2018年12月27日

FIGURE IN A LANDSCAPE @ Foxy Production, New York

FIGURE IN A LANDSCAPE
CARLOS ALMARAZ
MAMMA ANDERSSON
CYNTHIA DAIGNAULT
HAMISHI FARAH
JUSTIN FITZPATRICK
EM ROONEY
@Foxy Production
2 East Broadway, 200
New York, NY 10038, USA
September 21 - October 21, 2018

installation views
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Cynthia Daignault, Forever, 2017-2018, oil on linen, 2 parts: 15 x 10 in. (38.10 × 25.40 cm), unique

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Em Rooney, Free Field (Celeste, Bataille), 2018, polystyrene, newsprint, resin, fiberglass, walnut, chromogenic print, glass, pewter, steel, 60 x 4 x 12 in. (152.4 x 10.16 x 30.48 cm), unique

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Em Rooney, detail of Free Field (Celeste, Bataille), 2018, polystyrene, newsprint, resin, fiberglass, walnut, chromogenic print, glass, pewter, steel, 60 x 4 x 12 in. (152.4 x 10.16 x 30.48 cm), unique

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Carlos Almaraz, Stigmata Over the City, 1987, oil on panel, 5 × 7 in. (12.7 × 17.8 cm). Courtesy of the Estate of Carlos Almaraz and Craig Krull Gallery, Santa Monica, CA.

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Carlos Almaraz, Stigmata Over the City, 1987, oil on panel, 5 × 7 in. (12.7 × 17.8 cm). Courtesy of the Estate of Carlos Almaraz and Craig Krull Gallery, Santa Monica, CA.

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Justin Fitzpatrick, Antibodies: The Car Park 2018, oil on canvas, 46 1/2 x 28 1/2 x 1 1/4 in. (118 x 72.5 x 3.2 cm) (framed), unique

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Em Rooney, detail of Warlord, Godlike, Struck Camps with Plague, 2018, polystyrene, newsprint, resin, fiberglass, walnut, chromogenic print, glass, pewter, steel, 60 x 4 x 14 in. (152.4 x 10.16 x 35.56 cm), unique

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Em Rooney, Warlord, Godlike, Struck Camps with Plague, 2018, polystyrene, newsprint, resin, fiberglass, walnut, chromogenic print, glass, pewter, steel, 60 x 4 x 14 in. (152.4 x 10.16 x 35.56 cm), unique

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Mamma Andersson, Death Mask, 2016, oil on board, 34 1/2 x 26 1/8 x 1 1/8 in. (87.5 x 66.3 x 2.9 cm) (framed), unique

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Em Rooney, (2) Brian & Steve, 2018, polystyrene, newsprint, resin, fiberglass, walnut, chromogenic print, glass, pewter, steel, 60 x 4 x 14 in. (152.40 x 10.16 x 35.56 cm), unique

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Em Rooney, detail of (2) Brian & Steve, 2018, polystyrene, newsprint, resin, fiberglass, walnut, chromogenic print, glass, pewter, steel, 60 x 4 x 14 in. (152.40 x 10.16 x 35.56 cm), unique

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Hamishi Farah, Arlo (Until We Smell Burning Oil), 2018, oil on canvas, 28 3/4 x 24 3/4 in. (73 x 63 cm), unique
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LIAM EVERETT - The Listeners @ kamel mennour, London

LIAM EVERETT - The Listeners
@kamel mennour, London
51 Brook Street
London W1K 4HR
United Kingdom
Apr 11th – May 12th, 2018

installation views
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Untitled (idiot wind)
2018
Bronze, customized clamp light, cotton rag
133,3 x 95,2 cm

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Untitled (idiot wind)
2018
Bronze, customized clamp light, cotton rag
133,3 x 95,2 cm

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Untitled (Choreuo)
2018
Oil, acrylic, salt, alcohol on linen canvas
Diamètre / Diameter : 210,8 cm

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Untitled (Vulpecula)
2018
Oil, acrylic, salt, alcohol on linen canvas
200,7 x 156,2 cm
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Sebastian Black: Self-Portrait as a Good Boy @ C L E A R I N G, Brooklyn

Sebastian Black: Self-Portrait as a Good Boy
@C L E A R I N G, Brooklyn
396 Johnson Avenue, Brooklyn, NY 11206, USA
September 13, 2018 - November 4, 2018

installation views
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Machine for look at me, 2018
Oil on linen
18 1/2 x 24 inches (47 x 61 cm)

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Machine for selling drugs, 2018
Oil on linen
18 1/2 x 24 inches (47 x 61 cm)

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Self-portrait as a good boy 5, 2018
Watercolor by Richard Chenoweth, Chase bank slip, hand bound portfolio acetate
26 1/4 x 18 3/4 inches (66.7 x 47.6 cm)

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Machine for god that is, 2018
Oil on linen
18 1/2 x 24 inches (47 x 61 cm)

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Machine for no, 2018
Oil on linen
18 1/2 x 24 inches (47 x 61 cm)

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Machine for motives, 2018
Oil on linen
18 1/2 x 24 inches (47 x 61 cm)

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Machine for hysteria, 2018
Oil on linen
18 1/2 x 24 inches (47 x 61 cm)

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Self-portrait as a good boy 4, 2018
Watercolor by Richard Chenoweth, Chase bank slip, hand bound portfolio acetate
19 3/4 x 29 1/2 inches (50 x 75 cm)

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Machine for competitive knowing, 2018
Oil on linen
18 1/2 x 24 inches (47 x 61 cm)

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Machine for jangling your keys, 2018
Oil on linen
18 1/2 x 24 inches (47 x 61 cm)

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Self-portrait as a good boy 4, 2018
Watercolor by Richard Chenoweth, Chase bank slip, hand bound portfolio acetate
19 3/4 x 29 1/2 inches (50 x 75 cm)

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Machine for the forming of mutually beneficial partnership between the private and the public, 2018
Oil on linen
18 1/2 x 24 inches (47 x 61 cm)

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Machine for the buffalo hunt, 2018
Oil on linen
18 1/2 x 24 inches (47 x 61 cm)

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Self-portrait as a good boy 2, 2018
Watercolor by Richard Chenoweth, Chase bank slip, hand bound portfolio acetate
27 1/4 x 18 1/2 inches (69 x 47 cm)

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Machine for freedom, 2018
Oil on linen
18 1/2 x 24 inches (47 x 61 cm)

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Machine for the teenage soul, 2018
Oil on linen
18 1/2 x 24 inches (47 x 61 cm)

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Machine for being a curator, 2018
Oil on linen
18 1/2 x 24 inches (47 x 61 cm)

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Machine for distinction, 2018
Oil on linen
18 1/2 x 24 inches (47 x 61 cm)

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Self-portrait as a good boy 3, 2018
Watercolor by Richard Chenoweth, Chase bank slip, hand bound portfolio acetate
25 x 15 1/2 inches (63.5 x 39.4 cm)
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TOM SACHS: SANDCRAWLER @ VITO SCHNABEL PROJECTS, New York

TOM SACHS: SANDCRAWLER
@VITO SCHNABEL PROJECTS
43 Clarkson Street
New York, NY 10014
USA
DEC 1 - 13, 2018

Sandcrawler, 2016-2018
Pyrography on plywood, steel hardware, and mixed media
26 x 58 x 20 1/2 inches (66. x 147.3 x 52.1 cm)
c Tom Sachs; Courtesy Tom Sachs Studio and Vito Schnabel Projects
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RICHARD ROTH: Close Call @ David Richard Gallery, New York

RICHARD ROTH: Close Call
@David Richard Gallery, New York
211 E 121st, New York NY, 10035
USA
November 26 - December 22, 2018

installation views
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Borrowed Time, 2018
Acrylic on wood panel
60 x 48 x 4 in
152 x 122 x 10 cm

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Breezeway, 2018
Acrylic on wood panel
12 x 8 x 4 in
30 x 20 x 10 cm

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Breezeway, 2018 (alternate image)

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Champion B, 2015-2017
Acrylic on birch panel
4 x 96 in
10 x 244 cm

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Comic Relief, 2018
Acrylic on wood panel
36 x 30 x 3 in
91 x 76 x 8 cm

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Comic Relief, 2018 (alternate image)

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Crystal Blue Persuasion, 2017
Acrylic on birch panel
6 x 96 in
15 x 244 cm

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Dead Reckoning, 2018
Acrylic on wood panel
60 x 48 x 1.875 in
152 x 122 x 10 cm

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Dust Devil, 2017
Acrylic on wood panel
12 x 8 x 4 in
30 x 20 x 10 cm

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Easy Rider, 2018
Acrylic on wood panel
60 x 48 x 1.875 in
152 x 122 x 5 cm

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For You My Love 2, 2017
Acrylic on birch panel
3 x 96 in
8 x 244 cm

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I Put a Spell on You, 2018
Acrylic on wood panel
12 x 8 x 4 in
30 x 20 x 10 cm

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Make it Work, 2018
Acrylic on wood panel
12 x 8 x 4 in
30 x 20 x 10 cm

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More or Less, 2018
Acrylic on wood panel
12 x 8 x 4 in
30 x 20 x 10 cm

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Over Easy, 2018
Acrylic on wood panel
60 x 48 x 1.875 in
152 x 122 x 5 cm

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Painters Block 2, 2016
Acrylic on wood panel
12 x 8 x 4 in
30 x 20 x 10 cm

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Papa’s Got a Brand New Bag, 2018
Acrylic on wood panel
60 x 48 x 1.875 in
152 x 122 x 5 cm

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Shocks and Struts, 2017
Acrylic on birch plywood
12 x 8 x 4 in
30 x 20 x 10 cm

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Mind the Gap, 2018
Acrylic on wood panel
12 x 8 x 4 in
30 x 20 x 10 cm

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Anything Goes, 2018
Acrylic on wood panel
12 x 8 x 4 in
30 x 20 x 10 cm

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Anything Goes 2, 2018
Acrylic on wood panel
12 x 8 x 4 in
30 x 20 x 10 cm

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Ask Alice, 2017
Acrylic on wood panel
12 x 8 x 4 in
30 x 20 x 10 cm

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Blue Angel, 2017
Acrylic on wood panel
12 x 8 x 4 in
30 x 20 x 10 cm
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする