2019年09月18日

MITCH EPSTEIN PROPERTY RIGHTS | CLAUDIA PARDUCCI FRICTION HITCH @ GALERIE THOMAS ZANDER, Cologne

MITCH EPSTEIN PROPERTY RIGHTS | CLAUDIA PARDUCCI FRICTION HITCH
@GALERIE THOMAS ZANDER
Schönhauser Straße 8
50968 Cologne / Germany
September 06 - November 16, 2019

installation views
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Mitch Epstein
Lancaster Against Pipelines Lockdown Device, Pennsylvania, 2018
From the series Property Rights
c-print
70 x 92 inch / 177.8 x 233.7 cm

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Mitch Epstein
Veterans Respond Flag, Sacred Stone Camp, Standing Rock Sioux Reservation, North Dakota, 2017
From the series Property Rights
c-print
70 x 92 inch / 177.8 x 233.7 cm

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Claudia Parducci
Production Line (Red), 2018
Wooden sawhorses, jute, Procion MX dye
40 x 120 x 42 inch / 101.6 x 304.8 x 106.7 cm

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Claudia Parducci
Life Lines, 2019
Cast bronze
9 x 23 inch / 22.9 x 58.4 cm

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Mitch Epstein
From the series Property Rights
c-print
70 x 92 inch / 177.8 x 233.7 cm

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Claudia Parducci
Columns in Section, 2018
graphite and charcoal on paper
42 x 55 inch / 106.7 x 139.7 cm

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Claudia Parducci
After Murrah, 2015-2016
rope

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Claudia Parducci
Beirut, 2015
charcoal on canvas
22 x 28 inch / 55.9 x 71.1 cm

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Mitch Epstein
Bisbee, Arizona, 2017
From the series Property Rights
c-print
70 x 92 inch / 177.8 x 233.7 cm

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Mitch Epstein
William Nelson Williams III "Nine Tails" and Joshua Flyinghorse, Rosebud Camp, Standing Rock Sioux Reservation, North Dakota, 2017
From the series Property Rights
c-print
70 x 92 inch / 177.8 x 233.7 cm

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Claudia Parducci
Infinite Impossibilities, 2019
Cast bronze, wooden saw horse, acrylic
93 x 29 x 19 inch / 236.2 x 73.7 x 48.3 cm

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Claudia Parducci
Rope Drawing Day 5, 2018
graphite and charcoal on paper
22 x 15 inch / 55.9 x 38.1 cm

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Claudia Parducci
Rope Drawing Day 7, 2018
graphite and charcoal on paper
22 x 15 inch / 55.9 x 38.1 cm

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Claudia Parducci
Rope Drawing Day 6, 2018
graphite and charcoal on paper
22 x 15 inch / 55.9 x 38.1 cm

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Claudia Parducci
Rope Drawing Day 19, 2019
graphite and charcoal on paper
41 x 33 inch / 104.1 x 83.8 cm

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Claudia Parducci
Oklahoma City 6, 2015
acrylic on paper
22 x 30 inch / 55.9 x 76.2 cm

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Claudia Parducci
Oklahoma City 3, 2015
charcoal on paper
22 x 30 inch / 55.9 x 76.2 cm

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Claudia Parducci
Oklahoma City 5B, 2015
charcoal on paper
22 x 30 inch / 55.9 x 76.2 cm

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Claudia Parducci
Column with Vanishing Point, 2018
graphite and charcoal on paper
44 x 30 inch / 111.8 x 76.2 cm

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Claudia Parducci
Pill-Shaped Column in Section, 2018
graphite and charcoal on paper
44 x 30 inch / 111.8 x 76.2 cm

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Mitch Epstein
Standing Rock Prayer Walk, North Dakota, 2018
From the series Property Rights
c-print
70 x 92 inch / 177.8 x 233.7 cm

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Mitch Epstein
Jim Chilton, Migrant Camp, Arivaca, Arizona, 2017
From the series Property Rights
c-print
70 x 92 inch / 177.8 x 233.7 cm

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Mitch Epstein
Border Wall, Nogales, Arizona, 2017
From the series Property Rights
c-print
70 x 92 inch / 177.8 x 233.7 cm

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Mitch Epstein
Ironwood Forest National Monument, Arizona, 2018
From the series Property Rights
c-print
70 x 92 inch / 177.8 x 233.7 cm

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Claudia Parducci
Friction Hitch (Droopy Scaffold), 2018
Graphite and charcoal on paper
44 x 30 inch / 111.8 x 76.2 cm

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Claudia Parducci
Rope Drawing Day 3, 2018
graphite and charcoal on paper
22 x 15 inch / 55.9 x 38.1 cm

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Claudia Parducci
Rope Drawing Day 2, 2018
graphite and charcoal on paper
22 x 15 inch / 55.9 x 38.1 cm

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Claudia Parducci
23 Columns, 2018
Jute, Procion MX dye, steel
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Jessi Reaves: II @ Bridget Donahue, New York

Jessi Reaves: II
@Bridget Donahue
99 Bowery, 2nd Floor
New York, NY 10002 USA
March 14–May 12 2019

installation views
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Blue heart shelf, 2019
Wood and metal chairs, woven fabric, plexiglass, paint, plastic, sawdust, wood glue, 96 × 21 × 30 in. (243.84 × 53.34 × 76.20 cm)

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Drive through the back of your eyes, 2019
Metal, fabric, sawdust, wood glue, lamp & wiring, 40 × 56 × 8 in. (101.60 × 142.24 × 20.32 cm)

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Red eyelashes, 2019
Wood, leather, enamel, paint, glass, plexiglass, vinyl, lace, 42 ½ × 55 ½ × 24 in. (107.95 × 140.97 × 60.96 cm)

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Red eyelashes, 2019
Wood, leather, enamel, paint, glass, plexiglass, vinyl, lace, 42 ½ × 55 ½ × 24 in. (107.95 × 140.97 × 60.96 cm)

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Red eyelashes, 2019
Wood, leather, enamel, paint, glass, plexiglass, vinyl, lace, 42 ½ × 55 ½ × 24 in. (107.95 × 140.97 × 60.96 cm)

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Take it from someone who's been there before, cabinet with heart doors, 2019
Metal, wood, leather, foam, thread, plexiglass, paint, ceramic, sawdust, wood glue, 78 × 42 × 27 in. (198.12 × 106.68 × 68.58 cm)

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Everyday, I don't. Standing container, 2019
Plexiglass, metal, wooden parts, wicker, sawdust, wood glue, paint, 42 × 25 × 30 in. (106.68 × 63.50 × 76.20 cm)

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Permanent single action, 2019
Oak, sawdust, wood glue, nylon string, wood, wicker, 64 × 47 × 19 in. (162.56 × 119.38 × 48.26 cm)

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Redemption island standing table, 2019
Plexiglass, leather, wood, fabric, sawdust, wood glue, glass, rubber, driftwood, 42 ¼ × 45 × 38 ½ in. (107.32 × 114.30 × 97.79 cm)

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Redemption island standing table, 2019
Plexiglass, leather, wood, fabric, sawdust, wood glue, glass, rubber, driftwood, 42 ¼ × 45 × 38 ½ in. (107.32 × 114.30 × 97.79 cm)

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Vicious circle wall lamp, 2019
Wicker, metal, paint, sawdust, woodglue, fabric, driftwood, lamp and wiring, 50 × 16 × 23 in. (127.00 × 40.64 × 58.42 cm)
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Don Dudley: Early Work @ Magenta Plains, New York

Don Dudley: Early Work
@Magenta Plains
94 Allen St, New York, NY 10002
USA
February 22–March 31 2019

installation views
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Don Dudley, Untitled (Aluminum Module), 1974-2019, acrylic lacquer on aluminum, each module 46.75h x 12w in; overall 95.50h x 68w in.

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Don Dudley, Untitled (Aluminum Module) detail, 1974-2019, acrylic lacquer on aluminum, each module 46.75h x 12w in; overall 95.50h x 68w in.

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Don Dudley, Two Reds, Blue and Black, 1972, airbrush ink on paper, 23h x 29w in.

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Don Dudley, Untitled, 1973, airbrush ink on paper, 23h x 29w in.

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Don Dudley, Untitled, 1972, airbrush ink on paper, 23h x 29w in.

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Untitled (Aluminum Module), 1974-2019, acrylic lacquer on aluminum, each module 46.75 x 12 in; overall 46.75 x 68 in.

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Untitled (Aluminum Module) detail, 1974-2019, acrylic lacquer on aluminum, each module 46.75 x 12 in; overall 46.75 x 68 in.

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Don Dudley, Cam I, 1973, airbrush ink on paper, 23h x 29w in.

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Don Dudley, Untitled, 1974, airbrush ink on paper, 23h x 29w in.

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Don Dudley, Untitled (Aluminum Module), 1974-2019, acrylic lacquer on aluminum, each module 46.75h x 12w in; overall 95.5h x 40w in.

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Don Dudley, Untitled (Aluminum Module) detail, 1974-2019, acrylic lacquer on aluminum, each module 46.75 x 12 in; overall 95.5 x 40 in.
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Huang Yishan​ @ Tang Contemporary Art, Beijing 2nd Space

Huang Yishan
Curated by Cui Cancan
@Tang Contemporary Art, Beijing 2nd Space
B01, 798 Art District, No.2 Jiuxianqiao Road
Chaoyang Dst. Beijing, China
07.20. - 08.28, 2019

installation views
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3huangyishanen.jpg

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A Studio Piled with Pigments
Integrated material on canvas, 160×120cm, 2010

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Falling -2
Integrated material on board, 80x70 cm, 2018

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Falling -1
Integrated material on board, 80×70cm, 2018

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Entangled
Integrated material on board, 100x85cm, 2019
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JULIETTE MAHIEUX BARTOLI & ATHAR JABER (DISCOVERY ROOM: LOUISE THOMAS): NONSEQUITUR @ Kristin Hjellegjerde Gallery, Berlin

JULIETTE MAHIEUX BARTOLI & ATHAR JABER (DISCOVERY ROOM: LOUISE THOMAS): NONSEQUITUR
@Kristin Hjellegjerde Gallery, Berlin
Linienstr. 130
10115
Berlin
14 MARCH - 20 APRIL 2019

installation views
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2NONSEQUITUR.jpg

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4NONSEQUITUR.jpg

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6NONSEQUITUR.jpg

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JULIETTE MAHIEUX BARTOLI
ANACOLUTHE, 2019
Oil on Panel
30.4 x 40.6 cm
12 x 16 in

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JULIETTE MAHIEUX BARTOLI
ANAPHORE, 2019
Oil on Panel
22.9 x 30.4 cm
9 1/8 x 12 in

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JULIETTE MAHIEUX BARTOLI
ASYNDÈTE, 2019
Oil on Panel
27.9 x 35.5 cm
11 x 14 in

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JULIETTE MAHIEUX BARTOLI
BLASON, 2019
Oil on Panel
20.3 x 25.4 cm
8 x 10 in

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JULIETTE MAHIEUX BARTOLI
CALEMBOUR, 2019
Oil on Panel
22.9 x 30.4 cm
9 1/8 x 12 in

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JULIETTE MAHIEUX BARTOLI
ENJAMBEMENT, 2019
Oil on Panel
40.6 x 50.8 cm
16 x 20 in

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JULIETTE MAHIEUX BARTOLI
POSITIONAL ARGUMENTS, 2018
Oil on canvas
230 x 160 cm
90 1/2 x 63 in

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JULIETTE MAHIEUX BARTOLI
RIME INTÉRIEURE, 2019
Oil on Panel
30.4 x 40.6 cm
12 x 16 in

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JULIETTE MAHIEUX BARTOLI
XP -> (SPEC) X̅ YP* (X-BAR THEORY), 2018
Oil on canvas
105 x 45 cm
41 3/8 x 17 3/4 in
35 x 45 cm (Per canvas)
13 3/4 x 17 3/4 in (Per canvas)

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ATHAR JABER
BREAST- EX VOTO - OPUS 12 NR.5, 2018
Carrara Marble
14 x 15 x 15 cm
5 1/2 x 5 7/8 x 5 7/8 in

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ATHAR JABER
BREAST- EX VOTO - OPUS 12 NR.6, 2018
Carrara Marble
15 x 15 x 15 cm
5 7/8 x 5 7/8 x 5 7/8 in

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ATHAR JABER
EARS - EX VOTO - OPUS 12 NR.1, 2018
Carrara Marble
15 x 22 x 6 cm
5 7/8 x 8 5/8 x 2 3/8 in

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ATHAR JABER
EYE - EX VOTO - OPUS 12 NR.3, 2018
Carrara Marble (Statuario)
6 x 15 x 15 cm
2 3/8 x 5 1/2 x 5 1/2 in

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ATHAR JABER
EYE - EX VOTO - OPUS 12 NR.4, 2018
Carrara Marble ( Statuario)
7 x 15 x 15 cm
2 3/4 x 5 7/8 x 5 7/8 in

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ATHAR JABER
FOOT - EX VOTO - OPUS 12 NR.7, 2018
Carrara Marble
28 x 34 x 15 cm
11 1/8 x 13 3/8 x 5 7/8 in

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ATHAR JABER
FRIEZE OPUS 21 NR.1, 2019
Carrara Marble
39 x 37 x 33 cm
15 3/8 x 14 5/8 x 13 in

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ATHAR JABER
INBIDE CALCO TE OPUS 18 NR.1, 2018
Belgian Blue Stone
56 x 40 x 5 cm
22 1/8 x 15 3/4 x 2 in

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ATHAR JABER
MARBLE ARM OPUS 9, 2016
Carrara Marble
12 x 12 x 80 cm
4 3/4 x 4 3/4 x 31 1/2 in

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ATHAR JABER
MOUTH AND EAR - EX VOTO - OPUS 12 NR.2, 2018
Carrara Marble (Statuario)
24 x 15 x 7 cm
9 1/2 x 5 7/8 x 2 3/4 in

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ATHAR JABER
PUTTO - OPUS 13 NR.1, 2018
Carrara Marble (Statuario)
12 x 14 x 16 cm
4 3/4 x 5 1/2 x 6 1/4 in
Weight: 3 kg

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ATHAR JABER
PUTTO - OPUS 13 NR.2, 2018
Carrara Marble
12 x 14 x 16 cm
4 3/4 x 5 1/2 x 6 1/4 in

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ATHAR JABER
PUTTO - OPUS 13 NR.3 (1), 2019
Carrara Marble
12 x 14 x 16 cm
4 3/4 x 5 1/2 x 6 1/4 in

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ATHAR JABER
PUTTO - OPUS 13 NR.4, 2019
Carrara Marble
12 x 14 x 16 cm
4 3/4 x 5 1/2 x 6 1/4 in

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ATHAR JABER
SERVITE CON TIMORE OPUS 18 NR.2 , 2018
Carrara Marble
60 x 38 x 2 cm
23 5/8 x 15 x 3/4 in

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ATHAR JABER
SKULL- EX VOTO - OPUS 12 NR. 8, 2018
Carrara Marble
20 x 14 x 14 cm
7 7/8 x 5 1/2 x 5 1/2 in

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ATHAR JABER
TRIPTYCH OPUS 25, 2019
Carrara Marble
25.5 x 38 x 2 cm (x3)
10 1/8 x 15 x 3/4 in (x3)

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LOUISE THOMAS
ALWAYS THERE, 2019
oil on portrait linen
150 x 100 cm
59 1/8 x 39 3/8 in

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LOUISE THOMAS
LAZY RIVER RAPIDS 1000 YEARS FROM NOW, , 2019
oil on portrait linen
100 x 75 cm
39 3/8 x 29 1/2 in

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LOUISE THOMAS
OUR SPECIAL PLACE, 2019
oil on portrait linen
100 x 75 cm
39 3/8 x 29 1/2 in

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LOUISE THOMAS
RIVER RAPIDS, 2019
oil on portrait linen
100 x 75 cm
39 3/8 x 29 1/2 in
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2019年09月17日

Olga Balema: brain damage @ Bridget Donahue, New York

Olga Balema: brain damage
@Bridget Donahue
99 Bowery, 2nd Floor
New York, NY 10002 USA
May 25–July 26 2019

installation views
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12olga-balema.jpg

13olga-balema.jpg

14olga-balema.jpg

15olga-balema.jpg

16olga-balema.jpg

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18olga-balema.jpg

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Im Grunde ist es die Wahrheit / Essentially it's the truth @ Magenta Plains, New York

Im Grunde ist es die Wahrheit / Essentially it's the truth
Sophie von Hellermann, David Ostrowski, Gerda Scheepers, Mark van Yetter
@Magenta Plains
94 Allen St, New York, NY 10002
USA
May 19–June 23 2019

installation views
1ImGrunde.jpg

2ImGrunde.jpg

3ImGrunde.jpg

4ImGrunde.jpg

5ImGrunde.jpg

6ImGrunde.jpg

7ImGrunde.jpg

8ImGrunde.jpg

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David Ostrowski, Hatte bereits 5 Beziehungen (Political Paintings), 2009-2019, acrylic and lacquer on canvas, wood, 78.75h x 59w in.

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Gerda Scheepers, Scenes and skills, 2009, acrylic paint on fabric, 82.68h x 62.99w in.

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Gerda Scheepers, Design, 2009, acrylic paint on fabric, 62.99h x 43.31w in.

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David Ostrowski, Students of Albert Oehlen (Political Paintings), 2009-2019, acrylic and lacquer on canvas, wood, 78.75h x 59w in.

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Mark Van Yetter, Untitled, 2016, oil on paper, 22.50h x 16w in.

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Gerda Scheepers, Designs, 2010, acrylic paint on fabric, 94.49h x 62.99w in.

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Sophie von Hellermann, Future Disco, 2018, acrylic on canvas, 78.74h x 74.80w in.

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Mark Van Yetter, Jungle, 2017, oil on paper, 23h x 33w in.

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Mark Van Yetter, A Tad More Upbeat, 2016, oil on paper, 33h x 23.50w in.

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Sophie von Hellermann, Pilgrims, 2018, acrylic on canvas, 62.99h x 51.18w in.

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David Ostrowski, Männer die Pfeifen (Political Paintings), 2019, acrylic and lacquer on canvas, wood, 78.75h x 59w in.

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Sophie von Hellermann, Nasty Work, 2018, acrylic on canvas, 62.99h x 74.80w in.

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Sophie von Hellermann, What's Up Group, 2018, acrylic on canvas, 62.99h x 51.18w in.

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Mark Van Yetter, Untitled, 2016, acrylic, glue, resin on paper, 27h x 32w in.

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Mark Van Yetter, Untitled, 2016, acrylic, glue on paper, 27.50h x 31.50w in.

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Gerda Scheepers, Situation Room (white), 2013, acrylic on fabric, 61.02h x 47.24w in.

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Sophie von Hellermann, Jug, 2018, acrylic on canvas, 62.99h x 51.18w in.
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Xu Xiaoguo: Recent Work​ @ Tang Contemporary Art, Beijing 2nd Space

Xu Xiaoguo: Recent Work
Curated by Cui Cancan
@Tang Contemporary Art, Beijing 2nd Space
B01, 798 Art District, No.2 Jiuxianqiao Road
Chaoyang Dst. Beijing, China
09.07. - 10.25, 2019

installation views
1xuxiaoguo.jpg

2xuxiaoguo.jpg

3xuxiaoguo.jpg

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Texture12
Oil on canvas
180 x 220 cm
2017-2018

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Texture14
Oil on canvas
120 x 155 cm
2018-2019

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White shape under Crystal Lamp
Oil on canvas
300 x 300 cm
2018-2019

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The Order of Experiences 3
Oil on canvas
230 x 290 cm
2017

10xuxiaoguo.jpg
Placbo Effect 2
Oil on canvas
230 x 290 cm
2018-2019

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Red
Oil on canvas
200 x 300 cm
2018
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Noah Purifoy: East Coast/West Coast:: Clark, Hammons, Outterbridge, Saar, Washington @ Tilton Gallery, New York

Noah Purifoy: East Coast/West Coast:: Clark, Hammons, Outterbridge, Saar, Washington
@Tilton Gallery
8 East 76 Street
New York, NY 10021
USA
September 11 - November 3, 2018

installation views
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2noahpurifoy.jpg

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Noah Purifoy
Joshua Tree, 1993
Construction
61 3/4 x 45 3/4 x 3 inches

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Noah Purifoy
Lace Curtain, 1993
Mixed media assemblage
61 1/4 x 45 x 5 1/2 inches

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Noah Purifoy
Access, 1993
Mixed media assemblage
57 x 47 x 6 1/2 inches

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Noah Purifoy
Rags & Old Iron I (after Nina Simone), 1989
Mixed media assemblage
62 1/2 x 42 x 6 inches

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Noah Purifoy
Rags & Old Iron II (after Nina Simone), 1989
Mixed media assemblage
62 1/2 x 40 1/2 x 6 inches

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Noah Purifoy
Strange Fruit, 2002
Mixed media assemblage with feathers, acrylic, wood, paint can, and brush
74 x 31 1/2 x 6 1/2 inches

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Noah Purifoy
All Creatures Great and Small, 1995
Mixed media
25 1/2 x 18 x 7 inches

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Noah Purifoy
Restoration, 1990s
Mixed media construction
68 x 41 x 4 1/2 inches

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Noah Purifoy
Black, Brown and Beige (After Duke Ellington), 1989
Mixed media construction
68 x 113 x 4 inches

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Noah Purifoy
Wooden Tile, 1988
Mixed media construction
45 x 33 x 6 1/2 inches

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Noah Purifoy
River Runs Dry, 1987-89
Mixed media
49 x 61 x 3 inches

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Noah Purifoy
Snow Hill, 1989
Mixed media construction
62 x 40 x 7 inches

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Noah Purifoy
Flora A. Holbrook, 1995
Mixed media collage
22 1/2 x 28 x 4 1/4 inches
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CAROLINE JANE HARRIS: A THREE-DIMENSIONAL SKY @ Kristin Hjellegjerde, London

CAROLINE JANE HARRIS: A THREE-DIMENSIONAL SKY
@Kristin Hjellegjerde, London
2 Melior Place
London
SE1 3SZ
UK
28 MARCH - 11 MAY 2019

installation views
1carolinejaneharris.jpg

2carolinejaneharris.jpg

3carolinejaneharris.jpg

4carolinejaneharris.jpg

5carolinejaneharris.jpg

6carolinejaneharris.jpg

7carolinejaneharris.jpg

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A Distant Sky, 2019

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The Weight of Things (Summit II), 2019

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The Weight of Things (Summit I), 2019

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The Weight of Things (A Three-Dimensional Sky), 2019

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Summit II, 2019

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Summit I, 2019

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Hard Copy (Crashing Waves III), 2019

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Hard Copy (Crashing Waves II), 2019

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Hard Copy (Crashing Waves I), 2019

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Crashing Waves III, 2019

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Crashing Waves II, 2019

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Crashing Waves I, 2019

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An Opening, 2019

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A Three-Dimensional Sky, 2019

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A Distant Presence (diptych), 2019

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A Continuous Becoming (diptych), 2019
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

2019年09月16日

A Detached Hand @ Magenta Plains, New York

A Detached Hand
@Magenta Plains
94 Allen St, New York, NY 10002
USA
June 28–July 26 2019

installation views
1A_Detached_Hand.jpg

2A_Detached_Hand.jpg

3A_Detached_Hand.jpg

4A_Detached_Hand.jpg

5A_Detached_Hand.jpg

6A_Detached_Hand.jpg

7A_Detached_Hand.jpg

8A_Detached_Hand.jpg

9A_Detached_Hand.jpg

10A_Detached_Hand.jpg
Elaine Cameron-Weir, zone in which the shell material was essentially solid and an axial zone in which cup-shaped cavities remain in the camerae; with growth, the axial zone widens adorally at the expense of the peripheral zone, 2019, stainless steel, aluminum, pewter, parachute silk, parachute harness clips and ripcord hardware, laboratory clamps, orthopedic jaw fixation hardware, leather, shells, 79.50h x 24w x 8d in.

11A_Detached_Hand.jpg
Elaine Cameron-Weir, zone in which the shell material was essentially solid and an axial zone in which cup-shaped cavities remain in the camerae; with growth, the axial zone widens adorally at the expense of the peripheral zone (detail), 2019, stainless steel, aluminum, pewter, parachute silk, parachute harness clips and ripcord hardware, laboratory clamps, orthopedic jaw fixation hardware, leather, shells, 79.50h x 24w x 8d in.

12A_Detached_Hand.jpg
Bruce Nauman, Soft Ground Etching - Coral, 2007, 2-color etching, 29.75h x 34w in.

13A_Detached_Hand.jpg
Bruce Nauman, Soft Ground Etching - Green, 2007, 2-color etching, 29.75h x 34w in.

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Cameron Clayborn, toolholder, 2017, glitter, vinyl, steel, 37.50h x 31w x 11d in.

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Bruce Nauman, Soft Ground Etching - Yellow, 2007, 2-color etching, 29.75h x 34w in.

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Bruce Nauman, Soft Ground Etching - Rose, 2007, 2-color etching, 29.75h x 34w in.

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Ebecho Muslimova, Fatebe Bottom First, 2019, sumi ink and watercolor on paper, 9h x 12w in.

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Ebecho Muslimova, Fatebe Poop Act, 2019, sumi ink on paper, 9h x 12w in.

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Ebecho Muslimova, Fatebe Ball Toss, 2019, sumi ink on paper, 9h x 12w in.

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Ebecho Muslimova, Fatebe Untitled, 2019, sumi ink on paper, 9h x 12w in.

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Nicolás Guagnini, The Bewitched Man, 2016, virtified glazed ceramic, book (I. Goya, Dagmar Feghelm, Prestel [2004]), 17.01h x 13.5w x 9.76d in.

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Israel Lund, Untitled (Severed Information), 2018, acrylic on raw canvas, 10.75h x 6.13w in.

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Caitlin Keogh, Study for Hands (After Dante Gabriel Rossetti), 2019, graphite and colored pencil on paper, 16.54h x 11.81w in.

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Hans Bellmer, Untitled, 1946, graphite and white gouache on paper, 5.5h x 3.63w in.

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Penny Slinger, The Safe Period, 1969-2014, c-print from original collage, 16h x 10.63w in.

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Christina Ramberg, Untitled, 1983, ink, graphite, and colored pencil on paper, 11h x 8.5w in.

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Christina Ramberg, Untitled, 1981, graphite on paper, 11h x 8.5w in.

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Narcissister, Mask Art Series (Profile with red braids and bowls), 2015, digital print, 24h x 18w in.

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Hans Bellmer, Untitled, 1946, vintage silver gelatin print, 3.13h x 2.38w in.

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Brooke Hsu, ear stick, 2014-2019, bronze, urine, acrylic plexiglass, 6h x 12w x 6d in.

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Brooke Hsu, ear stick (detail), 2014-2019, bronze, urine, acrylic plexiglass, 6h x 12d x 6w in.

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Kiki Kogelnik, Life Hangs on a String!, 1970, color pencil on paper, 14h x 10.63w in.

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Dan Herschlein, The Long Dumb Voice, 2017, wood, pigmented joint compound, paint, wax, graphite, grass, and soil, 42h x 17w x 4d in.

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Kiki Kogelnik, Untitled (Robot), c. 1967, enamel and ink on paper, 25.75h x 19.75w in.

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Kiki Kogelnik, Untitled (Figure), c. 1965, india ink and ink on paper, 16.5h x 20.94w in.
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

Peng Wei : Old Tales Retold​ @ Tang Contemporary Art, Beijing 1st Space

Peng Wei : Old Tales Retold​
​Curated by Kuang Wei & Emilie H. Kuang
@Tang Contemporary Art, Beijing 1st Space
D06, 798 Art District, No.2 Jiuxianqiao Road, Chaoyang Dst, Beijing, China
09.07. - 10.25, 2019

installation views
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2peng-wei.jpg

3peng-wei.jpg

4peng-wei.jpg

5peng-wei.jpg

6peng-wei.jpg

7peng-wei.jpg

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Peep No.17
Silk
120 x 78 cm
2019

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Peep No.19
Silk
52 x 78 cm
2019

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Migrations of Memory III No. 12
Hemp paper
60 x 38 cm
2018

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Good Things Come in Pairs No.30
Silk
24 x 8 x 5 cm
2017

12peng-wei.jpg
Migrations of Memory III No. 8
Hemp paper
38 x 60 cm
2017
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

ANDRÉ HEMER & SINTA TANTRA: WOVEN AND ILLUMINATED @ Kristin Hjellegjerde Gallery, Berlin

ANDRÉ HEMER & SINTA TANTRA: WOVEN AND ILLUMINATED
@Kristin Hjellegjerde Gallery, Berlin
Linienstr. 130
10115
Berlin
26 APRIL - 1 JUNE 2019

installation views
1WOVEN_AND_ILLUMINATED.jpg

2WOVEN_AND_ILLUMINATED.jpg

3WOVEN_AND_ILLUMINATED.jpg

4WOVEN_AND_ILLUMINATED.jpg

5WOVEN_AND_ILLUMINATED.jpg

6WOVEN_AND_ILLUMINATED.jpg

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Sinta Tantra
A Gelato Kiss (Pistachio), 2019
Tempera on linen
160 x 130 cm
63 x 51 1/8 in

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Sinta Tantra
Your Sky May Be Surfaced Inside II , 2019
Tempera on linen
120 x 100 cm
47 1/4 x 39 3/8 in

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Sinta Tantra
Empire State, 2019
Tempera on linen
120 x 100 cm
47 1/4 x 39 3/8 in

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Sinta Tantra
A Farewell Midnight Kiss, 2019
Tempera on linen
160 x 130 cm
63 x 51 1/8 in

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Sinta Tantra
Compose Movements , 2019
Tempera on linen
120 x 100 cm
47 1/4 x 39 3/8 in

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Sinta Tantra
A Gelato Kiss (Peach), 2019
Tempera on linen
160 x 130 cm
63 x 51 1/8 in

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Sinta Tantra
Empire State (in Dusty Pink), 2019
Tempera on linen
45 x 35 cm
17 3/4 x 13 3/4 in

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Sinta Tantra
Weeping Woman, 2019
Tempera on linen
160 x 130 cm
63 x 51 1/8 in

17WOVEN_AND_ILLUMINATED.jpg
Sinta Tantra
Hello, Young Lovers II, 2019
Tempera on linen
45 x 35 cm
17 3/4 x 13 3/8 in

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Sinta Tantra
An Atomic Age, 2019
Tempera on linen
160 x 140 cm
63 x 55 1/8 in

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Sinta Tantra
An Atomic Age II, 2019
Tempera on linen
35 x 40 cm
13 3/4 x 15 3/4 in

20WOVEN_AND_ILLUMINATED.jpg
André Hemer
Illuminations #7 (Vienna, 2019-03-04, 13:37 CET), 2019
Acrylic and pigment on canvas
152 x 224 cm
59 7/8 x 88 1/4 in

21WOVEN_AND_ILLUMINATED.jpg
André Hemer
Illuminations #8 (Vienna, 2019-03-04, 15:49 CET), 2019
Acrylic and pigment on canvas
155 x 110 cm
61 1/8 x 43 1/4 in

22WOVEN_AND_ILLUMINATED.jpg
André Hemer
Illuminations #9 (Vienna, 2019-03-04, 13:53 CET), 2019
Acrylic and pigment on canvas
120 x 85 cm
47 1/4 x 33 1/2 in

23WOVEN_AND_ILLUMINATED.jpg
André Hemer
Illuminations #10 (Vienna, 2019-03-04, 12:58 CET), 2019
Acrylic and pigment on canvas
120 x 85 cm
47 1/4 x 33 1/2 in

24WOVEN_AND_ILLUMINATED.jpg
André Hemer
Illuminations #11 (Vienna, 2019-03-04, 14:05 CET), 2019
Acrylic and pigment on canvas
120 x 85 cm
47 1/4 x 33 1/2 in

25WOVEN_AND_ILLUMINATED.jpg
André Hemer
Illuminations #15 (Vienna, 2019-03-04, 14:13 CET), 2019
Acrylic and pigment on canvas
38 x 27 cm
15 x 10 5/8 in

26WOVEN_AND_ILLUMINATED.jpg
André Hemer
Illuminations #20 (Vienna, 2019-03-04, 14:13 CET), 2019
Acrylic and pigment on canvas
38 x 27 cm
15 x 10 5/8 in

27WOVEN_AND_ILLUMINATED.jpg
André Hemer
Vienna Sky Scans (2019-03-07, 14:49−15:13 CET), 2019
Set of 9 framed pigment prints (unique) on Hahnemühle 308gsm Rag Paper
Image size: 9 x 15.9cm / Paper size: 22 x 27.9cm / Frame size: 26 x 31.9cm (each piece)
Image size: 3 1/2 x 6 1/4 in / Paper size: 8 5/8 x 11 in / Frame size: 10 1/4 x 12 1/2 in (each piece)
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

MARK DION "To Watch, to Cut, to Capture, to Kill, to Collect" @ Galerie Nagel Draxler GmbH, Köln

MARK DION "To Watch, to Cut, to Capture, to Kill, to Collect"
@Galerie Nagel Draxler GmbH, Köln
Elisenstraße 4-6
50667 Köln
Germany
11/04/2019−29/06/2019

installation views
1mark-dion.jpg

2mark-dion.jpg

3mark-dion.jpg

4mark-dion.jpg

5mark-dion.jpg
MARK DION
“Memory Box”, 2019
Mixed Media
220 x 310 x 30 cm

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MARK DION
“The Amateur Naturalist (1980s)”, 2019
Mixed media
Cabinet: 190 x 130 x 48 cm
Figure: 190 x 70 x 45 cm

