MICHAEL SAILSTORFER | SINK, SANK, SUNK @ CHAPEL, KÖNIG GALERIE, Berlin

MICHAEL SAILSTORFER | SINK, SANK, SUNK
@CHAPEL, KÖNIG GALERIE
JOHANN KÖNIG GMBH
ST. AGNES
ALEXANDRINENSTR. 118–121
10969 BERLIN
Germany
26.10.–20.12.2019

installation views















Antrieb 2
Aluminium, magnesium, salt
33 × 46 × 50 cm
unique


Antrieb
2019
Gasoline engine, butterfly, fan
70 × 100 × 80 cm
unique


Batterie 9
2019
Bronze
9 × 16,5 × 7,5 cm
unique


Batterie 2
2019
Bronze
15 × 8 × 6,5 cm
unique


Brennessel
2019
Sandpaper, slate pencil
33 × 28 cm
unique


Distel 3
2019
Sandpaper, slate pencil
33 × 28 cm
unique


Zahn 2
2019
Pencil, salt and inc on jute
150 × 90 cm
unique


Zahn 1
2019
Pencil, salt and inc on jute
150 × 90 cm
unique

WILLIAM N. COPLEY: The New York Years @ KASMIN GALLERY, 509 WEST 27TH STREET, New York

WILLIAM N. COPLEY: The New York Years
@KASMIN GALLERY, 509 WEST 27TH STREET
509 WEST 27TH STREET
New York, NY 10001
USA
MARCH 11, 2020 −

installation views















William N. Copley, Untitled (Apples & Oranges), 1986, acrylic and lace on canvas, 77 x 60 inches, 195.6 x 152.4 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.


William N. Copley, Death of the Unknown Whore, 1965, tempera on canvas, 46 x 59 inches, 116.8 x 149.9 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.


William N. Copley, Dig We Must, 1963, oil on linen, 30 1/4 x 24 1/8 x 3/4 inches, 76.8 x 61.3 x 1.9 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.


William N. Copley, Untitled, 1970, acrylic on linen, 40 x 32 inches, 101.6 x 81.3 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.


William N. Copley, I am Awarded My Handbag and Declared a Professional, 1986, acrylic and chalk on linen, 82 x 118 inches, 208.3 x 299.7 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.


William N. Copley, Smile (You’re on Camera), 1963, oil on canvas, 28 3/4 x 45 5/8 inches, 73 x 116 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.


William N. Copley, Small Sonata, 1965, oil on canvas, 38 x 51 inches, 96.5 x 129.5 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.


William N. Copley, War of the Roses, 1970, acrylic on linen, 24 x 72 inches, 61 x 182.9 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.

GIULIO PAOLINI: 1986-2010 @ Krakow Witkin Gallery, Boston

GIULIO PAOLINI: 1986-2010
@Krakow Witkin Gallery
10 Newbury Street
Boston, Massachusetts 02116
USA
SEPTEMBER 21, 2019 – NOVEMBER 2, 2019

installation views























Giulio Paolini
From “The Triumph of Representation” (A ritual: the artist is absent) 1983
Suite of three lithographs, each in color, with collaged elements and hand drawing in red pencil and graphite
Image/paper size: 15 7/8 x 23 3/4 inches each (40.3 x 60.3 cm each)
Edition of 90
Signed and numbered on sheet three in graphite on reverse
(Inventory #28381)


Giulio Paolini
Eclat 1986
Lithograph
Image/plate size: 13 3/4 x 19 3/4 inches (34.9 x 50.2 cm)
Paper size: 19 5/8 x 27 1/2 inches (50 x 70 cm)
Edition of 70, AP
Signed lower right and numbered lower left in graphite
(Inventory #30649)


Giulio Paolini
Phoenix 1993
Silkscreen and pencil on Fabriano Rosaspina paper in nine parts
Image/paper size: 19 3/4 x 27 1/2 inches each (50 x 70 cm each)
Overall size: 59 x 82 5/8 inches (150 x 210 cm)
Edition of 60
Signed lower right (bottom right sheet); titled lower center (bottom center sheet); numbered lower left (bottom left sheet)
(Inventory #29298)


