Billy Al Bengston & Ed Ruscha: Reunited @ Various Small Fires (VSF), SEOUL

Billy Al Bengston & Ed Ruscha: Reunited
@Various Small Fires (VSF), SEOUL
Dokseodang-ro 79, Yongsan-gu (Hannam-dong 29-14)
Seoul 04419, Korea
April 1 - June 22, 2019

installation views

















Billy Al Bengston
Untitled, 1968
12 x 11.25 in


Ed Ruscha
Zoot Suit, 2014
36.5 x 31.5 in


Billy Al Bengston
Heading Home, 2011
44 x 32 in


Ed Ruscha
Rain Gain, 2014
36.5 x 31.5 in


Ed Ruscha
History Kids, 2013
29 x 28 in


Ed Ruscha
Wen Out for Cigret N Never Came Back, 2017
2 x 19.75 in


Billy Al Bengston
B’n E in SF, 1989
54 x 36 in


Ed Ruscha
Bop That Twerp, 2017
11.125 x 15 in


Billy Al Bengston
The Groove, 2016
30 x 28 in


Ed Ruscha
Travel Brains, 2017
11.125 x 15 in


Ed Ruscha
It’s Payback Time, 2001
18 x 14 in


Ed Ruscha
Do As Told or Suffer, 2001
18 x 14 in


Ed Ruscha
Be Careful Else…, 2001
18 x 14 in


Ed Ruscha
Your A Dead Man, 2001
18 x 14 in


Ed Ruscha
You Will Eat Hot Lead, 2001
18 x 14 in


Ed Ruscha
Noose Around Your Neck, 2001
18 x 14 in

Matthew Chambers: Crazy Horse West​ @ MARINARO, New York

Matthew Chambers: Crazy Horse West​
@MARINARO
1 Oliver Street
New York, NY 10038
USA
April 11 - May 12, 2019

installation views























Matthew Chambers
At A Certain Point You Accept That Life Is Hard And You Have Pride In Your Ability To Put In The Work Needed, Or Not, 2018
Acrylic on canvas
60 x 48 inches


Matthew Chambers
To Have Meaning In Our Own Time, 2018
Acrylic on canvas
60 x 48 inches


Matthew Chambers
There's A Bunch Of Different Types of Love But Only A Couple Ways To Make A Relationship Work, 2019
Acrylic on canvas
60 x 48 inches


Matthew Chambers
Our Attitude For Managing The Future Is No Stronger Than Our Ability To Make Sense of the Past, 2018
Acrylic on canvas
60 x 48 inches


Matthew Chambers
An Independent View of World Events, 2018
Acrylic on canvas
60 x 48 inches


Matthew Chambers
Windshield Test, 2018
Acrylic on canvas in artist's frame
57 x 45 inches


Matthew Chambers
A Thing We Do Not Get By Our Own Efforts, 2019
Oil and cold wax medium on canvas in artist's frame
57 x 45 inches


Matthew Chambers
Hope You Had A Good Breakfast, 2019
Acrylic on canvas
60 x 48 inches


Matthew Chambers
A Good Boss Respects Labor And A Good Employee Respects That Trust Bridge, 2019
Acrylic on canvas
60 x 48 inches


Matthew Chambers
A Satisfying Entry Into the Self, 2019
Oil and cold wax medium on canvas in artist's frame
57 x 45 inches


Matthew Chambers
I Do Not Call The Tortoise Unworthy Because She is Not Something Else, 2018
Acrylic on canvas
60 x 48 inches


Matthew Chambers
With A Different Set Of Values, 2019
Acrylic on canvas
60 x 48 inches


Matthew Chambers
The Ability Left Her As Soon As It It Came, 2019
Oil and cold wax medium on canvas in artist's frame
57 x 45 inches


Matthew Chambers
Our Sense Of Discrimination Withdraws With A Lack Of Use, 2019
Oil and cold wax medium on canvas in artist's frame
57 x 45 inches


Matthew Chambers
In A Body Larger Than Anyone One Person, 2019
Oil and cold wax medium on canvas in artist's frame
57 x 45 inches


Matthew Chambers
I Followed Something And It Led Me Away From You, 2018
Acrylic on canvas
60 x 48 inches


Matthew Chambers
I Thought Of My Ideas As Gifts, 2018
Acrylic on canvas
60 x 48 inches


Matthew Chambers
Stop If You Want To, It Won't Do Any Good, 2018
Acrylic on canvas
60 x 48 inches


Matthew Chambers
I Was Scared And the Mountain Lion Couldn't Care Less, 2018
Acrylic on canvas
60 x 48 inches


Matthew Chambers
I Just Wasn't Cut Out For The Job, 2019
Acrylic on canvas
60 x 48 inches


Matthew Chambers
all the advice washed over him, 2018
Acrylic on canvas in artist's frame
57 x 45 inches


Matthew Chambers
Give Me One More Thing, A Grateful Heart, 2019
Acrylic on canvas
60 x 48 inches


Matthew Chambers
Friday Night, 2019
Acrylic on canvas
60 x 48 inches


Matthew Chambers
Vegetable Money, 2019
Oil, acrylic, flocking on canvas in artist's frame
57 x 45 inches


Matthew Chambers
Contemplation As A Limited Commodity With A Steadily Rising Commercial Value, 2019
Oil, acrylic, flocking on canvas in artist's frame
57 x 45 inches


Matthew Chambers
Plan As You Will, 2019
Acrylic on canvas
60 x 48 inches


Matthew Chambers
In A Different Context The Applause Would Be Deafening, 2019
Acrylic on canvas
60 x 48 inches

A Swingin' Summer by Olivier Millagou @ Galerie Sultana, Paris

A Swingin' Summer by Olivier Millagou
@Galerie Sultana
10 rue Ramponeau
75020, Paris
France
31 Jan 2019 − 16 Mar 2019

installation views















Asia, Beaucours, 2019, crayon de couleur sur papier / coloured pencil on paper, 15 x 10 cm


, 2019, crayon de couleur sur papier / coloured pencil on paper, 15 x 10 cm


Coco, Sanary Sur Mer, 2019, crayon de couleur sur papier / coloured pencil on paper, 15 x 10 cm


Lena, La Kima, 2019, crayon de couleur sur papier / coloured pencil on paper, 15 x 10 cm


Uluwatu, 2019, plâtre, sable, socle métal émaillé vert / plaster, sand, green enamelled metal pedestal, 15 x 40 x 15 cm c aurélien mole


Le Langoustier, 2019, plâtre, sable, socle métal émaillé orange / plaster, sand, green enamelled metal pedestal, 15 x 43 x 15 cm c aurélien mole


Rob ,2018 Surf board sculpture, resin, acrylic, glass fiber, wood / sculpture surfable. pain de mousse polystyrène latée, peinture acrylique, fibre de verre, résine, bois. 122,5x54,5x20 cm c aurélien mole


Rob ,2018 Surf board sculpture, resin, acrylic, glass fiber, wood / sculpture surfable. pain de mousse polystyrène latée, peinture acrylique, fibre de verre, résine, bois. 122,5x54,5x20 cm


Peter ,2018 sculpture surfable. pain de mousse polystyrène latée, peinture acrylique, fibre de verre, résine, bois. 290x60x25 cm c aurélien mole


Peter ,2018 sculpture surfable. pain de mousse polystyrène latée, peinture acrylique, fibre de verre, résine, bois. 290x60x25 cm c aurélien mole


Miki ,2018 Surf board sculpture, resin, acrylic, glass fiber, wood / sculpture surfable. pain de mousse polystyrène latée, peinture acrylique, fibre de verre, résine, bois. 179x53x21 cm c aurélien mole


Miki ,2018 Surf board sculpture, resin, acrylic, glass fiber, wood / sculpture surfable. pain de mousse polystyrène latée, peinture acrylique, fibre de verre, résine, bois. 179x53x21 cm c aurélien mole


Traffic Sign Painting #3 (Lémurien Kurt Cobain) , 2019, Peinture acrylique sur panneau de signalisation / acrylic painting on traffic sign, 88 cm c aurélien mole


