2019年12月22日

SETSUKO: Into the Trees @ Gagosian, Paris

SETSUKO: Into the Trees
@Gagosian, Paris
4 rue de Ponthieu
75008 Paris
France
April 11–June 1, 2019

installation views
1setsuko-klossowska-de-rola-into-the-trees.jpg

2setsuko-klossowska-de-rola-into-the-trees.jpg

3setsuko-klossowska-de-rola-into-the-trees.jpg

4setsuko-klossowska-de-rola-into-the-trees.jpg

5setsuko-klossowska-de-rola-into-the-trees.jpg

6setsuko-klossowska-de-rola-into-the-trees.jpg

7setsuko-klossowska-de-rola-into-the-trees.jpg
Setsuko, Chemin de vigne, 2016–17
Enameled terra-cotta, 24 ⅞ × 19 ¾ × 15 ¾ inches (63 × 50 × 40 cm)
c Setsuko

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Setsuko, Souvenir d’une vie 2, 2015–16
Enameled terra-cotta, 27 ½ × 15 ¾ × 15 ¾ inches (70 × 40 × 40 cm)
c Setsuko
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2019年12月21日

ENOC PEREZ: THE CINEMATIC SELF @ Ben Brown Fine Arts, LONDON

ENOC PEREZ: THE CINEMATIC SELF
@Ben Brown Fine Arts, LONDON
12 Brook's Mews
London W1K 4DG
UK
2 OCT - 22 NOV 2019

installation views
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Enoc Perez
(b. 1967)
7 Reece Mews Kensington, London, Studio of Francis Bacon, 2019
Oil on canvas
152.4 x 152.4 cm; (60 x 60 in.)

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Enoc Perez
(b. 1967)
Villa Nellcôte, Rolling Stones In Residence, 2017
Oil on canvas
254 x 203.2 cm; (100 x 80 in.)

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Enoc Perez
(b. 1967)
810 Fifth Avenue, New York, Apartment of Nelson Rockefeller, 2019
Oil on canvas
152.4 x 152.4 cm; (60 x 60 in.)


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Enoc Perez
(b. 1967)
David Bowie's Sleeper Car, Siberia, 1973, 2019
Oil on canvas
152.4 x 152.4 cm; (60 x 60 in.)

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Enoc Perez
(b. 1967)
Le Corbusier's Drafting Table, 1953, 2019
Oil on canvas
152.4 x 152.4 cm; (60 x 60 in.)

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Enoc Perez
(b. 1967)
Palazzo Mengarini, via Ventiquattro Maggio Residence of Gianni and Marella Agnelli, Rome, 2019
Oil on canvas
152.4 x 152.4 cm; (60 x 60 in.)
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Justin Adian: ANALOGUE @ LOYAL, Stockholm

Justin Adian: ANALOGUE
@LOYAL
Odengatan 3
114 24 Stockholm
Sweden
September 26–December 14, 2019

installation views
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Justin Adian, Blue Cheer, 2019
Oil enamel on canvas and felt over wood, 54 x 34 in, 137 x 86 cm

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Justin Adian, Neverfull, 2019
Oil enamel on canvas and felt over wood, 34 x 58 in, 86 x 147 cm

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Justin Adian, Aurora, 2019
Oil enamel on canvas and felt over wood, 36 x 32 in, 91 x 81 cm

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Justin Adian, Satisfyer, 2019
Oil enamel on canvas and felt over wood, 21 x 21 in, 53 x 53 cm

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Justin Adian, Satisfyer, 2019
Detail

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Justin Adian, Temptasia, 2019
Oil enamel on canvas and felt over wood, 11 x 10 in, 28 x 25 cm

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Justin Adian, Hurdy Gurdy, 2019
Oil enamel on canvas and felt over wood, 42 x 24 in, 107 x 61 cm

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Justin Adian, Hurdy Gurdy, 2019
Detail

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Justin Adian, Snowblind, 2019
Oil enamel on canvas and felt over wood, 12 x 12 in, 30 x 30 cm

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Justin Adian, Brown Sugar, 2019
Oil enamel on canvas and felt over wood, 29 x 53 in, 74 x 135 cm

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Justin Adian, Flareside, 2019
Oil enamel on canvas and felt over wood, 21 x 18 in, 53 x 46 cm

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Justin Adian, Fever, 2019
Oil enamel on canvas and felt over wood, 18 x 16 in, 46 x 41 cm
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ANOKA FARUQEE & DAVID DRISCOLL | RELATIVE BRIGHTNESS @ Koenig & Clinton, New York