Giulio Paolini
L’offerta musicale 2008
Lithograph and collage
Image/paper size: 19 3/4 x 27 1/2 inches (50 x 70 cm)
Edition of 100, 30 AP
Signed and numbered bottom center in graphite
(Inventory #30646)


Giulio Paolini
L’annello immaginario 1989
Drawing and collage
Image/paper size: 13 x 8 1/4 inches (33 x 21 cm)
Edition of 120, AP
Signed lower right and numbered lower left in graphite
(Inventory #30647)


Giulio Paolini
Prologo 1993
Punched lithograph, collage, and pencil
Image/paper size: 19 3/4 x 27 1/2 inches (50 x 70 cm)
Edition of 150, AP
Signed lower right and numbered lower left in graphite
(Inventory #30648)


Giulio Paolini
Les aventures de la dialectique (III) 1992
Lithograph
Image size: 9 3/8 x 6 5/8 inches (23.8 x 16.8 cm)
Paper size: 11 3/4 x 8 1/4 inches (29.8 x 21 cm)
Edition of 10
Signed and numbered lower center in graphite
(Inventory #30650)


Giulio Paolini
Carte Noire 1999-2000
Lithograph, graphite and collage
Image/plate size: 19 3/4 x 27 1/2 inches each (50 x 70 cm each)
9 elements overall size: 59 x 82 3/4 inches (150 x 210 cm)
Edition of 30
Signed and numbered in graphite on bottom center sheet. Title is printed in black ink on bottom center sheet around signature and edition information
(Inventory #29733)


Giulio Paolini
Santa Croce 2073 2010
Lithograph
Image/paper size: 13 3/4 x 19 3/4 inches (35 x 50 cm)
Edition of 100, AP
Signed and numbered lower center in graphite
(Inventory #30651)

Matthew Metzger: Collapse @ Regards, Chicago

Matthew Metzger: Collapse
@Regards
2216 West Chicago Avenue
Chicago, Illinois 60622
USA
April 26 - June 15, 2019

installation views











Collapse (2nd Movement), 2016, acrylic and oil on canvas, 69 x 78 inches


Collapse (6th Movement), 2019, acrylic and oil on canvas, 69 x 78 inches


Collapse (7th Movement), 2019, acrylic and oil on canvas, 69 x 78 inches


Collapse (5th Movement), 2019, acrylic and oil on canvas, 69 x 78 inches


Collapse (3rd Movement), 2016, acrylic and oil on canvas, 69 x 78 inches


Collapse (4th Movement), 2019, acrylic and oil on canvas, 69 x 78 inches

Kreislaufprobleme @ CROY NIELSEN, Vienna

Kreislaufprobleme
Leda Bourgogne, Liz Craft, Liz Magor, Stuart Middleton, Ser Serpas, Angharad Williams
Curated by Anna Gritz as part of 'curated by' - the gallery festival with international curators in Vienna.
@CROY NIELSEN
Parkring 4
1010 Vienna
Austria
13. 9. – 12. 10. 2019

installation views













Liz Magor, Open, 2018 (left) / Closed, 2018 (right), Wool, polyester foil, 146 × 56 × 20 cm / 170 × 53 × 22 cm


Stuart Middleton, Sad Sketches, 2014, Paper mâché, cardboard, watercolor, color pencil, polymer clay, aluminium foil and laminated chipboard, 130 × 90 cm


Stuart Middleton, Sad Sketches, 2014, Paper mâché, cardboard, watercolor, color pencil, polymer clay, aluminium foil and laminated chipboard, 130 × 90 cm


Liz Craft, left to right: Ménage à Trois,2017, Ceramic, aluminium, wood, padlock, 76 × 81 × 8 cm, Strange Thing, 2018, Steel, plastic, paint, Variable sizes, Broken Heart (Red Splatters), 2017Ceramic, aluminium, wood, padlock76 × 81 × 8 cm


Liz Craft, left to right: Ménage à Trois,2017, Ceramic, aluminium, wood, padlock, 76 × 81 × 8 cm, Strange Thing, 2018, Steel, plastic, paint, Variable sizes, Broken Heart (Red Splatters), 2017Ceramic, aluminium, wood, padlock76 × 81 × 8 cm


Liz Craft, Strange Thing, 2018 (detail), Steel, plastic, paint, Variable sizes


Leda Bourgogne, Killing for company, 2018, Boxing gloves, cotton pads, nylons, leather jacket, light bulb, cable hanger, 136 × 59,5 × 37,5 cm


Leda Bourgogne, Killing for company, 2018, Boxing gloves, cotton pads, nylons, leather jacket, light bulb, cable hanger, 136 × 59,5 × 37,5 cm


Ser Serpas, installation view Kreislaufprobleme, Croy Nielsen, Vienna, 2019


Ser Serpas, installation view Kreislaufprobleme, Croy Nielsen, Vienna, 2019


Ser Serpas, installation view Kreislaufprobleme, Croy Nielsen, Vienna, 2019


Ser Serpas, since the day i met you, 2017, Mixed media in plastic bag, 30 × 35 × 28 cm


Ser Serpas, Migration, 2017, Mixed media in plastic bag, 18 × 15 × 18 cm


Ser Serpas, Babushka, 2017, Mixed media in plastic bag18 × 15 × 18 cm


Ser Serpas, Con Razón Cito, 2017, Mixed media in plastic bag, 18 × 33 × 23 cm


Ser Serpas, straight up dick, 2017, Mixed media in plastic bag, 17 × 30 × 27 cm


Angharad Williams, Untitled (Blue Top), 2019, C-Print, framed, 42 × 59 cm


Liz Magor, Bag, Box and Stickers, 2018, Polymerized gypsum, silicon, polyester, foil paper, 37 × 30 × 7 cm Photos by Kun​st​-doku​men​ta​tion​.com

XIE NANXING: A GIFT LIKE KUNG PAO CHICKEN @ Thomas Dane Gallery, 11 Duke Street St James's & 3 Duke Street St James's, London

XIE NANXING: A GIFT LIKE KUNG PAO CHICKEN
@Thomas Dane Gallery, 11 Duke Street St James's & 3 Duke Street St James's, London
11 Duke Street St James's
London SW1Y 6BN
&
3 Duke Street St James's
London SW1Y 6BN
UK
4 JUN - 27 JUL 2019

installation views













Portrait of Madam X, 2018
oil on canvas


Portrait of Couple A, 2018
oil on canvas


Portrait of R, 2018
oil on canvas


Portrait of Big X, 2018
oil on canvas


Portrait of 3G, 2018
oil on canvas


Portrait of N, 2018
oil on canvas


Spice No. 7, 2017
oil on canvas


Spice No. 1, 2016
oil on canvas


Spice No. 3, 2016
oil on canvas


Spice No. 2, 2016
oil on canvas

John Chamberlain & Donald Judd @ PAULA COOPER GALLERY, 524 W 26TH STREET, New York

John Chamberlain & Donald Judd
@PAULA COOPER GALLERY, 524 W 26TH STREET
524 West 26th Street, New York, 10001
USA
NOVEMBER 2 – DECEMBER 14, 2019

installation views











Donald Judd, untitled, 1960, oil on canvas, 42 1/8 x 36 in. (107 x 91.4 cm)


untitled, (detail), 1960, oil on canvas, 42 1/8 x 36 in. (107 x 91.4 cm)


Donald Judd, untitled, 1969, blue lacquer on galvanized iron, 5 x 40 x 9 in. (12.7 x 101.6 x 22.9 cm)


untitled, 1969, blue lacquer on galvanized iron, 5 x 40 x 9 in. (12.7 x 101.6 x 22.9 cm)


John Chamberlain, J.J.J.J., Executed circa 1963, painted steel, 51 x 50 x 48 in. (129.5 x 127 x 121.9 cm), Photo: c Timothy Aguero Photography. c 2019 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York.


John Chamberlain, Untitled, 1961, painted metal construction and paper collage on fiber board, 14 x 10 x 5 inches (35.6 x 25.4 x 12.7 cm)

JOSE DÁVILA | THE MOMENT OF SUSPENSION @ NAVE, KÖNIG GALERIE, Berlin

JOSE DÁVILA | THE MOMENT OF SUSPENSION
@NAVE, KÖNIG GALERIE
JOHANN KÖNIG GMBH
ST. AGNES
ALEXANDRINENSTR. 118–121
10969 BERLIN
Germany
26.10.2019–9.2.2020

installation views

















The Act of Perseverance VII, 2018
Concrete, stone and ratchet strap
74 2/5 × 33 × 29 3/10 in
189 × 83.7 × 74.5 cm


Fundamental Concern XXVII, 2019
Concrete, boulder and epoxy paint
87 2/5 × 21 7/10 × 21 7/10 in
222 × 55 × 55 cm


The weaker has conquered the stronger II, 2019
Basalt stone and volcanic rock
74 7/10 × 29 1/2 × 29 1/2 in
189.7 × 75 × 75 cm


Fundamental Concern XXVI, 2019
Concrete and volcanic rock
69 3/10 × 29 1/2 × 31 1/2 in
176 × 75 × 80 cm


The most famous problem in the history of mathematics is that of squarting the circle V, 2019
Vinyl paint on loomstate linen
102 1/10 × 118 × 2 2/5 in
259.4 × 299.6 × 6 cm

AGNES MARTIN: ON A CLEAR DAY, 1973 @ Krakow Witkin Gallery, Boston

AGNES MARTIN: ON A CLEAR DAY, 1973
@Krakow Witkin Gallery
10 Newbury Street
Boston, Massachusetts 02116
USA
NOVEMBER 9, 2019 – DECEMBER 21, 2019

installation views









Agnes Martin
On a Clear Day #01 1973
Screenprint on Japanese Rag paper
Image size: 6 7/8 x 8 inches (17.5 x 20.3 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Frame size: 15 1/8 x 15 1/8 inches (38.4 x 38.4 cm)
Edition of 50, 1 PP
Signed ‘A. Martin’ lower right, numbered, ‘P.P.’ lower left, ‘1’ upper left corner in graphite
(Inventory #28709)




Agnes Martin
On a Clear Day #02 1973
Screenprint on Japanese Mulberry paper
Image size: 6 7/8 x 8 inches (17.5 x 20.3 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Edition of 50
Signed ‘A. Martin’ lower right, numbered lower left, ‘2’ upper left corner in graphite
(Inventory #30837)


Agnes Martin
On a Clear Day #05 1973
Screenprint on Japanese Mulberry paper
Image size: 8 1/4 x 8 1/4 inches (21 x 21 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Edition of 50
Signed ‘A. Martin’ lower right, numbered lower left, inscribed ‘5’ upper left corner in graphite
(Inventory #30841)




Agnes Martin
On a Clear Day #22 1973
Screenprint on Japanese Mulberry paper
Image size: 6 7/8 x 8 inches (17.5 x 20.3 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Edition of 50
Signed ‘A. Martin’ lower right, numbered lower left, ’22’ upper left corner in graphite
(Inventory #30933)


Agnes Martin
On a Clear Day #24 1973
Screenprint on Japanese Mulberry paper
Image size: 6 7/8 x 8 inches (17.5 x 20.3 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Edition of 50
Signed ‘A. Martin’ lower right, numbered lower left, inscribed ’24’ upper left corner in graphite
(Inventory #30842)


Agnes Martin
On a Clear Day #26 1973
Screenprint on Japanese Mulberry paper
Image size: 7 1/2 x 6 3/4 inches (19.1 x 17.1 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Edition of 50
Signed ‘A. Martin’ lower right, numbered lower left, inscribed ’26’ upper left corner in graphite
(Inventory #30843)


Agnes Martin
On a Clear Day #28 1973
Screenprint on Japanese Mulberry paper
Image size: 6 7/8 x 8 inches (17.5 x 20.3 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Edition of 50
Signed ‘A. Martin’ lower right, numbered lower left, inscribed ’15’ upper left corner in graphite
(Inventory #30844)

John Pittman and Steuart Pittman: Respite: 1984-Present @ Regards, Chicago

John Pittman and Steuart Pittman: Respite: 1984-Present
@Regards
2216 West Chicago Avenue
Chicago, Illinois 60622
USA
September 13 - October 26, 2019

installation views



















John Pittman, #292 – Azalea Triangle (2 Part), 2019, Alkyd/Wood Relief, 15 x 33 x 1 1/2 inches


Steuart Pittman, Spine, 2019, Oil and acrylic on canvas with walnut frame, 42 1/4 x 42 1/4 inches


John Pittman, #294 – Span MI (2 Part), 2019, Alkyd/Wood Relief, 14 x 39 x 1 1/2 inches


Steuart Pittman, Boog, 2018, Oil on panel with walnut frame, 15 1/2 x 15 inches


John Pittman, #290 Yellow Vista (2 Part), 2019, Alkyd/Wood Relief, 13 x 33 1/2 x 1 1/2 inches


John Pittman, #296 – Span SF (2 Part), 2019, Alkyd/Wood Relief, 14 x 39 x 1 1/2 inches


Steuart Pittman, Rook, 2017, Oil on canvas triptych with walnut frame, 43 1/2 x 48 1/2 inches


John Pittman, #293 – Shadow Squares (2 part), 2019, Alkyd/Wood Relief, 18 x 30 inches


John Pittman, Grace, 1984, Box Construction, 11 x 9 1/2 inches


John Pittman, #297 – Vertical Yellow (3 Part), 2019, Alkyd/Wood Relief, 40 x 13 x 1 1/2 inches


John Pitman, #103 – Desert Sand, 2005, Painted Maple, 7 1/2 x 4 1/4 inches


John Pittman, #280 – Ivory (2 Part), 2018, Alkyd/Wood Relief, 20 x 24 x 1 1/2 inches


Steuart Pittman, Sitting Pretty, 2015, Oil on canvas with walnut frame, 19 x 16 inches


John Pittman, Composition #52, 2003, Alkyd on Linen, 40 x 36 inches


John Pittman, Golf, 1999, Box Construction, 20 x 14 inches


Steuart Pittman, Marina, 2019, Oil and acrylic on canvas with walnut frame, 12 1/2 x 10 3/4 inches


Steuart Pittman, Dreamliner, 2017, Oil on panel with lacquered wood frame, 14 1/2 x 19 inches


John Pittman, Irish, 1992, Alkyd/Linen, 14 x 17 inches


John Pittman, After Kelly, 1998, Alkyd/Linen/Panel, 20 3/4 x 19 1/2 inches


John Pittman, Step 3 On Red, 2000, Alkyd/Linen/Panel, 20 x 15 inches


John Pittman, Composition #82, 2004, Enamel on maple, 22 x 13 1/2 x 1 inches


Steuart Pittman, Fleet, 2019, Oil and acrylic on canvas with cherry frame, 27 x 26 inches


Steuart Pittman, Set, 2019, Oil and acrylic and alkyd with painted frame, 12 3/4 x 10 3/4 inches


John Pittman, #278 – Off White Square (2 Part), 2018, Alkyd/Wood Relief, 18 x 27 1/2 x 1 1/2 inches


Steuart Pittman, birthday card for John, 1991


John Pittman, Birthday Wish, 1991, Alkyd/Canvas, 15 x 19 inches

Nina Beier: European Interiors II @ CROY NIELSEN, Vienna

Nina Beier: European Interiors II
@CROY NIELSEN
Parkring 4
1010 Vienna
Austria
15. 11. – 20. 12. 2019

installation views































Nina Beier, Oliver Croy (1), Oil on canvas, 50 × 40 cm 2019


Nina Beier, Empire, 2019, ​‚Empire‘ Porcelain dinnerware by B&G/Royal Copenhagen and metal wire bird cage, 94 × 44 × 33 cm


Nina Beier, Empire, 2019, ​‚Empire‘ Porcelain dinnerware by B&G/Royal Copenhagen and metal wire bird cage, 54 × 43 × 63,5 cm


Nina Beier, Empire, 2019, ​‚Empire‘ Porcelain dinnerware by B&G/Royal Copenhagen and metal wire bird cage, 49 × 98,5 × 45 cm


Nina Beier, Empire, 2019, ​‚Empire‘ Porcelain dinnerware by B&G/Royal Copenhagen and metal wire bird cage, 37 × 35 × 25,5 cm


Nina Beier, Fingers Crossed Crossed Fingers, 2019, Leather glove, military decorations, commercial pins, religious symbols and jewelry, 11,5 × 19,5 cm


Nina Beier, Oliver Croy (2), Oil on canvas, 30 × 40 cm 2019


Nina Beier, Plug, 2019, Ceramic sink and handrolled cigar, 58,5 × 43,5 × 33 cm


Nina Beier, Oliver Croy (3), Oil on canvas, 50 × 40 cm 2019


Nina Beier, Oliver Croy (4), Oil on canvas, 70 × 50 cm 2019

BRUCE CONNER: BREAKAWAY @ Thomas Dane Gallery, 3 Duke Street St James's, London

BRUCE CONNER: BREAKAWAY
@Thomas Dane Gallery, 3 Duke Street St James's, London
3 Duke Street St James's
London SW1Y 6BN
UK
26 NOV 2019 - 22 FEB 2020

installation views














BREAKAWAY, 1966
16mm, b&w/sound, 5 min, music by Ed Cobb, vocals by Toni Basil

Dan Walsh @ PAULA COOPER GALLERY, 524 W 26TH STREET, New York

Dan Walsh
@PAULA COOPER GALLERY, 524 W 26TH STREET
524 West 26th Street, New York, 10001
USA
JANUARY 9 – FEBRUARY 22, 2020

installation views



















Dan Walsh, Expo III, 2019, acrylic on canvas, 110 1/4 x 110 1/4 in. (280 x 280 cm)


Dan Walsh, Compound, 2019, acrylic on canvas, 55 x 55 in. (139.7 x 139.7 cm)


Dan Walsh, Record II, 2019, acrylic on canvas, 55 x 55 in. (139.7 x 139.7 cm)


Dan Walsh, Score, 2019, acrylic on canvas, 70 x 70 in. (177.8 x 177.8 cm)


Record III, 2019
Acrylic on canvas
55 × 55 in
139.7 × 139.7 cm


M to M III, 2019
Drilled wood
27 × 27 × 1 3/4 in
68.6 × 68.6 × 4.4 cm

ROBERT JANITZ | ♥ IS A TYPO @ KÖNIG GALERIE | CHAPEL, Berlin

ROBERT JANITZ | ♥ IS A TYPO
@KÖNIG GALERIE | CHAPEL
JOHANN KÖNIG GMBH
ST. AGNES
ALEXANDRINENSTR. 118–121
10969 BERLIN
Germany
15.1.–16.2.2020

installation views

Patrick Berran: O u t (Part 2) …in the office @ Chapter NY, New York

Patrick Berran: O u t (Part 2) …in the office
@Chapter NY
249 East Houston Street
New York, NY 10002
USA
November 20 - November 27, 2019


Untitled, 2019, acrylic, ink, watercolor, toner on collaged paper, 15 × 12 ¾ inches (framed)


Untitled, 2019, acrylic, ink, watercolor, toner on collaged paper, 15 × 12 ¾ inches (framed)


Untitled, 2019, acrylic, ink, watercolor, toner on collaged paper, 15 × 12 ¾ inches (framed)