Monster Chetwynd: Either This Coat’s Inhabited or I’m Inhibited @ Galerie Gregor Staiger, Zurich

Monster Chetwynd: Either This Coat’s Inhabited or I’m Inhibited
@Galerie Gregor Staiger
Limmatstrasse 268
8005 Zurich
Switzerland
June 8–July 20, 2019

installation views













Ninja Turtles, 2019
Photocopy, wood, paint, latex, fabric, metal fittings; 280 x 193 x 37 cm


Where is God (the Bat), 2019
Photocopy, wood, paint, latex, fabric, metal fittings; 280 x 591 x 21 cm


Splinter, 2019
Photocopy, wood, paint, latex, fabric, metal fittings, synthetic hair; 280 x 184 x 28 cm


Cat Fight (The Deluge), 2019
Photocopy, wood, paint, latex, fabric, metal fittings, synthetic fur; 310 x 240 x 30 cm


Salamander, 2019
Photocopy, wood, paint, latex, fabric, Dutch metal, metal fittings; 280 x 198.5 x 45 cm


Comet Moth, 2019
Photocopy, wood, paint, latex, fabric, metal fittings, synthetic fur, cardboard; 280 x 197 x 31 cm

Nicholas Buffon: Vehicles @ Callicoon Fine Arts, New York

Nicholas Buffon: Vehicles
@Callicoon Fine Arts
49 Delancey Street
New York, NY 10002
USA
February 17 - March 24, 2019

installation views













Manhattan Fruit Exchange, 2018, Acrylic and carbon transfer on Bristol paper, 13 1/2 x 8 3/4 inches (34.3 x 22.2 cm)


Bethesda Fountain, 2018, Acrylic and carbon transfer on Bristol paper, 20 1/2 x 13 1/2 inches (50.1 x 34.3 cm)




Anthology Film Archives, 2019, Acrylic and carbon transfer on Bristol paper, 16 3/4 x 9 3/8 inches (42.5 x 23.8 cm)


Bath Time!, 2019, Acrylic and carbon transfer on Bristol paper, 22 3/16 x 11 3/4 inches (56.3 x 29.8 cm)


New York Dogs, 2018, Acrylic and carbon transfer on Bristol paper, 8 5/8 x 12 1/8 inches (21.9 x 30.8 cm)


B&H Dairy, 2018, Foam core, Bristol paper, acrylic paint, Sobo glue, superglue, sculpey and pins, 22 x 20 x 10 inches (55.9 x 50.8 x 25.4 cm)


B&H Dairy (detail), 2018, Foam core, Bristol paper, acrylic paint, Sobo glue, superglue, sculpey and pins, 22 x 20 x 10 inches (55.9 x 50.8 x 25.4 cm)


Correction, 2019, Acrylic and carbon transfer on Bristol paper, 15 5/8 x 11 1/8 inches (39.7 x 28.2 cm)


The Painter, 2018, Acrylic and carbon transfer on Bristol paper, 10 x 8 3/4 inches (25.4 x 22.2 cm)

Johannes Bendzulla: #SpontexMandala @ NATALIA HUG, Köln

Johannes Bendzulla: #SpontexMandala
@NATALIA HUG
Jülicher Straße 14
50674 Köln, Germany
February 21 − March 30, 2019

installation views











Johannes Bendzulla, Spontex_007, 2019, Inkjet print on handmade paper 140 × 90 × 4 cm (55 1/8 × 35 3/8 × 1 5/8 inches), Edition 5 + I AP


Johannes Bendzulla, Spontex_007, 2019, detail


Johannes Bendzulla, Spontex_006, 2019 Inkjet print on handmade paper, mounted on Dibond, aluminum substructure 81 × 61 × 4 cm (31 7/8 × 24 × 1 5/8 inches) Edition 5 + I AP