Traffic Sign Painting #2 (Cheval Lee Hazlewood) , 2019 Peinture acrylique sur panneau de signalisation / acrylic painting on traffic sign, 66 cm c aurélien mole


Traffic Sign Painting #1 (brebis Jannis Joplin) , 2019, Peinture acrylique sur panneau de signalisation / acrylic painting on traffic sign, 60 x 79,5 cm c aurélien mole


La Maison du Jouir , 2019, métal émaillé violet et vernis phosphorescent / purple enamelled metal and phosphorescent varnish, 84 x 81 x 3,5 cm c aurélien mole

VERNE DAWSON: PAINTINGS @ EVA PRESENHUBER, NEW YORK

VERNE DAWSON: PAINTINGS
@EVA PRESENHUBER, NEW YORK
39 Great Jones Street
New York
NY 10012
USA
MAR 08, 2019 - APR 21, 2019

installation views

















Days of the Week (Sunday
2019
Oil on pane
ø 91.5 cm / ø 36 inches


Days of the Week (Saturday)
2019
Oil on panel)
ø 61 cm / ø 24 inches


Days of the Week (Friday)
2019
Oil on panel
ø 61 cm / ø 24 inches


Days of the Week (Thursday)
2019
Oil on panel
ø 61 cm / ø 24 inches


Days of the Week (Wednesday)
2019
Oil on panel
ø 61 cm / ø 24 inches


Days of the Week (Tuesday)
2019
Oil on panel
ø 61 cm / ø 24 inches


Days of the Week (Monday)
2019
Oil on panel
ø 61 cm / ø 24 inches


I.B.W. 1
2019
Oil on linen
198 x 172.5 cm / 78 x 68 inches


I.B.W. 2
2019
Oil on linen
198 x 172.5 cm / 78 x 68 inches


Ivory-Billed Woodpecker
1992
Oil on linen
51 x 40.5 cm / 20 x 16 inches


The Ivory-Billed Woodpecker
1985-91
Oil on linen
76 x 61 cm / 30 x 24 inches


I.B.W. 3
2019
Oil on linen
198 x 172.5 cm / 78 x 68 inches

CLAUDE RUTAULT: DE-FINITIONS/METHODS FROM THE 70S @ PERROTIN, 130 ORCHARD STREET NEW YORK

CLAUDE RUTAULT: DE-FINITIONS/METHODS FROM THE 70S
@PERROTIN, 130 ORCHARD STREET NEW YORK
130 ORCHARD STREET NEW YORK, NY 10002
USA
APRIL 25 - JUNE 8, 2019

installation views

FARLEY AGUILAR: CLEANSING @ LYLES & KING, New York

FARLEY AGUILAR: CLEANSING
@LYLES & KING
106 FORSYTH STREET AT BROOME, NEW YORK, NY 10002
USA
JANUARY 18 - FEBRUARY 24, 2019

installation views





















Farley Aguilar The Beach, 2018 Oil, oil stick, and graphite on linen 76 x 92.5 inches


Farley Aguilar Encircled, 2018 Oil, oil stick, and graphite on linen 47 x 77 inches


Farley Aguilar Cleanse, 2018 Oil, oil stick, and graphite on linen 71 x 57 inches


Farley Aguilar Two Women, 2018 Oil, oil stick, and graphite on linen 73 x 72.5 inches


Farley Aguilar The Women, 2018 Oil, oil stick, and graphite on linen 69 x 91 inches


Farley Aguilar Estranged, 2018 Oil, oil stick, and graphite on linen 69.5 x 79 inches


Farley Aguilar Eternal Recurrence, 2018 Oil, oil stick, and graphite on linen


Farley Aguilar Beauty Queen, 2018 Oil, oil stick, and graphite on linen 75 x 42 inches


Farley Aguilar Beauty Contest, 2018 Oil, oil stick, and graphite on linen 76 x 97.5 inches


Farley Aguilar Estranged , 2018 Oil, oil stick, and graphite on linen


Farley Aguilar Eternal Recurrence, 2018 Oil, oil stick, and graphite on linen 75.5 x 85.5 inches


Farley Aguilar Beauty Contest, 2018 Oil, oil stick, and graphite on linen