Nick Albertson & Matthew Girson: THIS SCRIM BECAME ONE @ Aspect/Ratio, Chicago

Nick Albertson & Matthew Girson: THIS SCRIM BECAME ONE
@Aspect/Ratio
864 N ASHLAND CHICAGO, IL 60622
United States
01.10.2020 - 02.15.2020

installation views





NICK ALBERTSON, Lines and Shadows, 2019, archival inkjet print, 31 x 25 inches, edition of 5 + 1 AP


MATTHEW GIRSON, Excavation #6, 2019, oil, enamel and alkyd on Alupanel, 42 x 32 inches


NICK ALBERTSON, Layered Circles, 2019, archival inkjet print, 31 x 25 inches, edition of 5 + 1 AP


MATTHEW GIRSON, Excavation Installation #1, 2020, latex, enamel, and acrylic directly on wall with mirrors, 54 x 86 inches overall


NICK ALBERTSON, Strokes, 2019, archival inkjet print, 31 x 25 inches, edition of 5 + 1 AP


MATTHEW GIRSON, Excavation Butterfly #2, 2019, enamel and alkyd on 2 mirror panels, 16 x 12 inches overall


NICK ALBERTSON, Squares on Squares, 2019, archival inkjet print, 31 x 25 inches, edition of 5 + 1 AP


MATTHEW GIRSON, Excavation Butterfly #3, 2019, enamel and alkyd on 2 mirror panels, 16 x 12 inches overall


MATTHEW GIRSON, Excavation #1, 2018, oil, enamel and alkyd on canvas, 27 x 42 inches


MATTHEW GIRSON, Excavation Butterfly #3 Study, 2019, enamel and acrylic on paper, 30 x 22 inches

Julia Wachtel: Tears, Drips and Pixels @ Super Dakota, Brussels

Julia Wachtel: Tears, Drips and Pixels
@Super Dakota
45 rue Washington
B – 1050 Brussels
Belgium
09 January – 22 February, 2020

NINA MAE FOWLER: IF YOU DON’T WANT MY PEACHES (YOU BETTER STOP SHAKING THE TREE) @ Cob Gallery, London

NINA MAE FOWLER: IF YOU DON’T WANT MY PEACHES (YOU BETTER STOP SHAKING THE TREE)
@Cob Gallery
205 Royal College Street
London NW1 0SG
5 - 28 SEPTEMBER 2019

installation views



















Nina Mae Fowler
I didn’t know Robert Rauschenburg could dance, 2019
Charcoal on paper
850 x 1180 mm


Nina Mae Fowler
The best way to forget, until you find something you want to remember, 2019
Charcoal on paper and hand mirrored glass
230 x 307 mm


Nina Mae Fowler
Blonde, 2019
Charcoal on paper and hand painted glass
246 x 325 mm


Nina Mae Fowler
Love I, 2019
Graphite and oil pastel on paper
1220 x 1550 mm


Nina Mae Fowler
Love II, 2019
Graphite and oil pastel on paper
1220 x 1550 mm


Nina Mae Fowler
Love III, 2019
Graphite and oil pastel on paper
1220 x 1550 mm


Nina Mae Fowler
Total, 2019
Charcoal on paper and EVA foam
611 x 416 mm


Nina Mae Fowler
Exquisite, 2019
Charcoal on paper and EVA foam
611 x 416 mm


Nina Mae Fowler
Accord, 2019
Charcoal on paper and EVA foam
611 x 416 mm


Nina Mae Fowler
A fan of her own performance, 2019
Coloured pencil on paper and screen-printed mirror
675 x 673 mm


Nina Mae Fowler
'There she is' (I), 2019
Coloured pencil on paper
200 x 300 mm


Nina Mae Fowler
'There she is' (II), 2019
Coloured pencil on paper
200 x 300 mm


Nina Mae Fowler
I could go on, 2019
Coloured pencil on paper, card, wood, velvet
1042 x 2041 x 128 mm

AUGUSTUS THOMPSON: OUR UNITY IS A BUSINESS @ PRAZ-DELAVALLADE, Los Angeles

AUGUSTUS THOMPSON: OUR UNITY IS A BUSINESS
@PRAZ-DELAVALLADE, Los Angeles
6150 Wilshire Blvd., Los Angeles, CA 90048, United States of America
18 May – 3 July, 2019

installation views





































Our Unity is a Business, 2018
Carbon transfer, watercolor, pencil on paper
5 3/4 x 8 1/4 in - 14,6 x 21 cm
Framed : 13 1/2 x 10 3/4 in - 34,3 x 27,3 cm


Untitled (Mazarrón), 2018
Carbon transfer, ink, watercolor on paper
9 1/4 x 7 in - 23,5 x 17,8 cm
Framed : 15 1/4 x 12 in - 38,7 x 30,5 cm


The Veil of Saint Veronica, 2019
Carbon transfer, oil, pencil on paper
5 x 7 in - 12,7 x 17,8 cm
Framed : 12 1/4 x 10 in - 31,1 x 25,4 cm


Color, 2018
Carbon transfer, watercolor, pencil on paper
5 3/4 x 8 1/4 in - 14,6 x 21 cm
Framed : 10 3/4 x 14 in - 27,3 x 35,6 cm


Will, 2018
Carbon transfer, ink and pencil on paper
5 3/4 x 8 1/4 in - 14,6 x 21 cm
Framed : 10 3/4 x 14 in - 27,3 x 35,6 cm


Untitled (Speakers, Ears), 2016
Monotype in oil on paper
11 x 10 1/2 in - 27,9 x 26,7 cm
Framed : 16 3/4 x 15 1/2 in - 42,5 x 39,4 cm


Unique, 2019
Carbon transfer, watercolor on paper
5 x 7 in - 12,7 x 17,8 cm
Framed : 12 3/4 x 9 3/4 in - 32,4 x 24,8 cm


Boots of Desire, 2018
Carbon transfer, watercolor, colored pencil, pencil on paper
5 3/4 x 8 1/4 in - 14,6 x 21 cm
Framed : 10 3/4 x 14 in - 27,3 x 35,6 cm


Ritual, 2018
Carbon transfer, pencil on paper
5 3/4 x 8 1/4 in - 14,6 x 21 cm
Framed : 13 1/2 x 10 3/4 in - 34,3 x 27,3 cm


Karl Ove, 2018-19
Carbon transfer, watercolor, pencil, marker on paper
9 1/4 x 7 in - 23,5 x 17,8 cm
Framed : 14 3/4 x 12 in - 37,5 x 30,5 cm


Sources (Hands in Pants, Tesla Interior), 2018
Collage, packing tape on archival cardboard
20 x 16 in - 50,8 x 40,6 cm


Civil Servant, 2018-19
Oil and carbon transfer on linen
27 x 45 in - 68,6 x 114,3 cm


In the garden dog scratches its neck licks plate cautiously backlit screens can be ignored but still hum nearby, 2019
Epson ultrachrome inkjet on paper
19 1/2 x 24 1/2 in - 49,5 x 62,2 cm
Framed : 22 1/2 x 27 1/2 in - 57,2 x 69,9 cm


Trigger, Behavior, Reward, 2018-19
Oil on canvas
52 x 65 in - 132,1 x 165,1 cm


The Bachelor, 2018-19
Oil, enamel, casein and pencil on canvas
41 x 75 in - 104,1 x 190,5 cm


Tesla, 2017-19
Oil on linen
40 x 72 in - 101,6 x 182,9 cm


M, 2019
Oil, charcoal and pencil on linen
27 3/4 x 45 1/2 in - 70,5 x 115,6 cm


Passing of a Gardener
Passing of a Politician
Passing of Lou Reed
Passing of a Model, 2017-19
Oil on canvas
65 x 52 in - 165,1 x 132,1 cm


Musician, 2018
Carbon transfer, watercolor, pencil on paper
5 3/4 x 8 1/4 in - 14,6 x 21 cm
Framed : 10 3/4 x 14 in - 27,3 x 35,6 cm


Ara Pacis, 2018-19
Oil and carbon transfer on linen
27 1/2 x 45 1/4 in - 69,9 x 114,9 cm


Confusion Demise Play ME Some Cards, 2018-19
Oil, enamel, and pencil on canvas
53 x 72 in - 134,6 x 182,9 cm


To Julie Becker, 2019
Oil, carbon transfer, charcoal on linen
48 x 72 in - 121,9 x 182,9 cm


The exposure of all things before me, 2018-19
Oil, colored pencil, and carbon transfer on linen
53 x 72 in - 134,6 x 182,9 cm


C.N.S., 2019
Epson ultrachrome inkjet on paper
19 1/2 x 19 in - 49,5 x 48,3 cm
Framed : 22 1/2 x 23 in - 57,2 x 58,4 cm

GEORGE MIYASAKI: ABSTRACT EXPRESSIONIST CALIFORNIA (PAINTINGS AND LITHOGRAPHS, 1955-61) @ RYAN LEE GALLERY, New York

GEORGE MIYASAKI: ABSTRACT EXPRESSIONIST CALIFORNIA (PAINTINGS AND LITHOGRAPHS, 1955-61)
@RYAN LEE GALLERY
515 WEST 26TH STREET, NY 10001
USA
May 16 – June 15, 2019

installation views






















GEORGE MIYASAKI
Untitled, 1958
Oil and acrylic on canvas, 40 1/2 x 40 1/2 inches (102.9 x 102.9 cm)


GEORGE MIYASAKI
Untitled #2 from McAuley Series, 1958
Oil on canvas, 33 1/2 x 33 3/4 inches (85.1 x 85.7 cm)


GEORGE MIYASAKI
Untitled #1 from San Pablo Series, 1958
Oil on canvas, 47 5/8 x 47 3/4 inches (121 x 121.3 cm)


GEORGE MIYASAKI
Untitled "The Path", 1961
Oil and acrylic on canvas, 58 x 48 inches (147.3 x 121.9 cm)


GEORGE MIYASAKI
Terrain #2, 1958
Oil and acrylic on canvas, 59 x 52 inches (149.9 x 132.1 cm)


GEORGE MIYASAKI
Shoreline #2, 1961
Oil and acrylic on canvas, 30 5/8 x 24 7/8 inches (77.8 x 63.2 cm)


GEORGE MIYASAKI
Horizon #2, 1959
Oil on canvas, 49 1/2 x 60 3/4 inches (125.7 x 154.3 cm)


GEORGE MIYASAKI
Coastline, 1960
Oil and acrylic on canvas, 24 x 24 inches (62.2 x 62.2 cm)


GEORGE MIYASAKI
Creation, 1960
Lithograph, 26 x 20 inches (66 x 50.8 cm), 8/12


GEORGE MIYASAKI
Comp 25, 1958
Lithograph, 26 1/8 x 20 1/2 inches (66.4 x 52.1 cm), 13/14


GEORGE MIYASAKI
Comp 1030, 1956
Lithograph, 26 1/4 x 20 inches (66.7 x 50.8 cm), 9/10


GEORGE MIYASAKI
Autumn, 1957
Lithograph, 26 1/4 x 20 1/4 inches (66.7 x 51.4 cm), AP/10


GEORGE MIYASAKI
Blue Serene, 1956
Lithograph, 21 1/4 x 27 1/4 inches (54 x 69.2 cm), 1/10


GEORGE MIYASAKI
Night, 1955
Lithograph, 15 3/4 x 23 1/4 inches (40 x 59.1 cm), 9/10