Johannes Bendzulla, Spontex_001, 2019 Inkjet print on handmade paper 140 × 90 × 4 cm (55 1/8 × 35 3/8 × 1 5/8 inches) Edition 5 + I AP


Johannes Bendzulla, Spontex_004, 2019 Inkjet print on handmade paper, mounted on Dibond, aluminum substructure 81 × 55.5 × 4 cm (31 7/8 × 21 7/8 × 1 5/8 inches) Edition 5 + I AP


Johannes Bendzulla, Spontex_008, 2019 Inkjet print on handmade paper 140 × 90 × 4 cm (55 1/8 × 35 3/8 × 1 5/8 inches) Edition 5 + I AP


Johannes Bendzulla, Spontex_008, 2019, detail


Johannes Bendzulla, Spontex_005, 2019 Inkjet print on handmade paper, mounted on Dibond, aluminum substructure 81 × 61 × 4 cm (31 7/8 × 24 × 1 5/8 inches), Edition 5 + I AP


Johannes Bendzulla, Spontex_005, detail

ALWIN LAY | ROLLOUT @ NINO MIER GALLERY, 1107 Greenacre Ave., Los Angeles

ALWIN LAY | ROLLOUT
@NINO MIER GALLERY, 1107 Greenacre Ave., Los Angeles
1107 Greenacre Ave.
Los Angeles, CA 90046
USA
July 20 – August 31, 2019

installation views































Alwin Lay, Urquell / Fountainhead, 2015, Fine Art Print, 27 1/2 x 19 3/4 in (70 x 50 cm), Edition 1 of 5, AL19.009


Alwin Lay, Kodak 200 (Mono), 2019, Latexdruck (latex wallpaper), Dimensions variable, Edition 2 of 7, AL19.003


Alwin Lay, Ein Tropfen Gelb, 2016, C-Print, 19 3/4 x 15 3/4 in (50 x 40 cm), Edition 4 of 5, AL19.004


Alwin Lay, Avantgarde, 40mm, Made in Germany, 2015, HD-Video loop, 3:13 duration, Edition 1 of 7, AL19.002


Alwin Lay, Paper cut / Papierschnittwunde, 2017, C-Print, 65 x 47 1/4 in (165 x 120 cm), Edition 1 of 5, AL19.001


Alwin Lay, Glückwunsch / Congrats, 2018, Pigment Print, 13 3/8 x 11 1/8 in (34 x 28 cm), Edition 8 of 30, AL19.006


Alwin Lay, Roter Teppich / Red Carpet, 2017, Fine Art Print, 26 x 22 7/8 in (66 x 58 cm), Edition 1 of 5, AL19.005


Alwin Lay, Push Pin in Paper (Fujicolor Crystal Archive), 2018, Diasec Sculpture, 13 x 11 3/8 x 9 1/2 in (33 x 29 x 24 cm), Edition 1 of 3, AL19.007


Alwin Lay, Do it, 2016, Fine Art Print, 19 3/4 x 15 3/4 in (50 x 40 cm), Edition 3 of 5, AL19.008

OSAMU KOJIMA: MEDITATION @ Jason Jacques Gallery, New York

OSAMU KOJIMA: MEDITATION
@Jason Jacques Gallery
29 East 73rd Street
10021 New York
USA
SEPTEMBER 12 – OCTOBER 27, 2018

