2018年12月02日

AARON FOWLER: EXCEEDINGLY AND ABUNDANTLY BLESSED @ M+B, Los Angeles

AARON FOWLER: EXCEEDINGLY AND ABUNDANTLY BLESSED
@M+B
612 North Almont Drive
Los Angeles, California 90069
USA
NOVEMBER 3 - DECEMBER 22, 2018

installation views
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The Assassination of Leon Trotsky @ David Lewis, New York

The Assassination of Leon Trotsky
James Beckett, Hans Bellmer, Willie Cole, Thornton Dial, Mary Beth Edelson, Leon Golub, Felix Gonzalez-Torres, Todd Gray, Jeffrey Joyal, Megan Marrin, Nancy Spero, Manuel Solano, Paul Thek, Portia Zvavahara, David Wojnarowicz
@David Lewis
88 Eldridge St, Fifth floor New York,NY 10002
USA
September 16−November 04, 2018

installation views
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Paul Thek, “Untitled (Meat Cable),” 1968-9, wax on steel cable with two turnbuckles, 168 x 3 x 2 1/2 inches, 426.7 x 7.6 x 6.4 cm. Watermill Center Collection, New York.

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James Beckett, “Negative Space: A Scenario Generator for Clandestine Building in Africa,” 2015, canvas covered boards with sticker text, framed xerox with pen, aged wooden blocks, shelving, glass, dimensions variable, 319 1/2 x 136 1/2 x 95 1/4 inches,811.5 x 346.7 x 241.9 cm

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James Beckett, “Most Notable Car Deaths: 2.3 Seymour Cray, Supercomputer Architect,” 2017, 1995 Jeep Cherokee inner element radiator, working image from Cray research laboratories printed on pyjama velvet, wood, paint, 59.06 x 23.62 x 14.17 inches, 150 x 60 x 36 cm

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Hans Bellmer, “La Poupée,” 1949, vintage hand-colored gelatin silver print, 5 1/4 x 5 1/4 inches, 13.3 x 13.3 cm, Framed Dimensions: 14 x 14 inches, 35.6 x 35.6 cm

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Hans Bellmer, “La Poupée,” 1949, vintage hand-colored gelatin silver print, 5 3/8 x 5 3/8 inches, 13.7 x 13.7 cm, Framed Dimensions: 14 x 14 inches, 35.6 x 35.6 cm

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Willie Cole, “Procession” 2006, scorched plywood, 66 1/2 x 66 1/2 x 1 3/4 inches, 168.9 x 168.9 x 4.4 cm

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Willie Cole, “American Domestic,” 2016, digital pigment and serigraph, 36 x 30 inches, 91.4 x 76.2 cm

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Thornton Dial, “Rising Water/Signs of Hope,” 2011, tin, wood, wire, fabric, leather, artificial plants, and oil on canvas, 71 x 86 x 10 inches, 180.3 x 218.4 x 25.4 cm

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Mary Beth Edelson, “Ana Mendieta,” 1990, oil and mixed media on canvas, 96 x 72 inches, 243.8 x 182.9 cm

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Mary Beth Edelson, “Purveyor of Hope,” 1989, oil on canvas with wood frame and lightbulbs, 96 x 72 inches, 243.8 x 182.9 cm

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Leon Golub, “Le Combat VI,” 1963, acrylic on canvas, 49 x 36 inches, 124.5 x 91.4 cm. Courtesy the Estate of Leon Golub and Hauser & Wirth.

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Felix Gonzalez-Torres, “Untitled (Ross),” 1991, candies, individually wrapped (endless supply), dimensions variable. Collection of Karen and Andy Stillpass.

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Todd Gray, “Three Women (2),” 2018, four archival pigment prints in artist's frames and found frames, UV laminate, 54 x 67 x 3 inches, 152.4 x 182.9 x 7.6 cm

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Jeffrey Joyal, “Degenerate Cosplay,” 2018, silkscreen ink on G.I. wool blanket, steel tube, hardware, 48 x 36 inches, 121.9 x 91.4 cm

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Jeffrey Joyal, “Funny Games,” 2018, MDF, cotton fabric, knockout carnival game piece, woodland tactical netting, fringe, trim, hardware, 29 x 77 x 7 inches, 73.7 x 195.6 x 17.8 cm

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Megan Marrin, “Melissa officinalis,” 2018, oil on canvas on Styrofoam, 69 x 29 x 1 inches, 175.3 x 73.7 x 2.5 cm

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Manuel Solano, “Liberty,” 2018, acrylic on canvas, 71 x 59 inches, 180 x 150 cm

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Nancy Spero, “El Salvador,” 1986, hand printing and printed collage on paper, Image Dimensions: 38 1/4 x 25 1/2 inches, 97.2 x 64.8 cm, Framed Dimensions: 42 3/8 x 29 1/2 x 1 1/2 inches, 107.6 x 74.9 x 3.8 cm. Courtesy The Estate of Nancy Spero and Galerie Lelong & Co., New York.

