@GALERIE THOMAS SCHULTE GMBH
CHARLOTTENSTRASSE 24
D–10117 BERLIN
Germany
27 APRIL to 29 JUNE 2019
TWISTER GRANDE (TALL), 2019
POWDER COATED ALUMINUM AND STAINLESS STEEL
2019年06月19日
ALICE AYCOCK: TWISTER GRANDE (TALL) @ GALERIE THOMAS SCHULTE GMBH, Berlin
ALICE AYCOCK: TWISTER GRANDE (TALL)
@GALERIE THOMAS SCHULTE GMBH
CHARLOTTENSTRASSE 24
D–10117 BERLIN
Germany
27 APRIL to 29 JUNE 2019
TWISTER GRANDE (TALL), 2019
POWDER COATED ALUMINUM AND STAINLESS STEEL
@GALERIE THOMAS SCHULTE GMBH
CHARLOTTENSTRASSE 24
D–10117 BERLIN
Germany
27 APRIL to 29 JUNE 2019
TWISTER GRANDE (TALL), 2019
POWDER COATED ALUMINUM AND STAINLESS STEEL
Susan Weil: Once In A Blue Moon @ Galerie Rüdiger Schöttle, München
Susan Weil: Once In A Blue Moon
@Galerie Rüdiger Schöttle
Amalienstraße 41, Rgb.
80799 München
Germany
Jun 06 – Aug 31, 2019
Installationviews. Photo: Wilfried Petzi.
Susan Weil, Wandering Chairs, 1998, silver gelatin print, 113 × 302 cm. c S. Weil and C. Rauschenberg.
@Galerie Rüdiger Schöttle
Amalienstraße 41, Rgb.
80799 München
Germany
Jun 06 – Aug 31, 2019
Installationviews. Photo: Wilfried Petzi.
Susan Weil, Wandering Chairs, 1998, silver gelatin print, 113 × 302 cm. c S. Weil and C. Rauschenberg.
Nathaniel Mary Quinn: ALWAYS FELT, RARELY SEEN @ Almine Rech, Brussels
Nathaniel Mary Quinn: ALWAYS FELT, RARELY SEEN
@Almine Rech, Brussels
Abdijstraat 20 Rue de l’Abbaye
1050 Brussels BE
March 14 − April 13, 2019
installation views
Nathaniel Mary Quinn, Tongue, 2019
Black charcoal, gouache on Arches Paper
30,5 x 22,9 cm
12 x 9 inches
Nathaniel Mary Quinn, Hard, 2019
Black charcoal, gouache on Arches Paper
30,5 x 22,9 cm
12 x 9 inches
Nathaniel Mary Quinn, Every morning, 2019
Black charcoal, gouache on Arches Paper
30,5 x 22,9 cm
12 x 9 inches
Nathaniel Mary Quinn, The Threat, 2019
Black charcoal, gouache on Arches Paper
30,5 x 22,9 cm
12 x 9 inches
Nathaniel Mary Quinn, Cut-Rate Liquor, 2019
Black charcoal, gouache on Arches Paper
30,5 x 22,9 cm
12 x 9 inches
Nathaniel Mary Quinn, Pull The Plug, 2019
Black charcoal, gouache on Arches Paper
30,5 x 22,9 cm
12 x 9 inches
Nathaniel Mary Quinn, The Disgrundtled Teacher, 2019
Black charcoal, gouache, soft pastel on Coventry Vellum Paper
42 x 40 cm
16 1/2 x 15 3/4 inches
Nathaniel Mary Quinn, Double-Dare Uniform, 2019
Black charcoal, gouache, soft pastel, paint stick, attached paper on Coventry Vellum Paper
42 x 35 cm
16 1/2 x 13 3/4 inches
Nathaniel Mary Quinn, The Director, 2019
Oil paint, paint stick, gouache, black charcoal, soft pastel, oil pastel on linen canvas stretched over wood panel
121 x 121 x 3 cm
47 5/8 x 47 5/8 x 1 1/8 inches
Nathaniel Mary Quinn, The Disappointed Victim, 2019
Oil paint, paint stick, gouache, soft pastel, oil pastel on Linen Canvas
46 x 33 x 2 cm
18 1/8 x 13 x 0 3/4 inches
Nathaniel Mary Quinn, The Executive Director, 2019
Black charcoal, gouache, soft pastel on Coventry Vellum Paper
76,2 x 76,2 cm
30 x 30 inches
Nathaniel Mary Quinn, The Grinning Chef, 2019
Black charcoal, gouache, soft pastel, oil pastel on Coventry Vellum Paper
42 x 35 cm
16 1/2 x 13 3/4 inches
Nathaniel Mary Quinn, Blue Collar Man, 2019
Black charcoal, gouache, soft pastel, oil pastel on Coventry Vellum Paper
42 x 35 cm
16 1/2 x 13 3/4 inches
Nathaniel Mary Quinn, Dave Forsythe, 2019
Oil paint, paint stick, gouache, black charcoal, soft pastel, oil pastel on linen canvas stretched over wood panel
121 x 121 x 3 cm
47 5/8 x 47 5/8 x 1 1/8 inches
Nathaniel Mary Quinn, Double Dare, 2019
Oil paint, paint stick, gouache, black charcoal, soft pastel, oil pastel on linen canvas
30 x 30 x 3 cm
11 3/4 x 11 3/4 x 1 1/8 inches
Nathaniel Mary Quinn, Prince Gardy St. Fleur, 2019
Oil paint, paint stick, gouache, black charcoal, soft pastel, oil pastel on linen canvas stretched over wood panel
121 x 121 x 3 cm
47 5/8 x 47 5/8 x 1 1/8 inches
Nathaniel Mary Quinn, The Plea, 2019
Oil paint, paint stick, gouache, oil pastel on Linen Canvas
46 x 33 x 2 cm
18 1/8 x 13 x 0 3/4 inches
Nathaniel Mary Quinn, Studio Mate, 2019
Black charcoal, gouache, soft pastel, oil pastel on Coventry Vellum Paper
42 x 35 cm
16 1/2 x 13 3/4 inches
Nathaniel Mary Quinn, X-Ray, 2019
Black charcoal, gouache, soft pastel, oil pastel on Coventry Vellum Paper
42 x 35 cm
16 1/2 x 13 3/4 inches
Nathaniel Mary Quinn, The British Bookman, 2019
Oil paint, paint stick, gouache, soft pastel, oil pastel on Linen Canvas
40 x 30 x 2 cm
15 3/4 x 11 3/4 x 0 3/4 inches
Nathaniel Mary Quinn, The Great Betrayal, 2019
Black charcoal, gouache, soft pastel, oil pastel on Coventry Vellum Paper
42 x 35 cm
16 1/2 x 13 3/4 inches
Nathaniel Mary Quinn, Literacy Lab, 2019
Black charcoal, gouache, soft pastel, oil pastel on Coventry Vellum Paper
127 x 96,5 x 3 cm
50 x 38 x 1 1/8 inches
@Almine Rech, Brussels
Abdijstraat 20 Rue de l’Abbaye
1050 Brussels BE
March 14 − April 13, 2019
installation views
Nathaniel Mary Quinn, Tongue, 2019
Black charcoal, gouache on Arches Paper
30,5 x 22,9 cm
12 x 9 inches
Nathaniel Mary Quinn, Hard, 2019
Black charcoal, gouache on Arches Paper
30,5 x 22,9 cm
12 x 9 inches
Nathaniel Mary Quinn, Every morning, 2019
Black charcoal, gouache on Arches Paper
30,5 x 22,9 cm
12 x 9 inches
Nathaniel Mary Quinn, The Threat, 2019
Black charcoal, gouache on Arches Paper
30,5 x 22,9 cm
12 x 9 inches
Nathaniel Mary Quinn, Cut-Rate Liquor, 2019
Black charcoal, gouache on Arches Paper
30,5 x 22,9 cm
12 x 9 inches
Nathaniel Mary Quinn, Pull The Plug, 2019
Black charcoal, gouache on Arches Paper
30,5 x 22,9 cm
12 x 9 inches
Nathaniel Mary Quinn, The Disgrundtled Teacher, 2019
Black charcoal, gouache, soft pastel on Coventry Vellum Paper
42 x 40 cm
16 1/2 x 15 3/4 inches
Nathaniel Mary Quinn, Double-Dare Uniform, 2019
Black charcoal, gouache, soft pastel, paint stick, attached paper on Coventry Vellum Paper
42 x 35 cm
16 1/2 x 13 3/4 inches
Nathaniel Mary Quinn, The Director, 2019
Oil paint, paint stick, gouache, black charcoal, soft pastel, oil pastel on linen canvas stretched over wood panel
121 x 121 x 3 cm
47 5/8 x 47 5/8 x 1 1/8 inches
Nathaniel Mary Quinn, The Disappointed Victim, 2019
Oil paint, paint stick, gouache, soft pastel, oil pastel on Linen Canvas
46 x 33 x 2 cm
18 1/8 x 13 x 0 3/4 inches
Nathaniel Mary Quinn, The Executive Director, 2019
Black charcoal, gouache, soft pastel on Coventry Vellum Paper
76,2 x 76,2 cm
30 x 30 inches
Nathaniel Mary Quinn, The Grinning Chef, 2019
Black charcoal, gouache, soft pastel, oil pastel on Coventry Vellum Paper
42 x 35 cm
16 1/2 x 13 3/4 inches
Nathaniel Mary Quinn, Blue Collar Man, 2019
Black charcoal, gouache, soft pastel, oil pastel on Coventry Vellum Paper
42 x 35 cm
16 1/2 x 13 3/4 inches
Nathaniel Mary Quinn, Dave Forsythe, 2019
Oil paint, paint stick, gouache, black charcoal, soft pastel, oil pastel on linen canvas stretched over wood panel
121 x 121 x 3 cm
47 5/8 x 47 5/8 x 1 1/8 inches
Nathaniel Mary Quinn, Double Dare, 2019
Oil paint, paint stick, gouache, black charcoal, soft pastel, oil pastel on linen canvas
30 x 30 x 3 cm
11 3/4 x 11 3/4 x 1 1/8 inches
Nathaniel Mary Quinn, Prince Gardy St. Fleur, 2019
Oil paint, paint stick, gouache, black charcoal, soft pastel, oil pastel on linen canvas stretched over wood panel
121 x 121 x 3 cm
47 5/8 x 47 5/8 x 1 1/8 inches
Nathaniel Mary Quinn, The Plea, 2019
Oil paint, paint stick, gouache, oil pastel on Linen Canvas
46 x 33 x 2 cm
18 1/8 x 13 x 0 3/4 inches
Nathaniel Mary Quinn, Studio Mate, 2019
Black charcoal, gouache, soft pastel, oil pastel on Coventry Vellum Paper
42 x 35 cm
16 1/2 x 13 3/4 inches
Nathaniel Mary Quinn, X-Ray, 2019
Black charcoal, gouache, soft pastel, oil pastel on Coventry Vellum Paper
42 x 35 cm
16 1/2 x 13 3/4 inches
Nathaniel Mary Quinn, The British Bookman, 2019
Oil paint, paint stick, gouache, soft pastel, oil pastel on Linen Canvas
40 x 30 x 2 cm
15 3/4 x 11 3/4 x 0 3/4 inches
Nathaniel Mary Quinn, The Great Betrayal, 2019
Black charcoal, gouache, soft pastel, oil pastel on Coventry Vellum Paper
42 x 35 cm
16 1/2 x 13 3/4 inches
Nathaniel Mary Quinn, Literacy Lab, 2019
Black charcoal, gouache, soft pastel, oil pastel on Coventry Vellum Paper
127 x 96,5 x 3 cm
50 x 38 x 1 1/8 inches
PURVIS YOUNG @ Salon 94 Freemans, New York
PURVIS YOUNG
@Salon 94 Freemans
1 Freeman Alley
New York, NY, 10002
USA
February 26, 2019–March 23, 2019
installation views
Untitled (Crowd), 1974
Acrylic on canvas
18.25 × 15.25 x 1.63 inches
(46 × 39 × 4 cm)
Untitled (Soul Train), circa 1970s
Acrylic on found wood
64.50 × 48.00 inches
(164 × 122 cm)
Untitled (Angels), 1975
Acrylic on canvas
21.75 × 17.75 x 1.63 inches
(55 × 45 × 4 cm)
Untitled (Funeral and Crowds), n.d.
Acrylic on found wood
40.25 × 15.50 inches
(102 × 39 cm)
Untitled (Pregnant Woman in Green Frame), circa 1985-87
Acrylic on pressed board in found frame
55.00 × 28.00 inches
(140 × 71 cm)
Untitled (Pregnant Woman at Night), circa 1985-87
Acrylic on masonite
33.00 × 15.00 inches
(84 × 38 cm)
Untitled (Pregnant Woman in Black Frame), circa 1985-87
Acrylic on found wood
85.00 × 24.00 inches
(216 × 61 cm)
Untitled (Syringe and Pregnant Woman), circa 1985-87
Cloth on board
24.00 × 19.00 inches
(61 × 48 cm)
Untitled, n.d.
Acrylic on found wood
66.75 × 55.50 inches
(170 × 141 cm)
Untitled (5 Basketball Players), circa 1980s
Acrylic on found wood
31.50 × 51.50 inches
(80 × 131 cm)
Untitled (Head, Hands, and Horses), circa 1985-87
Acrylic on found wood
36.00 × 39.00 inches
(91 × 99 cm)
Untitled (Protesters), circa 1990s
Acrylic on found wood
29.00 × 78.00 inches
(74 × 198 cm)
Untitled (Angel), 1994
Acrylic on fabric
37.63 × 30.13 x 1.63 inches
(96 × 77 × 4 cm)
Untitled (Truck and Angel), circa 1985-87
Acrylic on found wood
24.00 × 48.00 inches
(61 × 122 cm)
Untitled (Angels), circa 1976-79
Acrylic on found wood
43.75 × 29.75 x 1.63 inches
(111 × 76 × 4 cm)
Horses, 1983
Mixed media, found book
12.25 × 10.00 x 2.88 inches
(31 × 25 × 7 cm)
Flower Arrangement, circa 1990s
Mixed media, found book
12.88 × 9.50 x 1.13 inches
(33 × 24 × 3 cm)
@Salon 94 Freemans
1 Freeman Alley
New York, NY, 10002
USA
February 26, 2019–March 23, 2019
installation views
Untitled (Crowd), 1974
Acrylic on canvas
18.25 × 15.25 x 1.63 inches
(46 × 39 × 4 cm)
Untitled (Soul Train), circa 1970s
Acrylic on found wood
64.50 × 48.00 inches
(164 × 122 cm)
Untitled (Angels), 1975
Acrylic on canvas
21.75 × 17.75 x 1.63 inches
(55 × 45 × 4 cm)
Untitled (Funeral and Crowds), n.d.
Acrylic on found wood
40.25 × 15.50 inches
(102 × 39 cm)
Untitled (Pregnant Woman in Green Frame), circa 1985-87
Acrylic on pressed board in found frame
55.00 × 28.00 inches
(140 × 71 cm)
Untitled (Pregnant Woman at Night), circa 1985-87
Acrylic on masonite
33.00 × 15.00 inches
(84 × 38 cm)
Untitled (Pregnant Woman in Black Frame), circa 1985-87
Acrylic on found wood
85.00 × 24.00 inches
(216 × 61 cm)
Untitled (Syringe and Pregnant Woman), circa 1985-87
Cloth on board
24.00 × 19.00 inches
(61 × 48 cm)
Untitled, n.d.
Acrylic on found wood
66.75 × 55.50 inches
(170 × 141 cm)
Untitled (5 Basketball Players), circa 1980s
Acrylic on found wood
31.50 × 51.50 inches
(80 × 131 cm)
Untitled (Head, Hands, and Horses), circa 1985-87
Acrylic on found wood
36.00 × 39.00 inches
(91 × 99 cm)
Untitled (Protesters), circa 1990s
Acrylic on found wood
29.00 × 78.00 inches
(74 × 198 cm)
Untitled (Angel), 1994
Acrylic on fabric
37.63 × 30.13 x 1.63 inches
(96 × 77 × 4 cm)
Untitled (Truck and Angel), circa 1985-87
Acrylic on found wood
24.00 × 48.00 inches
(61 × 122 cm)
Untitled (Angels), circa 1976-79
Acrylic on found wood
43.75 × 29.75 x 1.63 inches
(111 × 76 × 4 cm)
Horses, 1983
Mixed media, found book
12.25 × 10.00 x 2.88 inches
(31 × 25 × 7 cm)
Flower Arrangement, circa 1990s
Mixed media, found book
12.88 × 9.50 x 1.13 inches
(33 × 24 × 3 cm)
Navid Nuur: PAINTPUSHER @ Galeria Plan B, Berlin
Navid Nuur: PAINTPUSHER
@Galeria Plan B, Berlin
Potsdamer Strasse 77-87
Building G, Second Courtyard
10785 Berlin
Germany
16.03.18−21.04.18
Exhibition view
From The Eye Codex of the Monochrome studies (smoke study), 1988-2018, stretched canvas, gesso, smoke bomb residue, 190 x 380 cm
1 day / 9 hours / 17 minutes’, 2011-2018, alumium wooden frame, linen, home brewed ink, 175 x 270 x 2.5 cm
Exhibition view
Stride, 2017-2018, Ytong blocks, aluminium rooftop coating, mirrors, dimensions variable
Stride, 2017-2018, Ytong blocks, aluminium rooftop coating, mirrors, dimensions variable
Exhibition view
Exhibition view
Exhibition view
Exhibition view
(Left) Untitled, 2010-2018, crushed vitamin D pills on canvas, binder, bubinga wood, 180 x 135 x 2.5 cm (Right) Untitled, 2010-2018, 12 crushed vitamin D pills on canvas, binder, bubinga wood 70 x 50 x 2.5 cm
Exhibition view
Exhibition view
Exhibition view
The Tuners, 2018, prepared linen canvas, mixed media, 75 x 60 cm
Exhibition view
From left to right: Untitled, 2015, unprepared linen, gesso, 123 x 83 cm; Untitled, 2015, unprepared linen, gesso, 111 x 99 cm; Untitled, 2015, unprepared linen, gesso, 108 x 80 cm
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
53-160 (from The Eye Codex of the Monochrome),1984-2014, chromakey green and permanent marker on canvas, 152 x 117 cm
Exhibition view
The Eye Codex of the Monochrome, 1984-2018, wool tapestry, 206.5 x 135.5 cm
Exhibition view
Exhibition view
The Tuners, 2018, prepared linen canvas, mixed media, 210 x 150 cm
Exhibition view
The Eye Codex of the Monochrome, 1984-2018, wool tapestry, 206.5 x 135.5 cm
Exhibition view
Exhibition view
‘Another Window in My Studio’, 2008-2018, 2 photographs, mixed media, edition 1/12 + 2 AP, 31 x 22.5 x 3 cm
@Galeria Plan B, Berlin
Potsdamer Strasse 77-87
Building G, Second Courtyard
10785 Berlin
Germany
16.03.18−21.04.18
Exhibition view
From The Eye Codex of the Monochrome studies (smoke study), 1988-2018, stretched canvas, gesso, smoke bomb residue, 190 x 380 cm
1 day / 9 hours / 17 minutes’, 2011-2018, alumium wooden frame, linen, home brewed ink, 175 x 270 x 2.5 cm
Exhibition view
Stride, 2017-2018, Ytong blocks, aluminium rooftop coating, mirrors, dimensions variable
Stride, 2017-2018, Ytong blocks, aluminium rooftop coating, mirrors, dimensions variable
Exhibition view
Exhibition view
Exhibition view
Exhibition view
(Left) Untitled, 2010-2018, crushed vitamin D pills on canvas, binder, bubinga wood, 180 x 135 x 2.5 cm (Right) Untitled, 2010-2018, 12 crushed vitamin D pills on canvas, binder, bubinga wood 70 x 50 x 2.5 cm
Exhibition view
Exhibition view
Exhibition view
The Tuners, 2018, prepared linen canvas, mixed media, 75 x 60 cm
Exhibition view
From left to right: Untitled, 2015, unprepared linen, gesso, 123 x 83 cm; Untitled, 2015, unprepared linen, gesso, 111 x 99 cm; Untitled, 2015, unprepared linen, gesso, 108 x 80 cm
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
53-160 (from The Eye Codex of the Monochrome),1984-2014, chromakey green and permanent marker on canvas, 152 x 117 cm
Exhibition view
The Eye Codex of the Monochrome, 1984-2018, wool tapestry, 206.5 x 135.5 cm
Exhibition view
Exhibition view
The Tuners, 2018, prepared linen canvas, mixed media, 210 x 150 cm
Exhibition view
The Eye Codex of the Monochrome, 1984-2018, wool tapestry, 206.5 x 135.5 cm
Exhibition view
Exhibition view
‘Another Window in My Studio’, 2008-2018, 2 photographs, mixed media, edition 1/12 + 2 AP, 31 x 22.5 x 3 cm
Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002 @ Esther Schipper, Berlin
Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002
@Esther Schipper
Potsdamer Strasse 81E
D-10785 Berlin
Germany
February 23 – April 6, 2019
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Left:
Portret cu fond vișiniu (Portrait with burgundy background), 1986
Tempera on plywood
59 x 50,5 x 4 cm (framed)
Middle:
4.979, 1979
Tempera on wood
35,6 x 56,7 x 3,8 (framed)
Right:
27.7.2001, 2001
Tempera on canvas
67,5 x 48,3 x 3,8 cm (framed)
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
27.7.2001, 2001
Tempera on canvas
67,5 x 48,3 x 3,8 cm (framed)
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Left:
11.VI.988, 1988
Tempera on wood
35,7 x 56,3 x 3,7 cm (framed)
Middle:
Untitled, 1978
Tempera on wood
54,5 x 81,3 x 3,5 cm (framed)
Right:
3.VII.1998, 1998
Tempera on wood
43,5 x 56,8 x 3,6 cm (framed)
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Left:
22.V.1992, 1992
Tempera on paper
78 x 59 x 5,5 cm (framed)
Middle:
7.VIII.1994, 1994
Tempera on paper
78 x 59 x 5,5 cm (framed)
Right:
9.VIII.1995, 1995
Tempera on paper
79,5 x 60,5 x 3 cm (framed)
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
10.IX.985, 1985
Tempera on wood
53 x 43,5 x 3,8 cm (framed)
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Left:
12.VIII.1998, 1998
Zinc plate and paint on wood
30 x 25 cm
Middle:
8.VIII.1995, 1995
Canvas, zinc plate on wood
73,5 x 44,5 cm
Right:
12.VIII.1998, 1998
Zinc plate and paint on wood
33 x 23,5 cm
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
6.V.1992, 1992
Tempera on canvas
26 3/5 × 22 2/5 × 1 1/5 in
67.5 × 57 × 3 cm
15.X.1990, 1990
Tempera on canvas
22 4/5 × 27 × 2 4/5 in
58 × 68.6 × 7 cm
16.III.1995, 1995
Tempera on paper
25 4/5 × 17 9/10 in
65.5 × 45.5 cm
2.IX.1997, 1997
Zinc plate on wood
25 3/5 × 18 3/10 in
65 × 46.5 cm
10.V.1982, 1982
India ink on paper
12 4/5 × 9 in
32.4 × 22.8 cm
12.VIII.1998,, 1998
11 4/5 × 9 4/5 in
30 × 25 cm
Semn (Sign), 1990
Tempera on canvas
21 7/10 × 16 1/10 in
55 × 41 cm
@Esther Schipper
Potsdamer Strasse 81E
D-10785 Berlin
Germany
February 23 – April 6, 2019
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Left:
Portret cu fond vișiniu (Portrait with burgundy background), 1986
Tempera on plywood
59 x 50,5 x 4 cm (framed)
Middle:
4.979, 1979
Tempera on wood
35,6 x 56,7 x 3,8 (framed)
Right:
27.7.2001, 2001
Tempera on canvas
67,5 x 48,3 x 3,8 cm (framed)
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
27.7.2001, 2001
Tempera on canvas
67,5 x 48,3 x 3,8 cm (framed)
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Left:
11.VI.988, 1988
Tempera on wood
35,7 x 56,3 x 3,7 cm (framed)
Middle:
Untitled, 1978
Tempera on wood
54,5 x 81,3 x 3,5 cm (framed)
Right:
3.VII.1998, 1998
Tempera on wood
43,5 x 56,8 x 3,6 cm (framed)
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Left:
22.V.1992, 1992
Tempera on paper
78 x 59 x 5,5 cm (framed)
Middle:
7.VIII.1994, 1994
Tempera on paper
78 x 59 x 5,5 cm (framed)
Right:
9.VIII.1995, 1995
Tempera on paper
79,5 x 60,5 x 3 cm (framed)
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
10.IX.985, 1985
Tempera on wood
53 x 43,5 x 3,8 cm (framed)
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Left:
12.VIII.1998, 1998
Zinc plate and paint on wood
30 x 25 cm
Middle:
8.VIII.1995, 1995
Canvas, zinc plate on wood
73,5 x 44,5 cm
Right:
12.VIII.1998, 1998
Zinc plate and paint on wood
33 x 23,5 cm
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
Exhibition view: Studiosaurus Ferox. Florin Mitroi, Works of Art 1974–2002, Esther
Schipper, Berlin, 2019
Photo c Andrea Rossetti
6.V.1992, 1992
Tempera on canvas
26 3/5 × 22 2/5 × 1 1/5 in
67.5 × 57 × 3 cm
15.X.1990, 1990
Tempera on canvas
22 4/5 × 27 × 2 4/5 in
58 × 68.6 × 7 cm
16.III.1995, 1995
Tempera on paper
25 4/5 × 17 9/10 in
65.5 × 45.5 cm
2.IX.1997, 1997
Zinc plate on wood
25 3/5 × 18 3/10 in
65 × 46.5 cm
10.V.1982, 1982
India ink on paper
12 4/5 × 9 in
32.4 × 22.8 cm
12.VIII.1998,, 1998
11 4/5 × 9 4/5 in
30 × 25 cm
Semn (Sign), 1990
Tempera on canvas
21 7/10 × 16 1/10 in
55 × 41 cm