2020年04月26日

Sigrid Sandström: Sounds from the Earth @ Inman Gallery, Houston

Sigrid Sandström: Sounds from the Earth
@Inman Gallery
3901 Main St
Houston, TX 77002
USA
January 17 – February 29, 2020

installation views
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Sigrid Sandström, Untitled (Topopgraphy), 2017
acrylic on polyester canvas, 76 x 60 inches

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Sigrid Sandström, Untitled (Terrain), 2017
acrylic on polyester canvas, 76 x 60 inches

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Sigrid Sandström, Past Projection II, 2019
acrylic on polyester canvas, 76 x 60 inches

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Sigrid Sandström, Past Projection I, 2019
acrylic on polyester canvas, 76 x 60 inches

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Dorothy Hood, Yellow Stripe, ca. 1990s
oil on canvas, 70 x 60 inches

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Sigrid Sandström, Map I:I (I), 2019
acrylic on polyester canvas, 19-1/4 x 17-3/8 inches

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Sigrid Sandström, Map I:I (II), 2019
acrylic on polyester canvas, 19-1/4 x 17-3/8 inches

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Sigrid Sandström, Map I:I (III), 2019
acrylic on polyester canvas, 19-1/4 x 17-3/8 inches

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Sigrid Sandström, Map I:I (IV), 2019
acrylic on polyester canvas, 19-1/4 x 17-3/8 inches

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Sigrid Sandström, Facies I, 2019
acrylic on polyester canvas, 10-5/8 x 8-5/8 inches

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Sigrid Sandström, Facies II, 2019
acrylic on polyester canvas, 10-5/8 x 8-5/8 inches

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Sigrid Sandström, Facies III, 2019
acrylic on polyester canvas, 10-5/8 x 8-5/8 inches

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Sigrid Sandström, Facies IV, 2019
acrylic on polyester canvas, 10-5/8 x 8-5/8 inches

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Sigrid Sandström, Untitled (Pink Punch), 2017
acrylic on polyester canvas, 76 x 60 inches


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Teresa Margolles: El asesinato cambia el mundo / Assassination changes the world @ James Cohan - Lower East Side, New York

Teresa Margolles: El asesinato cambia el mundo / Assassination changes the world
@James Cohan - Lower East Side
291 GRAND STREET
NEW YORK NY 10002
USA
JAN 10 - FEB 29, 2020

installation views
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3teresa-margolles.jpeg

4teresa-margolles.jpeg

5teresa-margolles.jpeg

6teresa-margolles.jpeg

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TERESA MARGOLLES
El manto negro / The black shroud, 2020
2,300 burnished ceramic pieces hand-made by artisans in Mata Ortiz, Mexico
Dimensions variable
Each: Approx. 4 1/8 x 4 3/8 x 1 3/8 in. (10.5 x 11 x 3.5 cm)
Edition of 3
JCG11131

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TERESA MARGOLLES
El manto negro / The black shroud, 2020 (detail)
2,300 burnished ceramic pieces hand-made by artisans in Mata Ortiz, Mexico
Dimensions variable
Each: Approx. 4 1/8 x 4 3/8 x 1 3/8 in. (10.5 x 11 x 3.5 cm)
Edition of 3
JCG11131

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TERESA MARGOLLES
El manto negro / The black shroud, 2020 (detail)
2,300 burnished ceramic pieces hand-made by artisans in Mata Ortiz, Mexico
Dimensions variable
Each: Approx. 4 1/8 x 4 3/8 x 1 3/8 in. (10.5 x 11 x 3.5 cm)
Edition of 3
JCG11131

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TERESA MARGOLLES
El Brillo: One homicide can change the world (Un homicidio puede cambiar el mundo), 2020
Garment hand-embroidered in goldwork bullion style with glass shards from a site where violent acts occurred in El Paso, TX, U.S.A., 2019, 24K gold thread, bullion, tulle, lochrose crystals, display form
JCG11190

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TERESA MARGOLLES
El Brillo: One homicide can change the world (Un homicidio puede cambiar el mundo), 2020
Garment hand-embroidered in goldwork bullion style with glass shards from a site where violent acts occurred in El Paso, TX, U.S.A., 2019, 24K gold thread, bullion, tulle, lochrose crystals, display form
JCG11190

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TERESA MARGOLLES
El Brillo: One homicide can change the world (Un homicidio puede cambiar el mundo), 2020
Garment hand-embroidered in goldwork bullion style with glass shards from a site where violent acts occurred in El Paso, TX, U.S.A., 2019, 24K gold thread, bullion, tulle, lochrose crystals, display form
JCG11190

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TERESA MARGOLLES
El Brillo: One assassination shapes the world (Un asesinato forma el mundo), 2020
Garment hand-embroidered in goldwork bullion style with glass shards from a site where violent acts occurred in Culiacán, Sinaloa, Mexico, 2019, 24K gold thread, bullion, tulle, display form
JCG11191

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El Brillo: One assassination shapes the world (Un asesinato forma el mundo), 2020
Garment hand-embroidered in goldwork bullion style with glass shards from a site where violent acts occurred in Culiacán, Sinaloa, Mexico, 2019, 24K gold thread, bullion, tulle, display form
JCG11191

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TERESA MARGOLLES
El Brillo: One assassination shapes the world (Un asesinato forma el mundo), 2020
Garment hand-embroidered in goldwork bullion style with glass shards from a site where violent acts occurred in Culiacán, Sinaloa, Mexico, 2019, 24K gold thread, bullion, tulle, display form
JCG11191

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TERESA MARGOLLES
El Brillo: One assassination shapes the world (Un asesinato forma el mundo), 2020 (detail)
Garment hand-embroidered in goldwork bullion style with glass shards from a site where violent acts occurred in Culiacán, Sinaloa, Mexico, 2019, 24K gold thread, bullion, tulle, display form
JCG11191

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TERESA MARGOLLES
El Brillo: One execution can change an instant (Una ejecución puede cambiar un instante), 2020
Dress hand-embroidered in tambour style with glass shards from a site where violent acts occurred in Ciudad Juárez, Chihuahua, Mexico, 2019, ribbon, 24k gold thread, sequins, paillettes, Swarovski crystals, display form
JCG11192

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TERESA MARGOLLES
El Brillo: One execution can change an instant (Una ejecución puede cambiar un instante), 2020
Dress hand-embroidered in tambour style with glass shards from a site where violent acts occurred in Ciudad Juárez, Chihuahua, Mexico, 2019, ribbon, 24k gold thread, sequins, paillettes, Swarovski crystals, display form
JCG11192

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TERESA MARGOLLES
El Brillo: One execution can change an instant (Una ejecución puede cambiar un instante), 2020
Dress hand-embroidered in tambour style with glass shards from a site where violent acts occurred in Ciudad Juárez, Chihuahua, Mexico, 2019, ribbon, 24k gold thread, sequins, paillettes, Swarovski crystals, display form
JCG11192

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TERESA MARGOLLES
El Brillo: One execution can change an instant (Una ejecución puede cambiar un instante), 2020
Dress hand-embroidered in tambour style with glass shards from a site where violent acts occurred in Ciudad Juárez, Chihuahua, Mexico, 2019, ribbon, 24k gold thread, sequins, paillettes, Swarovski crystals, display form
JCG11192

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TERESA MARGOLLES
El Brillo: One execution can change an instant (Una ejecución puede cambiar un instante), 2020 (detail)
Dress hand-embroidered in tambour style with glass shards from a site where violent acts occurred in Ciudad Juárez, Chihuahua, Mexico, 2019, ribbon, 24k gold thread, sequins, paillettes, Swarovski crystals, display form
JCG11192

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TERESA MARGOLLES
El Brillo: One execution can change an instant (Una ejecución puede cambiar un instante), 2020 (detail)
Dress hand-embroidered in tambour style with glass shards from a site where violent acts occurred in Ciudad Juárez, Chihuahua, Mexico, 2019, ribbon, 24k gold thread, sequins, paillettes, Swarovski crystals, display form
JCG11192

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TERESA MARGOLLES
El Brillo: One execution can change an instant (Una ejecución puede cambiar un instante), 2020 (detail)
Dress hand-embroidered in tambour style with glass shards from a site where violent acts occurred in Ciudad Juárez, Chihuahua, Mexico, 2019, ribbon, 24k gold thread, sequins, paillettes, Swarovski crystals, display form
JCG11192

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TERESA MARGOLLES
Dos bancos, 2020
Two benches made from a mixture of cement and material sourced from the ground where the body fell of a person shot dead at the northern Mexican border
Each: 19 3/4 x 17 3/4 x 55 1/8 in. (50 x 45 x 140 cm)
JCG11283

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TERESA MARGOLLES
Super Speed / El Paso, Texas, 2020
Pigmented inkjet print
Box of 24 cartridges purchased from Walmart, Gateway Blvd, El Paso, TX
Unframed: 26 x 35 3/8 in. (66 x 90 cm)
Framed: 26 3/4 x 36 1/4 x 1 3/8 in. (67.9 x 92.1 x 3.5 cm)
TERESA MARGOLLES
Receipt, 2020
Fascimile of receipt from purchase from Walmart, Gateway Blvd, El Paso, TX
5 1/4 x 3 1/8 in.
13.3 x 8 cm
Edition of 3
JCG11276

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TERESA MARGOLLES
Receipt, 2020
Stacked facsimiles of receipt from purchase from Walmart, Gateway Blvd, El Paso, TX
Each: 36 x 24 in.
Edition of 3
JCG11285

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TERESA MARGOLLES
Receipt, 2020
Stacked facsimiles of receipt from purchase from Walmart, Gateway Blvd, El Paso, TX
Each: 36 x 24 in.
Edition of 3
JCG11285
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Sophie Kuijken @ Galerie Nathalie Obadia, Charles Decoster, Brussels

Sophie Kuijken
@Galerie Nathalie Obadia, Charles Decoster, Brussels
8 rue Charles Decoster
1050 - Ixelles-Brussels - Belgium
January 16 - February 22, 2020

installation views
1sophie-kuijken.jpg

2sophie-kuijken.jpg

3sophie-kuijken.jpg

4sophie-kuijken.jpg

5sophie-kuijken.jpg

6sophie-kuijken.jpg

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V.L.K.L.
2019
Oil and acrylic on on plywood panel
100 x 240 cm (39 3/8 x 94 1/2 in)

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Z.W.K.H.
2019
Oil and acrylic on plywood panel
200 x 80 cm (78 3/4 x 31 1/2 in)

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B.U.B.
2019
Oil and acrylic on plywood panel
200 x 80 cm (78 3/4 x 31 1/2 in.)

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K.T.E.
2019
Oil and acrylic on chipboard panel
122 x 140 cm (48 1/32 x 55 1/8 in)

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C.M.H.
2019
Oil and acrylic on chipboard panel
122 x 63 cm (48 1/32 x 24 13/16 in)

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B.L.H.
2019
Oil and acrylic on chipboard panel
44 x 33,5 cm (17 5/16 x 13 3/16 in.)

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K.L.M.
2019
Oil and acrylic on chipboard panel
140 x 122 cm (55 1/8 x 48 1/32 in.)

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O.E.N.
2019
Oil and acrylic on chipboard panel
55 x 54,5 cm (21 21/32 x 21 15/32 in.)

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t-S.N.O.
2019
Pencil, chalk and charcoal on chipboard panel primed with pigments casein (binder : casein-acrylic) - Matte varnish
48 x 47 x 1,8 cm (18 29/32 x 18 1/2 x 0 23/32 in)

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t-S.P.M.
2019
Pencil, metal point and chalk on plasterboard primed with pigments and chalk casein (binder : casein-acrylic) - Matte varnish
70 x 42 x 2,5 cm (27 9/16 x 16 17/32 x 0 31/32 in)

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t-M.O.M.
2019
Pencil, pastel, chalk and charcoal on chipboard panel primed with pigments casein (binder : casein-acrylic) - Matte varnish
40 x 33 x 1,8 cm (15 3/4 x 13 x 0 23/32 in)

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t-O.K.D
2019
Pencil, metal point and chalk on plasterboard primed with pigments and chalk casein (binder : casein-acrylic) - Matte varnish
67 x 50 x 2,5 cm (26 3/8 x 19 11/16 x 0 31/32 in)

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t-R.O.X.
2019
Pencil, chalk and charcoal on plasterboard primed with pigments and cement casein (binder : casein-acrylic, bone paste) - Matte varnish
160 x 90 x 2,5 cm (63 x 35 7/16 x 0 31/32 in)

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t-M.T.
2019
Pencil, metal point and chalk on plasterboard primed with pigments and chalk casein (binder : casein-acrylic, bone paste) - Matte varnish
65 x 60 x 2,5 cm (25 19/32 x 23 5/8 x 0 31/32 in)

23sophie-kuijken.jpg
t-L.N.
2019
Pencil, metal point and chalk on plasterboard primed with pigments and cement chalk (binder : casein-acrylic, bone paste) - Matte varnish
100 x 50 x 2,5 cm (39 3/8 x 19 11/16 x 0 31/32 in.)

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t-L.A.B.
2019
Pencil, metal point, chalk and hydrated lime on plasterboard primed with pigments and chalk casein (binder : casein-acrylic, bone paste) - Matte varnish
112 x 130 x 2,5 cm (44 3/32 x 51 3/16 x 0 31/32 in)
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Ruth Asawa: A Line Can Go Anywhere @ David Zwirner, London

Ruth Asawa: A Line Can Go Anywhere
@David Zwirner, London
24 Grafton Street
London
UK
January 10−February 22, 2020

installation views
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2line-can-go-anywhere.jpg

3line-can-go-anywhere.jpg

4line-can-go-anywhere.jpg

5line-can-go-anywhere.jpg

6line-can-go-anywhere.jpg

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8line-can-go-anywhere.jpg

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Ruth Asawa
Untitled (S.371, Hanging, Tied-Wire, Closed-Center, Multi-Branched Form Based on Nature), 1965
Hanging sculpture−bronze wire
11 3/4 x 11 1/4 x 9 1/2 inches
(29.8 x 28.6 x 24.1 cm)

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Ruth Asawa
Untitled (S.515, Hanging Two Interlocking Hat Forms with Undulating Brims), c. 1950-1959
Hanging sculpture−galvanized wire
14 1/4 x 17 x 17 inches
(36.2 x 43.2 x 43.2 cm)

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Ruth Asawa
Untitled (S.727, Hanging Single-Lobed, Four-Layer, Continuous Form within a Form, with a Short Collar Forming a Partial Fifth Layer), c. 1980-1989
Hanging sculpture−copper wire
12 x 13 1/2 x 13 1/2 inches
(30.5 x 34.3 x 34.3 cm)

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Ruth Asawa
Untitled (S.595, Hanging Single Section, Reversible Open Windows Form), c. 1963
Hanging sculpture−copper wire
11 1/4 x 10 1/2 x 10 1/2 inches
(28.6 x 26.7 x 26.7 cm)

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Ruth Asawa
Untitled (S.590, Hanging Open Undulating Form), c.1960
Hanging sculpture−copper wire
10 1/2 x 9 x 9 inches
(26.7 x 22.9 x 22.9 cm)

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Untitled (S.592, Hanging, Single Lobe, Three-Layered, Continuous Form within a Form), c. 1958
Hanging sculpture−copper wire
12 x 12 1/2 x 13 inches
(30.5 x 31.8 x 33 cm)

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Ruth Asawa
Untitled (S.524, Hanging Miniature Single Section, Reversible Six Columns of Open Windows), c. 1980-1989
Hanging sculpture−copper wire
12 1/2 x 6 x 6 inches
(31.8 x 15.2 x 15.2 cm)

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Ruth Asawa
Untitled (S.742, Hanging Single Section, Open Windows Form), c. 1976-1979
Hanging sculpture−copper wire
5 x 5 x 5 inches
(12.7 x 12.7 x 12.7 cm)

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Ruth Asawa
Untitled (S.764, Hanging Tied-Wire, Closed-Center, Multi-Branched Form Based on Nature), c. 1964-1966
Hanging sculpture−copper wire
5 1/2 x 6 1/2 x 6 1/4 inches
(14 x 16.5 x 15.9 cm)

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Ruth Asawa
(left to right)
Untitled (S.741, Wall Mounted or Hanging Open Circular Undulating Form), c. 1976-1979
Untitled(S.745, Hanging Sphere), c. 1976-1979
Untitled(S.722, Hanging Single-Lobed, Two-Layered Continuous Form within a Form, with a Collar Forming a Partial Third Layer), c. 1990-1999
Hanging sculptures−copper wire
(left to right)
5 1/2 x 5 1/2 x 1 inches
(14 x 14 x 2.5 cm)
1 x 1 1/4 x 1 1/4 inches
(2.5 x 3.2 x 3.2 cm)
5 1/2 x 8 1/4 x 8 1/4 inches
(14.0 x 21 x 21 cm)

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Ruth Asawa
Untitled (PF.1042, Shasta Daisy Stem), 1991
Ink on paper
11 x 8 1/2 inches
(27.9 x 21.6 cm)
Framed: 15 7/8 x 13 3/8 x 1 3/8 inches
(40.3 x 34 x 3.5 cm)

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Ruth Asawa
Untitled (PF.1039, Geranium Stem), 1991
Ink on paper
11 x 8 1/2 inches
(27.9 x 21.6 cm)Â
Framed: 15 7/8 x 13 5/8 inches
(40.3 x 34.6 cm)

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Ruth Asawa
Untitled (PF.1043, Japanese Maple Stem), 1991
Ink on paper
11 x 8 1/2 inches
(27.9 x 21.6 cm)
Framed: 15 7/8 x 13 3/8 x 1 3/8 inches
(40.3 x 34 x 3.5 cm)

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Ruth Asawa
Untitled (PF.150, Daisies), 1989
Ink on paper
11 x 16 5/8 inches
(27.9 x 42.2 cm)
Framed: 15 7/8 x 21 1/2 x 1 3/8 inches
(40.3 x 54.6 x 3.5 cm)

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Ruth Asawa
Gladiolas Salmon Pink (PF.589), 1990
Ink on paper
35 x 23 inches
(88.9 x 58.4 cm)
Framed: 40 1/4 x 28 1/4 x 1 1/2 inches
(102.2 x 71.8 x 3.8 cm)

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Ruth Asawa
Untitled (PF.891, Bouquet of Fortnight Lilies, Teucrium, and Roses)
Ink on paper
35 x 23 inches
(88.9 x 58.4 cm)
Framed: 40 1/4 x 28 1/8 x 1 1/2 inches
(102.2 x 71.4 x 3.8 cm)

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Ruth Asawa
Embarcadero Center's Chrysanthemum (PF.900), 1993
Ink on paper
23 x 35 inches
(58.4 x 88.9 cm)
Framed: 28 1/4 x 40 1/4 x 1 1/2 inches
(71.8 x 102.2 x 3.8 cm)

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Ruth Asawa
Wintermass (S.187, Hanging Tied-Wire, Double-Sided, Open-Center, Five-Branched Form Based on Nature)
Hanging sculpture−stainless steel wire tipped with resin
43 x 43 x 21 1/2 inches
(109.2 x 109.2 x 54.6 cm)

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Ruth Asawa
Untitled (PF.1015, Horsetail), 1961
Ink on rice paper on board
35 x 23 inches
(88.9 x 58.4 cm)
Framed: 40 1/4 x 28 1/4 x 1 1/2 inches
(102.2 x 71.8 x 3.8 cm)

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Ruth Asawa Sculpture 2, 1951
Gelatin silver print
Print: 9 x 7 1/4 inches
(22.9 x 18.4 cm)
Framed: 16 7/8 x 14 7/8 x 1 3/8 inches
(42.9 x 37.8 x 3.5 cm)

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Ruth Asawa and Her Wire Sculpture, 1951
Gelatin silver print
Print: 4 1/2 x 3 1/2 inches
(11.4 x 8.9 cm)
Framed: 12 x 10 7/8 x 1 3/8 inches
(30.5 x 27.6 x 3.5 cm)

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Ruth Asawa and Her Wire Sculpture 2, 1951
Gelatin silver print
Print: 4 1/2 x 3 1/2 inches
(11.4 x 8.9 cm)Â
Framed: 11 7/8 x 11 x 1 3/8 inches
(30.2 x 27.9 x 3.5 cm)

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Ruth Asawa
Untitled (S.307, Wall-Mounted Tied-Wire, Closed-Center, Five-Petaled Form Based on Nature)
Wall-mounted sculpture−bronze wire
58 x 58 x 11 inches
(147.3 x 147.3 x 27.9 cm)

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Ruth Asawa
Untitled (S.435, Hanging Eight-Lobed, Single-Layered Continuous Tear-Drop Form), 1952
Hanging sculpture−iron wire
125 x 14 x 14 inches
(317.5 x 35.6 x 35.6 cm)

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Ruth Asawa
Untitled (S.310, Hanging Five-Lobed Continuous Form Within a Form with Spheres in the 2nd, 3rd, and Bottom Lobes), c. 1954
Hanging sculpture−copper and brass wire
64 x 15 x 15 inches (162.6 x 38.1 x 38.1 cm)

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Ruth Asawa
Untitled (S.041, Hanging Four Layers of Hourglass Forms Surrounding a Bud-Shaped Center with an Intersecting Disk in Top)
Hanging sculpture−galvanized steel and iron wire
29 x 31 x 31 inches
(73.7 x 78.7 x 78.7 cm)

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Ruth Asawa
Untitled (S.636, Hanging Open Windows Form with Seven Tiers)
Hanging sculpture−steel wire
40 1/2 x 15 x 15 inches
(102.9 x 38.1 x 38.1 cm)

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Ruth Asawa
Study for Fox Plaza (Grovesnor Square) Fountain (S.220, Free-Standing, Electroplated Tied Wire Organic Form), 1964
Electroplated copper wire and copper tubing with green patina on painted steel base
23 x 14 x 10 1/2 inches
(58.4 x 35.6 x 26.7 cm)

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Ruth Asawa
Untitled (PF.1007, Fennel Bloom), 2000
Ink on paper
30 x 22 1/2 inches
(76.2 x 57.2 cm)
Framed: 27 3/4 x 35 1/4 x 1 1/2 inches
(70.5 x 89.5 x 3.8 cm)
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする