Philip Metten @ Zeno X Gallery, Antwerp

Philip Metten
@Zeno X Gallery
Godtsstraat 15
2140 Antwerp Borgerhout
Belgium
May 17 - June 29, 2019

installation views

















Philip Metten
C-281118
2018
40,4 x 11,6 x 16,4 cm
collage on paper


Philip Metten
C-281118
2018
40,4 x 11,6 x 16,4 cm
collage on paper


Philip Metten
C-090419
2019
134 x 134 cm
collage on paper


Philip Metten
C-150618
2018
16,6 x 16,6 cm
collage on paper


Philip Metten
C-260219
2019
8,7 x 7,7 cm
collage on paper


Philip Metten
C-210119
2019
11,3 x 10,5 cm
collage on paper


Philip Metten
C-270219
2019
134 x 134 cm
collage on paper


Philip Metten
C-190319
2019
45,2 x 11,8 x 18 cm
collage on paper


Philip Metten
C-190319
2019
45,2 x 11,8 x 18 cm
collage on paper


Philip Metten
C-020419
2019
134 x 134 cm
collage on paper


Philip Metten
C-010818
2018
34,3 x 34,3 cm
collage on paper


Philip Metten
C-140918
2018
41,4 x 41,4 cm
collage on paper


Philip Metten
C-290818
2018
32,9 x 32,9 cm
collage on paper


Philip Metten
C-070718
2018
32 x 31,6 cm
collage on paper


Philip Metten
CINEMA
2017
variable dimensions
aluminum, wood, Plexiglass and uorescent lamps
computer animation ‘Medley 23 Feb.’ by Anne-Mie Van Kerckhoven


Philip Metten
CINEMA
2017
variable dimensions
aluminum, wood, Plexiglass and uorescent lamps
computer animation ‘Medley 23 Feb.’ by Anne-Mie Van Kerckhoven


Philip Metten
CINEMA
2017
variable dimensions
aluminum, wood, Plexiglass and uorescent lamps

Chris Huen Sin Kan: Puzzled Daydreams @ Simon Lee Gallery Online Viewing Room, London

Chris Huen Sin Kan: Puzzled Daydreams
@Simon Lee Gallery Online Viewing Room, London
12 Berkeley Street,
London W1J 8DT, U.K.
3 APRIL - 2 MAY 2020

installation views

























Chris Huen Sin Kan
Haze and MuiMui, 2020
Oil on canvas
220 x 260 x 5 cm 86 5/8 x 102 3/8 x 2 in
Courtesy of Simon Lee Gallery








Chris Huen Sin Kan
Balltsz and Joel, 2020
Oil on canvas
220 x 260 x 5 cm 86 5/8 x 102 3/8 x 2 in
Courtesy of Simon Lee Gallery








Chris Huen Sin Kan
Doodood, MuiMui and Balltsz, 2020
Oil on canvas
200 x 320 x 5 cm 78 3/4 x 126 x 2 in
Courtesy of Simon Lee Gallery








Chris Huen Sin Kan
Doodood, Balltsz and MuiMui, 2020
Oil on canvas
200 x 240 x 5 cm 78 3/4 x 94 1/2 x 2 in
Courtesy of Simon Lee Gallery










Chris Huen Sin Kan
Joel and Haze, 2020
Oil on canvas
200 x 240 x 5 cm 78 3/4 x 94 1/2 x 2 in
Courtesy of Simon Lee Gallery




Chris Huen Sin Kan
Doodood, 2020
Pencil on paper
29.7 x 42 x 16 cm 11 3/4 x 16 1/2 x 6 1/4 in
Courtesy of Simon Lee Gallery




Chris Huen Sin Kan
Haze and Joel, 2020
Work on paper
29.7 x 42 x 16 cm 11 3/4 x 16 1/2 x 6 1/4 in
Courtesy of Simon Lee Gallery




Chris Huen Sin Kan
MuiMui, Balltsz and Joel, 2020
pencil on paper
29.7 x 42 x 16 cm 11 3/4 x 16 1/2 x 6 1/4 in
Courtesy of Simon Lee Gallery




Chris Huen Sin Kan
Balltsz and Doodood, 2020
pencil on paper
29.7 x 42 x 16 cm 11 3/4 x 16 1/2 x 6 1/4 in
Courtesy of Simon Lee Gallery




Chris Huen Sin Kan
MuiMui, 2020
pencil on paper
29.7 x 42 x 16 cm 11 3/4 x 16 1/2 x 6 1/4 in
Courtesy of Simon Lee Gallery

Niele Toroni: Un tout de différences @ Galerie Marian Goodman, Paris

Niele Toroni: Un tout de différences
@Galerie Marian Goodman, Paris
79 rue du Temple
75003 Paris
France
16 MAY - 1 JULY 2020

installation views



















Niele Toroni
Empreintes de pinceau n°50 à intervalles réguliers de 30 cm, 1997
Acrylic on wood
Diameter: 20 5/8 in. (52.5 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, 2012
Acrylic on canvas
39 3/8 x 19 3/4 x 1 in. (100 x 50 x 2.5 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, 2020
Collage and acrylic on foam board
25 5/8 x 19 3/4 x 1/8 in. (65 x 50 x 0.3 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, 2020
Acrylic on foam board
19 3/4 x 25 5/8 x 1/8 in. (50 x 65 x 0.3 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, 2020
Collage and acrylic on foam board
19 3/4 x 25 5/8 x 1/8 in. (50 x 65 x 0.3 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, 2020
Collage and acrylic on foam board
25 5/8 x 19 3/4 x 1/8 in. (65 x 50 x 0.3 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, 2020
Diptych; collage and acrylic on foam board
19 3/4 x 25 5/8 x 1/8 in. (50 x 65 x 0.3 cm) (each)
39 3/8 x 25 5/8 x 1/8 in. (100 x 65 x 0.3 cm) (overall)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, 2020
Diptych; collage and acrylic on foam board
25 5/8 x 19 3/4 x 1/8 in. (65 x 50 x 0.3 cm) (each)
25 5/8 x 39 3/8 x 1/8 in. (65 x 100 x 0.3 cm) (overall)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, June 2019
Acrylic on canvas
28 3/4 x 19 3/4 x 1 in. (73 x 50 x 2.5 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, June 2019
Acrylic on canvas
28 3/4 x 19 3/4 x 1 in. (73 x 50 x 2.5 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, June 2019
Acrylic on canvas
28 3/4 x 19 3/4 x 1 in. (73 x 50 x 2.5 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, June 2019
Acrylic on canvas
28 3/4 x 19 3/4 x 1 in. (73 x 50 x 2.5 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, June 2019
Acrylic on canvas
28 3/4 x 19 3/4 x 1 in. (73 x 50 x 2.5 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, June 2019
Acrylic on canvas
28 3/4 x 19 3/4 x 1 in. (73 x 50 x 2.5 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, June 2019
Acrylic on canvas
28 3/4 x 19 3/4 x 1 in. (73 x 50 x 2.5 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, June 2019
Acrylic on canvas
28 3/4 x 19 3/4 x 1 in. (73 x 50 x 2.5 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, June 2019
Acrylic on canvas
28 3/4 x 19 3/4 x 1 in. (73 x 50 x 2.5 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, June 2019
Acrylic on canvas
28 3/4 x 19 3/4 x 1 in. (73 x 50 x 2.5 cm)


Niele Toroni
Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, 2017
Triptych; acrylic on canvas
11 3/4 x 11 3/4 x 3/4 in. (30 x 30 x 2 cm) (each)


Niele Toroni
3 Empreintes de pinceau N°50 à intervalles réguliers de 30 cm, 2017
Triptych; acrylic on canvas
11 3/4 x 11 3/4 x 3/4 in. (30 x 30 x 2 cm) (each)
11 3/4 x 35 3/8 x 3/4 in. (30 x 90 x 2 cm) (overall)

Billy Childish: wolves, sunsets and the self @ Lehmann Maupin, Seoul

Billy Childish: wolves, sunsets and the self
@Lehmann Maupin, Seoul
74-18, Yulgok-ro 3-gil
Jongno-gu, Seoul
Korea
April 23 – June 27, 2020

installation views





















BILLY CHILDISH
trees and sky, 2019
Oil and charcoal on linen
72.05 x 84.06 inches
183 x 213.5 cm


BILLY CHILDISH
irises, 2020
Oil and charcoal on linen
48.03 x 48.03 inches
122 x 122 cm


BILLY CHILDISH
midnight sun / frozen lake, 2017
Oil and charcoal on linen
60.04 x 84.06 inches
152.5 x 213.5 cm


BILLY CHILDISH
chrysanthemums in June’s pot, 2017
Oil and charcoal on linen
48.03 x 35.83 inches
122 x 91 cm


BILLY CHILDISH
wolf in birch trees, 2019
Oil and charcoal on linen
72.05 x 72.05 inches
183 x 183 cm


BILLY CHILDISH
wolf, trees and road, 2019
Oil and charcoal on linen
72.05 x 72.05 inches
183 x 183 cm


BILLY CHILDISH
tree overlooking sea, 2017
Oil and charcoal on linen
48.03 x 48.03 inches
122 x 122 cm

Anthony Roberto: Object/Model, Figure/Form [Back Room} @ Upfor, Portland

Anthony Roberto: Object/Model, Figure/Form [Back Room}
@Upfor
929 NW Flanders Street
Portland, OR 97209
USA
Oct 3rd – Nov 30th 2019

installation views







Sometimes it actually happens., 2019
Archival pigment print from 3D render
18 × 27 in
45.7 × 68.6 cm
Editions 1-3 + 1AP


Where everything is permitted, and nothing is at stake., 2019
Archival pigment print from 3D render
18 × 27 in
45.7 × 68.6 cm
Editions 1-3 + 1AP


They’ll figure it out., 2019
Archival pigment print from 3D render
18 × 27 in
45.7 × 68.6 cm
Editions 1-3 + 1AP


They keep very busy., 2019
Archival pigment print from 3D render
18 × 27 in
45.7 × 68.6 cm
Editions 1-3 + 1AP


Finally., 2019
Archival pigment print from 3D render
18 × 27 in
45.7 × 68.6 cm
Editions 1-3 + 1AP


It’s fine., 2019
Archival pigment print from 3D render
18 × 27 in
45.7 × 68.6 cm
Editions 1-3 + 1AP

Anne-Mie Van Kerckhoven: Syzygy @ Zeno X Gallery, Antwerp

Anne-Mie Van Kerckhoven: Syzygy
@Zeno X Gallery
Godtsstraat 15
2140 Antwerp Borgerhout
Belgium
May 17 - June 29, 2019

installation views





























Anne-Mie Van Kerckhoven
Medley 23 Feb.
2019
variable dimensions
computer animation
37 minutes - continuous loop
edition of 3 + 1 AP
‘CINEMA’ sculpture by Philip Metten


Anne-Mie Van Kerckhoven
Medley 23 Feb.
2019
variable dimensions
computer animation
37 minutes - continuous loop
edition of 3 + 1 AP
‘CINEMA’ sculpture by Philip Metten


Anne-Mie Van Kerckhoven
Unweit von Dir
2017-2019
112 x 158 x 4,3 cm
digital prints on 2 layers of Plexiglass, acrylic paint nishing, mounted on painted wooden board
edition of 2


Anne-Mie Van Kerckhoven
Witchi Tai To
2018
100 x 200 x 2,7 cm
acrylic paint, silkscreen paint, spray paint, acrylic marker and oil pencil on PVC, mounted on painted wooden board


Anne-Mie Van Kerckhoven
African Blonde
2016-2019
86,9 x 50 x 2,4 cm
silkscreen paint, acrylic paint, acrylic marker and spray paint on Plexiglass, on wood


Im Keller der Seele
2006-2019
112 x 149 x 3,8 cm
digital print on Plexiglass, acrylic paint nishing, mounted on painted wooden board
edition of 2


Anne-Mie Van Kerckhoven
Blik / Eyes
1999 - 2017
51 x 43,6 x 2,5 cm
mixed media on PVC, on wood


Anne-Mie Van Kerckhoven
Blank
2017-2018
52,4 x 54,7 2,5 cm
silkscreen paint, acrylic paint, acrylic marker and spray paint on Plexiglass, on wood


Anne-Mie Van Kerckhoven
Botticelli 1
2018
30,5 x 23 cm
pencil, ink and felt tip on paper


Anne-Mie Van Kerckhoven
Botticelli 2
2018
30,5 x 23 cm
pencil, ink and felt tip on paper


Anne-Mie Van Kerckhoven
Synth-Stars
2019
121 x 96,3 x 4,5 cm
digital prints on 2 layers of Plexiglass, acrylic paint nishing, mounted on painted wooden board
edition of 2


Anne-Mie Van Kerckhoven
Bel Mij (Call Me)
2017-2018
57 x 36 x 2,3 cm
silkscreen paint, acrylic paint, acrylic marker and spray paint on Plexiglass, on wood


Anne-Mie Van Kerckhoven
Jeanne (2X)
2018-2019
101 x 78 x 2,7 cm
acrylic paint, silkscreen paint, acrylic marker and adhesive foil on PVC, mounted on painted wooden board


Anne-Mie Van Kerckhoven
Plastic & Cellulose
2003-2018
100,5 x 82,5 x 4,4 cm
acrylic paint, silkscreen paint, acrylic marker and adhesive foil, Plexiglass sheet on PVC, mounted on painted wooden board


Anne-Mie Van Kerckhoven
Dul (Space Oddity) (Mad (A Space Oddity))
2019
100 x 200 x 3,3 cm
transparent PVC sheet, paper, acrylic paint, silkscreen paint, spray paint, acrylic marker and oil pencil on PVC, mounted on painted wooden board


Anne-Mie Van Kerckhoven
Geen Beter Plaats dan Hier (No better Place than here)
2019
150 x 223 cm
Carpet jacquard printed
edition of 2 + 1AP


Anne-Mie Van Kerckhoven
Harmonie en Atavisme (Harmony and Atavism)
2019
39,5 x 59,4 cm
pencil, dry pastel and oil pastel on pastel card


Anne-Mie Van Kerckhoven
In de Vaas, Uit de Vaas (In the Vase, Out the Vase)
2019
39,5 x 59,4 cm
pencil, dry pastel and oil pastel on pastel card


Anne-Mie Van Kerckhoven
Aanbiddingen (Worships)
2019
39,5 x 59,4 cm
pencil, dry pastel and oil pastel on pastel card


Anne-Mie Van Kerckhoven
Aantrekkingskrachten (Attractions)
2019
39,5 x 59,4 cm
pencil, dry pastel and oil pastel on pastel card


Anne-Mie Van Kerckhoven
De Kunstenaar, Bezeten (The Artist, Possessed)
2019
39,5 x 59,4 cm
pencil, dry pastel and oil pastel on pastel card

Louise Fishman: An Hour is a Sea @ VIELMETTER LOS ANGELES

Louise Fishman: An Hour is a Sea
@VIELMETTER LOS ANGELES
1700 S Santa Fe Ave #101
Los Angeles, CA 90021
USA
April 18 – May 8, 2020
Online Only

Installation views









Louise Fishman
“UNTITLED,” 2011
Oil on board
2.88 x 2.88" [HxW] (7.32 x 7.32 cm)
Inventory #FIS129
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2011
Oil on canvas
4 x 2.75" [HxW] (10.16 x 6.99 cm)
Inventory #FIS130
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2011
Oil on board
3 x 2" [HxW] (7.62 x 5.08 cm)
Inventory #FIS131
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2011
Oil on board
3 x 2" [HxW] (7.62 x 5.08 cm)
Inventory #FIS132
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2011
Oil on board
3 x 2" [HxW] (7.62 x 5.08 cm)
Inventory #FIS133
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2011
Oil on board
3 x 2" [HxW] (7.62 x 5.08 cm)
Inventory #FIS134
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2011
Oil on board
3 x 2" [HxW] (7.62 x 5.08 cm)
Inventory #FIS135
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2011
Oil on board
3 x 2" [HxW] (7.62 x 5.08 cm)
Inventory #FIS136
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2011
Oil on board
3 x 2" [HxW] (7.62 x 5.08 cm)
Inventory #FIS137
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2011
Oil on board
3 x 2" [HxW] (7.62 x 5.08 cm)
Inventory #FIS138
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2011
Oil on board
4.06 x 2.09" [HxW] (10.31 x 5.31 cm)
Inventory #FIS139
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2014
Oil, sand and glue on canvas
4.06 x 2.09" [HxW] (10.31 x 5.31 cm)
Inventory #FIS140
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2014
Oil, sand and glue on canvas
4.06 x 2.09" [HxW] (10.31 x 5.31 cm)
Inventory #FIS141
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2014
Oil, sand and glue on canvas
4.06 x 2.09" [HxW] (10.31 x 5.31 cm)
Inventory #FIS142
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2014
Oil, sand and glue on canvas
4.06 x 2.09" [HxW] (10.31 x 5.31 cm)
Inventory #FIS143
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2014
Oil on canvas
4.06 x 2.09" [HxW] (10.31 x 5.31 cm)
Inventory #FIS144
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2014
Oil on canvas
4.06 x 2.09" [HxW] (10.31 x 5.31 cm)
Inventory #FIS145
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2014
Oil on canvas
2.09 x 4.06" [HxW] (5.31 x 10.31 cm)
Inventory #FIS146
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2014
Oil on canvas
4.06 x 2.09" [HxW] (10.31 x 5.31 cm)
Inventory #FIS147
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2014
Oil on canvas
4.06 x 2.09" [HxW] (10.31 x 5.31 cm)
Inventory #FIS148
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2014
Oil on acrylic gesso primed cotton canvas
3 x 2" [HxW] (7.62 x 5.08 cm)
Inventory #FIS149
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2014
Oil on acrylic gesso primed cotton canvas
3 x 2" [HxW] (7.62 x 5.08 cm)
Inventory #FIS150
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


“UNTITLED,” 2014
Oil on board
3 x 2" [HxW] (7.62 x 5.08 cm)
Inventory #FIS151
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2014
Oil on canvas
2 x 2" [HxW] (5.08 x 5.08 cm)
Inventory #FIS152
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2014
Oil on canvas
2 x 2" [HxW] (5.08 x 5.08 cm)
Inventory #FIS153
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2014
Oil on canvas
2 x 2" [HxW] (5.08 x 5.08 cm)
Inventory #FIS154
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“UNTITLED,” 2014
Oil on canvas
2 x 2" [HxW] (5.08 x 5.08 cm)
Inventory #FIS155
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson
Signed and dated on verso


Louise Fishman
“JASPER,” 2016
Oil on linen
30 x 30" [HxW] (76.2 x 76.2 cm)
Inventory #FIS158
Courtesy of the artist and Vielmetter Los Angeles


Louise Fishman
“UNTITLED,” 1971
Acrylic on canvas
48 x 94" [HxW] (121.92 x 238.76 cm)
Inventory #FIS125
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Genevieve Hanson

Brenda Mallory: Gather Back @ Upfor, Portland

Brenda Mallory: Gather Back
@Upfor
929 NW Flanders Street
Portland, OR 97209
USA
Nov 6th – Dec 21st 2019

installation views



















At the Fringe, 2019
Waxed cloth, paint, nuts and bolts, mounted on wood panel
33 1/2 × 74 × 2 in
85.1 × 188 × 5.1 cm


Firehose Experiment #13 (bioform), 2019
Linen firehoses, paint, threaded rods, washers and bolts
23 × 36 × 3 in
58.4 × 91.4 × 7.6 cm




Proximate Parcels, 2019
Deconstructed thread spools and cores
70 × 34 × 4 in
177.8 × 86.4 × 10.2 cm


Further Function #2, 2019
Cast paper, paint, nuts, bolts
27 1/4 × 42 1/4 × 2 1/4 in
69.2 × 107.3 × 5.7 cm


Common Connections, 2019
Fused glass (quadriptych)
32 × 46 in
81.3 × 116.8 cm


Raveled Lines #1, 2018
Deconstructed collograph print, thread, wax
27 × 51 × 1 in
68.6 × 129.5 × 2.5 cm


Along Porous Borders (Red), 2019
Waxed cloth, hog rings, welded steel
40 × 54 × 1 1/2 in
101.6 × 137.2 × 3.8 cm


Warm Stratis, 2019
Fused glass (pentaptych)
18 1/2 × 18 in
47 × 45.7 cm


Further Function - In Balance (black), 2018
Cast glass, shelf
26 × 13 1/2 × 1 3/4 in
66 × 34.3 × 4.4 cm


Further Function - In Balance (white), 2018
Cast glass, shelf
24 × 13 1/2 × 1 1/2 in
61 × 34.3 × 3.8 cm


Banded, 2019
Fused glass (diptych)
8 × 3 1/2 in
20.3 × 8.9 cm


Reformed Packings #15, 2019
Honeycomb paper, paint, encaustic and ink
34 1/2 × 34 1/2 × 2 1/4 in
87.6 × 87.6 × 5.7 cm




Iterum (Parts), 2019
Copperplate etching on Hahnemühle copperplate warm white paper
22 1/4 × 13 in
56.5 × 33 cm
Editions 1-5




Iterum (Bands), 2019
Copperplate etching on Hahnemühle copperplate warm white paper
22 1/4 × 13 in
56.5 × 33 cm
Editions 1-5




Iterum (Vertical), 2019
Copperplate etching on Hahnemühle copperplate warm white paper
22 1/4 × 13 in
56.5 × 33 cm
Editions 1-5 of 10


Raveled Band, 2019
Copperplate etching on Hahnemühle Copperplate bright white paper
27 × 17 in
68.6 × 43.2 cm
Editions 1-5


Further Function Fused - Sketch #2, 2019
Fused glass and paint
15 × 6 × 3/4 in
38.1 × 15.2 × 1.9 cm


Drifts (diptych), 2019
Fused glass
26 × 9 in
66 × 22.9 cm


Further Function Fused - Sketch #1, 2019
Fused glass, paint & insulation fiber
9 3/4 × 4 × 1 in
24.8 × 10.2 × 2.5 cm


Firehose Experiment #09 (circle), 2019
Linen firehose, paint, hog rings
8 × 8 × 2 1/4 in
20.3 × 20.3 × 5.7 cm

Srijon Chowdhury: Before Dreams @ Antoine Levi, Paris

Srijon Chowdhury: Before Dreams
@Antoine Levi
44 Rue Ramponeau
75020 Paris
France
November 22nd, 2018 - January 26th, 2019

installation views

















Red Glowing Morning Glory, 2018, oil on linen, cm. 101,8 x 76,2


Garden at Night, 2017, oil on linen, cm. 243,8 x 121,9


Rose in Hand, oil on linen, blackberry vine, cm. 21 x 16


Mother and Child, 2018, oil on linen, cm. 76,2 x 61


Fenced Flowers at Night, 2018, oil on linen, cm. 182,8 x 152,4


Green Vase, 2018, oil on linen, cm. 40,6 x 30,5


Hurricane, 2018, oil on linen, cm. 40,6 x 30,5


Glowing Glory, 2018, oil on linen, cm. 40,6 x 30,5

CHARLES AVERY: THE GATES OF ONOMATOPOEIA @ Ingleby, Edinburgh

CHARLES AVERY: THE GATES OF ONOMATOPOEIA
@Ingleby
33 Barony Street
Edinburgh
EH3 6NX
Scotland
UK
27 APRIL - 13 JULY 2019

installation views











Charles Avery Untitled (Gates of Onomatopoeia with the bearded loon in the foreground), 2019 pencil, acrylic, ink and watercolour on paper 216.5 x 380 cm 85 1/4 x 149 5/8 in (paper)
Charles Avery
Untitled (Gates of Onomatopoeia with the bearded loon in the foreground), 2019
pencil, acrylic, ink and watercolour on paper
216.5 x 380 cm
85 1/4 x 149 5/8 in (paper)










Charles Avery
Untitled (Onomatopoeia Harbour Gate, West Tower, with Oarsman in foreground), 2018
Pencil, ink, acrylic and watercolour on paper
217 x 135 cm (paper)
232.5 x 151 x 7 cm (framed)


Charles Avery
Untitled (Scavengers in the market place), 2019
Pencil, acrylic and ink on paper
84 x 57 cm
33 1/8 x 22 1/2 in (paper)
90 x 63 x 3 cm
35 3/8 x 24 3/4 x 1 1/8 in (framed)


Charles Avery
Untitled (Eel seller with blue shorts, silverbob and yellow bucket), 2019
pencil, acrylic, ink and watercolour on paper
123 x 92.2 x 4.5 cm
48 3/8 x 36 1/4 x 1 3/4 in
(framed)


Charles Avery
Untitled (Scene at the Union Bar), 2019
pencil, acrylic, ink and watercolour on paper
118.7 x 148.8 x 4.5 cm
46 3/4 x 58 5/8 x 1 3/4 in
(framed)


Charles Avery
Untitled (Axonometric view of concave station, Onomatopoeia City Wall), 2019
pencil, acrylic, ink and watercolour on paper
103 x 72.5 x 4.5 cm
40 1/2 x 28 1/2 x 1 3/4 in
(framed)

Dirk Braeckman: Dear deer , @ Zeno X Gallery, Antwerp

Dirk Braeckman: Dear deer ,
@Zeno X Gallery
Godtsstraat 15
2140 Antwerp Borgerhout
Belgium
September 18 - October 19, 2019

installation views





















Dirk Braeckman
Dear deer , Did you get
2019
120 x 80 cm
digital print on matte paper mounted on aluminium in
stainless steel frame - edition of 5 + 1 AP


Dirk Braeckman
Dear deer , When we walked
2019
90 x 60 cm
digital print on matte paper mounted on aluminium in
stainless steel frame - edition of 5 + 1 AP


Dirk Braeckman
Dear deer , Constant
2019
90 x 60 cm
digital print on matte paper mounted on aluminium in
stainless steel frame - edition of 5 + 1 AP


Dirk Braeckman
Dear deer , I remember
2019
90 x 60 cm
digital print on matte paper mounted on aluminium in
stainless steel frame - edition of 5 + 1 AP


Dirk Braeckman
Dear deer , Vague memories
2019
180 x 120 cm
digital print on matte paper mounted on aluminium in
stainless steel frame - edition of 3 + 1 AP


Dirk Braeckman
Dear deer , As I recall 2019
120 x 80 cm
digital print on matte paper mounted on aluminium in
stainless steel frame - edition of 5 + 1 AP


Dirk Braeckman
Dear deer , Yesterday we
2019
180 x 120 cm
digital print on matte paper mounted on aluminium in
stainless steel frame - edition of 3 + 1 AP


Dirk Braeckman
Dear deer , I hope
2019
120 x 180 cm
digital print on matte paper mounted on aluminium in
stainless steel frame - edition of 3 + 1 AP


Dirk Braeckman
Dear deer , As I lie
2019
180 x 120 cm
digital print on matte paper mounted on aluminium in
stainless steel frame - edition of 3 + 1 AP


Dirk Braeckman
Dear deer , I enjoyed
2019
90 x 60 cm
digital print on matte paper mounted on aluminium in
stainless steel frame - edition of 5 + 1 AP


Dirk Braeckman
Dear deer , Some recent
2019
90 x 60 cm
digital print on matte paper mounted on aluminium in
stainless steel frame - edition of 5 + 1 AP


Dirk Braeckman
Dear deer, It’s been
2019
5 x (180 x 120 cm)
digital print on matte paper mounted on aluminium in
stainless steel frame - series of 5 unique works


Dirk Braeckman
Dear deer , Send my
2019
180 x 120 cm
digital print on matte paper mounted on aluminium in
stainless steel frame - edition of 3 + 1 AP


Dirk Braeckman
Dear deer , How long
2019
120 x 80 cm
digital print on matte paper mounted on aluminium in
stainless steel frame - edition of 5 + 1 AP

Elizabeth Neel: Life in Halves @ VIELMETTER LOS ANGELES

Elizabeth Neel: Life in Halves
@VIELMETTER LOS ANGELES
1700 S Santa Fe Ave #101
Los Angeles, CA 90021
USA
March 14 – May 30, 2020

Installation views















Elizabeth Neel
“Life in Halves 1,” 2019
Acrylic on canvas
97 x 77" [HxW] (246.38 x 195.58 cm)
Inventory #NEE234
Courtesy of the artist and Vielmetter Los Angeles
Photocredit Adam Reich, NY


Elizabeth Neel
“Life in Halves 2,” 2019
Acrylic on canvas
97 x 77" [HxW] (246.38 x 195.58 cm)
Inventory #NEE235
Courtesy of the artist and Vielmetter Los Angeles
Photocredit Adam Reich, NY


Elizabeth Neel
“Afterlife,” 2019
Acrylic on canvas
76 x 130" [HxW] (193.04 x 330.2 cm)
Inventory #NEE240
Courtesy of the artist and Vielmetter Los Angeles
Photocredit Adam Reich, NY


Elizabeth Neel
“Siege Mentality,” 2019
Acrylic on canvas
71 x 78" [HxW] (180.34 x 198.12 cm)
Inventory #NEE239
Courtesy of the artist and Vielmetter Los Angeles
Photocredit Adam Reich, NY


Elizabeth Neel
“Why Io,” 2020
Acrylic on canvas
64 x 61" [HxW] (162.56 x 154.94 cm)
Inventory #NEE253
Courtesy of the artist and Vielmetter Los Angeles
Photocredit Adam Reich, NY


Elizabeth Neel
“Down Boy Blue,” 2019
Acrylic on canvas
Diptych, Each 72 x 45" [HxW] (182.88 x 114.3 cm)
Inventory #NEE236
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane


Elizabeth Neel
“Bystanders and Parasites,” 2019
Acrylic on canvas
58 x 46" [HxW] (147.32 x 116.84 cm)
Inventory #NEE237
Courtesy of the artist and Vielmetter Los Angeles
Photocredit Adam Reich, NY


Elizabeth Neel
“Minikin Mouth,” 2019
Acrylic on canvas
58 x 46" [HxW] (147.32 x 116.84 cm)
Inventory #NEE238
Courtesy of the artist and Vielmetter Los Angeles
Photocredit Adam Reich, NY


Elizabeth Neel
“US 1,” 2019
Acrylic on paper
22.5 x 28.5" [HxW] (57.15 x 72.39 cm)
Inventory #NEE242
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane


Elizabeth Neel
“US 29,” 2019
Acrylic on paper
22.5 x 28.5" [HxW] (57.15 x 72.39 cm)
Inventory #NEE245
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane


Elizabeth Neel
“US 4,” 2019
Acrylic on paper
22.5 x 28.5" [HxW] (57.15 x 72.39 cm)
Inventory #NEE246
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane


Elizabeth Neel
“US 21,” 2019
Acrylic on paper
22.5 x 28.5" [HxW] (57.15 x 72.39 cm)
Inventory #NEE247
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane

IYVONE KHOO, PINAR YOLDAS: ABSENCE OF MYTH @ Upfor, Portland

IYVONE KHOO, PINAR YOLDAS: ABSENCE OF MYTH
@Upfor
929 NW Flanders Street
Portland, OR 97209
USA
January 4 – February 29, 2020

installation views

















Pinar Yoldas
Artemis on the river and Veritas holding a Ribosome
each: 2019, archival pigment print
23.5 x 18 inches, edition of 3 + 1 AP


Iyvone Khoo
Transcient Sentience (detail), 2019
archival pigment print on aluminum
39 x 39 inches, edition of 3 + 1 AP


Awakening from a Deep Dream, 2009-20
mixed media (puppet, hanging cocoon)
131 x 15 x 15 inches
The puppet, named Maya, is the central character in The Moth Catcher, a short film included in the exhibition.






Iyvone Khoo
Awakening from a Deep Dream, 2009-20
Mixed media (robotic puppet and cocoon comprised of found and recycled materials, LED lights)
64 × 18 × 18 in
162.6 × 45.7 × 45.7 cm


Iyvone Khoo
The Moth Catcher, 2009
Single-channel video with audio
Edition 1/3 plus 2 artist's proofs




Iyvone Khoo
The Canary Song, 2019
4k and HD video (marine debris assemblage)
Edition 1/3 plus 2 artist's proofs


Iyvone Khoo
Silent Sentient (Lifeforms 0.1), 2020
4k and HD video (fluorescent coral)
Edition 1/3 plus 2 artist's proofs


Iyvone Khoo
Eternal Spring, 2019-20
Marine debris assemblage
Edition 1/3 plus 2 artist's proofs


Iyvone Khoo
Plastic Wonderland, 2019-20
Marine debris assemblage
Edition 1/3 plus 2 artist's proofs


Iyvone Khoo
Universe in a Microverse, 2020
Bioluminescent algae
Edition 1/3 plus 2 artist's proofs


Iyvone Khoo
Transcient Sentience, 2019
Archival pigment print on aluminum
39 × 39 in
99.1 × 99.1 cm
Edition 1/3 plus 1 artist's proof






Pinar Yoldas
Adonis: Bubbling Hormones, 2019
3D printed resin
12 × 6 × 7 in
30.5 × 15.2 × 17.8 cm






Pinar Yoldas
Kronos, 2019
3D printed resin
9 × 7 1/2 × 8 1/2 in
22.9 × 19.1 × 21.6 cm








Pinar Yoldas
Veritas holding a Ribosome, 2019
3D printed polymer, flocking
23 × 16 × 11 in
58.4 × 40.6 × 27.9 cm




Pinar Yoldas
Aegeria the River Goddess, 2019
3D printed resin
14 1/2 × 12 × 10 1/2 in
36.8 × 30.5 × 26.7 cm


Pinar Yoldas
Artemis on the River, 2019
3D Printed Resin
15 × 7 × 9 in
38.1 × 17.8 × 22.9 cm


Pinar Yoldas
Hermes: the Heir to Seven, 2019
3D printed resin
18 × 8 × 8 in
45.7 × 20.3 × 20.3 cm


Pinar Yoldas
Aegeria the River Goddess, 2019
Archival pigment print mounted on Sintra and face-mounted to acrylic
12 × 8 1/4 × 3/4 in
30.5 × 21 × 1.9 cm
Edition 1/3 + 1AP

Ola Vasiljeva: N'attendons pas M. Lapatine @ Antoine Levi, Paris

Ola Vasiljeva: N'attendons pas M. Lapatine
@Antoine Levi
44 Rue Ramponeau
75020 Paris
France
May 23rd - July 11th, 2019

installation views



















M. Lapatine, 2019, oil sticks on canvas, cm. 250 x 110


Les os, 2019, wood, steel, varnish (in two parts), cm. 153 x 11


Les os, 2019, wood, steel, varnish (in two parts), cm. 152 x 11


N’attendons pas M. Lapatine, 2019, glass, gold, wood, steel, plastic, varnish, cm. ø 49,5 (glass), cm. 55,5 x 4,5 (light), cm. 101,5 x 8,5 (handrail)


Le ver, 2019, silkscreen on paper, glass, cm. 15 x 87 x 49


L. Journal intime, 2019, mdf, epoxy, steel, paper, canvas, plastic, risograph print, chalk and marker drawings, peanuts, cm. 179,5 x 95 x 20

DAVID BATCHELOR: MY OWN PRIVATE BAUHAUS @ Ingleby, Edinburgh

DAVID BATCHELOR: MY OWN PRIVATE BAUHAUS
@Ingleby
33 Barony Street
Edinburgh
EH3 6NX
Scotland
UK
24 JULY - 28 SEPTEMBER 2019

installation views



















David Batchelor
Multi-Colour Chart 37, 2018
gloss and spray paint on Dibond
291 x 118 x 3 cm


David Batchelor
Multi-Colour Chart 40, 2018
gloss and spray paint on Dibond
53.5 x 25 cm


David Batchelor
Geo-Concreto 06, 2018
tin lids, gloss paint and concrete
69 x 15 x 5 cm
27 1/8 x 5 7/8 x 2 in


David Batchelor
Geo-Concreto 14, 2018
tin lids, gloss paint and concrete
53 x 11.5 x 5 cm
20 7/8 x 4 1/2 x 2 in


David Batchelor
Concreto 1.0h/14, 2014
coloured glass and concrete
19 x 21.5 x 6.5 cm


David Batchelor
Alt-Con Set, 2018-19
mixed media and concrete
dimensions vary
(comprising Alt-Concreto #06, 07, 14, 15 and 16)


David Batchelor
Alt-Concreto 18, 2018
wooden ruler and concrete
47.5 x 24 x 5 cm


David Batchelor
Neo-Neo Concreto 18, 2019
acrylic and concrete
47 x 30 x 5 cm


David Batchelor
I Love Kings Cross and Kings Cross Loves Me 17a, 2018
acrylic, metal and wheels
43 x 29 x 2.5 cm


David Batchelor
Atomic Drawing 18, 2011
spray paint, gaffer tape, pencil and ink on card
42 x 59.5 cm
(framed)


David Batchelor
Colour Triangle 06, 2019
acrylic on squared paper
40 x 29.5 cm (paper)
47 x 36 cm (framed)


David Batchelor
Colour Circle 10, 2017
acrylic on squared paper
28 x 42 cm (paper)
35 x 50 cm (framed)


David Batchelor
Three Dollies - Stacked (pink), 1999
gloss paint, aluminium paint, pencil and ink on graph paper
59.5 x 42 cm (paper)


David Batchelor
Fay Wray (white), 2011
electrical flex
56 cm (diameter)


David Batchelor
Found Monochrome, 14 Charlottenberg, Berlin 07.11.98, 1997-ongoing
lambda print
Edition of 3
63 x 45.5 x 3.7 cm