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MARK DION
“The Amateur Naturalist (1980s)”, 2019
Detail

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MARK DION
“The Amateur Naturalist (1980s)”, 2019
Detail

9mark-dion.jpg
MARK DION
“The Amateur Naturalist (1980s)”, 2019
Detail

10mark-dion.jpg
MARK DION
“Cabinet of Marvels”, 2019
Mixed media
190 x 130 x 48 cm

11mark-dion.jpg
MARK DION
“Cabinet of Marvels”, 2019
Detail

12mark-dion.jpg
MARK DION
“Cabinet of Marvels”, 2019
Detail

13mark-dion.jpg
MARK DION
“Cupboard of Natural Wonders”, 2019
Mixed media
190 x 130 x 48 cm

14mark-dion.jpg
MARK DION
“Cupboard of Natural Wonders”, 2019
Detail

15mark-dion.jpg
MARK DION
“Cupboard of Natural Wonders”, 2019
Detail

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MARK DION
“Cupboard of Natural Wonders”, 2019
Detail

17mark-dion.jpg
MARK DION
“To Watch, to Cut, to Capture, to Kill, to Collect”, 2019
Mixed media
205 x 33 x 70 cm

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MARK DION
“To Watch, to Cut, to Capture, to Kill, to Collect”, 2019
Mixed media
205 x 33 x 70 cm

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MARK DION
“List of Diminutive Objects”, 2015
Color pencil on paper
29 x 34,3 cm (framed)

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MARK DION
“To Watch, to Cut, to Capture, to Kill, to Collect”, 2019
Color pencil on paper
34 x 39 cm (framed)

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MARK DION
“For Comparison of Scale”, 2018
Micron pen on paper
32,2 x 41,4 cm (framed)

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MARK DION
“The Witches‘ Cottage”, 2015
Color pencil on paper
45 x 40 cm (framed)

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MARK DION
“The Crossroads”, 1998
Ink on paper
37,5 x 36 cm (framed)

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MARK DION
“New England Cabinet of Marine Debris”, 2018
Color pencil on paper
37,5 x 34 cm (framed)

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MARK DION
“The Twisted Harpoon”, 2014
Color pencil on paper
22 x 29 cm (framed)

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MARK DION
“Floating History Laboratory Archaeology Field Station – History LAB”, 2014
Color pencil on paper
38,5 x 29 cm (framed)

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MARK DION
“Naval Artifacts”, 2014
Color pencil on paper
32 x 42 cm (framed)

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MARK DION
“The phantasmal Cabinet”, 2016
Ink, collage, micron pen and highlighter on paper
29 x 48,5 cm (framed)

29mark-dion.jpg
MARK DION
“Phantom Archeology”, 2015
Ink, collage, micron pen and highlighter on paper
23,5 x 52,5 cm (framed)

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MARK DION
“Invasive Plant Eradication Unit (field rover)”, 2008
Color pencil on paper
25,5 x 31,5 cm (framed)

31mark-dion.jpg
MARK DION
“The Magpie”, 2015
Color pencil on paper
30 x 27 cm (framed)

32mark-dion.jpg
MARK DION
“The Unicorn Horn”, 2014
Color pencil on paper
32 x 32 cm (framed)

33mark-dion.jpg
MARK DION
“Concerned Hunting”, 2017
Papercut
33 x 39 cm (framed)

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MARK DION
“Ostrich Egg”, 2014
Felt pen on paper
39,5 x 33 cm (framed)

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MARK DION
“Excavation”, 2000
Color pencil on paper
42 x 59 cm (framed)

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MARK DION
“The school”, 2018
Color pencil on paper
33 x 35,5 cm (framed)

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MARK DION
“Monster”, 1998
Color pencil on paper
20 x 25 cm (framed)

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MARK DION
“Adventures in the Dark Museum”, 2014
Color pencil on paper
22 x 29 cm (framed)

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MARK DION
“Cabinet – Equipment Locker”, 2014
Color pencil on paper
37,5 x 39 cm (framed)

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MARK DION
“Buffalo Bayou-Invasive plant eradication unit”, 2011
Color pencil on paper
52,9 x 42,9 cm (framed)

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MARK DION
“Study Of The Smart Museum Bug Hunt”, 2000
Color pencil on paper
33,5 x 38,5 cm (framed)

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MARK DION
“When Dinosaurs Ruled the Earth”, 2013
Color pencil on paper
32,5 x 42 cm (framed)

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MARK DION
“Encrustation”, 2012
Color pencil on paper
32 x 42 cm (framed)

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MARK DION
“Bone coral”, 2017
Color pencil on paper
44 x 32 cm (framed)

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MARK DION
“The Plush Snake”, 2018
Color pencil on paper
25,7 x 28,5 cm (framed)

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MARK DION
“The Herons”, 2018
Watercolor and pencil on paper
21,5 x 33 cm (framed)

47mark-dion.jpg
MARK DION
“Crocket (the Frontiersman at Home)”, 1999
Color pencil on paper
36 x 28,5 cm (framed)

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MARK DION
“The Big Game Hunter At Home”, 1992
Color pencil on paper
35 x 27,5 cm (framed)

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MARK DION
“Gesellschaft der Amateur-Ornithologen Clubhaus”, 2009
Aquarell on paper
25,5 x 31,5 cm (framed)

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MARK DION
“Wonder Workshop”, 2014
Color pencil on paper
15 x 20,5 cm (framed)

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MARK DION
“Invasive Plant Eradication Unit”, 2008
Color pencil on paper
25,5 x 31,5 cm (framed)

52mark-dion.jpg
MARK DION
“Jagdhütte (interior studies)”, 2000
Color pencil on paper
29 x 36 cm (framed)

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MARK DION
“New England Digs- New Bedford Massachusetts”, 2000
Color pencil on paper
46 x 38,5 cm (framed)

54mark-dion.jpg
MARK DION
“Chart #27, Ornithology for Birds”, 2018
Micronpen on paper
44,5 x 39,5 cm (framed)

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MARK DION
“The Bone Archive: The Academy of Things”, 2014
Color pencil on paper
37 x 47 cm (framed)

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MARK DION
“Magic Lantern Slides: The Academy of Things”, 2014
Color pencil and collage on paper
37 x 47 cm (framed)

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MARK DION
“Anacostia River Wet Lab and Art Studio”(classroom view), 2014
Color pencil on paper
37,5 x 47 cm (framed)

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MARK DION
“Anacostia River Wet Lab and Art Studio”, 2014
Color pencil on paper
37,5 x 47 cm (framed)

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MARK DION
“Anacostia River Wet Lab and Studio, The Tidal Wetland”, 2014
Color pencil on paper
54,5 x 29 cm (framed)

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MARK DION
“The Dinosaur”, 2014
Color pencil on paper
24,5 x 35 cm (framed)

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MARK DION
“The Plush Snake”, 2018
Watercolor and india ink on paper
24,5 x 26 cm (framed)

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MARK DION
“Great Blue Heron”, 2019
Watercolor on paper
27,5 x 20,5 cm (framed)

63mark-dion.jpg
MARK DION
“Collared Peccary”, 1992
Screenprint on aluminium
35 x 60 cm

64mark-dion.jpg
MARK DION
“Spider Monkey”, 1992
Screenprint on aluminium
35 x 60 cm

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66mark-dion.jpg

67mark-dion.jpg

68mark-dion.jpg

69mark-dion.jpg

70mark-dion.jpg

71mark-dion.jpg
MARK DION
“Harpoons”, 2016
Screenprint
AP II/VIII
37,5 x 29,5 cm (framed)

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MARK DION
“Blood Coral”, 2013
Screenprint
7/20
45 x 39,5 cm (framed)

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MARK DION
“Arbor Vitae”, 2017
Screenprint
AP IV/VI
39,4 x 34,2 cm (framed)

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MARK DION
“The Trilobite”, 2016
Screenprint
3/30
38 x 50 cm (framed)

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MARK DION
“New England Digs”, 2004
Etching and silkscreen
AP
51,5 x 42 cm (framed)

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MARK DION
“The Young Ichthylogist”, 2016
Screenprint
AP III/III
34 x 36 cm (framed)

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MARK DION
“Et in Arcadia Ego”, 2004
Silkscreen on paper
8/20
79 x 59,5 cm (framed)

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MARK DION
“Hic Existo Monstrum”, 2004
Silkscreen on paper
8/20
79 x 59,5 cm (framed)

79mark-dion.jpg
MARK DION
“Summum Bonum−Quod Est Magiae, Cabale Alchymae et Artis”, 2004
Silkscreen on paper
8/20
79 x 59,5 cm (framed)
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

John Outterbridge: East Coast/West Coast, Part II: Clark, Hammons, Outterbridge, Saar, Washington @ Tilton Gallery, New York

John Outterbridge: East Coast/West Coast, Part II: Clark, Hammons, Outterbridge, Saar, Washington
@Tilton Gallery
8 East 76 Street
New York, NY 10021
USA
November 13, 2018 - February 16, 2019

installation views
1john-outterbridge.jpg

2john-outterbridge.jpg

3john-outterbridge.jpg

4john-outterbridge.jpg

5john-outterbridge.jpg

6john-outterbridge.jpg

7john-outterbridge.jpg

8john-outterbridge.jpg

9john-outterbridge.jpg

10john-outterbridge.jpg
John Outterbridge
In Search of the Missing Mule, 1993
Mixed media
85 1/2 x 44 1/2 x 36 inches

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John Outterbridge
Healing, 2011
Mixed media
24 x 9 1/4 x 8 inches

12john-outterbridge.jpg
John Outterbridge
The Elder, Ethnic Heritage Series, c. 1971-72
Mixed media
29 x 11 x 12 inches

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John Outterbridge
Sacred Hymns and Broken Tongues, 1996
Wood and mixed media sculpture
74 1/2 x 14 1/2 x 12 1/4 inches

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John Outterbridge
Sacred Hymns and Broken Tongues, 1996
Wood and mixed media sculpture
74 1/2 x 14 1/2 x 12 1/4 inches
Detail view

15john-outterbridge.jpg
John Outterbridge
Window with Footnote, 1991
Mixed media
38 1/4 x 22 x 14 1/4 inches

16john-outterbridge.jpg
John Outterbridge
Untitled, Ethnic Heritage Series, c. 1974-75
Mixed media
24 x 5 1/4 x 4 1/4 inches

17john-outterbridge.jpg
John Outterbridge
Sister Mamie, Ethnic Heritage Series, c. 1971
Mixed media
30 x 10 x 6 3/4 inches

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John Outterbridge
Untitled, c. 1971
Mixed media
30 x 13 x 11 1/4 inches

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John Outterbridge
Urban Man, Ethnic Heritage Series, 1981
Mixed media
59 x 13 1/2 x 6 1/2 inches

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John Outterbridge
Untitled, c. 1995
Mixed media
6 x 69 x 3 1/2 inches

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John Outterbridge
Captive Image, Ethnic Heritage Series, 1978-82
Mixed media
14 1/4 x 19 1/2 x 9 1/2 inches

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John Outterbridge
Untitled, 2006
Mixed media
50 x 33 x 6 inches

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John Outterbridge
Plus Tax: Shopping Bag Society, Rag Man Series, 1971
Mixed media
20 x 13 1/2 x 7 1/2 inches

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John Outterbridge
Tribal Piece, Ethnic Heritage Series, 1978-82
Mixed media
30 1/2 x 16 x 9 inches
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする