 inches (unframed), 36.75 x 33 inches (framed)

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Eleanor White, Mandala Abstraction , 2018, eggshell, emu eggshell, ash, acrylic, polymer medium on paper, 48.625 x 34 inches (unframed), 51 x 36 inches (framed)

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Eleanor White,  Mandala Abstraction  (detail), 2018, eggshell, emu eggshell, ash, acrylic, polymer medium on paper 48.625 x 34 inches (unframed) 51 x 36 inches (framed)

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Eleanor White, Grey Multi Dot (large), 2018, eggshell, ash, glass bead, ink, emu eggshell, acrylic, polymer medium on paper, 47 x 32 inches (unframed), 50.5 x 34.75 inches (framed)

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Eleanor White, Grey Multi Dot (large) (detail), 2018, eggshell, ash, glass bead, ink, emu eggshell, acrylic, polymer medium on paper, 47 x 32 inches (unframed), 50.5 x 34.75 inches (framed)
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Nicholas Hlobo: Ulwamkelo @ Lehmann Maupin, New York, W 22 Street

Nicholas Hlobo: Ulwamkelo
@Lehmann Maupin, New York, W 22 Street
536 West 22nd Street
New York, NY 10011
USA
July 12 – August 24, 2018

installation views
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NICHOLAS HLOBO
Phantsi Komngcunube, 2017
ribbon and leather on canvas
94.49 x 71.65 inches
240 x 182 cm
LM25862

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NICHOLAS HLOBO
Intlantsana, 2017
ribbon on canvas
47.24 x 70.87 inches
120 x 180 cm
LM25864

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NICHOLAS HLOBO
Intlantsana (detail), 2017
ribbon on canvas
47.24 x 70.87 inches
120 x 180 cm
LM25864

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NICHOLAS HLOBO
Dangazela, 2017
ribbon and leather on canvas
47.24 x 70.87 inches
120 x 180 cm
LM26039

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NICHOLAS HLOBO
Fak'unyawo, 2017
ribbon, leather, and wooden shoe last on cotton canvas
47.24 x 47.24 inches (diameter)
120 x 120 cm
LM25860
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Paul Kneale, Toby Ziegler: After Image @ CASSINA PROJECTS, New York

Paul Kneale, Toby Ziegler: After Image
@CASSINA PROJECTS
508 W 24TH STREET
NEW YORK, NY 10011
USA
February 28, 2017 - April 15, 2017

installation views
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Toby Ziegler
'Oracle', 2017
Two-channel video
Edition of 3
variable dimensions

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Toby Ziegler
'Failed design for a ouija board', 2017
Oil on aluminum, 62.25x112.25 in | 158x285 cm

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Toby Ziegler
'Failed design for a ouija board (2)', 2017
Oil on aluminum, 67.25x110.25 in | 171x280 cm

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Toby Ziegler
'Shadow systems', 2017 Oil on aluminum, 43.25x69.75 in | 110x177 cm

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Toby Ziegler
'Double Meander', 2017 Oil on aluminum, 61x90.5 in | 155x230 cm

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Paul Kneale
'Ibiza Poetry Prize', 2017 Inkjet on canvas, 78x55 in | 198x139.75 cm

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Paul Kneale
'Missed Universe', 2017
Inkjet on canvas, 78x55 in | 198x139.75 cm

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Paul Kneale
'High on an End Note', 2017,
Inkjet on canvas, 78x55 in | 198x139.75 cm

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Paul Kneale
'Used Aura', 2017
Inkjet on canvas,
78x55 in | 198x139.75 cm

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Paul Kneale
Lack Holes and Maybe Universes, 2017
Found objects and neon

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Paul Kneale
'Experience Economy in Retrograde', 2017
Inkjet on canvas,
113.5x162.5 in | 288x412.75 cm
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dennis hopper: serigraphs @ Franklin Parrasch Gallery, New York

dennis hopper: serigraphs
@Franklin Parrasch Gallery
53 east 64 street
new york, ny 10065
USA
April 27th - June 2nd, 2018

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Fractured Girl (billboard), Los Angeles, 1988
(from 1965 photograph "Fractured Girl (billboard), Los Angeles")
serigraph: 1 of 2 Printer's Proofs, signed "D Hopper" lower right
37-1/2 x 55-1/2 inches

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Broken Window (Harlem), 1988
(from 1961 photograph "Broken Window (Harlem)")
serigraph: 2 of 3 Printer's Proofs, signed "D Hopper" lower right
37-1/2 x 55-1/2 inches

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Bad Heart (Goldtone), 1988
(from 1961 photograph "Bad Heart")
serigraph: 2 of 3 Printer's Proofs, signed "D Hopper" lower left
37-1/2 x 55-1/2 inches

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Tire With Paper Shreds (Goldtone), 1988
(from photograph c. 1961-1965
serigraph: 1 of 2 Printer's Proofs, signed "D Hopper" lower right
37-1/2 x 55-1/2 inches

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Art Forum-Andy Warhol (Blue), 1988
serigraph: 3 of 4 Printer's Proofs,
36-1/4 x 35-1/2 inches

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Art Forum-Andy Warhol (Light Silver), 1988
serigraph: 1 of 4 Printer's Proofs,
36-1/4 x 35-1/2 inches

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Art Forum-Andy Warhol (Black and White), 1988
serigraph: 2 of 4 Printer's Proofs,
36-1/4 x 35-1/2 inches

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Art Forum-Andy Warhol (White), 1988
serigraph: 4 of 4 Printer's Proofs,
36-1/4 x 35-1/2 inches
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする