JENNIFER BARTLETT, YAYOI KUSAMA & ATSUKO TANAKA: FALLOUT @ Marianne Boesky Gallery, ASPEN – 100 S SPRING STREET

JENNIFER BARTLETT, YAYOI KUSAMA & ATSUKO TANAKA: FALLOUT
@Marianne Boesky Gallery, ASPEN – 100 S SPRING STREET
100 South Spring Street, Aspen, CO 81611
USA
FEBRUARY 15 - APRIL 19, 2020

installation views











Jennifer Bartlett, Red Yellow Blue, 2000-2001
Oil on canvas
94 3/4 x 84 inches 240.7 x 213.4 cm


Yayoi Kusama, Shoe, 1976-1994
Original mould executed in 1976; Executed in 1994
Bronze
8 1/8 x 9 5/8 x 3 1/8 in 20.5 x 24.5 x 8 cm
Edition of 30


Atsuko Tanaka, 97A, 1997
Synthetic resin and enamel on canvas
51.42 x 35.28 inches 130.6 x 89.6 cm


Atsuko Tanaka, 2001-F, 2001
Synthetic polymer paint on canvas
76 3/4 x 102 in 194.9 x 259.1 cm


Yayoi Kusama, Teardrop, 1989
Acrylic on canvas
15 x 17 7/8 inches 38 x 45.5 cm


Jennifer Bartlett, Fireman, 2002
Oil on canvas
60 x 60 inches 152.4 x 152.4 cm


Yayoi Kusama, Pumpkin, 1998
Fiber-Reinforced Plastic
5 1/8 x 5 1/8 x 3 7/8 in 13 x 13 x 9.8 cm
Edition of 30


Atsuko Tanaka, 1980g, 1980
Gouache on paper
30 3/4 x 22 1/8 in 78 x 56 cm


Yayoi Kusama, Infinity Nets QNTBH, 2006
Acrylic on canvas
63 3/4 x 51 1/4 inches 161.9 x 130.2 cm

JOSH DORMAN: RETROSPECTIVE FUTUROLOGY @ RYAN LEE GALLERY, New York

JOSH DORMAN: RETROSPECTIVE FUTUROLOGY
@RYAN LEE GALLERY
515 WEST 26TH STREET, NY 10001
USA
September 5 – October 12, 2019

installation views











JOSH DORMAN
Age of Ice, 2018
Ink, acrylic, antique paper and resin on panel, 48 x 38 inches (121.9 x 96.5 cm)


JOSH DORMAN
Ancient Site, 2017-2019
Ink, acrylic, antique paper and resin on panel, 48 x 38 inches (121.9 x 96.5 cm)


JOSH DORMAN
How This Will End, 2017
Ink, acrylic, antique paper and resin on panel, 48 x 48 inches (121.9 x 121.9 cm)


JOSH DORMAN
Patience, 2018
Ink, acrylic, antique paper and resin on panel, 24 x 20 inches (61 x 50.8 cm)


JOSH DORMAN
Song of the Red Bird, 2019
Ink, acrylic, antique paper and resin on panel, 30 x 24 inches (76.2 x 61 cm)


JOSH DORMAN
Strange Birds, 2019
Ink, acrylic, antique paper and resin on panel, 16 x 16 inches (40.6 x 40.6 cm)


JOSH DORMAN
The Abomination, 2019
Ink, acrylic, antique paper and resin on panel, 30 x 30 inches (76.2 x 76.2 cm)


JOSH DORMAN
Verge, 2018
Ink, acrylic, antique paper and resin on panel, 48 x 48 inches (121.9 x 121.9 cm)

GRAHAM LITTLE @ ALISON JACQUES GALLERY, London

GRAHAM LITTLE
@ALISON JACQUES GALLERY
16-18 Berners Street
London W1T 3LN
UK
5 JUNE - 27 JULY 2019

installation views































Graham Little
Untitled (Telephone), 2019
Gouache on paper
26.6 x 22 cm, 10 1/2 x 8 5/8 ins
56.9 x 50.4 cm, 22 3/8 x 19 7/8 ins, framed
c Graham Little












Graham Little
Untitled (Mother and Baby), 2019
Gouache on paper
24 x 34.2 cm, 9 1/2 x 13 1/2 ins, left panel
24 x 20 cm, 9 1/2 x 7 7/8 ins, right panel
54.3 x 83.7 cm, 21 3/8 x 33 ins, framed
c Graham Little












Graham Little
Untitled (Boutique), 2019
Gouache on paper
36.4 x 47.4 cm, 14 3/8 x 18 5/8 ins
66.9 x 75.5 cm, 26 3/8 x 29 3/4 ins, framed
c Graham Little












Graham Little
Untitled (Athlete), 2019
Gouache on paper
35 x 23.2 cm, 13 3/4 x 9 1/8 ins
65.5 x 51.5 cm, 25 3/4 x 20 1/4 ins, framed
c Graham Little
















Graham Little
Untitled (Wood), 2019
Gouache on paper
40.4 x 45 cm, 15 7/8 x 17 3/4 ins
70.7 x 73.3 cm, 27 7/8 x 28 7/8 ins, framed
c Graham Little




Graham Little
Untitled, 2018
Gouache on paper
35.9 x 29.2 cm, 14 1/8 x 11 1/2 ins
65.1 x 57.5 cm, 25 5/8 x 22 5/8 ins, framed
c Graham Little












Graham Little
Untitled (Quarry), 2018
Gouache on paper
30.8 x 30.4 cm, 12 1/8 x 12 ins
60.8 x 58.7 cm, 24 x 23 1/8 ins, framed
c Graham Little








Graham Little
Untitled (Fox), 2017
Gouache on paper
47.2 x 77.7 cm, 18 5/8 x 30 5/8 ins
77.5 x 105.8 cm, 30 1/2 x 41 5/8 ins, framed
c Graham Little








Graham Little
Untitled (Strawberry Plant), 2017
Gouache on paper
80.1 x 49.3 cm, 31 1/2 x 19 3/8 ins
110.5 x 77.6 cm, 43 1/2 x 30 1/2 ins, framed
c Graham Little




Graham Little
Untitled (Balcony), 2016
Gouache on paper
28.7 x 26.2 cm, 11 1/4 x 10 1/4 ins
59 x 54.3 cm, 23 1/4 x 21 3/8 ins, framed
c Graham Little












Graham Little
Untitled (Veranda), 2016
Coloured pencil and gouache on paper
49 x 37 cm, 19 1/4 x 14 5/8 ins
79.2 x 65.2 cm, 31 1/8 x 25 5/8 ins, framed
c Graham Little

Shadowplay @ Kerlin Gallery, Dublin

Shadowplay
Willie Doherty | Aleana Egan | Liam Gillick | Siobhán Hapaska | Callum Innes | William McKeown | Kathy Prendergast | Daniel Rios Rodriguez | Sean Scully
@Kerlin Gallery
Anne's Lane
South Anne Street
Dublin D02 A028, Ireland
12 July- 28 August 2019

installation views





















Willie Doherty, Dreams of Security, Dreams of Infiltration, 2018, diptych, framed pigment print mounted on Dibond, edition of 3, 106.6 x 159.8 cm each / 42 x 62.9 in each unframed, 107.5 x 160.5 cm each / 42.3 x 63.2 in each framed


Aleana Egan, Outside material, 2011, Metal, softwrapped, 157 x 148 x 31 cm / 61.8 x 58.3 x 12.2 in


Liam Gillick, Denominator Platform, 2018, powder-coated aluminium, plexiglass, 200 x 300 x 5 cm / 78.7 x 118.1 x 2 in


Siobhán Hapaska, Snake and Apple, 2018, aluminium, artificial snakeskin, fibreglass, stainless steel, two-pack acrylic paint, lacquer, 250 x 215 x 205 cm / 98.4 x 84.6 x 80.7 in


Callum Innes, Exposed Painting Blue Violet Red Oxide, 2019, oil on linen, 160 x 157 cm / 63 x 61.6 in


William McKeown, Untitled (Study), 2010, oil on linen, 48 x 48 cm / 18.9 x 18.9 in


Kathy Prendergast, Window Series 6, 2018, giclée print, edition 1 of 3 + 1AP, 42 x 59.4 cm / 16.5 x 23.4 in unframed, 43.7 x 61 x 3 cm / 17.2 x 24 x 1.2 in framed


Daniel Rios Rodriguez, Terco, 2019, Oil on terra cotta, 35 x 35 cm / 13.8 x 13.8 in


Sean Scully, Inisheer, 1996, Oil on linen, 91.5 x 91.5 cm / 36 x 36 in

THE SOUND OF SILENCE @ PRAZ-DELAVALLADE, Los Angeles

THE SOUND OF SILENCE
@PRAZ-DELAVALLADE, Los Angeles
6150 Wilshire Blvd., Los Angeles, CA 90048, United States of America
14 September – 9 November, 2019

installation views





























Jose Dávila
Untitled, 2019
Clear glass and boulders
58 3/4 x 58 3/4 x 170 1/2 in (149,2 x 149,2 x 433 cm)
Courtesy of Sean Kelly Gallery


Gabriel Kuri
self portrait as symmetrical ripple effect in distribution loop, 2014
Insulating roll, string, empty crushed aluminum drink cans
39 3/8 x 39 3/8 x 16 1/8 in (100 x 100 x 41 cm)
Courtesy of Regen Projects


Martin Creed
Work No. 1441, 2012
Acrylic on canvas
12 x 10 in (30,5 x 25,4 cm)
Courtesy of Hauser & Wirth


Richard Serra
Equal VII, 2018
Paintstik and silica on two sheets of handmade paper
71 1/2 x 32 1/2 in (181,6 x 82,6 cm)
Courtesy of Gemini G.E.L.


Daniel Steegmann Mangrané
Mask, 2015
Gold leaf on leaf, framed
17 x 13 3/8 x 3 in (43 x 34 x 7,5 cm)


Mary Corse
Untitled, 2010
Acrylic and glass microspheres on canvas
24 x 72 in (61 x 182,9 cm)


Thomas Fougeirol
Untitled, 2015
Mixed media on canvas
76 x 57 in (193 x 144,8 cm)


Xavier Robles de Medina
In the realm of translation, 2014-2018
Graphite and plaster
17 1/4 x 13 x 3 in (44 x 33 x 7,6 cm)


Ann Veronica Janssens
Tropical Paradise #2, 2006
Corrugated aluminum structure gilded with gold leaf 23 3/4 carats
26 x 43 1/4 x 1 1/2 in (66 x 110 x 4 cm)
Courtesy of 1301PE


Golnaz Payani
Double-cercle, 2018
Fabric, paper, wood and glass
19 3/4 x 19 3/4 in (50 x 50 cm)


Richard Tuttle
Yellow Circle, 2018
Ceramic tile and vapor-coated polished steel
19 x 24 x 18 in (48,3 x 61 x 45,7 cm)
Courtesy of Gemini G.E.L.


Analia Saban
Composition with Woven Brushstroke (White) #2, 2019
Woven acrylic paint and linen thread
40 x 40 x 2 1/8 in (101,6 x 101,6 x 5,4 cm)


Lita Albuquerque
Sentient Solar Vapor, 2018
24K gold leaf on resin, pigment on panel
30 x 30 in (76,2 x 76,2 cm)
Courtesy of Peter Blake Gallery


John Baldessari
Concrete Couples, 2015
MixografíaR print on handmade paper, 9-piece suite, framed
48 x 48 in (121,9 x 121,9 cm)


Gabriel Orozco
Lotus Leaves (Full Leaf), 2004
Soft ground etching on gampi,
mounted between UV resistant plexi-glass in wood frame
25 1/2 x 28 1/2 in (64,8 x 72,4 cm)


Fernanda Gomes
Untitled, 2012
Acrylic paint on wood
2 1/2 x 1 1/4 x 1 1/4 in (6,6 x 3,3 x 3,3 cm)


Dario Robleto
Your Moonlight Is In Danger Of Shining For The Wrong One, 2000-2001
Hand carved prehistoric fossilized mammoth ivory, melted and powdered vinyl record of Billie Holiday’s “What A Little Moonlight Can Do”
1 1/4 x 1/8 in (3,18 x ,32 cm)


Brian Wills
Untitled (Blues and green on teak), 2019
Single-strand thread on teak
Each : 36 x 12 x 2 1/4 in (91,4 x 30,5 x 5,7 cm)
Overall : 36 x 44 x 2 1/4 in (91,4 x 111,8 x 5,7 cm)


Sergio Verastegui
Ecdysis 1, 2019
Gold leaf on cardboard, mounted on wood
11 3/4 x 2 3/4 x 4 in (30 x 7 x 10 cm)


William Anastasi
The Iceman, Act I, 1999
Graphite on paper
9 1/8 x 12 1/4 in (23 x 31 cm)


On Kawara
One Million Years, 1999
Artist’s book, two volumes
Each : 5 7/8 x 4 3/8 x 1 3/4 in (14,9 x 11,1 x 4,4 cm)


On Kawara
One Million Years, 1999
Artist’s book, two volumes
Each : 5 7/8 x 4 3/8 x 1 3/4 in (14,9 x 11,1 x 4,4 cm)


Sam Durant
American Hospitality (biological), 2006
Military surplus blanket, whiskey and pedestal
5 x 18 x 18 in (12,7 x 45,72 x 45,72 cm)


Rirkrit Tiravanija
Untitled (lunch box), 1996
Lunch box, certificate, menu, Thai newspaper,
Thai take-out food from local restaurant
Variable Dimensions


Christopher Orr
Untitled (Radar Man), 2005
Oil on linen
6 1/4 x 7 1/4 in (16 x 18,5 cm)


David Horvitz
Untitled (from Gian), 2018
Hand blown sea glass
7 1/4 x 4 1/2 x 4 1/2 in (18,5 x 11,5 x 11,5 cm)


David Horvitz
Untitled (Dead Horse Bay/San Pedro), 2018
Hand blown sea glass
9 x 4 1/2 x 4 1/2 in (22,8 x 11,4 x 11,4 cm)


David Horvitz
Untitled (Dead Horse Bay), 2018
Hand blown sea glass
5 3/4 x 3 3/4 x 3 3/4 in (14,6 x 9,5 x 9,5 cm)


David Horvitz
watching you become the sunset, 2016
Boxed stamp with ink
2 x 5 1/4 x 3 3/4 in (5,1 x 13,3 x 9,5 cm)