Ai Weiwei: Roots @ Lisson Gallery, 27 Bell Street, London

Ai Weiwei: Roots
@Lisson Gallery, 27 Bell Street, London
27 Bell Street
London
NW1 5BY
UK
2 October – 2 November 2019

installation views























Ai Weiwei, Martin
Cast iron, 230.5 x 352 x 238 cm / 90 3/4 x 138 1/2 x 93 5/8 in. Courtesy of Ai Weiwei Studio, Lisson Gallery and neugerremschneider


Ai Weiwei, Party, 2019
Cast iron, 220 x 344 x 253 cm / 86 1/2 x 135 3/8 x 99 1/2 in. Courtesy of Ai Weiwei Studio, Lisson Gallery and neugerremschneider


Ai Weiwei, Strength
Cast iron, 178.6 x 212 x 175 cm / 70 1/4 x 83 3/8 x 68 7/8 in. Courtesy of Ai Weiwei Studio, Lisson Gallery and neugerremschneider


Ai Weiwei, Fly, 2019
Cast iron, 173 x 396 x 288 cm / 68 x 155 7/8 x 113 3/8 in


Mr Painting, 2019
Cast iron, 235 x 351 x 183 cm / 92 1/2 x 138 1/8 x 72 in. Courtesy of Ai Weiwei Studio, Lisson Gallery and neugerremschneider

Yto Barrada: Paste Papers @ Pace, New York

Yto Barrada: Paste Papers
@Pace, New York
540 West 25th Street

New York
USA
Sep 14–Dec 20, 2019

installation views













Yto Barrada, Untitled, 2019, Paste Paper Painting, 17-9/16" × 23-9/16", framed c Yto Barrada

Kader Attia: Mirrors of Emotion @ Lehmann Maupin, New York, W 24th Street

Kader Attia: Mirrors of Emotion
@Lehmann Maupin, New York, W 24th Street
501 W 24th Street
New York, NY 10011
USA
September 10 – October 26, 2019

installation views













KADER ATTIA
The Ruins of Revolution, 2019
12 cast in concrete
15.75 x 13.78 x 11.8 inches (each)
40 x 35 x 30 cm
Overall dimensions variable
Photo by Matthew Herrmann


KADER ATTIA
Untitled, 2019
Steel
75.5 x 145 inches
191.8 x 368.3 cm
Photo by Matthew Herrmann


KADER ATTIA
Untitled, 2019
Steel and prosthetic legs made of wood
107 x 127.5 x 59 inches
271.8 x 323.9 x 149.9 cm
Photo by Matthew Herrmann


KADER ATTIA
Broken Obscurity 1, 2019
Glass
75 x 47 inches
190.5 x 119.4 cm
Photo by Matthew Herrmann


KADER ATTIA
Red Modernity 1, 2019
Wood sculpture, fluorescent lights with red gels
60 x 20 x 15.5 inches
152.4 x 50.8 x 39.4 cm
Photo by Matthew Herrmann


KADER ATTIA
The Embrace, 2019
2 sculptures, concrete plinth
39.5 x 69.5 x 25 inches (overall)
100.3 x 176.5 x 63.5 cm
Photo by Matthew Herrmann


KADER ATTIA
Immaterial Wound, 2019
Nylon 3D printed mask
3.15 x 9.06 x 7.09 inches
8 x 23 x 18 cm
Photo by Matthew Herrmann


KADER ATTIA
Réfléchir la Mémoire / Reflecting Memory, 2016 (still)
Single-channel HD video projection, color
Dimensions variable
Duration: 45 minutes, 56 seconds

Sarah Conaway: Head of a Woman @ The BOX, Los Angeles

Sarah Conaway: Head of a Woman
@The BOX
805 Traction Avenue Los Angeles, CA 90013
USA
November 17, 2018 - January 19, 2019

installation views













Sarah Conaway, Woman With Her Throat Cut, 2018, Pigment print, 34 x 26 inches, Edition 1 of 3.


Sarah Conaway, Lot's Wife, 2018, Pigment print, 25 x 31 3/4 inches, Edition 1 of 3.


Sarah Conaway, Head of a Woman, 2018, Pigment print, 28 3/4 x 24 3/4 inches, Edition 1 of 3.


Sarah Conaway, THREE DEE, 2018, Pigment print, 28 x 21 3/4 inches, Edition 1 of 3.


Sarah Conaway, GEORGIA, 2018, Pigment print, 25 x 31 3/4 inches, Edition 1 of 3.


Sarah Conaway, {Enigma...Babel}, 2018, Archival Pigment Print, 25 3/4 x 32 11/16 inches, Edition 1 of 3


Sarah Conaway, The Garden, 2018, Mixed medium, Dimensions variable, installation view. Photo by Fredrik Nilsen Studio.


Sarah Conaway, CUTS, 2018, Pigment print, 26 x 20 1/4 inches, Edition 1 of 3.


Sarah Conaway, TERESA, 2018, Pigment print, 26 x 20 1/2 inches, Edition 1 of 3.


Sarah Conaway, Tablets (installation view), 2018, Pigment print, 28 3/4 x 24 1/2 inches, Edition 1 of 3. Photo by Fredrik Nilsen Studio.


Sarah Conaway, Tablets, 2018, Pigment print, 28 3/4 x 24 1/2 inches, Edition 1 of 3.


Sarah Conaway, Left: [II], 2018, Bronze; Right: Tablets, 2018, Bronze. Photo by Fredrik Nilsen Studio.

Louise Nevelson & Yin Xiuzhen @ Pace, Hong Kong

Louise Nevelson & Yin Xiuzhen
@Pace, Hong Kong
12/F, H Queen's
80 Queen's Road Central
Hong Kong
Sep 21–Nov 15, 2019

installation views











Louise Nevelson, Untitled, 1971, wood painted black, 74" x 95" x 11" (188 cm x 241.3 cm x 27.9 cm), 83 elements plus 1 part base, 84 parts total c 2019 The Estate of Louise Nevelson/Artists Rights Society (ARS), New York


Yin Xiuzhen, Bookshelf No. 5, 2009-2013, Worn clothes and wood, 165.5 cm x 96 cm x 26 cm (65-3/16" x 37-13/16" x 10-1/4") c Yin Xiuzhen

Stanley Whitney: Afternoon Paintings @ Lisson Gallery, 67 Lisson Street, London

Stanley Whitney: Afternoon Paintings
@Lisson Gallery, 67 Lisson Street, London
67 Lisson Street
London
NW1 5DA
UK
2 October – 2 November 2019

installation views

Liza Lou: The River and the Raft @ Seoul | Lehmann Maupin & Songwon Art Center

Liza Lou: The River and the Raft
@Seoul | Lehmann Maupin & Songwon Art Center
Lehmann Maupin: 74-18, Yulgok-ro 3-gil, Jongno-gu, Seoul, Korea
Songwon Art Center: 75, Yunposun-gil, Jongno-gu, Seoul, 03061, Korea
September 26 – November 9, 2019

Liza Lou, The River and the Raft
Installation view at Songwon Art Center, Seoul
September 26 – November 9, 2019
Photo by ArtOn Studio






Liza Lou, The River and the Raft
Installation view at Lehmann Maupin, Seoul
September 26 – November 9, 2019







LIZA LOU
Sunday Morning, 2019
Oil paint on woven glass beads and thread on canvas
71 x 126 inches
180.3 x 320 cm
Photo by Josh White


LIZA LOU
Nightsong, 2019
Oil paint on woven glass beads and thread on canvas
28.3 x 28.1 x 1.5 inches
71.8 x 71.4 x 3.8 cm
Photo by Josh White


LIZA LOU
Psalm 51, 2019
Oil paint on woven glass beads and thread on canvas
56.4 x 56 x 2 inches
143.2 x 142.2 x 5.1 cm
Photo by Josh White

Billy Childish: man in the mouth of a cave @ Carl Freedman Gallery, London

Billy Childish: man in the mouth of a cave
@Carl Freedman Gallery
29 Charlotte Road London EC2A 3PB
UK
26 May – 25 August 2019

installation views











heaven’s journey (night), 2018, Oil and charcoal on linen, 275 x 244 cm


julie swimming II, 2018, Oil and charcoal on linen, 152.5 x 244 cm


swimmer and waterfall, 2018, Oil and charcoal on linen, 244 x 275 cm


into the lake, 2017, Oil and charcoal on linen, 152.5 x 152.5 cm

Sebastian Stöhrer & Tenki Hiramatsu: DUNE @ Barbara Seiler, Zuerich

Sebastian Stöhrer & Tenki Hiramatsu: DUNE
@Barbara Seiler
Limmatstrasse 270
8005 Zuerich
Switzerland
06.04. - 18.05.2019

Nathaniel Mellors & Erkka Nissinen: BAD MANTRAS @ The BOX, Los Angeles

Nathaniel Mellors & Erkka Nissinen: BAD MANTRAS
@The BOX
805 Traction Avenue Los Angeles, CA 90013
USA
June 7 - July 20, 2019


Image design: Chris Bloor.














Nathaniel Mellors & Erkka Nissinen
The Aalto Natives (Floored version), 2017, Animatronic sculpture with synchronized 3 channel HD video, lighting sound, video: 50 minutes; dimensions variable, Edition of 2.


Nathaniel Mellors & Erkka Nissinen
Presidential Crucifixion, 2019, HD video, felt puppet, sponge, clothing, Edition of 2.


Nathaniel Mellors & Erkka Nissinen
Presidential Crucifixion (detail), 2019, HD video, felt puppet, sponge, clothing, Edition of 2.


Nathaniel Mellors & Erkka Nissinen
Past Perfect Object, 2019, Felt, plastic, plexi, styrofoam, plinth, filler, 20 x 12 x 58 inches.








Nathaniel Mellors & Erkka Nissinen
Bad Mantras, 2019, Animatronic sculpture, guitar, keyboard, drum machine, amplifiers, microphones, 12 minutes, looped, Edition of 2.

MARCEL VAN EEDEN: Den Haag – Zürich, 1934-1936 @ Barbara Seiler, Zuerich

MARCEL VAN EEDEN: Den Haag – Zürich, 1934-1936
@Barbara Seiler
Limmatstrasse 270
8005 Zuerich
Switzerland
25. Mai – 06. Juli, 2019

Guy de Cointet @ The BOX, Los Angeles

Guy de Cointet
@The BOX
805 Traction Avenue Los Angeles, CA 90013
USA
September 14 - October 19, 2019

installation views

NANCY BARTON: Swan Song @ GREENSPON, New York

NANCY BARTON: Swan Song
@GREENSPON
71 Morton Street New York 10014
USA
April 27 – June 1, 2019

installation views















Swan Song, Salome I,1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 32 x 20 inches (81.28 x 76.2 cm)


Swan Song, Lakme, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 36 x 23.75 inches (91.44 x 60.3 cm)


Swan Song, Faust, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 28.5 x 23 inches (72.3 x 58.4 cm)


Swan Song, Lucia, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 33 x 21.5 inches (83.8 x 54.6 cm)


Swan Song, Anna Bolena, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 30 x 20 inches (76.2 x 50.8 cm)


Swan Song, Elektra, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 24 x 20 inches (50.8 x 61 cm)


Swan Song, Thais, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 31 x 19 inches (78.7 x 48.2 cm)


Swan Song, Medee, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 33 x 18 inches (83.8 x 45.8 xm)


Swan Song, La Gioconda,1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 29.5 x 23 inches (74.9 x 58.4 cm)


Swan Song, Salome II, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 28.5 x 24 inches (72.3 x 60.9 cm)

Ryan Wallace: Unlanding @ Susan Inglett Gallery, New York

Ryan Wallace: Unlanding
@Susan Inglett Gallery
522 West 24th Street
New York NY 10011
USA
25 October 2018 – 5 December 2018

installation views











Unlanding VI, 2018, Oil, enamel, acrylic, paper, linen, canvas, aluminum and fiberglass tape, 48 x 60 in., 49 1/4 x 61 1/4 in. framed


Unlanding II, 2018, Oil, enamel, acrylic, pigment, cold wax, film, cotton, canvas, linen, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Unlanding II (detail), 2018, Oil, enamel, acrylic, pigment, cold wax, film, cotton, canvas, linen, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Unlanding IV, 2018, Oil, enamel, acrylic, canvas, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Unlanding III, 2018, Oil, enamel, acrylic, cotton, canvas, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Unlanding III, 2018, Oil, enamel, acrylic, cotton, canvas, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Unlanding V, 2018, Oil, enamel, acrylic, Mylar, canvas, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Unlanding V, 2018, Oil, enamel, acrylic, Mylar, canvas, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Untitled, 2018, Enamel, acrylic, canvas, aluminum and fiberglass tape, 28 x 20 in.


Unlanding IX, 2018, Enamel, acrylic, canvas, aluminum and fiberglass tape, 81 x 54 1/4 in., 82 1/2 x 55 3/4 in. framed


Unlanding I, 2018, Oil, enamel, acrylic, Masonite, tape, cotton, canvas, linen, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Unlanding VII, 2018, Oil, enamel, acrylic, canvas, aluminum and fiberglass tape, 48 x 60 in.


Unlanding VIII, 2018, Oil, enamel, acrylic, canvas, aluminum and fiberglass tape, 48 x 36 in.


Untitled, 2018, Oil, enamel, acrylic, canvas, linen, aluminum and fiberglass tape, 28 x 20 in.


Untitled, 2018, Oil, enamel, acrylic, canvas, linen, aluminum and fiberglass tape, 28 x 20 in.


Untitled, 2018, Oil, enamel, acrylic, canvas, linen, aluminum and fiberglass tape, 28 x 20 in.

James Hoff: In the Swim @ Callicoon Fine Arts, New York

James Hoff: In the Swim
@Callicoon Fine Arts
49 Delancey Street
New York, NY 10002
USA
April 15 - May 20, 2018

installation views

































James Hoff, The Left Does Not View Browsing Itself as a Scandal, only its Exploitation, 2018, acrylic dye, aluminum, WannaCry, 24 x 16 inches (61 x 40.6 cm)


James Hoff, Uninventing Understanding, 2018, acrylic dye, aluminum, WannaCry, 24 x 16 inches (61 x 40.6 cm)


James Hoff, Hello World Problems, 2018, acrylic dye, aluminum, WannaCry, 36 x 24 inches (91.4 x 61 cm)


James Hoff, Our Crime was Our Curiosity, 2018, acrylic dye, aluminum, WannaCry, 36 x 24 inches (91.4 x 61 cm)


James Hoff, Consequently, the User Thinks Itself Free, 2018, acrylic dye, aluminum, WannaCry


James Hoff, EternalBlue, 2018, acrylic dye, aluminum, WannaCry, 24 x 16 inches (61 x 40.6 cm)


James Hoff, Surely the State is the Sewer, 2018, acrylic dye, aluminum, WannaCry, 36 x 24 inches (91.4 x 61 cm)