AKITO NARA: Ikiru wo Egaku @ ETHAN COHEN NEW YORK

AKITO NARA: Ikiru wo Egaku
@ETHAN COHEN NEW YORK
251 W 19TH ST
NEW YORK, NY 10011
USA
January 23 – February 29, 2020


Akito Nara, Soul Meeting
Acrylic and oil pastel on canvas
66.9 in x 67.7 in
2020


Akito Nara, Kiss
Acrylic and oil pastel on canvas
40 x 30 in
2017


Akito Nara, Woman
Acrylic and oil pastel on canvas
36 x 36 in
2017


Akito Nara, B612
Acrylic and oil pastel on canvas
48 x 36 in
2017


Akito Nara, Morning Star
Acrylic and oil pastel on canvas
48 x 36 in
2017


Akito Nara, Grandma and Me
Acrylic and oil pastel on canvas
30 x 24 in
2015


Akito Nara, Wedding Day
Acrylic and oil pastel on canvas
36 x 48 in
2018


Akito Nara, My Statue of Liberty
Acrylic and oil pastel on canvas
30 x 24 in
2015


Self Portrait, Native American, 2015
Acrylic and oil pastel on canvas
30 × 24 in
76.2 × 61 cm


Untitled, 2017
Mixed media on canvas
24 × 24 in
61 × 61 cm


Self-Portrait, NYC, 2016
Mixed media on canvas
30 × 24 in
76.2 × 61 cm


Elementary Particle, 2019
Mixed media on canvas
24 × 16 in
61 × 40.6 cm

LAWRENCE WEINER: ON VIEW @ Regen Projects, Los Angeles

LAWRENCE WEINER: ON VIEW
@Regen Projects
6750 SANTA MONICA BOULEVARD
LOS ANGELES CA 90038
USA
FEBRUARY 27 – JUNE 20, 2020

installation views















ON VIEW
2020
Language + the materials referred to
Dimensions variable


IN THE WAY
2020
Language + the materials referred to
Dimensions Variable


ON THE WAY
2020
Language + the materials referred to
Dimensions Variable


REMOVED FROM VIEW
2020
Language + the materials referred to
Dimensions variable

Troy Brauntuch: A Strange New Beauty @ Petzel, 35 E 67th Street, New York

Troy Brauntuch: A Strange New Beauty
@Petzel, 35 E 67th Street, New York
35 E 67th Street
New York, New York 10065
USA
January 15 – March 14, 2020

installation views





















Green and Rose Barron
2019
Archival pigment print on paper
Each print: 27 x 22 3/4 inches
Diptych: 27 x 48 1/2 inches


A Strange New Beauty (Artist's Book)
2020
Photo-polymer letterpress prints, handbound artist's book, edition of 10
10 x 8 1/4 inches
Edition of 10


Parrots
2020
Photo-polymer letterpress print
19 5/8 x 18 1/8 inches


A Strange New Beauty (White Cases)
2019
Laser-exposed fiber prints
Overall: 25 3/4 x 188 inches
Each work: 25 13/16 x 23 1/8 inches


A Strange New Beauty (White Cases)
2019
Laser-exposed fiber prints
25 13/16 x 23 1/8 inches


A Strange New Beauty (32 Plates)
2019
Photo-engraved magnesium plate letterpress prints
Left wall, overall: 36 x 160 inches
Right wall, overall: 36 x 116 inches
Each work, framed: 15 7/8 x 19 7/8 inches


A Strange New Beauty (32 Plates)
2019
Photo-engraved magnesium plate letterpress prints
Each work, framed: 15 7/8 x 19 7/8 inches


A Strange New Beauty (Black Cases)
2019
Laser-exposed fiber prints
Overall: 25 3/4 x 172 inches
Each work: 25 13/16 x 23 1/8 inches


A Strange New Beauty (Black Cases)
2019
Laser-exposed fiber prints
25 13/16 x 23 1/8 inches


Chanel
2020
Collected newspaper advertisement from The New York Times from 2016
16 x 12 3/4 inches


Selected Shoes
2019
Collected newspaper advertisements from The New York Times from 2015 - 2017
15 3/4 x 46 3/4 inches


Untitled
2019
Selected magnesium letterpress plates
Nine letterpress plates of various dimensions

Joy before the object @ Seventeen, London

Joy before the object
Brian Bress, Simon Cunningham, Hannah Hewetson, Joey Holder, Anouk Kruithof, Erin O’Keefe, Simon Linke, Richard Paul
@Seventeen
270-276 Kingsland Road
London
E8 4DG
UK
12th April to 25th May 2019

installation views























Erin O’Keefe, Built Work #29, 2018
Archival pigment print mounted to Sintra.


Anouk Kruithof, Snug Fit, 2017
Print on latex, polystyrene, fiberglass, paint, metal, rubber 140 x 85 x 47 cm


Erin O’Keefe, Built Work, 2018
Archival pigment print mounted to Sintra
63.5 x 50.8 cm each


Brian Bress, Palmtree Cartoons, 2019
HD single-channel video, HD monitor and player, frame 24 minutes 55 seconds, looped
100 x 59 x 8.5 cm


Installation view of works by Simon Linke


Hannah Hewetson, Billboard de la frontera, 2019
Watercolour on paper, porcelain, earthenware. 228 x 173 x 14 cm


Joey Holder, The Evolution of the Spermalege, 2014 – present
3D prints, skin-safe silicon, spray paint, baby oil, acrylic, wallpaper


Detail of Joey Holder, The Evolution of the Spermalege, 2014 – present


Detail of Joey Holder, The Evolution of the Spermalege, 2014 – present


Anouk Kruithof, Petrified Sensibilities 8, 2017
Print on latex, oxygen mask, tubing. 76.3 x 43.4 x 7 cm


Simon Cunningham, Duckrabbit, 2019
Unique taxidermy. 25 x 18 x 10 cm


Richard Paul, Three bubble (tiffany), 2019
3D lenticular prints on LED light panel. 51 x 41 cm


Richard Paul, One bubble (brandy), 2019
3D lenticular prints on LED light panel. 51 x 41 cm


Joey Holder, Image from The Evolution of the Spermalege, 2014 – on going

M. Louise Stanley: Epic Tales @ Anglim Gilbert Gallery, San Franciso

M. Louise Stanley: Epic Tales
@Anglim Gilbert Gallery
Minnesota Street Project | 1275 Minnesota Street | San Franciso, CA 94107
USA
November 14–December 21, 2019

installation views













M. Louise Stanley, 20th Century Genre, 1998
Gouache on paper, 29-1/2 x 40 in.


M. Louise Stanley, Anatomy Lesson, 2003
Acrylic on canvas, 72 x 96 in.


M. Louise Stanley, Bad Bankers, 2018
Gouache and gold leaf on paper, 16 x 12 in.


M. Louise Stanley, Bad Girl, 2005
Gouache and gold leaf on paper, 28 x 21 in.


M. Louise Stanley, Garage Sale, 1996
Acrylic on canvas, 72 x 96 in.


M. Louise Stanley, Comeuppance, 2018
Gouache on paper, 16 x 12 in.


M. Louise Stanley, Great Moments in Art History, 2007
Acrylic on canvas, 52 x 62 in.


Truncis Naribus (faces without noses), 2014
Acrylic on canvas
36 × 44 in
91.4 × 111.8 cm


Good Old Days, 2014
Acrylic on canvas
44 × 52 in
111.8 × 132.1 cm


Homage to Duchamp, 2003
Acrylic on canvas
60 × 46 in
152.4 × 116.8 cm

SHAPESHIFTERS @ The approach, London

SHAPESHIFTERS
Sascha Braunig
Sandra Mujinga
Maria Pinińska-Bereś
@The approach
1st Floor, 47 Approach Road
Bethnal Green, London E2 9LY
UK
12th January 2019 - 10th February 2019

installation views

























Sascha Braunig, Spliied, 2018, oil on linen over panel, 139.7 x 114.3 cm


Sascha Braunig, Untitled (frames), 2018, acrylic and acryla-gouache on paper, 30.8 x 41 cm


No Title [Study for 'Window. De-Construction of the Leaning Tower'; collage], ca 1992, drawing on paper, collage, 22.8 x 32.5 cm


No Title [Studies for 'Burning Giraffe'], ca 1989, drawing on paper, collage, 32 x 22.9 cm


No Title [Study for 'Infantka with Little Bell - the Cage'; inscription about the work's dimensions], 1997, drawing on paper, collage, 29.5 x 21 cm


No Title [Studies for 'Mme Récamier'], ca 1992, drawing on paper, 41.5 x 29.5 cm


No Title [Collage with a tube-shaped form], ca 1990, drawing on paper, collage, 32.5 x 22.7 cm


Shawl (Elephant Ears) #1, Shawl (Elephant Ears) #2, Shawl (Elephant Ears) #4, all 2017, PVC, acrylic paint, faux leather, grommets, carabiner, PU leather, glycerin, threaded rod, rod coupling, hooks, 180 x 200 cm (dimension of three works installed at gallery)


Window. De-Construction of the Leaning Tower, 1992, wood frame, plywood, fabric, foam, glass pane, acrylic, 47 x 43 x 9 cm


Sabbath (Sabat), 1987, plywood, canvas-wrapped foam, wooden pole, acrylic, 90 x 277 x 51 cm


Uniform, 2018, soft pvc, acrylic paint, PU leather, grommets, carabiner, 225 x 65 cm


Swirl on San Marco, 1993, plywood, c`nvas-wrapped foam, acrylic, 72 x 72 x 75 cm


Shawl (Elephant Ears) #3, 2017, faux leather, grommets, carabiner, jeans fabric, 140 x 50 x 4 cm


Disruptive Patterns, 2018, ed. 1/3, moving image, three-monitor display, loop


Sascha Braunig, Shower Scene, 2018, acryla-gouache on paper, 35.9 x 50.6 cm


Sascha Braunig, Floe, 2018, oil on arches oil paper, 30.8 x 41 cm