ANOKA FARUQEE & DAVID DRISCOLL | RELATIVE BRIGHTNESS
@Koenig & Clinton
1329 Willoughby Ave Brooklyn, NY 11237
USA
September 6–October 19, 2019

installation views
1RelativeBrightness.jpg

2RelativeBrightness.jpg

3RelativeBrightness.jpg

4RelativeBrightness.jpg

5RelativeBrightness.jpg

6RelativeBrightness.jpg

7RelativeBrightness.jpg

8RelativeBrightness.jpg

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2019P-27 (Circle), 2019, Acrylic on linen on panel, 56 1/4 x 56 1/4 in (142.9 x 142.9 cm)

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2019P-27 (Circle) (detail), 2019, Acrylic on linen on panel, 56 1/4 x 56 1/4 in (142.9 x 142.9 cm)

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2019P-24 (Circle), 2019, Acrylic on linen on panel, 33 3/4 x 33 3/4 in (85.7 x 85.7 cm)

12RelativeBrightness.jpg
2019P-24 (Circle) (detail), 2019, Acrylic on linen on panel, 33 3/4 x 33 3/4 in (85.7 x 85.7 cm)

13RelativeBrightness.jpg
2019P-30 (Circle), 2019, Acrylic on linen on panel, 56 1/4 x 56 1/4 in (142.9 x 142.9 cm)

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2019P-30 (Circle) (detail), 2019, Acrylic on linen on panel, 56 1/4 x 56 1/4 in (142.9 x 142.9 cm)

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2019P-28 (Circle), 2019, Acrylic on linen on panel, 33 3/4 x 33 3/4 in (85.7 x 85.7 cm)

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2019P-28 (Circle) (detail), 2019, Acrylic on linen on panel, 33 3/4 x 33 3/4 in (85.7 x 85.7 cm)

17RelativeBrightness.jpg
2019P-29 (Circle), 2019, Acrylic on linen on panel, 33 3/4 x 33 3/4 in (85.7 x 85.7 cm)

18RelativeBrightness.jpg
2019P-29 (Circle) (detail), 2019, Acrylic on linen on panel, 33 3/4 x 33 3/4 in (85.7 x 85.7 cm)

19RelativeBrightness.jpg
2019P-23 (Circle), 2019, Acrylic on linen on panel, 33 3/4 x 33 3/4 in (85.7 x 85.7 cm)

20RelativeBrightness.jpg
2019P-23 (Circle) (detail), 2019, Acrylic on linen on panel, 33 3/4 x 33 3/4 in (85.7 x 85.7 cm)

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2019P-18 (Circle), 2019, Acrylic on linen on panel, 33 3/4 x 33 3/4 in (85.7 x 85.7 cm)

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2019P-18 (Circle), 2019, Acrylic on linen on panel, 33 3/4 x 33 3/4 in (85.7 x 85.7 cm)

23RelativeBrightness.jpg
2019P-18 (Circle) (detail), 2019, Acrylic on linen on panel, 33 3/4 x 33 3/4 in (85.7 x 85.7 cm)
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Liz Glynn: Emotional Capital @ VIELMETTER LOS ANGELES

April Street: The Lady of Shalott
@VIELMETTER LOS ANGELES
1700 S Santa Fe Ave #101
Los Angeles, CA 90021
USA
November 16, 2019 – January 11, 2020

Installation views
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April Street
“Land with Fruits,” 2019
Acrylic and nylon on wood panel and canvas with hand painted frame
48.75 x 37 x 4" [HxWxD] (123.83 x 93.98 x 10.16 cm)
Inventory #STR146
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

5april-street.jpg
April Street
“Land with Fruits,” 2019
Acrylic and nylon on wood panel and canvas with hand painted frame
48.75 x 37 x 4" [HxWxD] (123.83 x 93.98 x 10.16 cm)
Inventory #STR146
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

6april-street.jpg
April Street
“Speaking in Tongues #1,” 2019
Acrylic and nylon on wood panel and canvas with hand painted frame
41 x 31 x 3" [HxWxD] (104.14 x 78.74 x 7.62 cm)
Inventory #STR149
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Signed on verso

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April Street
“Speaking in Tongues #2,” 2019
Acrylic and nylon on wood panel and canvas with hand painted frame
41 x 31 x 3" [HxWxD] (104.14 x 78.74 x 7.62 cm)
Inventory #STR152
Signed on verso

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April Street
“Speaking in Tongues #2,” 2019
Acrylic and nylon on wood panel and canvas with hand painted frame
41 x 31 x 3" [HxWxD] (104.14 x 78.74 x 7.62 cm)
Inventory #STR152
Signed on verso

9april-street.jpg
April Street
“Speaking in Tongues #1,” 2019
Acrylic and nylon on wood panel and canvas with hand painted frame
41 x 31 x 3" [HxWxD] (104.14 x 78.74 x 7.62 cm)
Inventory #STR149
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Signed on verso

10april-street.jpg
April Street
“Treasure Islands #2,” 2019
Acrylic and nylon on wood panel and canvas with hand painted frame
61.25 x 49.25 x 4" [HxWxD] (155.58 x 125.1 x 10.16 cm)
Inventory #STR144
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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April Street
“Treasure Islands #2,” 2019
Acrylic and nylon on wood panel and canvas with hand painted frame
61.25 x 49.25 x 4" [HxWxD] (155.58 x 125.1 x 10.16 cm)
Inventory #STR144
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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April Street
“Mask with Red Fruit,” 2019
Acrylic and nylon on wood panel and canvas with hand painted frame
18 x 15 x 1.75" [HxWxD] (45.72 x 38.1 x 4.45 cm)
Inventory #STR154
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Signed on verso

13april-street.jpg
April Street
“Mask with Red Fruit,” 2019
Acrylic and nylon on wood panel and canvas with hand painted frame
18 x 15 x 1.75" [HxWxD] (45.72 x 38.1 x 4.45 cm)
Inventory #STR154
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Signed on verso

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April Street
“Treasure Islands #1,” 2019
Acrylic and nylon on wood panel and canvas with hand painted frame
61.25 x 49.25 x 4.5" [HxWxD] (155.58 x 125.1 x 11.43 cm)
Inventory #STR148
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Signed on verso

15april-street.jpg
April Street
“Treasure Islands #1,” 2019
Acrylic and nylon on wood panel and canvas with hand painted frame
61.25 x 49.25 x 4.5" [HxWxD] (155.58 x 125.1 x 11.43 cm)
Inventory #STR148
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Signed on verso

16april-street.jpg
April Street
“View of the Lagoon,” 2019
Acrylic and nylon on wood panel and canvas with hand painted frame
18 x 15 x 1.75" [HxWxD] (45.72 x 38.1 x 4.45 cm)
Inventory #STR157
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Signed on verso

17april-street.jpg
April Street
“View of the Lagoon,” 2019
Acrylic and nylon on wood panel and canvas with hand painted frame
18 x 15 x 1.75" [HxWxD] (45.72 x 38.1 x 4.45 cm)
Inventory #STR157
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Signed on verso
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Albrecht Schnider @ Mai 36 Galerie, Zurich

Albrecht Schnider
@Mai 36 Galerie
Raemistrasse 37
8001 Zurich
Switzerland
Sep 07 through Oct 26, 2019

installation views
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3albrecht-schnider.jpg

4albrecht-schnider.jpg

5albrecht-schnider.jpg

6albrecht-schnider.jpg

7albrecht-schnider.jpg
Untitled, 2019
Spray paint on paper
8 3/10 × 5 4/5 in
21 × 14.8 cm

8albrecht-schnider.jpg
Untitled, 2019
Spray paint on paper
8 3/10 × 5 4/5 in
21 × 14.8 cm

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Untitled, 2018
Acrylic varnish on raw canvas
14 3/5 × 10 1/5 in
37 × 26 cm

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Untitled, 2018
Acrylic paint on canvas
59 1/10 × 41 7/10 × 1 3/5 in
150 × 106 × 4 cm

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Untitled, 2019
Spray paint on paper
8 3/10 × 5 4/5 in
21 × 14.8 cm
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BRICE MARDEN: Morocco @ Gagosian, Paris

BRICE MARDEN: Morocco
@Gagosian, Paris
4 rue de Ponthieu
75008 Paris
France
April 4–June 1, 2019

installation views
1brice-marden-morocco.jpg

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3brice-marden-morocco.jpg

4brice-marden-morocco.jpg

5brice-marden-morocco.jpg

6brice-marden-morocco.jpg

7brice-marden-morocco.jpg

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Brice Marden, Helen’s Moroccan Painting, 1980
Oil and wax on canvas, 69 × 45 inches (175.3 × 114.3 cm)
c 2019 Brice Marden/Artists Rights Society (ARS), New York
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GERHARD RICHTER: Overpainted Photographs @ Gagosian, Davies Street, London

GERHARD RICHTER: Overpainted Photographs
@Gagosian, Davies Street, London
17–19 Davies Street
London w1k 3de
UK
April 9–June 8, 2019

installation views
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Gerhard Richter, MV. 92, 2011
Lacquer on color photograph, 4 × 5 ⅞ inches (10 × 15 cm)
c Gerhard Richter 2019 (15032019)

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Gerhard Richter, MV. 98, 2011
Lacquer on color photograph, 4 × 5 ⅞ inches (10 × 15 cm)
c Gerhard Richter 2019 (04042019)

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Gerhard Richter, 4.1.89, 1989
Oil on color photograph, 5 × 6 ⅞ inches (12.7 × 17.5 cm)
c Gerhard Richter 2019 (10042019). Photo: Lucy Dawkins

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Gerhard Richter, MV. 45, 2011
Lacquer on color photograph, 4 × 5 ⅞ inches (10 × 15 cm)
c Gerhard Richter 2019 (10042019). Photo: Lucy Dawkins

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Gerhard Richter, Firenze (29.1.2000), 2000
Oil on color photograph, 4 ¾ × 4 ¾ inches (12 × 12 cm)
c Gerhard Richter 2019 (10042019). Photo: Lucy Dawkins
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2019年12月20日

TONY MARSH | TRUE NORTH @ Koenig & Clinton, New York

TONY MARSH | TRUE NORTH
@Koenig & Clinton
1329 Willoughby Ave Brooklyn, NY 11237
USA
October 25–December 21, 2019

installation views
1tony-marsh-true-north.jpg

2tony-marsh-true-north.jpg

3tony-marsh-true-north.jpg

4tony-marsh-true-north.jpg

5tony-marsh-true-north.jpg

6tony-marsh-true-north.jpg

7tony-marsh-true-north.jpg

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Tony Marsh, Crucible #61, 2019, multiple fired clay, glaze, 16 x 14 x 12 in (40.6 x 35.6 x 30.5 cm)

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Tony Marsh, Crucible #61, 2019, multiple fired clay, glaze, 16 x 14 x 12 in (40.6 x 35.6 x 30.5 cm)

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Tony Marsh, Crucible #61, 2019, multiple fired clay, glaze, 16 x 14 x 12 in (40.6 x 35.6 x 30.5 cm)

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Tony Marsh, Crucible #54, 2019, multiple fired clay, glaze, 17 1/2 x 13 x 12 in (44.5 x 33 x 30.5 cm)

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Tony Marsh, Crucible #54, 2019, multiple fired clay, glaze, 17 1/2 x 13 x 12 in (44.5 x 33 x 30.5 cm)

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Tony Marsh, Crucible #54, 2019, multiple fired clay, glaze, 17 1/2 x 13 x 12 in (44.5 x 33 x 30.5 cm)

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Tony Marsh, Crucible #43, 2019, multiple fired clay, glaze, 16 3/4 x 11 1/2 x 12 in (42.5 x 29.2 x 30.5 cm)

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Tony Marsh, Crucible #43, 2019, multiple fired clay, glaze, 16 3/4 x 11 1/2 x 12 in (42.5 x 29.2 x 30.5 cm)

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Tony Marsh, Crucible #43, 2019, multiple fired clay, glaze, 16 3/4 x 11 1/2 x 12 in (42.5 x 29.2 x 30.5 cm)

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Crucible #45, 2018, multiple fired clay, glaze, 20 1/2 x 20 x 20 in (52 x 51 x 51 cm)

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Crucible #45, 2018, multiple fired clay, glaze, 20 1/2 x 20 x 20 in (52 x 51 x 51 cm)

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Crucible #45, 2018, multiple fired clay, glaze, 20 1/2 x 20 x 20 in (52 x 51 x 51 cm)

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Tony Marsh, Crucible #46, 2019, multiple fired clay, glaze, 13 3/4 x 8 1/2 x 8 in (34.9 x 21.6 x 20.3 cm)

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Tony Marsh, Crucible #46, 2019, multiple fired clay, glaze, 13 3/4 x 8 1/2 x 8 in (34.9 x 21.6 x 20.3 cm)

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Tony Marsh, Crucible #46, 2019, multiple fired clay, glaze, 13 3/4 x 8 1/2 x 8 in (34.9 x 21.6 x 20.3 cm)

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Tony Marsh, American Moon Jar #1, 2017, multiple fired clay, glaze, 15 x 20 x 20 in, (38 x 51 x 51 cm)

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Tony Marsh, American Moon Jar #1, 2017, multiple fired clay, glaze, 15 x 20 x 20 in, (38 x 51 x 51 cm)

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Tony Marsh, American Moon Jar #1, 2017, multiple fired clay, glaze, 15 x 20 x 20 in, (38 x 51 x 51 cm)

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Tony Marsh, Cauldron #25, 2019, multiple fired clay, glaze, 16 x 9 x 8 in (40.6 x 22.9 x 20.3 cm)

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Tony Marsh, Cauldron #25, 2019, multiple fired clay, glaze, 16 x 9 x 8 in (40.6 x 22.9 x 20.3 cm)

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Tony Marsh, Cauldron #25, 2019, multiple fired clay, glaze, 16 x 9 x 8 in (40.6 x 22.9 x 20.3 cm)

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Tony Marsh, Crucible #58, 2019, multiple fired clay, glaze, 20 x 12 1/2 x 12 1/2 in (50.8 x 31.8 x 31.8 cm)

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Tony Marsh, Crucible #58, 2019, multiple fired clay, glaze, 20 x 12 1/2 x 12 1/2 in (50.8 x 31.8 x 31.8 cm)

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Tony Marsh, Crucible #58, 2019, multiple fired clay, glaze, 20 x 12 1/2 x 12 1/2 in (50.8 x 31.8 x 31.8 cm)

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Tony Marsh, Crucible #64, 2019, multiple fired clay, glaze, 18 x 13 x 13 in (45.7 x 33 x 33 cm)

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Tony Marsh, Crucible #64, 2019, multiple fired clay, glaze, 18 x 13 x 13 in (45.7 x 33 x 33 cm)

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Tony Marsh, Crucible #64, 2019, multiple fired clay, glaze, 18 x 13 x 13 in (45.7 x 33 x 33 cm)

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Tony Marsh, Crucible #66, 2019, multiple fired clay, glaze, 13 x 10 x 10 in (33 x 25.4 x 25.4 cm)

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Tony Marsh, Crucible #66, 2019, multiple fired clay, glaze, 13 x 10 x 10 in (33 x 25.4 x 25.4 cm)

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Tony Marsh, Crucible #66, 2019, multiple fired clay, glaze, 13 x 10 x 10 in (33 x 25.4 x 25.4 cm)

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Tony Marsh, American Moon Jar #3, 2018, multiple fired clay, glaze, 22 x 24 x 24 in (56 x 61 x 61 cm)

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Tony Marsh, American Moon Jar #3, 2018, multiple fired clay, glaze, 22 x 24 x 24 in (56 x 61 x 61 cm)

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Tony Marsh, American Moon Jar #3, 2018, multiple fired clay, glaze, 22 x 24 x 24 in (56 x 61 x 61 cm)

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Tony Marsh, Crucible #39, 2018, multiple fired clay, glaze, 15 3/4 x 14 x 16 in (40 x 35.6 x 40.6 cm)

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Tony Marsh, Crucible #39, 2018, multiple fired clay, glaze, 15 3/4 x 14 x 16 in (40 x 35.6 x 40.6 cm)

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Tony Marsh, Crucible #39, 2018, multiple fired clay, glaze, 15 3/4 x 14 x 16 in (40 x 35.6 x 40.6 cm)

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Tony Marsh, Crucible #53, 2019, multiple fired clay, glaze, 12 x 9 1/2 x 9 1/4 in (30.5 x 24.1 x 23.5 cm)

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Tony Marsh, Crucible #53, 2019, multiple fired clay, glaze, 12 x 9 1/2 x 9 1/4 in (30.5 x 24.1 x 23.5 cm)

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Tony Marsh, Crucible #53, 2019, multiple fired clay, glaze, 12 x 9 1/2 x 9 1/4 in (30.5 x 24.1 x 23.5 cm)

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Tony Marsh, Crucible #60, 2019, multiple fired clay, glaze, 20 x 18 x 16 in (50.8 x 45.7 x 40.6 cm)

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Tony Marsh, Crucible #60, 2019, multiple fired clay, glaze, 20 x 18 x 16 in (50.8 x 45.7 x 40.6 cm)

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Tony Marsh, Crucible #60, 2019, multiple fired clay, glaze, 20 x 18 x 16 in (50.8 x 45.7 x 40.6 cm)

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Tony Marsh, Crucible #62, 2019, multiple fired clay, glaze, 14 x 20 x 16 1/2 in (35.6 x 50.8 x 41.9 cm)

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Tony Marsh, Crucible #62, 2019, multiple fired clay, glaze, 14 x 20 x 16 1/2 in (35.6 x 50.8 x 41.9 cm)

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Tony Marsh, Crucible #62, 2019, multiple fired clay, glaze, 14 x 20 x 16 1/2 in (35.6 x 50.8 x 41.9 cm)

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Tony Marsh, Cauldron #24, 2018, multiple fired clay, glaze, 15 x 9 x 9 in (38 x 23 x 23 cm)

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Tony Marsh, Cauldron #24, 2018, multiple fired clay, glaze, 15 x 9 x 9 in (38 x 23 x 23 cm)

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Tony Marsh, Cauldron #24, 2018, multiple fired clay, glaze, 15 x 9 x 9 in (38 x 23 x 23 cm)

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Tony Marsh, Crucible #65, 2019, multiple fired clay, glaze, 13 x 14 x 13 in (33 x 35.6 x 33 cm)

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Tony Marsh, Crucible #65, 2019, multiple fired clay, glaze, 13 x 14 x 13 in (33 x 35.6 x 33 cm)

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Tony Marsh, Crucible #65, 2019, multiple fired clay, glaze, 13 x 14 x 13 in (33 x 35.6 x 33 cm)

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Tony Marsh, Crucible #63, 2019, multiple fired clay, glaze, 18 x 15 x 15 in (45.7 x 38.1 x 38.1 cm)

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Tony Marsh, Crucible #63, 2019, multiple fired clay, glaze, 18 x 15 x 15 in (45.7 x 38.1 x 38.1 cm)

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Tony Marsh, Crucible #63, 2019, multiple fired clay, glaze, 18 x 15 x 15 in (45.7 x 38.1 x 38.1 cm)

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Tony Marsh, Crucible #52, 2019, multiple fired clay, glaze, 18 x 13 x 13 in (45.7 x 33 x 33 cm)

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Tony Marsh, Crucible #52, 2019, multiple fired clay, glaze, 18 x 13 x 13 in (45.7 x 33 x 33 cm)

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Tony Marsh, Crucible #52, 2019, multiple fired clay, glaze, 18 x 13 x 13 in (45.7 x 33 x 33 cm)

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Tony Marsh, Crucible #67, 2019, multiple fired clay, glaze, 10 x 11 x 10 in (25.4 x 27.9 x 25.4 cm)

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Tony Marsh, Crucible #67, 2019, multiple fired clay, glaze, 10 x 11 x 10 in (25.4 x 27.9 x 25.4 cm)

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Tony Marsh, Crucible #67, 2019, multiple fired clay, glaze, 10 x 11 x 10 in (25.4 x 27.9 x 25.4 cm)

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Tony Marsh, American Moon Jar #2, 2018, terra cotta, porcelain, glass, stone, gold leaf, 22 x 24 x 24 in (56 x 61 x 61 cm)

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Tony Marsh, American Moon Jar #2, 2018, terra cotta, porcelain, glass, stone, gold leaf, 22 x 24 x 24 in (56 x 61 x 61 cm)

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Tony Marsh, American Moon Jar #2, 2018, terra cotta, porcelain, glass, stone, gold leaf, 22 x 24 x 24 in (56 x 61 x 61 cm)

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Tony Marsh, American Moon Jar #2, 2018, terra cotta, porcelain, glass, stone, gold leaf, 22 x 24 x 24 in (56 x 61 x 61 cm)
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Liz Glynn: Emotional Capital @ VIELMETTER LOS ANGELES

Liz Glynn: Emotional Capital
@VIELMETTER LOS ANGELES
1700 S Santa Fe Ave #101
Los Angeles, CA 90021
USA
November 16, 2019 – January 11, 2020

Installation views
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Liz Glynn
“Unfinished Business,” 2019
Tee shirts with resin and steel armature
42 x 42 x 68" [HxWxD] (106.68 x 106.68 x 172.72 cm) overall dimensions
Inventory #GLY150
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Unfinished Business,” 2019
Tee shirts with resin and steel armature
42 x 42 x 68" [HxWxD] (106.68 x 106.68 x 172.72 cm) overall dimensions
Inventory #GLY150
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Unfinished Business,” (detail) 2019
Tee shirts with resin and steel armature
42 x 42 x 68" [HxWxD] (106.68 x 106.68 x 172.72 cm) overall dimensions
Inventory #GLY150
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Exhaustion / Ecstasy,” 2019
Painted bronze
23 x 37 x 14" [HxWxD] (58.42 x 93.98 x 35.56 cm)
Inventory #GLY144
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Exhaustion / Ecstasy,” 2019
Painted bronze
23 x 37 x 14" [HxWxD] (58.42 x 93.98 x 35.56 cm)
Inventory #GLY144
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Pressure Study VII,” 2019
Ink on paper
72 x 42" [HxW] (182.88 x 106.68 cm)
Inventory #GLY156
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Pressure Study II,” 2019
Ink on paper
72 x 42" [HxW] (182.88 x 106.68 cm)
Inventory #GLY157
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Hollowed Out,” 2019
Cast iron
21 x 21 x 8" [HxWxD] (53.34 x 53.34 x 20.32 cm)
Inventory #GLY165
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Affective Armor,” 2019
Glazed ceramic with silver leaf and stainless steel
59 x 28 x 9" [HxWxD] (149.86 x 71.12 x 22.86 cm) body armor; 75 x 61 x 24" [HxWxD] (190.5 x 154.94 x 60.96 cm) overall dimensions
Inventory #GLY147
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Untitled (Emergency),” 2019
Cast stainless steel
30 x 2 x 36" [HxWxD] (76.2 x 5.08 x 91.44 cm)
Inventory #GLY155
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Unrequited,” 2019
Porcelain with engobe
25 x 19 x 2.25" [HxWxD] (63.5 x 48.26 x 5.72 cm)
Inventory #GLY151
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Untitled (Body / Stone),” 2019
Glazed ceramic
27 x 19 x 17" [HxWxD] (68.58 x 48.26 x 43.18 cm)
Inventory #GLY149
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Untitled Helmet (after Ned Kelly),” 2019
Glazed ceramic
15.5 x 9.5 x 15" [HxWxD] (39.37 x 24.13 x 38.1 cm)
Inventory #GLY148
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Untitled (Cautionary Tale),” 2019
Cast stainless steel with vinyl
36 x 37 x 8" [HxWxD] (91.44 x 93.98 x 20.32 cm)
Inventory #GLY154
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“il-Logos: Mask III,” 2019
Glazed ceramic
16.5 x 15 x 3" [HxWxD] (41.91 x 38.1 x 7.62 cm)
Inventory #GLY167
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Catch and Release,” 2019
Glazed ceramic
17 x 17 x 9" [HxWxD] (43.18 x 43.18 x 22.86 cm)
Inventory #GLY166
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Unearthed Underground / Organ System,” 2019
Glazed ceramic
23 x 22 x 5" [HxWxD] (58.42 x 55.88 x 12.7 cm)
Inventory #GLY164
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Untitled (Flesh and Bone),” 2019
Glazed ceramic
21 x 19.5 x 3" [HxWxD] (53.34 x 49.53 x 7.62 cm)
Inventory #GLY163
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“External / Internal III,” 2019
Glazed ceramic
22 x 22 x 7" [HxWxD] (55.88 x 55.88 x 17.78 cm)
Inventory #GLY162
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“External / Internal I,” 2019
Glazed ceramic
21 x 19 x 6" [HxWxD] (53.34 x 48.26 x 15.24 cm)
Inventory #GLY161
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“External / Internal IV,” 2019
Glazed ceramic
19 x 17 x 7" [HxWxD] (48.26 x 43.18 x 17.78 cm)
Inventory #GLY160
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Pressure Study VI,” 2019
Ink on paper
72 x 42" [HxW] (182.88 x 106.68 cm)
Inventory #GLY159
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer

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Liz Glynn
“Pressure Study V,” 2019
Ink on paper
72 x 42" [HxW] (182.88 x 106.68 cm)
Inventory #GLY158
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
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Stephan Balkenhol @ Mai 36 Galerie, Zurich

Stephan Balkenhol
@Mai 36 Galerie
Raemistrasse 37
8001 Zurich
Switzerland
Nov 01, 2019 through Jan 11, 2020

installation views
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Stephan Balkenhol, Man with Dark Blue Jacket, 2019
wawa wood, colored
67.72 x 15.35 in (172 x 39 cm)

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Stephan Balkenhol, Woman (Abstract Form), 2019
wawa wood carved, hewn and colored
25.59 x 21.65 in (65 x 55 cm)

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Stephan Balkenhol, Ghost, 2019
wawa wood, colored
80.31 x 48.43 in (204 x 123 cm)

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Stephan Balkenhol, Grimace, 2019
wawa wood, carved and colored
61.81 x 61.81 in (157 x 157 cm)

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Stephan Balkenhol, Woman in Jeans, 2019
wawa wood, colored
Dimensions Variables
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MICHAEL HEIZER @ Gagosian, Le Bourget

MICHAEL HEIZER
@Gagosian, Le Bourget
26 avenue de l’Europe
93350 Le Bourget
France
October 16, 2018–July 6, 2019

installation views
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Michael Heizer, Slot Mass (section drawing), 1968–2017
Photo collage, 11 ¾ × 18 inches (29.8 × 45.7 cm)
c Michael Heizer. Photo: Rob McKeever
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JONAS WOOD @ Gagosian, West 24th Street, New York

JONAS WOOD
@Gagosian, West 24th Street, New York
555 West 24th Street
New York, ny 10011
USA
April 24–July 19, 2019

installation views
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Jonas Wood, M.S.F. Fish Pot #7, 2016
Oil and acrylic on canvas, 72 × 72 inches (182.9 × 182.9 cm)
c Jonas Wood. Photo: Brian Forrest

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Jonas Wood, Red Pot with Lute Player #2, 2018
Oil and acrylic on canvas, 86 × 90 inches (218.4 × 228.6 cm)
c Jonas Wood. Photo: Brian Forrest

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Jonas Wood, Still Life with Wood Panels, 2018
Oil and acrylic on canvas, 82 × 82 inches (208.3 × 208.3 cm)
c Jonas Wood. Photo: Brian Forrest

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Jonas Wood, Jersey City Apartment, 2019
Oil and acrylic on canvas, 104 × 142 inches (264.2 × 360.7 cm)
c Jonas Wood. Photo: Marten Elder

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Jonas Wood, Young Architect, 2019
Oil and acrylic on canvas, 110 × 78 inches (279.4 × 198.1 cm)
c Jonas Wood. Photo: Marten Elder
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

INPUT / OUTPUT: PAINTING AFTER TECHNOLOGY @ Galerie Max Hetzler, 41 Dover Street, London

INPUT / OUTPUT: PAINTING AFTER TECHNOLOGY
Glenn Brown, Jeff Elrod, Julian Schnabel, Ida Tursic & Wilfried Mille, Michael Williams, Christopher Wool, and Toby Ziegler
@Galerie Max Hetzler, 41 Dover Street, London
41 Dover Street
London W1S 4NS
UK
16 April – 25 May 2019

installation views
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Glenn Brown
The Altogether
2019
acrylic paint on panel, in artist's frame
131 x 95.5 x 5 cm.; 51 5/8 x 37 5/8 x 2 in.

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Jeff Elrod
Vitamin Z
2018
inkjet, acrylic and spray paint on canvas
146.1 x 149.9 cm.; 57 1/2 x 59 in.

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Julian Schnabel
Ascension I
2015
inkjet print, ink, and spray paint on polyester
215 x 159.5 cm.; 84 5/8 x 62 3/4 in.
Photo: Tom Powel Imaging

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Ida Tursic & Wilfried Mille
South West landscape and cobalt green light
2018
oil and silver, silkscreen on canvas
215 x 190 x 5 cm.; 84 5/8 x 74 3/4 x 2 in.

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Technology After Painting
2019
oil and inkjet on canvas
259.1 x 215.9 cm.; 102 x 85 in.

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Christopher Wool
Untitled
2008
silkscreen ink on paper
182.9 x 140.3 cm.; 72 x 55 1/4 in.
198 x 155.6 cm.; 78 x 61 1/4 in. (framed)

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Christopher Wool
Untitled
2018
portfolio of four intaglio polymer photogravure prints on paper
each sheet: 55.9 x 45.7 cm.; 22 x 18 in.
66 x 53.3 x 3.6 cm.; 26 x 21 x 1.5 in. (framed)
edition of 20, plus 5

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Toby Ziegler
Two green pears separating the hour from the minutes
2019
oil on aluminium
125 x 133.5 x 3 cm.; 49 1/4 x 52 1/2 x 1 1/8 in.
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

2019年12月19日

Hiroka Yamashita @ Tanya Leighton, Berlin

Hiroka Yamashita
@Tanya Leighton
Kurfürstenstraße 156 & 24/25
10785 Berlin
Germany
2 November 2019 – 18 January 2020

installation views
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Hiroka Yamashita, Between the Islands, 2019
Oil on canvas, 179.8×141.5 cm, 70¾×55¾ in, Unique

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Hiroka Yamashita, I no longer need this house, 2019
Oil on canvas, 41×32.8 cm, 16¼×13 in, Unique

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Hiroka Yamashita, 202 & his morning, 2018
Acrylic and oil on canvas, 121.2×149.2 cm, 47¾×58¾ in, Unique

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Hiroka Yamashita, Ohanami, 2019
Acrylic and oil on canvas, 101.6×126.3 cm, 40×49¾ in, Unique

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Hiroka Yamashita, pink fish, 2017
Acrylic and oil on canvas, 32.8×22.8 cm, 13×9 in, Unique
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする