2019年01月20日

lara assouad: alphabets @ GREY NOISE, Dubai

lara assouad: alphabets
@GREY NOISE
Unit 24, Alserkal Avenue, Street 8, Al Quoz 1
Dubai, UAE.
January 14 – March 02, 2019

installation views
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lara assouad
wooden shapes stamping kit for the modular arabic type project

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lara assouad
modular arabic type specimens
2013-2016

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lara assouad
’waw’, woodblock kufi, new years card
2019

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lara assouad
folding and unfolding
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David X. Levine: HA HA HA! NO JOKE @ Zevitas Marcus, Los Angeles

David X. Levine: HA HA HA! NO JOKE
@Zevitas Marcus
2754 S La Cienega Blvd
Los Angeles, California 90034
USA
December 29, 2018 - February 2, 2019

installation views
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David X. Levine
A, 2016
colored pencil on paper
52h x 79w in

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David X. Levine
A DRESS, A PLAN (AUGUST), 2015
colored pencil on paper
44h x 48w in

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David X. Levine
AAAA AAAA AAAA AAAB, 2016
colored pencil on paper
68h x 51w in

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David X. Levine
DANITRA VANCE, 2018
colored pencil on paper
36h x 52w in

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David X. Levine
HOW MANY MINIMALISTS DOES IT TAKE TO SCREW IN A LIGHTBULB 5, 2016
colored pencil on paper
52h x 64w in

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David X. Levine
HOW MANY MINIMALISTS DOES IT TAKE TO SCREW IN A LIGHTBULB 6, 2016
colored pencil on paper
52h x 79w in

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David X. Levine
KANYE WEST, 2018
colored pencil on paper
66h x 53w in

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David X. Levine
LESSON NO.5 (WITHIN YOU WITHOUT YOU), 2017
colored pencil on paper
65h x 52w in

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David X. Levine
LESSON NO.12 (EXECUTIVE PRODUCER JOHN HARO), 2018
colored pencil on paper
52h x 54w in

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David X. Levine
LESSON NO.13 (MAHDI KHENE, guitar), 2018
colored pencil on paper
50h x 80w in

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David X. Levine
LHOONE, 2016
colored pencil on paper
44h x 52w in

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David X. Levine
MONDRIAN'S FLOWERS 1, 2018
colored pencil on paper
36h x 52w in
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

BARRY PELZNER: (IR)REGULAR @ FROELICK GALLERY, Portland

BARRY PELZNER: (IR)REGULAR
@FROELICK GALLERY
714 NW Davis Street
Portland, Oregon 97209
USA
1 MAY - 2 JUNE 2018

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Barry Pelzner
Mirror 2, 2018
gouache & pencil on Arches paper
30 x 22 in
76.2 x 55.9 cm

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Barry Pelzner
Mirror 1, 2018
gouache & pencil on Arches paper
30 x 22 in

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Barry Pelzner
Gridlock, 2017
gouache & pencil on Arches paper
30 x 22 in

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Barry Pelzner
Interstitial, 2017
gouache & pencil on Arches paper
30 x 22 in

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Barry Pelzner
Flipped, 2017
gouache & pencil on Arches paper
30 x 22 in

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Barry Pelzner
Crosscut, 2017
gouache & pencil on Arches paper
30 x 22 in

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Barry Pelzner
Confluence, 2018
gouache & pencil on Arches paper
30 x 22 in

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Barry Pelzner
Concentrate, 2018
gouache & pencil on Arches paper
30 x 22 in

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Barry Pelzner
Boogie, 2017
gouache & pencil on Arches paper
30 x 22 in

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Barry Pelzner
Assemble, 2017
gouache & pencil on Arches paper
30 x 22 in

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Barry Pelzner
Weave, 2018
gouache & pencil on Arches paper
30 x 22 in

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Barry Pelzner
Rotator, 2018
gouache & pencil on Arches paper
30 x 22 in
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

BLAKE RAYNE: BURN IT CLEAN @ 1301PE, Los Angeles

BLAKE RAYNE: BURN IT CLEAN
Carver Audain
Ralph Fasanella
Jacqueline Humphries
Blake Rayne
Georgia Sagri
Peter Schoolwerth
Cheyney Thompson
Kyle Thurman
@1301PE
6150 Wilshire Boulevard
Los Angeles, CA 90048
USA
17 November 2018 – 12 January 2019

installation views
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Blake Rayne, Local Interface 2, 2018, Vinyl

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Blake Rayne, 2018, Stanchion 4, plastic

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Ralph Fasanella, Moscow, 1990, oil on canvas

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Blake Rayne, Stanchion 5, 2018, plastic

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Jacueline Humphries, Untitled, 2018, Oil on linen.

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Cheyney Thompson, Pedestal 20, 2011, Formica, wood and glass

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Blake Rayne, Skull Steppe, 2018, Oil on linen

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Georgia Sagri, Video Bag/TROMI (Horrors), 2013, Portatable DVD player, DVD (TROMI, 2012, 8.56 sec), two bags on a doorknob.

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Carver Audain, Bad Religion, 2018, Mixed Media.

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Pieter Shcoolwerth, Personality Inventory #5, 2018, Oil, acrylic, and giclee print on canvas
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

Otobong Nkanga: Transition @ Mendes Wood DM, Brussels

Otobong Nkanga: Transition
@Mendes Wood DM, Brussels
13 Rue des Sablons / Zavelstraat
1000 Brussels Belgium
06/09 – 20/10 2018

installation views
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Otobong Nkanga, Coup d’état, 2003/2018, stainless steel, bi-toned hand dyed cotton rope, metal rings, 100 cm (ø) / 150 cm (width) / 99 m (rope)

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Otobong Nkanga, Steel to Rust - Calibration, 2018, woven textile, yarns (linen, polyester, merino wool, viscose bast, rubber verdi, reflective yarn), copper rods, 133 × 175 cm

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Otobong Nkanga, Masterplan, 2018, acrylic and crayon on paper, 42 × 29,7 cm

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Otobong Nkanga, Verdict, 2018, acrylic and crayon on paper, 42 × 29,7 cm

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Otobong Nkanga, Escape, 2018, acrylic and crayon on paper, 42 × 29,7 cm

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Otobong Nkanga, Reconciliation, 2018, acrylic and crayon on paper, 42 × 29,7 cm
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする