2019年04月08日

Matt Mullican: What do they feel? @ Cristina Guerra Contemporary Art, Lisboa

Matt Mullican: What do they feel?
@Cristina Guerra Contemporary Art
Rua Santo António à Estrela, 33
1350-291 Lisboa I Portugal
21 Set 2018 - 17 Nov 2018

installation views
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Janice Kerbel @ greengrassi, London

Janice Kerbel
@greengrassi
1a Kempsford Road
London SE11 4NU
UK
28 Sep - 03 Nov 2018

installation views
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Brawl 2018
silkscreen on paper
226 × 146 cm (89" × 57 ½")

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Brawl 2018
silkscreen on paper
226 × 146 cm (89" × 57 ½")

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details. Brawl 2018
silkscreen on paper
226 × 146 cm (89" × 57 ½")

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details. Brawl 2018
silkscreen on paper
226 × 146 cm (89" × 57 ½")

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details. Brawl 2018
silkscreen on paper
226 × 146 cm (89" × 57 ½")

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Pool 2018
Mosaic
37.8 × 55.5 × 2.2 cm (14 ⅞" × 21 ⅞" × ⅞")
Edition of 1 plus I AP

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Pool 2018
Mosaic
27.5 × 58 × 2.2 cm (10 ⅞" × 22 ⅞" × ⅞")
Edition of 1 plus I AP

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Pool 2018
Mosaic
33 × 54.2 × 2.2 cm (13" × 21 ⅜" × ⅞")
Edition of 1 plus I AP

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Pool 2018
Mosaic
32.5 × 56.3 × 2.2 cm (12 ¾" × 22 ⅛" × ⅞")
Edition of 1 plus I AP
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DAVID HOCKNEY: TIME AND MORE, SPACE AND MORE... @ GRAY WAREHOUSE, CHICAGO

DAVID HOCKNEY: TIME AND MORE, SPACE AND MORE...
@GRAY WAREHOUSE, CHICAGO
2044 WEST CARROLL AVENUE
CHICAGO, IL 60612
USA
SEPTEMBER 13 - NOVEMBER 30, 2018

installation views
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David Hockney
The Four Seasons, Woldgate Woods (Spring 2011, Summer 2010, Autumn 2010, Winter 2010), 2010-2011
36 digital videos synchronized and presented on 36 55-inch monitors to comprise a single artwork
Duration: 4:21
c David Hockney

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David Hockney
Seven Trollies, Six and a Half Stools, Six Portraits, Eleven Paintings, and Two Curtains, 2018
Photographic drawing printed on 7 sheets of paper, mounted on 7 sheets of Dibond
9 1/8 x 24 7/8 feet
c David Hockney; Assisted by Jonathan Wilkinson.

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David Hockney
Pictures at an Exhibition, 2018
Photographic drawing printed on 8 sheets of paper (107 1/2 x 43" each), mouonted on 8 panels of Dibond
107 1/2 x 344 inches
c David Hockney; Assisted by Jonathan Wilkinson.

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David Hockney
In the Studio, December 2017
Photographic drawing printed on 7 sheets of paper (109 1/2 x 42 3/4" each), mounted on 7 sheets of Dibond
109 1/2 x 299 1/4 inches
c David Hockney; Assisted by Jonathan Wilkinson

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David Hockney
Inside It Opens Up As Well, 2018
Photographic drawing printed on 7 sheets of paper, mounted on 7 sheets of Dibond
109 1/2 x 299 1/4 inches
c David Hockney; Assisted by Jonathan Wilkinson. PC: Richard Schmidt
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RICHARD HAWKINS: BAIT PAINTINGS @ Greene Naftali, New York

RICHARD HAWKINS: BAIT PAINTINGS
@Greene Naftali
508 West 26th Street
Ground Floor & 8th Floor
New York, NY 10001
USA
MARCH 8 – APRIL 19, 2019

installation views
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Richard Hawkins
All the Young Cunanans, 2019
Acrylic and oil on panel
79 x 61 x 2 1/4 inches (200.7 x 154.9 x 5.7 cm)

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Richard Hawkins
Coming to Grips with Dick Pic Addiction, 2019
Acrylic and oil on panel
79 1/4 x 61 x 2 1/4 inches (201.3 x 154.9 x 5.7 cm)

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Richard Hawkins
A Lure Painting #5, 2019
Oil stick and collage on panel
48 3/4 x 36 3/4 x 1 1/2 inches (123.8 x 93.3 x 3.8 cm)

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Richard Hawkins
A Lure Painting #1, 2019
Oil stick and collage on panel
48 3/4 x 36 3/4 x 1 1/2 inches (123.8 x 93.3 x 3.8 cm)

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Richard Hawkins
Proposal for a monument, 2019
Oil on panel
51 x 49 x 11/2 inches (129.5 x 124.5 x 3.8 cm)

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Richard Hawkins
A Region-Specific Vision, 2019
Oil and collage on panel
47 3/4 x 36 3/4 x 1 1/2 inches (123.8 x 93.3 x 3.8 cm)

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Richard Hawkins
Or, Rather, the Adored’s Resistance to the Incorporating Undertow of the One Who Adores, 2019
Acrylic, oil stick and collage on panel
51 x 49 x 1 1/2 inches (129.5 x 124.5 x 3.8 cm)

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Richard Hawkins
A Lure Painting #2, 2019
Oil stick and collage on panel
48 3/4 x 36 3/4 x 1 1/2 inches (123.8 x 93.3 x 3.8 cm)

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Richard Hawkins
Dandy Spirit Guide Lecture on Ancient Feeds, Ever–Refreshed, 2019
Oil and collage on panel
49 x 50 3/4 x 1 1/2 inches (124.5 x 128.9 x 3.8 cm)

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Richard Hawkins
Death to Mike Kelley (in an attemptedly Peter Saul manner), 2019
Oil, acrylic and collage on panel
61 x 79 x 2 1/4 inches (154.9 x 200.7 x 5.7 cm)

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Richard Hawkins
Emptied, Lost and Swallowed Up in Thee (Quietism), 2019
Oil on panel
79 1/2 x 61 1/2 x 3 inches (201.9 x 156.2 x 7.6 cm)

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Richard Hawkins
After Artaud: The Sexual Awkwardness of God, Sperm Traps, 2019
Concrete, air-dry clay, cardboard tube, boxes, office hardware, cow’s blood and collage on panel
27 x 23 x 6 inches (68.6 x 58.4 x 15.2 cm)

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Richard Hawkins
After Artaud: The Sexual Awkwardness of God, Stages of Succubal Development, 2019
Acrylic and collage on panel
25 3/4 x 22 3/4 x 1 1/2 inches (65.4 x 57.8 x 3.8 cm)

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Richard Hawkins
After Artaud, The sexual awkwardness of god, Rape Table, 2019
Plastic, air-dry clay, cardboard tube, boxes, razors, matches, mousetrap, office hardware, cow’s blood and collage on table
37 x 46 x 32 inches (94 x 116.8 x 81.3 cm)

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Richard Hawkins
After Artaud, The sexual awkwardness of god, Rape Table, 2019 (detail)
Plastic, air-dry clay, cardboard tube, boxes, razors, matches, mousetrap, office hardware, cow’s blood and collage on table
37 x 46 x 32 inches (94 x 116.8 x 81.3 cm)

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Richard Hawkins
After Artaud, The sexual awkwardness of god, Rape Table, 2019 (detail)
Plastic, air-dry clay, cardboard tube, boxes, razors, matches, mousetrap, office hardware, cow’s blood and collage on table
37 x 46 x 32 inches (94 x 116.8 x 81.3 cm)

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Richard Hawkins
After Artaud: The sexual awkwardness of god, Ass Cannon, 2019
Concrete, cardboard tube, boxes, razors, tacks, matches, mousetrap, corkscrew, office hardware, pubic hair, cow’s blood and collage on table
36 x 45 x 32 inches (91.4 x 114.3 x 81.3 cm)

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Richard Hawkins
After Artaud: The sexual awkwardness of god, Ass Cannon, 2019 (detail)
Concrete, cardboard tube, boxes, razors, tacks, matches, mousetrap, corkscrew, office hardware, pubic hair, cow’s blood and collage on table
36 x 45 x 32 inches (91.4 x 114.3 x 81.3 cm)

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Richard Hawkins
After Artaud: The sexual awkwardness of god, Ass Cannon, 2019 (detail)
Concrete, cardboard tube, boxes, razors, tacks, matches, mousetrap, corkscrew, office hardware, pubic hair, cow’s blood and collage on table
36 x 45 x 32 inches (91.4 x 114.3 x 81.3 cm)

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Richard Hawkins
The Collage Killer #10, 2018
Fake blood and collage on paper
15 3/4 x 11 7/8 inches (40 x 30.2 cm)
Frame: 18 1/4 x 14 1/4 inches (46.4 x 36.2 cm)

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Richard Hawkins
The Collage Killer #4, 2018
Fake blood and collage on paper
15 3/4 x 11 7/8 inches (40 x 30.2 cm)
Frame: 18 1/4 x 14 1/4 inches (46.4 x 36.2 cm)

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Richard Hawkins
The Collage Killer #3, 2018
Fake blood and collage on paper
15 3/4 x 11 7/8 inches (40 x 30.2 cm)
Frame: 18 1/4 x 14 1/4 inches (46.4 x 36.2 cm)

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Richard Hawkins
The Collage Killer #6, 2018
Fake blood and collage on paper
15 3/4 x 11 7/8 inches (40 x 30.2 cm)
Frame: 18 1/4 x 14 1/4 inches (46.4 x 36.2 cm)
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Georg Herold: ado less sense @ Galerie Bärbel Grässlin, Frankfurt

Georg Herold: ado less sense
@Galerie Bärbel Grässlin
Schäfergasse 46 B
60313 Frankfurt, Germany
May 12−Jun 23 2018

installation views
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Georg Herold, Olympia, 2018, roof lath, screws, canvas, threat, 106 x 390 x 125 cm

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Georg Herold, Forest of Signs, 2011, 2017, group of 20 sculptures, polyurethane foam, lacquer, wood, canvas, thread, aluminium, steel, size variable

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Georg Herold, Wohltemperierte Aussicht, 2010, aluminium, roof lath, canvas, thread, 218 x 82 cm, 200 x 200 cm, 183 x 92 cm

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Georg Herold, What we know so far, 2017, canvas, thread, 170 x 120 cm

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Georg Herold, Untitled, 2018, brick and acrylic on canvas, 170 x 120 cm

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Georg Herold, Untitled, 1990, brick on synthetic fur, 260 x 210 cm

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Georg Herold, Untitled, 2018, brick, acrylic on canvas, 60 x 40 cm

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Georg Herold, Daimler , 1988, thread, dispersion paint on canvas, 20 x 30 cm

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Georg Herold, Untitled, 2014, aluminium, lacquer, 17 x 17,5 x 35 cm (edition of 9)
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