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David Wojnarowicz, “The Redesign of the Dollar Bill,” 1988/1989, collage, spray paint, photography and thread on panel, 46 1/2 x 67 x 2 inches, 118.1 x 170.2 x 5.1 cm

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Portia Zvavahera, “Onaiwo Vana Vangu (Watch over my kids),” 2017, oil-based printing ink and oil bar on canvas, 79 x 50 inches, 200.7 x 127 cm

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Richard Dupont: Hydromancy @ CAROLINA NITSCH, New York

Richard Dupont: Hydromancy
@CAROLINA NITSCH
534 West 22nd Street, New York, NY 10011
USA
September - November 10, 2018

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MARK GROTJAHN: New Capri, Capri, Free Capri @ Gagosian, West 24th Street, New York

MARK GROTJAHN: New Capri, Capri, Free Capri
@Gagosian, West 24th Street, New York
555 West 24th Street
New York, ny 10011
USA
October 30–December 22, 2018

installation views
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Mark Grotjahn, Untitled (New Capri XIX 47.19), 2016
Oil on cardboard, 20 × 17 inches (50.8 × 43.2 cm)
c Mark Grotjahn. Photo: Douglas M. Parker Studio

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Mark Grotjahn, Untitled (New Capri XIII 47.13), 2016
Oil on cardboard, 32 × 25 inches (81.3 × 63.5 cm)
c Mark Grotjahn. Photo: Douglas M. Parker Studio

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Mark Grotjahn, Untitled (New Capri XVIII 47.18), 2016
Oil on cardboard, 24 × 18 inches (61 × 45.7 cm)
c Mark Grotjahn. Photo: Douglas M. Parker Studio

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Mark Grotjahn, Untitled (Free Capri 50.59), 2018
Oil on cardboard mounted on linen, 92 × 72 ¼ inches (233.7 × 183.5 cm)
c Mark Grotjahn. Photo: Douglas M. Parker Studio

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Mark Grotjahn, Untitled (Free Capri 50.59), 2018 (detail)
Oil on cardboard mounted on linen, 92 × 72 ¼ inches (233.7 × 183.5 cm)
c Mark Grotjahn. Photo: Douglas M. Parker Studio

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Mark Grotjahn, Untitled (Free Capri 50.37), 2018
Oil on cardboard mounted on linen, 63 × 48 inches (160 × 121.9 cm)
c Mark Grotjahn. Photo: Douglas M. Parker Studio

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Mark Grotjahn, Untitled (Free Capri 50.43), 2018
Oil on cardboard, 75 × 58 ½ inches (190.5 × 148.6 cm)
c Mark Grotjahn. Photo: Douglas M. Parker Studio

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Mark Grotjahn, Untitled (Free Capri 50.43), 2018 (detail)
Oil on cardboard, 75 × 58 ½ inches (190.5 × 148.6 cm)
c Mark Grotjahn. Photo: Douglas M. Parker Studio

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Mark Grotjahn, Untitled (Capri 48.18), 2016
Oil on cardboard, 32 × 25 inches (81.3 × 63.5 cm)
c Mark Grotjahn. Photo: Douglas M. Parker Studio

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Mark Grotjahn, Untitled (Star Capri 50.19), 2017
Oil on cardboard mounted on linen, 70 ½ × 55 inches (179.1 × 139.7 cm)
c Mark Grotjahn. Photo: Douglas M. Parker Studio
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BEOBACHTUNG @ DITTRICH & SCHLECHTRIEM, Berlin

BEOBACHTUNG
MALTE BARTSCH / JULIAN CHARRIÈRE / ANDREAS GREINER / CLARA JO / FELIX KIESSLING / SOPHIA POMPÉRY / MACARENA RUIZ-TAGLE / NINA SCHUIKI / DAN STOCKHOLM / MATTHIAS SOHR / ALVARO URBANO / JONAS WENDELIN / JULIUS VON BISMARCK
@DITTRICH & SCHLECHTRIEM
Linienstraße 23 10178 Berlin-Germany
3. MÄRZ – 14. APRIL 2018

installation views
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ALVARO URBANO
He would always leave a window open, even at night
2017
metal and paint
dimensions variable

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ANDREAS GREINER
Monument for the 308
2017
3D print of x-ray scanned dead found broiler chicken, polyester, lactic acid, steel
3.5 x 1.2 x 1.2 m

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MACARENA RUIZ-TAGLE
Encompass III
2017
Steel, industrial paint, wheels
17 x 200 cm

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JONAS WENDELIN
IT STARTED WITH ALLERGIES
2017
two large ceramic vessels, seven small ceramic vessels, plastic sheeting, fermented plum juice
edition of 3, 1 AP
45 x 120 x 140 cm

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JULIAN CHARRIÈRE
Metamorphism XXIII
2016
artificial lava sandstone and molten computer waste (main boards, CPUs, RAMs, hard drives, cables)
31 x 20 x 20 cm

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JULIAN CHARRIÈRE
Metamorphism XXIV
2016
artificial lava sandstone and molten computer waste (main boards, CPUs, RAMs, hard drives, cables)
31 x 20 x 20 cm

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JULIAN CHARRIÈRE
Metamorphism XXV
2016
artificial lava sandstone and molten computer waste (main boards, CPUs, RAMs, hard drives, cables)
31 x 20 x 20 cm

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ANDREAS GREINER
Roundabout
2013
wood, steel, glass, vibrio fischeri diluted in seawaters
65 x 65 x 20 cm

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JULIAN CHARRIÈRE; JULIUS VON BISMARCK AND FELIX KIESSLING
ATROCITY EXHIBITION 2016 3D printed house, sand and desittled water in glass 4/30 + 3AP 14 x 12,7 x 12,7 cm / 5 1/2 x 5 x 5 in

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SOPHIA POMPÉRY
Plenty Empty 2011 Glass filled with water 1/3 50 x 10 x 10 cm

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MALTE BARTSCH
Untitled 2017 Discokugel 30 x 30 x 30 cm

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ANDREAS GREINER
Monument for the 308 (1:1) 2017 Chicken bones 3D Print, metal, wood, glass 68 x 39 x 39 cm

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DAN STOCKHOLM
Untitled 2013-16 Plaster, epoxy and water 10 x 20 x 23 cm

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NINA SCHUKI
Hände 2017 Slideshow on iPad 1/3 + 1AP 24 x 18 cm

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SOPHIA POMPÉRY
Stilles Wasser I 2015 c-print 1/5 +2AP 54 x 36 cm

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SOPHIA POMPÉRY
Stilles Wasser II 2015 c-print 1/5 +2AP 54 x 36 cm

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MATTHIAS SOHR
Strut
2017
lift, two tracks, motor, hardware
installation view, Festival of Future Nows, Hamburger Bahnhof 2017
Photo: Eric Bell, Courtesy the Artist

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MATTHIAS SOHR
Strut
2017
lift, two tracks, motor, hardware
Installation view, Festival of Future Nows, Hamburger Bahnhof 2017
Photo: Eric Bell, Courtesy the Artist

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DAN STOCKHOLM
HOUSE
2016
scaffolding, stainless steel, plaster
dimensions variable

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MALTE BARTSCH
Time Machine
2013-16
printer, button, person, time
31 x 25 x 13 cm

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JULIUS VON BISMARCK
Racehorse For Christmas I
2017
inkjet print
edition of 6, 2 AP
20 x 30 cm

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CLARA JO
Cathedral
2017
single-channel HD Video
edition of 5, 1 AP

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JULIAN CHARRIÈRE
Bokbata II - Terminal Beach
2016
Large-format black-and-white-photograph, double-exposed through thermonuclear strata, archival pigment print on Hahnemule Photo RagLarge-format black-and-white-photograph, double-exposed through thermonuclear strata, archival pigment print on Hahnemule Photo RagLarge-format black-and-white-photograph, double-exposed through thermonuclear strata, archival pigment print on Hahnemule Photo Rag
edition of 3, 1AP 120 x 150 cm

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JULIAN CHARRIÈRE, JULIUS VON BISMARCK, AND FELIX KIESSLING
ATROCITY EXHIBITION
2016
brass cylinder and pyroclast-c residue
71 x15 x 10 cm

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NINA SCHUIKI
My Shadow is the Absence of Light
2017
white glass, engraving
edition of 3, 1AP
70 x 34 x 34 cm

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SOPHIA POMPÈRY
Praise of the void (VI)
2017
c-print
edition of 5, 2 AP
100 x 75 cm
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