Peter Schuyff @ White Cube Mason's Yard, London

Peter Schuyff
@White Cube Mason's Yard
25 – 26 Mason's Yard
SW1Y 6BU London
UK
13 March 2020 – 16 May 2020




Superstar
1986
Acrylic and pencil on linen
89 15/16 × 66 1/8 in. (228.5 × 168 cm)






Untitled
1988
Acrylic and pencil on linen
90 3/16 × 66 1/8 in. (229 × 168 cm)






Untitled
1986
Acrylic on linen
74 13/16 × 74 13/16 in. (190 × 190 cm)






Untitled
1984
Acrylic on linen
90 3/8 × 66 1/8 in. (229.5 × 168 cm)




Untitled
1985
Acrylic and pencil on linen
90 3/16 × 66 1/8 in. (229 × 168 cm)






Untitled
1986
Acrylic and pencil on linen
74 13/16 × 74 13/16 in. (190 × 190 cm)






Nicotine
1984
Acrylic on linen
90 3/16 × 66 5/16 in. (229 × 168.5 cm)






Untitled
1986
Acrylic on linen
75 3/16 × 75 3/16 in. (191 × 191 cm)






Black Jack
1988
Acrylic and pencil on linen
75 3/16 × 75 3/16 in. (191 × 191 cm)






Untitled
1984
Acrylic on linen
90 3/16 × 66 1/8 in. (229 × 168 cm)






Untitled
1988
Acrylic and pencil on linen
116 1/8 × 59 1/16 in. (295 × 150 cm)


Untitled
1985
Acrylic and pencil on linen
90 × 66 in. (228.6 × 167.6 cm)90 7/8 × 66 7/8 in. (230.8 × 169.9 cm) (framed)






Untitled
1986
Acrylic on linen
74 13/16 × 74 13/16 in. (190 × 190 cm)

ANDREA BÜTTNER: STEINE, MOOSE UND ZELTE @ GALERIE TSCHUDI, Zuoz

ANDREA BÜTTNER: STEINE, MOOSE UND ZELTE
@GALERIE TSCHUDI
Chesa Madalena ・ Somvih 115
7524 Zuoz ・ Switzerland
27 July – 28 September 2019


Andrea Büttner | Painted Stones, 2017, (part of) 36 gelatin silver print photos


Andrea Büttner | Painted Stones, 2017, (part of) 36 gelatin silver print photos


Andrea Büttner | Curtain, 2013, woodcut on paper, 150 x 207 cm (framed)


Andrea Büttner | Flying Man, 2015, woodcut on paper, 150 x 167.5 cm (framed)


Andrea Büttner | Tent (psychedelic), 2012, woodcut on paper, 165.5 x 149 cm (framed) | Tent (Igloo), 2012, woodcut on paper, 148 x 216 (framed)


Andrea Büttner | Corners, 2017, woodcut on paper, 127 x 182.5cm (framed)


Andrea Büttner | Man muss die Welt sehen und zu ihr hingehen, 2019, glass painting (variable size)


Andrea Büttner | Fabric Painting (Corner), 2015 - 2019, stretched fabric, 95 x 75 cm each


Andrea Büttner | Bench, 2012, handwoven fabric, wood, plastic crates, 102 x 200 x 40.8 cm


Andrea Büttner | Shepherds and Kings, 2017, 160 analogue 35mm slides


Andrea Büttner | Exhibition view, Moss, 2014, C-type print, each 63.5 x 82 cm (framed)


Andrea Büttner | Mooshocker, 2016, bronze, 46 x 120 x 74 cm, Coins, 2017, woodcut on paper, 133.5 x 182 cm (framed)


Andrea Büttner | And Then We See, 2018, woodcut on paper, 107 x 199 cm / 107 x 179 cm (framed)

MIRA DANCY: SUPPLE AS THE SUPPLICANT @ GALERÍA AGUSTINA FERREYRA, Mexico City

MIRA DANCY: SUPPLE AS THE SUPPLICANT
@GALERÍA AGUSTINA FERREYRA
Ignacio Manuel Altamirano 50
Casa G Esq. Alfonso Herrera
Col. San Rafael
06470 CDMX
MEXICO
FEB.03–APR.04 2020


From left to right: Red Arrival (2020); Express (2019) and Street Offering/Black Rose (2020)




Red Arrival, 2020
Acrylic on canvas
162.56 x 147.32 cm (64 x 58 inches)


Left to right: Threshold Shadows (2019), and Bridge Permission (2019)


Street Offering / Black Rose, 2020
Black sand
variable dimensions


Sunrise Admonition, 2020
Wall painting in four parts


Pink Corona, 2020
Acrylic on canvas
121.92 x 78.74 cm (48 x 31 inches)


Left to right: Arriving Admonition (2019); Coin in Hand (2019); and Pink Corona (2020)




Close to Time, 2019
Acrylic on paper
43.18 x 35.56 cm (17 x 14 inches)


Sunrise Admonition, 2020




Red Alarm, 2020
Acrylic on canvas
91.44 x 76.20 cm (36 x 30 inches)


From left to right: Sunrise Admonition (2020), and Red Alarm (2020).

Kathleen Ryan: Bad Fruit @ François Ghebaly, Los Angeles

Kathleen Ryan: Bad Fruit
@François Ghebaly
2245 E Washington Blvd.,
Los Angeles, CA 90021
USA
February 15 - March 29, 2020

installation views





























Bad Grapes, 2020. Amethyst, aventurine, agate, garnet, pyrite, ruby in zoisite, tektite, tigereye, turquoise, serpentine, obsidian, blackstone, Indian unakite, labradorite, Sierra agate, red agate, black agate, serpentine, quartz, marble, amazonite, rhyolite, calcite, dalmation jasper, glass, steel and stainless steel pins, copper tube and copper fittings, polystyrene. 59.5 x 90 x 54 inches (151 x 228.5 x 137 cm).








Bad Melon (Moldy Slice), 2020. Cherry quartz, rose quartz, agate, amazonite, jasper, aventurine, rhodonite, rhodochrosite, labradorite, smoky quartz, quartz, Botswana agate, carnelian, horn, citrine, glass, cast iron and brass flies, steel and stainless steel pins, polystyrene, aluminum Airstream. 23 x 63 x 21 inches (58.5 x 160 x 53.5 cm).








Bad Melon (Big Chunk), 2020. Cherry quartz, agate, smoky quartz, amazonite, jasper, aventurine, rhodonite, rhodochrosite, labradorite, quartz, Botswana agate, carnelian, glass, cast iron and brass flies, steel and stainless steel pins, polystyrene, aluminum Airstream. 38 x 49 x 62 inches (96.5 x 124.5 x 157.5 cm).




Bad Melon (Chunk), 2020. Cherry quartz, rose quartz, agate, jasper, rhodonite, rhodochrosite, carnelian, citrine, steel and stainless steel pins, polystyrene, aluminum Airstream. 20 x 19.5 x 16 inches (50.8 x 49.5 x 40.6 cm).










Bad Melon (Wedge), 2020. Cherry quartz, rose quartz, agate, amazonite, jasper, aventurine, rhodonite, rhodochrosite, labradorite, smoky quartz, quartz, Botswana agate, carnelian, horn, citrine, acrylic, glass, cast iron and brass flies, steel and stainless steel pins, polystyrene, aluminum Airstream. 46 x 40 x 42 inches (117 x 101.5 x 107 cm).














Bad Melon, 2020. Cherry quartz, rose quartz, agate, smoky quartz, rhodenite, rhotochrocite, labradorite, quartz, citrine, calcite, horn, stone looking beads, silver lace agate, magnacite, rhyolite, Botswana agate, carnelian, acrylic, glass, cast iron and brass flies, steel and stainless steel pins, polystyrene, aluminum Airstream trailer. 64 x 47 x 103 inches (162.5 x 119.5 x 261.5 cm).

Doreen Garner: The Remains @ JTT, New York

Doreen Garner: The Remains
@JTT
191 CHRYSTIE ST
NEW YORK NY 10002
USA
January 19 - March 8, 2020

installation views







"After Her Tomb", 2020
urethane foam, silicone, steel pins, pearls
27 x 23.5 x 7.25 inches


"After Her Tomb", 2020
urethane foam, silicone, steel pins, pearls
27 x 23.5 x 7.25 inches


"After Her Harvest", 2020
urethane foam, silicone, hair weave, pearls, steel pins
38 x 29 x 7 inches


"After Her Harvest", 2020
urethane foam, silicone, hair weave, pearls, steel pins
38 x 29 x 7 inches


"After Her Flag", 2020
urethane foam, silicone, latex, pearls, staples, hair weave, steel wire, glass beads, steel
pins
36 x 27 x 8 inches


"After Her Flag", 2020
urethane foam, silicone, latex, pearls, staples, hair weave, steel wire, glass beads, steel
pins
36 x 27 x 8 inches


"After Her Womb", 2020
urethane foam, silicone soaked satin, hair weave, steel pins, staples
29 x 21 x 6 inches


"After Her Womb", 2020
urethane foam, silicone soaked satin, hair weave, steel pins, staples
29 x 21 x 6 inches

Oscar Murillo: trades hall & institute @ CARLOS/ISHIKAWA, London

Oscar Murillo: trades hall & institute
@CARLOS/ISHIKAWA
Unit 4, 88 Mile End Road
London E1 4UN
UK
21 September – 19 October 2019

installation views









The Institute of Reconciliation
2014 – ongoing, Oil on linen and canvas, velvet, clay and corn sculptures, 350 x 930 cm
2019, Installation view, trades hall & institute, Carlos/Ishikawa, London


The Institute of Reconciliation
2014 – ongoing, Oil on linen and canvas, velvet, clay and corn sculptures, 350 x 930 cm
2019, Installation view, trades hall & institute, Carlos/Ishikawa, London


Industrial Park
2019, performance, trades hall & institute, Carlos/Ishikawa, London


Letter from America: performance documentation, Art Night 2019
Video, 08:01 min
2019, Installation view, trades hall & institute, Carlos/Ishikawa, London


collective conscience
2015 – ongoing, Oil, latex, linen, printed canvas, velvet, coins, cotton t-shirts filled with recycled foam, corn and clay sculptures, Dimensions variable
2019, Installation view, trades hall & institute, Carlos/Ishikawa, London


collective conscience
2015 – ongoing, Oil, latex, linen, printed canvas, velvet, coins, cotton t-shirts filled with recycled foam, corn and clay sculptures, Dimensions variable
2019, Installation view, trades hall & institute, Carlos/Ishikawa, London


collective conscience
2015 – ongoing, Oil, latex, linen, printed canvas, velvet, coins, cotton t-shirts filled with recycled foam, corn and clay sculptures, Dimensions variable
2019, Installation view, trades hall & institute, Carlos/Ishikawa, London


surge (social cataracts)(deatil view)
2019, Oil stick on velvet and linen, grommets and stainless steel rail, 255 x 300 cm

Virginia Holt @ Klaus von Nichtssagend Gallery, New York

Virginia Holt
@Klaus von Nichtssagend Gallery
54 Ludlow Street, New York, NY 10002
USA
February 21 - March 29, 2020

installation views













Virginia Holt, untitled, circa 1970
oil on linen
78 × 50 inches, 198.12 × 127.00 cm


Virginia Holt, untitled, ca. 1970
oil on linen
78 x 50 inches, 198.12 x 127 cm


Virginia Holt, untitled, ca. 1970
unique intaglio print
25.875 x 20.5 inches, 65.72 x 52.07 cm


Virginia Holt, untitled, ca. 1970
unique intaglio print
32 x 24.375 inches, 69.85 x 53.98 cm


Virginia Holt, untitled, ca. 1970
oil on linen
69 x 46 inches, 175.26 x 116.84 cm


Virginia Holt, untitled, ca. 1970
unique intaglio print
25.5 x 20 inches, 64.77 x 50.80 cm