installation views



















BLUE 17-05
OSAMU KOJIMA
16H X 7W X 11D IN.
KOO015
2017


BLUE 17-06
OSAMU KOJIMA
13H X 12W X 11D IN.
KOO016
2017


BLUE 17-07
OSAMU KOJIMA
13H X 10W X 9D IN.
KOO017
2017


BLUE 17-08
OSAMU KOJIMA
12H X 9W X 12D IN.
KOO018
2017


BLUE 17-02
OSAMU KOJIMA
11H X 12W X 12D IN.
KOO020
2017


NOSTALGIA 16-TWTS01
OSAMU KOJIMA
18H X 14W X 7D IN.
KOO021
2016


NOSTALGIA 16-TWTS02
OSAMU KOJIMA
9H X 8W X 7D IN.
KOO022
2016


BLUE 09-M02
OSAMU KOJIMA
6H X 9W X 7D IN.
KOO023
2009


BLUE 14
OSAMU KOJIMA
16.54H X 9.06W X 7.48D IN
KOO007
2014

Christian Bazant-Hegemark | Inseparable @ unttld contemporary, Vienna

Christian Bazant-Hegemark | Inseparable
@unttld contemporary
Schleifmühlgasse 5
1040 Vienna
Austria
27.06.2019 - 03.08.2019


installation view


Christian Bazant-Hegemark | Symmetry | 2019 | Ink on paper | 150 x 150 cm


Christian Bazant-Hegemark | Man | 2019 | Ink on paper | 150 x 150 cm


Christian Bazant-Hegemark | Old Man | 2019 | Ink on paper | 150 x 150 cm


Christian Bazant-Hegemark | Plant 01 | 2019 | Ink on paper | 70 x 50 cm


Christian Bazant-Hegemark | Fragment 01 | 2019 | Ink on paper | 42 x 29,7 cm


Christian Bazant-Hegemark | Fragment 02 | 2019| Ink on paper | 42 x 29,7 cm


Christian Bazant-Hegemark | Fragment 03 | 2019 | Ink on paper | 70 x 50 cm


Christian Bazant-Hegemark | Fragment 04 | 2019| Ink on paper | 50 x 70 cm


Christian Bazant-Hegemark | Wing | 2012 | Ink on paper | 29,7 x 42 cm


Christian Bazant-Hegemark | Untitled | 2012 | Ink on paper | 42 x 29,7 cm


Christian Bazant-Hegemark | Drawing | 2018 | Ink, pencil on paper | 70 x 50 cm


Christian Bazant-Hegemark | Tree of Knowledge 10 | 2007 | Ink on paper | 59 x 42 cm


Christian Bazant-Hegemark | Tree of Knowledge 01 | 2007 | Ink on paper | 59 x 42 cm


Christian Bazant-Hegemark | Ink Portrait 10 | 2007 | Ink on paper | 59 x 42 cm


Christian Bazant-Hegemark | Ink Portrait 05 | 2007 | Ink on paper | 42 x 59 cm


Christian Bazant-Hegemark | Old Woman | 2019 | Ink on paper | 150 x 150 cm

Alwin Lay: Prospective #4 @ NATALIA HUG, Köln

Alwin Lay: Prospective #4
@NATALIA HUG
Jülicher Straße 14
50674 Köln, Germany
September 06 − October 12, 2019

installation views









Alwin Lay, Lightbox, 2019, C-Print, light box framed: 81 × 65 × 15 cm (31 7/8 × 25 5/8 × 5 7/8 inches), Edition 5


Alwin Lay, Pool Party, 2019, C-Print framed: 165 × 120 cm (65 × 47 1/4 inches), Edition 5


Alwin Lay, Pool Party, 2019, C-Print framed: 165 × 120 cm (65 × 47 1/4 inches), Edition 5


Alwin Lay, Bubble / Die Blase, 2018, Fine Art Print framed: 59 × 40 cm (23 1/4 × 15 3/4 inches), Edition 5


Alwin Lay, The Black Pine II, 2019, Pigment Print framed: 85 × 70 cm (33 1/2 × 27 1/2 inches) Edition 5


Alwin Lay, BIC Maxi Short, 2019, HD video, mp4, Edition 12

THOMAS WACHHOLZ | BOOKS AND BOXES @ NINO MIER GALLERY, 7313 Santa Monica Blvd, Los Angeles

THOMAS WACHHOLZ | BOOKS AND BOXES
@NINO MIER GALLERY, 7313 Santa Monica Blvd, Los Angeles
7313 Santa Monica Blvd.
Los Angeles, CA 90046
USA
July 20 – August 31, 2019

installation views















Thomas Wachholz, U, 2019, Red phosphorus and acrylic on canvas, 78.7 x 35.4 x 1.4 in (200 x 90 x 3.6 cm), TW19.019


Thomas Wachholz, The Parker, 2019, Red phosphorus and acrylic on canvas, 37.4 x 29.5 x 1.4 in (95 x 75 x 3.6 cm), TW19.018


Thomas Wachholz, Star Palace, 2019, Red phosphorus and acrylic on canvas, 37.4 x 29.5 x 1.4 in (95 x 75 x 3.6 cm), TW19.015


Thomas Wachholz, Capri, 2019, Red phosphorus and acrylic on canvas, 37.4 x 29.5 x 1.4 in (95 x 75 x 3.6 cm), TW19.017


Thomas Wachholz, Piccoli, 2019, Red phosphorus and acrylic on canvas, 37.4 x 29.5 x 1.4 in (95 x 75 x 3.6 cm), TW19.016


Thomas Wachholz, Fourty One, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.013


Thomas Wachholz, Jupiter, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.010


Thomas Wachholz, Gabor, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.003


Thomas Wachholz, Europa, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.014


Thomas Wachholz, Holland, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.012


Thomas Wachholz, JA, 2019, Red phosphorus and acrylic on canvas, 63 x 59 x 1.4 in (160 x 150 x 3.6 cm), TW19.022


Thomas Wachholz, Tobacco, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm). TW19.007


Thomas Wachholz, Piano, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.008


Thomas Wachholz, Femina, 2019, Red phosphorous and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.006


Thomas Wachholz, The Neptune, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.005


Thomas Wachholz, España, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.004


Thomas Wachholz, Tip Top, 2019, Red phosphorus and acrylic on canvas, 63 x 59 x 1.4 in (160 x 150 x 3.6 cm), TW19.021


Thomas Wachholz, Boston, 2019, Red phosphorus and acrylic on canvas,63 x 59 x 1.4 in (160 x 150 x 3.6 cm), TW19.020

MOON ROCK @ Jason Jacques Gallery, New York

MOON ROCK
@Jason Jacques Gallery
29 East 73rd Street
10021 New York
USA
JULY 16 - OCTOBER 5, 2019

installation views













NASA
Lunar Orbiter I. Triptych Showing Man's First Look at the Earth from the Moon, 1966
Silver gelatin print
48h x 60w in
121.92h x 152.40w cm
NA000092


NASA
Aldrin Walking Toward Armstrong, 1969
vintage color print on semi-matte fibre paper
9.96h x 7.99w in
25.30h x 20.30w cm
NA000102


ASA
NASA [National Aeronautics and Space Administration] NASA Lunar Surveyor Mosaic for Day 117, Survey D. Sectors 1 and 2, 1966
Vintage Gelatin Silver Print
30.25h x 14.25w in
76.83h x 36.20w cm
NA000064


NASA
Lunar Orbiter, 1967
Vintage gelatin silver print
24h x 20.30w in
60.96h x 51.56w cm
NA000086


NASA
First Colour Photo Taken on Mars, 1976
JPL presentation color print on semi glossy paper on original masonite mount
24.02h x 27.52w in
61h x 69.90w cm
NA000096

Overture @ Callicoon Fine Arts, New York

Overture
A.K. Burns, Jason Hirata, Zoe Leonard, K.R.M. Mooney, Ulrike Müller, Carissa Rodriguez, Alan Ruiz
@Callicoon Fine Arts
49 Delancey Street
New York, NY 10002
USA
March 31 - May 5, 2019

installation views























Alan Ruiz, WS-ANSI A, 2019, 500 sheets of 8.5 x 11 inch US Letter paper (20 lbs, 92 brightness, 500/ream), black letter tray, 12 1/2 x 10 x 1 3/4 inches (31.75 x 25.4 x 4.4 cm). Edition of 4.


Zoe Leonard, August 6, frame 32, 2011–12, Gelatin silver print, 20 x 28 1/2 inches (50.8 x 72.4 cm). Edition 2 of 6.


Carissa Rodriguez, All the Best Memories are Hers, 2018/19, Gelatin silver print from LVT negative, 8 x 6 inches (20.3 x 15.2 cm, image size). Edition of 3, with 1AP.


Jason Hirata, Fodder, 2015–6/2019, black walnut ink on card stock, watercolor paper, archival inkjet printing, galvanized steel, 48 x 60 inches (121.9 x 152.4 cm).


Zoe Leonard, Roll #3, 2006/16, Gelatin silver print, 19 7/8 x 16 inches (50.5 x 40.5 cm). Edition 2 of 6, with 2AP.


A.K. Burns, zero: A.K. Burns on Nancy Holt, 2019, Digitally-printed book, copper foil stamp, perfect bound, 32 pages, 8 1/2 x 5 1/2 inches (21.6 x 14 cm). Edition of 400.


A.K. Burns, zero: A.K. Burns on Nancy Holt (detail), 2019, Digitally-printed book, copper foil stamp, perfect bound, 32 pages, 8 1/2 x 5 1/2 inches (21.6 x 14 cm). Edition of 400.

Jake Longstreth: Brick & Mortar | Seven Trees @ NINO MIER GALLERY, 7277 Santa Monica Blvd, Los Angeles

Jake Longstreth: Brick & Mortar | Seven Trees
@NINO MIER GALLERY, 7277 Santa Monica Blvd, Los Angeles
7277 Santa Monica Blvd
West Hollywood, CA 90046
USA
September 14 – October 26, 2019

installation views













Jake Longstreth, Phillips Ranch Road, 2019, Oil on linen, 84 x 84 in (213.4 x 213.4 cm), JLO19.006


Jake Longstreth, Phillips Ranch Road, 2019, Detail view


Jake Longstreth, Manzanita Avenue, 2019, Oil on linen, 84 x 60 in (213.4 x 152.4 cm), JLO19.007


Jake Longstreth, Manzanita Avenue, 2019, Detail view


Jake Longstreth, Los Coyotes Way, 2019, Oil on canvas, 72 x 84 in (182.9 x 213.36 cm), JLO19.003


Jake Longstreth, Los Coyotes Way, 2019, Detail view


Jake Longstreth, Farm Hill Road, 2019, Oil on canvas, 84 x 84 in (213.4 x 213.4 cm), JLO19.005


Jake Longstreth, Farm Hill Road, 2019, Detail view


Jake Longstreth, Peach Tree Drive, 2019, Oil on canvas, 72 x 84 in (182.9 x 213.4 cm), JLO19.004


Jake Longstreth, Peach Tree Drive, 2019, Detail view


Jake Longstreth, In Glendale (Canary Island Pine 2), 2019, Oil on muslin, 84 x 57 in (213.36 x 144.8 cm), JLO19.013


Jake Longstreth, In Glendale (Canary Island Pine 2), 2019, Detail view


Jake Longstreth, In Glendale (Fan Palm), 2019, Oil on muslin, 84 x 57 in (213.36 x 144.8 cm), JLO19.014


Jake Longstreth, In Glendale (Fan Palm), 2019, Detail view


Jake Longstreth, In Glendale (Eucalyptus), 2019, Oil on muslin, 84 x 57 in (213.36 x 144.8 cm), JLO19.012


Jake Longstreth, In Glendale (Eucalyptus), 2019, Detail view


Jake Longstreth, In Glendale (Canary Island Pine 1), 2019, Oil on muslin, 84 x 57 in (213.36 x 144.8 cm), JLO19.011


Jake Longstreth, In Glendale (Canary Island Pine 1), 2019, Detail view


Jake Longstreth, In Glendale (Live Oak 2), 2019, Oil on muslin, 84 x 57 in (213.36 x 144.8 cm), JLO19.016


Jake Longstreth, In Glendale (Live Oak 2), 2019, Detail view


Jake Longstreth, In Glendale (Live Oak 3), 2019, Oil on muslin, 84 x 57 in (213.36 x 144.8 cm), JLO19.015


Jake Longstreth, In Glendale (Live Oak 3), 2019, Detail view


Jake Longstreth, Peachtree Drive, 2019, 19 color screenprint on Rives BFK paper, 23 x 28 in (paper size) 58.4 x 71.1 cm (paper size), Edition of 40, JLO19.019

Stephen Prina: English for Foreigners (abridged) @ Petzel, 35 E 67th Street, New York

Stephen Prina: English for Foreigners (abridged)
@Petzel, 35 E 67th Street, New York
35 E 67th Street
New York, New York 10065
USA
September 11 – October 26, 2019

installation views





























Stephen Prina
English for Foreigners: Frontispiece
2017
Lithography on paper, textile covered matt, mahogany, glass
31.25 x 22.75 inches


Stephen Prina
English for Foreigners: Ode to Canischio
2017
Smooth Matte Vinyl, HD projector, Mahogany and Birch veneer plywood
Dimensions variable


Stephen Prina
Exquisite Corpse: The Complete Paintings of Manet
264 of 556
Nana
(Nana)
1877
Kunsthalle Hamburg, July 7, 2019
Ink wash on rag, barrier paper, and offset lithography on paper
Left panel: 59.1 x 45.7 inches
Right panel: 26 x 32.7 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches

TESSA EASTMAN: CLOUDSPOTTING @ Jason Jacques Gallery, New York

TESSA EASTMAN: CLOUDSPOTTING
@Jason Jacques Gallery
29 East 73rd Street
10021 New York
USA
OCTOBER 10 – NOVEMBER 16, 2019

installation views

















ERUPTING PURPLE MIDNIGHT CLOUD
TESSA EASTMAN
8.27H X 17.32W X 18.11D IN
EAT007










CRYSTALINE CLOUD
TESSA EASTMAN
11.81H X 13.39W X 11.81D IN
EAT023
2017








CLOUD CAVE OF WONDERS
TESSA EASTMAN
20.47H X 16.93W X 18.90D IN
EAT020
2019




CLOUD LANDSCAPE ORANGE HOT PINK
TESSA EASTMAN
6.30H X 10.63W X 9.45D IN
EAT017
2017










PURPLE CRYSTAL IN MIDNIGHT ELEMENT
TESSA EASTMAN
13.39H X 21.65W X 17.32D IN
EAT014
2018










STANDING CLOUD PINKY WHITE
TESSA EASTMAN
11.02H X 15.75W X 15.75D IN
EAT013
2019










RED MIDNIGHT CLOUDBURST
TESSA EASTMAN
7.09H X 7.09W X 7.87D IN
EAT011
2019








LOW DENSITY RED CLOUD
TESSA EASTMAN
7.87H X 9.06W X 9.06D IN
EAT010
2018










HIGH DENSITY RED CLOUD
TESSA EASTMAN
7.87H X 9.06W X 9.06D IN
EAT009
2018




ERUPTING RED MIDNIGHT CLOUD
TESSA EASTMAN
8.27H X 17.32W X 18.11D IN
EAT008
2019




CLOUD LANDSCAPE PURPLE ICE,
TESSA EASTMAN
6.30H X 9.45W X 10.63
EAT005
2018




BIG RED CLOUD
TESSA EASTMAN
11.81H X 15.75W X 15.75D
EAT003
2018


RESIDING CLOUD BLUE YELLOW
TESSA EASTMAN
11.02H X 11.02W X 7.87D IN
EAT002
2018






SPROUTING LIMITLESS CLOUD
TESSA EASTMAN
13.78H X 23.62W X 15.75D IN
EAT012




COCOON CLOUD, BLUE ORANGE FIZZ
TESSA EASTMAN
14.96H X 16.93W X 13.78D IN
EAT006


PURPLE RAIN CLOUD
TESSA EASTMAN
7.87H X 7.87W X 8.66D IN
EAT006

Harry Dodge: User @ Callicoon Fine Arts, New York

Harry Dodge: User
@Callicoon Fine Arts
49 Delancey Street
New York, NY 10002
USA
May 12 - June 23, 2019

installation views



























Video still, Late Heavy Bombardment, 2019, 6 mins., video (color/sound)


Anima Lamina and the Other of Inter-Galactic Affect (Works of Love #4), 2018, Aluminum, Speed-rail joints, woodboard, oil-based enamel, urethane resin, polyethylene bottle, hardware, 13 x 20 x 26 inches (33 x 50.8 x 66 cm)


Forms-to-Come /I-Got-Mine (#companion_module), 2017, Wood, paint, aluminum, galvanized steel structural screw, hardware, urethane resin, 47 x 17 x 46 inches (119.4 x 43.2 x 116.8 cm)


User, 2019, Aluminum, paint, Plexiglass, wood, graphite, 40 x 24 x 24 inches (101.6 x 61 x 61 cm)


Black Transparency (The Cloud Polis draws revenue from the cognitive capital of its Users.), 2017, Polyethylene bucket, resin, aluminum, rocket ship vent, aluminum, wood, paint, hardware, Speed-rail joints, 54 x 16 x 23 inches (137.2 x 40.6 x 58.4 cm)


Mental Field/All Sides, 2012, Pencil on paper, 9 x 12 inches (22.9 x 30.5 cm)


Black Hole, 2018, Ink on Bristol board, 12 x 9 inches (30.5 x 22.9 cm)


Habits of Matter, 2018, Ink on archival Bristol paper, 9 x 12 inches (22.9 x 30.5 cm)


Order Without Form, 2018, Graphite, pastel, and ink on paper, 13 x 18 inches (33 x 45.7 cm)


Sculptor's Lament, 2018, Ink on archival paper, 24 x 18 inches (61 x 45.7 cm)


Silver Planar Landscape (Rectangle Speaks with a Cloud), 2013, Charcoal, spray paint, and pastel on archival paper, 46 x 23 inches (116.9 x 58.4 cm)


Video still, Late Heavy Bombardment, 2019, 6 mins., video (color/sound)


Wanting will take me, 2018, Graphite on archival bristol board, 9 x 12 inches (22.9 x 30.5 cm)


Miasma (Sequel), 2013, Spraypaint, ink, and gouache on Bristol board, 46 x 23 inches (116.8 x 58.4 cm)


Notes on Thought-Objects, 2018, Ink on archival Bristol board,12 x 9 inches (30.5 x 22.9 cm)


Strange Mass (Works of Love #1), 2017, Cast bronze, 23 x 20 x 24 inches (58.4 x 50.8 x 61 cm)


Feral Sympathy (Works of Love #5), 2018, Cast bronze, 26 x 20 x 11 inches (66 x 50.8 x 27.9 cm)


Sad Poem About Legibility, 2018, Graphite on archival Bristol board, 12 x 9 inches (30.5 x 22.9 cm)

Neil Gall: The Least We Could Do Is Wave To Each Other @ DOMOBAAL, London

Neil Gall: The Least We Could Do Is Wave To Each Other
@DOMOBAAL
3 John Street
London WC1N 2ES
UK
21.09.18 – 27.10.18

installation views

















Neil Gall 'Crafty' oil on canvas, 112×70cm 2016


Neil Gall 'Round the Bend' oil on canvas, 112×68.5cm 2016


Neil Gall 'Working Space' pencil and colour pencil on paper, 2018, 109.8×80cm presented in a white spray–painted wooden frame, filets and sub–frame, glass: AG UV70 134×97cm