2019年10月26日

Fred Wilson: Chandeliers @ Pace, New York

Fred Wilson: Chandeliers
@Pace, New York
540 West 25th Street

New York
USA
Sep 14–Oct 12, 2019

installation views
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Fred Wilson, Speak of Me as I Am: Chandelier Mori, 2003, Murano glass with twenty light bulbs, 70" x 67" x 67" (177.8 cm x 170.2 cm x 170.2 cm), Edition of 3 + 1 AP c Fred Wilson

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Fred Wilson, The Way the Moon's in Love with the Dark (detail), 2017, Murano glass, clear blown glass, brass, steel, light bulbs, 97-5/8" × 65-3/4" × 65-3/4" (248 cm × 167 cm × 167 cm), Edition of 6 + 2 APs c Fred Wilson

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Fred Wilson, To Die Upon A Kiss, 2011, Murano glass, 70" x 68-1/2" x 68-1/2" (177.8 cm x 174 cm x 174 cm), Edition of 6 + 2 APs c Fred Wilson
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

SIGMAR POLKE: Objects: Real and Imagined @ Michael Werner Gallery, UPPER EAST SIDE, NEW YORK

SIGMAR POLKE: Objects: Real and Imagined
@Michael Werner Gallery, UPPER EAST SIDE, NEW YORK
4 East 77th Street, New York, NY 10075
USA
18 September through 16 November 2019

installation views
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“Kartoffelmaschine - Apparat, mit dem eine Kartoffel eine andere umkreisen kann (Potato Machine - Apparatus Whereby One Potato Can Orbit Another)”, 1969
Wooden frame, electric motor, rubber band, wire potatoes
Edition 28/30
Edition Staeck, Heidelberg
31 1/2 x 16 1/4 x 16 1/4 inches
80 x 41 x 41 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Objekt Kartoffelhaus (Object Potato House)”, 1967/1990
Wood, potatoes
99 1/4 x 78 3/4 x 78 3/4 inches
252 x 200 x 200 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Streichholz-Stück (Matchstick Piece)”, 1967
Wood, hooks, matches, string
9 3/4 x 14 1/4 x 2 inches
25 x 36 x 5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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Sigmar Polke, "Kartoffelkopf (Potato Head)", ca. 1963-1965
Felt-tip on paper
12 x 8 inches
29.5 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Laubhütte: Hütte aus Lattengestell, Blätter aus Papier, im Sommer originale. Blätter mit grossem Abstand anbringen. Latten mit Nägel zum Aufspiessen der Blätter (Garden Shed: Shack made out of slat frames, leaves made from paper. Use real leaves in the s, 1968
India ink, watercolor, ballpoint pen on lined paper
8 1/4 x 6 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Käfig aus bunten Latten (Cage made from colored slats)”, ca. 1969
Felt-tip pen, ballpoint pen on paper
11 3/4 x 8 1/4 inches
30 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Pflanze: Holz, Latten, Kordel, Seidenpapier (Plant: Wood, Slats, Cord, Soft Tissue)”, 1968
Pencil, ink on lined paper
8 1/4 x 5 3/4 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Kartoffelpyramide in Zwirners Keller (Potato Pyramid in Zwriner’s Cellar)”, 1969
Felt-tip pen, ballpoint pen, gouache on paper
11 1/2 x 8 1/4 inches
29.5 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Plastik, Holzgestell mit Wäscheklammern, an die Wäscheklammern kann beliebiges zeug gehängt werden (Sculpture, wooden framework with clothespins, random items can be attached to the clothespins)” , 1968
Watercolor, India ink, pencil on lined paper
8 3/4 x 5 3/4 inches
22 x 14.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“16 Striche angeordnet unter besonderen Umständen (16 Strokes, Arranged Under Extraordinary Conditions)”, ca. 1969
Felt-tip pen on paper
8 1/4 x 11 3/4 inches
21 x 30 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Wiederbelebungsversuch an Bambusstangen (Attempt at Resuscitation of Bamboo Canes)”, 1967
Plastic bowl, bamboo, water
93 3/4 x 13 3/4 x 13 3/4 inches
238 x 35 x 35 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Großer Bogen, Pappstreifen dran, an Pappstreifen Kordel, ganz bunt (Large arch, cardboard straps, cardboad straps on cord. Very colorful)”, 1968
Pencil, India ink, watercolor on lined paper
8 1/4 x 6 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Dieser Fleck ist viel später auf das Blatt gekommen. Er hat aber der Zeichnung erst das [un]beabsichtigte Aussehen gegeben (This stain appeared much later on the paper. But it has lent the [un]intended effect to the drawing)”, ca. 1967-1968
Pencil, felt-tip pen on paper
12 x 8 1/2 inches
30.5 x 21.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Bierdeckelbrunnen (Beer Coaster Fountain)”, ca. 1967-1968
Ink on graph paper
8 1/4 x 5 1/2 inches
21 x 14 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Untitled (Fountain, Cardboard, Wire, Coaster)”, 1967
Watercolor, felt-tip pen, pencil on lined paper
8 1/4 x 5 3/4 inches
20.5 x 14.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Teller in Tellerhalter (Plate in Plate Holder)”, ca. 1969
Felt-tip pen on graph paper
5 1/2 x 4 3/4 inches
14 x 12 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Holzgitter und farbige Scheiben (Wood frame and colored panes)”, 1969
Ballpoint pen, ink on paper
11 1/2 x 8 1/4 inches
29.5 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Halbierter Berg (Bisected Hill)”, ca. 1968
Felt-tip pen on lined paper
8 1/4 x 5 3/4 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Abhöranlage (Wire Tap)”, ca. 1968-1969
Ink, colored pencil on graph paper
8 1/4 x 5 3/4 inches
21 x 14.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Der Magnetismus des Gegenstandes A beeinflußt den Weg der Person B (The magnetism of object A influences the path of person B)”, 1968
Ballpoint pen on graph paper
8 1/4 x 5 3/4 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Gips mit Glasscherben (Plaster with Glass Shards)”, 1967-1968
Felt-tip pen on graph paper
11 1/2 x 8 1/4 inches
29.5 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Springbrunnen, Bierdeckel (Fountain, Beer Coaster)”, 1967-1968
Ballpoint pen, watercolor, pencil on lined paper
9 3/4 x 8 1/4 inches
25 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Zum ausziehen nach den Seiten (To be expanded to the sides)”, ca. 1967-1968
Ballpoint pen, felt-tip pen on paper
11 1/2 x 8 1/4 inches
29.5 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Streichhölzer - Groß und Klein (Matches - Large and Small)”, 1967
Ballpoint pen on lined paper
8 1/4 x 5 3/4 inches
21 x 14.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Räucherkerzen aus Polke, Blut, Haare, Fingernägel, Hautfetzen, mit Zucker zusammengebacken, verbreiten Geruch von Polke (Incense made from Polke: blood, hair, fingernails, calluses, baked with sugar. Spread smell of Polke)”, 1968
Watercolor, ink on graph paper
8 1/4 x 5 3/4 inches
21 x 14.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Der Baum, der komponiert: Loch in den Stamm bohren, Mikrophon rein, dicht verschliessen, Verstärker (The Composing Tree: Drill hole into the trunk, insert microphone, seal it, Receiver)”, ca. 1968
Ballpoint pen on graph paper
8 1/4 x 5 3/4 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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"Gipsbogen mit Glasscherben (Plaster Arch with Glass Shards)", 1967
India ink, watercolor on lined paper
8 1/4 x 6 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Pferdemücke als Plastik. Sehr gross, Holzlattenbeine und Rumpf, mit Seide gespannte Flügel. Auch Schmetterlinge, riesige Flügel (Crane Fly as a sculpture. Very large, wooden slat legs and body, wings covered with silk. Also large butterflies, large wings, ca. 1968
Ink, watercolour on lined paper
8 x 5 1/2 inches
20.5 x 14 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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"Person im Raum, die sich vorstellt... (A Person in a Room, Imagining...)", ca. 1968
Felt-tip pen on paper. Two parts, each:
11 1/4 x 8 1/4 inches
28.5 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Kordel zwischen den Armen und Beinen (Cord between Arms and Legs)”, 1969
Ballpoint pen on paper
11 1/2 x 8 inches
29.5 x 20.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Gelbes Dreieck mit Haaren (Yellow Triangle With Hair)”, 1964
Gouache, ballpoint pen on paper
11 1/2 x 8 1/4 inches
29.5 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Plastiken. Draht gespannt (Sculptures. Taut Wire)”, 1968
India ink on lined paper
8 1/4 x 5 3/4 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Glaskasten. Höhere Wesen: Papier aus Papier… (Glass Cubes. Higher Powers: Paper Made from Paper…)”, ca. 1968
Felt-tip pen on lined paper
8 1/4 x 5 1/2 inches
21 x 14 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Erweiterung des Planetensystems um einen 10. Planeten (Expanding the Planetary System with a 10th Planet)”, 1968
Felt-tip pen, watercolor on lined paper
11 3/4 x 8 1/4 inches
30 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

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“Stahl mit Stricken, an den Stricken Papierblätter (Steel with Strings, Paper Sheets Hanging from the Strings)”, 1968, 1968
Ink, ballpoint pen on lined paper
8 1/4 x 5 3/4 inches
21 x 14.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn
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Away in the Hill @ GRIMM New York

Away in the Hill
@GRIMM New York
202 Bowery
NY 10012, New York, USA
27 June - 2 August 2019

installation views
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Matthew Day Jackson
August 6, 1945, 2017
Scorched wood and lead on panel, stainless steel frame
247.7 x 186.7 x 7.6 cm | 97 1/2 x 73 1/2 x 3 inches

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Katherine Bradford
Going Home, 2019
Acrylic on canvas
101.6 x 76.2 cm | 40 x 30 in

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Alex Dordoy
Haunt Me, 2018
Acrylic on canvas
200 x 140 cm | 78 3/4 x 55 1/8 in

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Peter Doig
Target, 2000
Enamel on burlap
30.5 x 36 cm | 12 1/8 x 14 1/8 in David Roberts Collection, London

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Matthew Wong
Dark Reverie, 2018
Oil on canvas
76.2 x 101.6 cm | 30 x 40 in

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Loie Hollowell
Sitting in a landscape, 2016-2019
Oil paint, acrylic medium, sawdust and high density foam on linen mounted on panel
71.1 x 53.3 x 6.3 cm | 28 x 21 x 2 1/2 in

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Matthias Weischer
Weiher, 2009
Oil on canvas
31 x 41 cm | 12 1/4 x 16 1/8 in

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Lucy Skaer
Forest, 2018
Cast bronze; in two parts
Flitch 1: 127.6 x 59.7 x 6.4 cm | 50 1/4 x 23 1/2 x 2 1/2 inches Flitch 2: 170.2 x 58.4 x 7.6 cm | 67 x 23 x 3 inches

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Matthias Weischer
Untitled, 2019
Oil on canvas
64 x 90 cm | 25 1/4 x 35 3/8 in

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Ciarán Murphy
In, behind the bush, 2019
Gouache, watercolor on paper
33 x 35.5 cm | 13 x 14 in (unframed) 38.1 x 40.6 cm | 15 x 16 in (framed)

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Rosalind Nashashibi
Little One, 2019
Oil on canvas
30 x 40 cm | 11 3/4 x 15 3/4 in

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Ciarán Murphy
The kind that floated, 2019
Gouache and watercolor on paper
45 x 37 cm | 17 3/4 x 14 5/8 in (unframed) 50.8 x 43.2 cm | 20 x 17 in (framed)

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Charles Avery
Untitled (Field), 2019
Pencil, acrylic, and ink on watercolor paper
102 x 152 cm | 40 1/8 x 59 7/8 in (unframed) 109.2 x 160 cm | 43 x 63 in (framed)

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Jules de Balincourt
Roofs and Roots, 2019
Oil on panel
152.4 x 177.8 x 6.3 cm | 60 x 70 x 2 1/2 in

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Charles Avery
Untitled (gatherers with pink sky), 2019
Pencil, acrylic and watercolor on paper
32.4 x 50.2 cm | 12 3/4 x 19 3/4 in (unframed) 40 x 58 cm | 15 3/4 x 22 7/8 in (framed)

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Letha Wilson
Hawaii California Concrete Ripple Wave (Blue), 2018
Emulsion transfer on concrete
147.3 x 127 x 5.1 cm | 58 x 50 x 2 in

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Claudia Martínez Garay
El sol siempre fue el mismo / The sun was always the same, 2019
Risograph on paper, wood
60 x 280 cm | 23 5/8 x 110 1/4 in

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Letha Wilson
Slotted Sunrise (Goblin Valley), 2017
Archival inkjet print, aluminum
182.9 × 30.5 cm | 72 × 12 in

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Benny Merris
An Other Another 113, 2019
Archival inkjet print
59.7 x 44.5 cm | 23 1/2 x 17 1/2 in (unframed) 61 x 45.7 cm | 24 x 18 in (framed)

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Benny Merris
An Other Another 114, 2019
Archival inkjet print
44.5 x 59.7 cm | 17 1/2 x 23 1/2 in (unframed) 45.7 x 61 cm | 18 x 24 in (framed)

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Benny Merris
An Another Another 110, 2018
Archival inkjet print
59.7 x 44.5 cm | 23 1/2 x 17 1/2 in (unframed) 61 x 45.7 cm | 24 x 18 in (framed)

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Benny Merris
An Other Another 106, 2018
100.3 x 74.9 cm | 39 1/2 x 29 1/2 in (unframed) 104.1 x 78.7 cm | 41 x 31 in (framed)

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Benny Merris
An Other Another 107, 2018
Archival inkjet print
78.75 x 101.15 | 31 x 41 in (Framed)

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Benny Merris
An Other Another 93, 2018
Archival inkjet print
61 x 45.7 cm | 24 x 18 in (unframed)
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

2019年10月25日

Wael Shawky: The Gulf Project Camp @ Lisson Gallery, 504 West 24th Street, New York

Wael Shawky: The Gulf Project Camp
@Lisson Gallery, 504 West 24th Street, New York
504 West 24th Street
New York
USA
13 September – 16 October 2019

installation views
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Wael Shawky, The Gulf Project Camp: Carved wood (after ‘Hajj (Panoramic Overview of Mecca)’ by Andreas Magnus Hunglinger, 1803)
Oil on carved wood, 250 x 400 x 15 cm / 98 3/8 x 157 3/8 x 5 7/8 in

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Wael Shawky, The Gulf Project Camp: Carved wood (after ‘Nighttime in a City’ by Mir Sayyid Ali, c.1540), 2019
Oil on carved wood, 245 x 230 x 25 cm / 96 3/8 x 90 1/2 x 9 3/4 in

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Wael Shawky, The Gulf Project Camp: Glass Sculpture # 1, 2019
Glass, 75 x 80 x 200 cm / 29 1/2 x 31 1/2 x 78 5/8 in

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Wael Shawky, The Gulf Project Camp: Sculpture # 4, 2019
Bronze, 85.1 x 135.9 x 62.9 cm / 33 1/2 x 53 1/2 x 24 3/4 in

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Wael Shawky, The Gulf Project Camp: Carved wood (after ‘Nighttime in a City’ by Mir Sayyid Ali, c.1540), 2019
Oil on carved wood, 245 x 230 x 25 cm / 96 3/8 x 90 1/2 x 9 3/4 in

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Wael Shawky, The Gulf Project Camp: Sculpture # 5, 2019
Bronze, 73 x 54.6 x 120.6 cm (28 3/4 x 21 1/2 x 47 1/2 in)

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Wael Shawky, The Gulf Project Camp: Mirror (after 'Birth in a Palace', India, Murshidabad, 1760-1770), 2019
Bas-relief, glass, mirror, 140 x 190 cm / 55 x 74 3/4 in

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Wael Shawky, The Gulf Project Camp: Mirror (after 'Birth in a Palace', India, Murshidabad, 1760-1770), 2019 (detail)
Bas-relief, glass, mirror, 140 x 190 cm / 55 x 74 3/4 in

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Wael Shawky, The Gulf Project Camp: Carved wood (after Haft awrang 'Seven thrones' by Jami, 1556-1565), 2019
Oil on carved wood 200 x 230 x 40 cm 78 5/8 x 90 1/2 x 15 3/4 in
Installation view
504 West 24th Street, New York

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Wael Shawky, The Gulf Project Camp: Drawing # 6, 2019
Graphite, Ink, oil, mixed media on cotton paper, 50.5 x 70.2 cm, (19 7/8 x 27 5/8 in)

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Wael Shawky, The Gulf Project Camp: Drawing # 34, 2019
Graphite, Ink, oil, mixed media on cotton paper, 57.2 x 76.2 cm, (22 1/2 x 30 in)

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Wael Shawky, The Gulf Project Camp: Drawing # 5, 2019
Graphite, Ink, oil, mixed media on cotton paper, 50.5 x 70.2 cm / 19 7/8 x 27 5/8 in

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Wael Shawky, The Gulf Project Camp: Drawing # 2, 2019
Graphite, Ink, oil, mixed media on cotton paper, 50.5 x 70.2 cm, (19 7/8 x 27 5/8 in)

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Wael Shawky, The Gulf Project Camp Drawing # 3
Graphite, Ink, oil, mixed media on cotton paper, 50.5 x 70.2 cm / 19 7/8 x 27 5/8 in, Framed: 60.6 x 80.3 x 3.8 cm / 23 7/8 x 31 5/8 x 1 1/2 in

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Wael Shawky, The Gulf Project Camp: Sculpture # 3, 2019
Bronze, 50.8 x 120.6 x 61 cm / 20 x 47 1/2 x 24 in

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Wael Shawky, The Gulf Project Camp: Drawing # 14, 2019
Graphite, Ink, oil, mixed media on cotton paper, 56.8 x 37.5 cm, (22 3/8 x 14 3/4 in)

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Wael Shawky, The Gulf Project Camp: Drawing # 31, 2019
Graphite, Ink, oil, mixed media on cotton paper, 56.8 x 37.5 cm / 22 3/8 x 14 3/4 in

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Wael Shawky, The Gulf Project Camp: Drawing # 20, 2019
Graphite, Ink, oil, mixed media on cotton paper, 56.8 x 37.5 cm / 22 3/8 x 14 3/4 in
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

Loie Hollowell: Plumb Line @ Pace, New York

Loie Hollowell: Plumb Line
@Pace, New York
540 West 25th Street

New York
USA
Sep 14–Oct 19, 2019

installation views
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Loie Hollowell, Postpartum Plumb Line, 2019, oil paint, acrylic medium, sawdust, and high density foam on linen mounted on panel, 72" × 54" × 3-1/2" (182.9 cm × 137.2 cm × 8.9 cm) c Loie Hollowell

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Loie Hollowell, Boob Wheel, 2019, oil paint, acrylic medium, sawdust and high density foam on linen mounted on panel, 72-1/4" × 54-1/8" × 3-1/2" (183.5 cm × 137.5 cm × 8.9 cm) c Loie Hollowell

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Loie Hollowell, Standing in Light, 2018, oil paint, acrylic medium, sawdust and high density foam on linen mounted on panel, 72" × 54" × 3-1/2" (182.9 cm × 137.2 cm × 8.9 cm) c Loie Hollowell

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Loie Hollowell, Birthing Dance, 2018, oil paint, acrylic medium, sawdust and high density foam on linen mounted on panel, 72" × 54" × 3-1/2" (182.9 cm × 137.2 cm × 8.9 cm) c Loie Hollowell

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Loie Hollowell, Birthing Dance (detail), 2018, oil paint, acrylic medium, sawdust and high density foam on linen mounted on panel, 72" × 54" × 3-1/2" (182.9 cm × 137.2 cm × 8.9 cm) c Loie Hollowell
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cart, horse, cart @ Lehmann Maupin, New York, W 24 Street & W 22 Street

cart, horse, cart
A group exhibition curated by Michael Goodson & Anna Stothart
@Lehmann Maupin, New York, W 24 Street & W 22 Street
501 W 24th Street
New York, NY 10011
&
536 West 22nd Street
New York, NY 10011
USA
June 20 – August 16, 2019

installation views
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CECILY BROWN
All Nights Are Days, 2019
Oil on linen
89 x 97 inches
226.1 x 246.4 cm
Courtesy of the artist and Paula Cooper Gallery
Image by Genevieve Hanson

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JOANNE GREENBAUM
Untitled, 2016
Oil, ink, acrylic, flashe and graphite on canvas
82 x 80 inches
208.3 x 203.2 cm
Courtesy the artist and Rachel Uffner Gallery

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TERRY WINTERS
Cell, 2017
Oil, wax, and resin on linen
80 x 60 inches
203.2 x 152.4 cm
c Terry Winters
Courtesy Matthew Marks Gallery

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SARAH CAIN
Emotions, 2018
Acrylic, chains, and uv seal on canvas
72 x 60 inches
182.9 x 152.4 cm
Courtesy Sarah Cain and Galerie Lelong & Co., New York

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ANGEL OTERO
A False Spring, 2016
Oil paint and fabric collaged on canvas
96 x 145.5 x 3 inches
243.8 x 369.6 x 7.6 cm

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DONALD MOFFETT
Lot 090307 (O), 2007
Oil, cotton, aluminum, rabbit skin glue and poly vinyl acetate on linen
24 x 20 inches
61 x 50.8 cm
Courtesy Marianne Boesky Gallery

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LARI PITTMAN
“thought-form of the precipice between enlightenment and despair”, 2012
Cel-vinyl, spray enamel on canvas over wood panel
102 x 88 inches

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BEVERLY FISHMAN
Untitled (Anxiety, ADHD, Pain), 2019
Urethane paint on wood
40 x 42 x 2 inches
101.6 x 106.7 x 5.1 cm
Courtesy of the artist and Miles McEnery Gallery
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Volker Hüller: Paradise Inn @ GRIMM Keizersgracht 241, Amsterdam

Caroline Walker: A Woman Sewing
@GRIMM Keizersgracht 241, Amsterdam
Keizersgracht 241
1016 EA Amsterdam, The Netherlands
30 August - 5 October 2019

installation views
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Caroline Walker
Mark-Stitching, 2019
Oil on linen
150 x 195 cm | 59 1/8 x 76 3/4 in

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Caroline Walker
Cutting, 2019
Oil on linen
210 x 180 cm | 82 5/8 x 70 7/8 in

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Caroline Walker
Canvasing, 2019
Oil on linen
165 x 210 cm | 65 x 82 5/8 in

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Caroline Walker
Drafting, 2019
Oil on board
43 x 35 cm | 16 7/8 x 13 3/4 in

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Caroline Walker
Pressing, 2019
Oil on board
43 x 35 cm | 16 7/8 x 13 3/4 in

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Caroline Walker
Measuring, 2019
Oil on board
43 x 35 cm | 16 7/8 x 13 3/4 in

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Caroline Walker
Sewing, 2019
Oil on board
43 x 35 cm | 16 7/8 x 13 3/4 in

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Caroline Walker
Setting In, 2019
Oil on linen
175 x 125 cm | 68 7/8 x 49 1/4 in

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Caroline Walker
Study for Cutting, 2019
Oil on paper
53 x 45.3 cm | 20 7/8 x 17 7/8 in

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Caroline Walker
Study for Coat Makers, 2019
Oil on paper
55.5 x 48.4 cm | 21 7/8 x 19 1/8 in (unframed)

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Caroline Walker
Study for Pinked, 2019
Oil on paper
61.5 x 47.5 cm | 24 1/4 x 18 3/4 in
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Mark Bradford: Cerberus @ Hauser & Wirth, London

Mark Bradford: Cerberus
@Hauser & Wirth, London
23 Savile Row
London W1S 2ET
UK
2 Oct – 21 Dec 2019

installation views
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The path to the river belongs to animals
Mark Bradford
2019
Mixed media on canvas
167.6 x 228.6 cm / 66 x 90 in
c Mark Bradford
Photo: Joshua White

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Frostbite
Mark Bradford
2019
Mixed media on canvas
337.8 x 586.7 cm / 133 x 231 in
c Mark Bradford
Photo: Joshua White

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Sapphire Blue
Mark Bradford
2018
Mixed media on canvas
339.1 x 584.2 cm / 133 1/2 x 230 in
c Mark Bradford
Photo: Joshua White

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Dancing in the Street
Mark Bradford
2019
Video
2 mins, 50 sec
c Mark Bradford
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2019年10月24日

Volker Hüller: Paradise Inn @ GRIMM New York

Volker Hüller: Paradise Inn
@GRIMM New York
202 Bowery
NY 10012, New York, USA
4 September - 12 October 2019

installation views
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Volker Hüller
Paradise Lost I, 2019
Oil, acrylic, pencil, wax on canvas, framed
203.2 x 152.4 cm | 80 x 60 in

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Volker Hüller
Paradise Lost II, 2019
Oil, acrylic, pencil on canvas, framed
204 x 154 cm | 80 1/4 x 60 5/8 in

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Volker Hüller
Paradise Lost III, 2019
Oil, acrylic, pencil on canvas, framed
199 x 144 cm | 78 3/8 x 56 3/4 in

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Volker Hüller
Paradise Lost V, 2019
Oil, acrylic, pencil, wax on canvas, framed
204 x 153 cm | 80 1/4 x 60 1/4 in

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Volker Hüller
Paradise Lost IV, 2019
Oil, acrylic, pencil, wax on canvas, framed
205 x 150 cm | 80 3/4 x 59 1/8 in

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Volker Hüller
The Tree Hugger, 2019
Oil on canvas, framed
214 x 144 cm | 84 1/4 x 56 3/4 in

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Volker Hüller
Muffler, 2019
Clay, oil, varnish, pigments, shellac, marble dust
8.9 x 142.2 x 27.9 cm | 3 1/2 x 56 x 11 in

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Volker Hüller
Sunday 11:20 am, 2019
Oil, acrylic, pigments, watercolor on canvas, framed
Single Panel: 228 x 128 cm | 89 3/4 x 50 3/8 in Quadriptych: 228 x 512 cm | 89 3/4 x 201 5/8 in

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Volker Hüller
Distel, 2019
Rock, stiletto, iron
73.7 x 35.6 x 35.6 cm | 29 x 14 x 14 in

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Volker Hüller
Paradise Inn, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 61.6 x 53.7 cm | 24 1/4 x 21 1/8 in Framed: 66.7 x 58.7 cm | 26 1/4 x 23 1/8 in

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Volker Hüller
Pimple Minds, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 29.1 x 23.8 cm | 11 1/2 x 9 3/8 in Framed: 33.5 x 28.3 cm | 13 1/4 x 11 1/8 in

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Volker Hüller
Heiter bis wolkig, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 49.2 x 162.9 cm | 19 3/8 x 64 1/8 in Framed: 55.1 x 168.8 cm | 21 3/4 x 66 1/2 in

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Volker Hüller
After party, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 57.1 x 47 cm | 22 1/2 x 18 1/2 in Framed: 62.2 x 52.1 cm | 24 1/2 x 20 1/2 in

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Volker Hüller
Sensei, 2019
Etching, watercolor, pigment, shellac on paper, framed
Unframed: 60.3 x 52.5 cm | 23 3/4 x 20 3/4 in Framed: 65.4 x 57.6 cm | 25 3/4 x 22 3/4 in

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Volker Hüller
Sifu, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 43 x 35.6 cm | 17 x 14 in Framed: 47.8 x 40.3 cm | 18 7/8 x 15 7/8 in

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Volker Hüller
Die faule Sau, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 26 x 31.3 cm | 10 1/4 x 12 3/8 in Framed: 30.5 x 35.7 cm | 12 x 14 1/8 in

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Volker Hüller
Epiphany I, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 57.1 x 46.8 cm | 22 1/2 x 18 1/2 in Framed: 62.2 x 51.9 cm | 24 1/2 x 20 1/2 in

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Volker Hüller
Epiphany II, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 57.5 x 47.1 cm | 22 5/8 x 18 5/8 in Framed: 62.5 x 52.2 cm | 24 5/8 x 20 5/8 in

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Volker Hüller
Flowers and Snakes, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 33.9 x 28.4 cm | 13 3/8 x 11 1/4 in Framed: 38.6 x 32.9 cm | 15 1/4 x 13 in
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Takesada Matsutani: Yohaku @ Hauser & Wirth, Zürich

Takesada Matsutani: Yohaku
@Hauser & Wirth, Zürich
Limmatstrasse 270
8005 Zürich
Switzerland
11 Oct – 21 Dec 2019

installation views
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Dance 14-2
Takesada Matsutani
2014
Vinyl adhesive, graphite pencil, acrylic on canvas
162 x 130 cm / 63 3/4 x 51 1/8 in
c Takesada Matsutani
Photo: Marc Domage

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Circle 17-11-11
Takesada Matsutani
2017
Vinyl adhesive, acrylic, graphite pencil on canvas
Diameter 185 cm / 72 7/8 in
c Takesada Matsutani
Courtesy the artist and Hauser & Wirth
Photo: Patrick Rimond

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Cross
Takesada Matsutani
2001
Vinyl relief, graphite on canvas
162 x 130 cm / 63 3/4 x 51 1/8 in
c Takesada Matsutani
Photo: Marc Domage

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Pli
Takesada Matsutani
2013
Vinyl adhesive, graphite pencil on Kraft paper mounted on cotton
97 x 76 x 12.5 cm / 38 1/4 x 29 7/8 x 4 7/8 in
c Takesada Matsutani

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Stream-08
Takesada Matsutani
1980
Graphite pencil and turpentine on paper
80 x 120 cm / 31 1/2 x 47 1/4 in
c Takesada Matsutani

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Une goutte 19-20
Takesada Matsutani
2019
Wood, vinyl adhesive, graphite pencil on wood
27 x 19 x 3.8 cm / 10 5/8 x 7 1/2 x 1 1/2 in
c Takesada Matsutani

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Day and Night
Takesada Matsutani
2018
Vinyl adhesive, graphite pencil, sumi ink, acrylic on canvas
122 x 122.2 x 4.3 cm / 48 x 48 1/8 x 1 3/4 in
c Takesada Matsutani

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Tanabiku
Takesada Matsutani
2014
Vinyl adhesive, graphite pencil, acrylic on canvas
162.2 x 130.2 x 3 cm / 63 7/8 x 51 1/4 x 1 1/8 in
c Takesada Matsutani

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Stream-Pompidou
Takesada Matsutani
2019
Graphite pencil on canvas roll, acrylic, acrylic adhesive, and graphite pencil on canvas
440 x 997 x 12.5 cm / 173 1/4 x 392 1/2 x 4 7/8 in
c Takesada Matsutani
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Bernard Piffaretti @ Lisson Gallery, 138 Tenth Avenue, New York

Bernard Piffaretti
@Lisson Gallery, 138 Tenth Avenue, New York
138 Tenth Avenue
New York
USA
13 September – 19 October 2019

installation views
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Bernard Piffaretti
Untitled, 2016
Acrylic on canvas
60 x 60 x 2 cm each / 23 1/2 x 23 1/2 x 3/4 in each

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Bernard Piffaretti
Untitled, 2016
Acrylic on canvas
150 x 150 x 2.5 cm / 59 x 59 x 7/8 in

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Bernard Piffaretti
Untitled, 2019
Acrylic on canvas
119.7 x 80 x 2.2 cm / 47 1/8 x 31 1/2 x 7/8 in

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Bernard Piffaretti
Untitled , 2010
100 x 80 cm / 39 1/4 x 31 1/2 in

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Bernard Piffaretti
Untitled, 2013
Acrylic on canvas
81 x 65 x 2.5 cm / 31 7/8 x 25 1/2 x 7/8 in

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Bernard Piffaretti
Untitled, 2019
Acrylic on canvas
65 x 92 x 2.5 cm / 25 1/2 x 36 1/8 x 7/8 in

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Bernard Piffaretti
Untitled, 2019
Acrylic on canvas
239.7 x 139.7 x 2.5 cm / 94 3/8 x 55 x 1 in

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Bernard Piffaretti
Untitled , 2019
Acrylic on canvas
170 x 170 cm / 66 7/8 x 66 7/8 in
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Calder: Small Sphere and Heavy Sphere @ Pace, New York

Calder: Small Sphere and Heavy Sphere
@Pace, New York
540 West 25th Street

New York
USA
Sep 14–Oct 26, 2019

installation views
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Dancing Torpedo Shape, 1932, Wood, wire, sheet metal, and paint, with motor c 2019 Calder Foundation, New York / Artists Rights Society (ARS), New York

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Alexander Calder, John Graham, 1931, Wire, 10-1/2" × 8-1/2" × 10-1/2" (26.7 cm × 21.6 cm × 26.7 cm). Photo Courtesy of: Calder Foundation, New York / Art Resource, New York c 2019 Calder Foundation, New York / Artists Rights Society (ARS), New York
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Mandy El-Sayegh: Dispersal @ Lehmann Maupin, Hong Kong

Mandy El-Sayegh: Dispersal
@Lehmann Maupin, Hong Kong
407 Pedder Building
12 Pedder Street, Hong Kong
July 11 – August 30, 2019

installation views
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MANDY EL-SAYEGH
Occupations, 2019
Oil and mixed media on linen with artist stainless steel frame
82.68 x 59.06 inches
210 x 150 cm

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MANDY EL-SAYEGH
Denzel, 2019
Oil and mixed media on linen, stainless steel artist frame
88.58 x 59.06 inches
225 x 150 cm

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MANDY EL-SAYEGH
Sleepy (head of), 2018
Oil and mixed media on linen with artist stainless steel frame
57.09 x 58.66 inches
145 x 149 cm

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MANDY EL-SAYEGH
Net-Grid Study (Centre), 2019
Oil and mixed media on linen, artist steel frame
53.94 x 59.84 inches
137 x 152 cm

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MANDY EL-SAYEGH
Net-Grid Study (ONE), 2019 (detail)
Oil and mixed media on linen, artist steel frame
48.39 x 46.06 inches
122.9 x 117 cm

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MANDY EL-SAYEGH
Net-Grid Study (OMEN), 2019
Oil and mixed media on linen, artist steel frame
47.64 x 48.43 inches
121 x 123 cm
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2019年10月23日

Ding Yi: Rim light (in cooperation with ShanghART Gallery) @ Galerie Rüdiger Schöttle, München

Ding Yi: Rim light (in cooperation with ShanghART Gallery)
@Galerie Rüdiger Schöttle
Amalienstraße 41, Rgb.
80799 München
Germany
14.09.2019 – 16.11.2019

Installation views. Photo: Wilfried Petzi.
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Appearance of Crosses 2019-10, 2019, mixed media on basswood, 120 × 240 cm.

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Appearance of Crosses 2019-11, 2019, mixed media on basswood, 120 × 120 cm.

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Appearance of Crosses 2019-4, 2019, mixed media on basswood, 120 × 120 cm.

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Appearance of Crosses 2019-12, 2019, mixed media on basswood, 120 × 120 cm.

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Appearance of Crosses 2019-17, 2019, mixed media on basswood, 120 × 120 cm.

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Appearance of Crosses 2019-7, 2019, mixed media on basswood, 120 × 240 cm.

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Appearance of Crosses 2019-B13, 2019, acrylic, water colour pencil & pencil on handmade paperr, 56 × 38 cm.

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Appearance of Crosses 2019-B8, 2019, acrylic, water colour watercolor pencil & pencil on handmade paper, 56 × 38 cm.
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Maria Lassnig: Zarter Mittelpunkt / Delicate Centre @ Hauser & Wirth, Zürich

Maria Lassnig: Zarter Mittelpunkt / Delicate Centre
@Hauser & Wirth, Zürich
Limmatstrasse 270
8005 Zürich
Switzerland
11 Oct – 21 Dec 2019

installation views
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Untitled
Maria Lassnig
Circa 1980 - 1985
Watercolour, colour pencil on paper
62.7 x 44 cm / 24 5/8 x 17 3/8 in
c Maria Lassnig Foundation
Courtesy the Foundation and Hauser & Wirth
Photo: Roland Krauss

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Zarter Mittelpunkt (Delicate Centre)
Maria Lassnig
1961
Watercolour on cardboard
63 x 85.6 cm / 24 3/4 x 33 3/4 in
c Maria Lassnig Foundation
Courtesy the Foundation and Hauser & Wirth
Photo: Roland Krauss

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Untitled
Maria Lassnig
1990
Watercolour on paper
56 x 75.8 cm / 22 x 29 7/8 in
c Maria Lassnig Foundation
Photo: Roland Krauss

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Untitled
Maria Lassnig
Circa 1964 - 1968
Watercolour on paper
56.6 x 38.9 cm / / 22 1/4 x 15 3/8 in
c Maria Lassnig Foundation
Courtesy the Foundation and Hauser & Wirth
Photo: Roland Krauss

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Entwurf zu einem Wandfries(s), 1 x 30m, in der Chirurgie, Landeskrankenhaus in Klagenfurt (Design for a wall frieze, 1 x 30m, at the Surgical Ward State Hospital in Klagenfurt)
Maria Lassnig
Circa 1961
Watercolour, ballpoint pen on paper
54 x 145.5 cm / 21 1/4 x 57 1/4 in
c Maria Lassnig Foundation
Courtesy the Foundation and Hauser & Wirth
Photo: Roland Krauss
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