Leidy Churchman: Earth Bound @ Matthew Marks Gallery, 522 W 22 Street, New York

Leidy Churchman: Earth Bound
@Matthew Marks Gallery, 522 W 22 Street, New York
522 West 22nd Street
NY 10011 New York
USA
February 21 - April 18, 2020

installation views

























Buddhadharma Fever
2019
Oil on linen
86 1/8 x 102 1/8 inches
219 x 259 cm


Moon Rabbit
2020
Oil on linen, mirror
31 1/8 x 38 inches
79 x 97 cm


iPhone 11
2019–20
Oil on linen
9 5/8 x 15 1/8 inches
24 x 38 cm


Reclining Buddha
2020
Oil on linen in niche designed by the artist
48 x 79 inches
122 x 201 cm


Kishkindha Forest (Jodhpur)
2020
Oil on linen
60 x 125 inches
152 x 318 cm


Earth Bound (Card 21 of the Secret Dakini Oracle)
2020
Oil on linen
58 1/8 x 42 3/4 inches
148 x 109 cm


Groundless Ground
2020
Oil on linen
86 1/8 x 102 1/8 inches
219 x 259 cm


Blinding 1
2020
Oil on linen
30 1/8 x 24 1/4 inches
77 x 62 cm


Giraffe Heart Mind
2012–19
Oil on linen
30 1/8 x 24 1/8 inches
77 x 61 cm


The Rose Garden
2019
Oil on linen, mirror
19 x 13 1/2 inches
48 x 34 cm


White Girl
2019
Oil on linen
8 1/8 x 10 1/8 inches
21 x 26 cm


Cute Jug
2019
Oil on linen
12 1/8 x 8 5/8 inches
31 x 22 cm


Orobureau
2016–19
Oil on linen
24 1/4 x 20 1/4 inches
62 x 51 cm


Blinding 2
2017–20
Oil on linen
19 5/8 x 23 1/4 inches
50 x 59 cm


Kitchen Sink
2017
Oil on linen
11 1/2 x 26 inches
29 x 66 cm


Color-aid
2020
Oil on linen
8 x 10 inches
20 x 25 cm


Dots
2020
Oil on linen
15 5/8 x 12 5/8 inches
40 x 32 cm


Twirling Whirling Swirling
2017–20
Oil on linen
12 x 8 3/4 inches
31 x 22 cm


100 Billion Sadhana of Mahamudra
2020
Oil on linen, mirror
32 1/8 x 38 inches
82 x 97 cm


Karma Kagyu & Essex St. (Yellow Studio) (Devotion)
2020
Oil on linen
79 x 102 inches
201 x 259 cm


Golden Vagina Mouth of Time III
2019
Oil on linen
9 5/8 x 14 1/4 inches
24 x 36 cm

Pietro Roccasalva: The Argon Welder @ Zeno X Gallery, Antwerp

Pietro Roccasalva: The Argon Welder
@Zeno X Gallery
Godtsstraat 15
2140 Antwerp Borgerhout
Belgium
January 29 - March 14, 2020

installation views

























Pietro Roccasalva
The Argon Welder I
2019
68,8 x 45,4 cm
oil on canvas


Pietro Roccasalva
The Argon Welder II
2019
64,5 x 48,8 cm
oil on canvas


Pietro Roccasalva
The Argon Welder III
2019
58,5 x 43,2 cm
oil on canvas


Pietro Roccasalva
The Argon Welder IV
2019
62,2 x 47,8 cm
oil on canvas


Pietro Roccasalva
The Argon Welder V
2019
58,2 x 40,5 cm
oil on canvas


Pietro Roccasalva
The Argon Welder VI
2019
60,0 x 40,7 cm
oil on canvas


Pietro Roccasalva
The Argon Welder VII
2019
53,0 x 38,9 cm
oil on canvas


Pietro Roccasalva
The Argon Welder VIII
2019
53,2 x 38,2 cm
oil on canvas


Pietro Roccasalva
The Argon Welder IX
2019
62,2 x 41,8 cm
oil on canvas


Pietro Roccasalva
The Argon Welder X
2019
65,5 x 52,7 cm
oil on canvas


Pietro Roccasalva
The Argon Welder XI
2019
49,4 x 37,2 cm
oil on canvas


Pietro Roccasalva
The Argon Welder XI
2019
49,4 x 37,2 cm
oil on canvas


Pietro Roccasalva
The Argon Welder XIII
2019
54,5 x 76,3 cm
oil on canvas


Pietro Roccasalva
The Argon Welder XIV
2019
44,2 x 58 cm
oil on canvas

KELLI VANCE: IN THE STUDIO @ MCCLAIN GALLERY, Houston

KELLI VANCE: IN THE STUDIO
@MCCLAIN GALLERY
2242 Richmond Avenue
Houston, TX 77098
USA
ONLINE April 27–May 15, 2020


Kelli Vance
In An Attempt to Detach Ourselves, 2016
oil on canvas
40 x 40 inches


Kelli Vance
The Weight of the World on My Throat Chakra, 2020
oil on canvas
8 x 10 inches


Kelli Vance
Let Me Wake in Golden Light, 2016
oil on canvas
30 x 40 inches


Kelli Vance
We Provide Our Best Offering to the Universe, 2016
oil on canvas
60 x 36 inches


Kelli Vance
Our Inner World Is Close But We Never Go There, 2017
oil on canvas
42 x 54 inches


Kelli Vance
Self Portrait in Blue, 2018
oil on linen
10 x 9 inches


Kelli Vance
Untitled, 2018
lithograph
18 x 24 inches
Edition of 20


Kelli Vance
Every Spot of Light That Gauged a Shadow Beside My Bones, 2018
oil on canvas
30 x 40 inches


Kelli Vance
While I Was Waiting, 2018
oil on canvas
42 x 72 inches


Kelli Vance
Honey, 2012
oil on panel
10 x 8 inches


Kelli Vance
Honey, 2012
oil on panel
8 x 8 inches


Kelli Vance
Self Portrait With Cake, 2012
eraser on charcoal toned paper
frame: 35 x 28 inches


Kelli Vance
And Still She Wonders, 2019
oil on canvas
8 x 10 inches


Kelli Vance
How Inseparably I Was Bound, 2015
oil on canvas
36 x 96 inches


Installation view from Kelli Vance: Recital at McClain Gallery, 2015


Kelli Vance
Sweet Nothing, 2009
oil on canvas
48 x 36 inches


Kelli Vance
Now That This Mountain Is Hers, 2008
oil on canvas
72 x 96 inches


Installation view of a banner based on the painting Now That This Mountain is Hers at the Kirby Collection, Houston


Kelli Vance
She Imagined I Could Help Her, 2009
oil on canvas
96 x 48 inches


Installation view of She Imagined I Could Help Her, Houston


Kelli Vance
She's Fabulous But She's Evil, 2009
oil on canvas
72 x 72 inches

Gary Panter: Drawings, 1973-2019 @ Fredericks & Freiser, New York

Gary Panter: Drawings, 1973-2019
Curated By Dan Nadel And Nicole Rudick
@Fredericks & Freiser
536 W 24th Street
New York, NY 10011
USA
November 14, 2019 – January 11, 2020

installation views





























Gary Panter
Lady with painted face, 1973
Ink on paper
16h x 13w in
40.64h x 33.02w cm


Gary Panter
Rozz Tox, 1973
Ink on paper
12 1/8h x 10w in
30.80h x 25.40w cm


Gary Panter
Bin Am Jam, 1973
Ink on paper
12h x 10w in
30.48h x 25.40w cm


Gary Panter
Autodeath, 1973
Ink on paper
12h x 13 1/2w in
30.48h x 34.29w cm


Gary Panter
Elvis Zombie, 1979
Ink on paper
11h x 8 1/2w in
27.94h x 21.59w cm


Gary Panter
Germs with Middle Class, 1980
Ink on Paper
11h x 8 1/2w in
27.94h x 21.59w cm


Gary Panter
Vinyl Fetish, 1980
Ink and wite-out on paper
10 1/4h x 10 3/4w in
26.04h x 27.30w cm


Gary Panter
Jimbo Editorial, 1980
Ink on board
14h x 11w in
35.56h x 27.94w cm


Gary Panter
Aftermath, 1981
Ink and gouache on board
19 1/2h x 27w in
49.53h x 68.58w cm


Gary Panter
Jimbo is Running Sore, Page 2, 1981
Ink and wite-out on board
15h x 11w in
38.10h x 27.94w cm


Gary Panter
Henry Webb's Hollywood, 1983
Ink on board
18h x 12 1/4w in
45.72h x 31.11w cm


Gary Panter
Spiked Hair, 1983
Ink on paper
11h x 8 1/2w in
27.94h x 21.59w cm


Gary Panter
Screamer, 1982
Ink on paper
11h x 8 1/2w in
27.94h x 21.59w cm


Gary Panter
Inversion, 1984
Ink on paper
10h x 12w in
25.40h x 30.48w cm


Gary Panter
Killbilly, 1986
Ink on paper
15 1/2h x 22 1/2w inches
39.37h x 57.15w cm


Gary Panter
Robot Rescue, 1984
Ink on paper
10 1/2h x 7 1/2w in
26.67h x 19.05w cm


Gary Panter
Guy in a Dinosaur Suit, 1983
Ink on paper
8 1/2h x 11w in
21.59h x 27.94w cm


Gary Panter
Jimbo's House is Gigantic and Condemned page 8, 1987
Ink on board
29h x 23w in
73.66h x 58.42w cm


Gary Panter
Okupant X, 1991
Ink on board
22h x 15w in
55.88h x 38.10w cm


Gary Panter
Glyphic Figure, 1987
Ink on paper
8 1/2h x 11w in
21.59h x 27.94w cm


Gary Panter
Psychedelic Screamer, 1995
Ink on paper
21h x 14w in
53.34h x 35.56w cm


Gary Panter
Mutation Sequence 1, 1984
Ink on paper
11h x 8 1/2w in
27.94h x 21.59w cm


Gary Panter
Mutation Sequence 2, 1984
Ink on paper
11h x 8 1/2w in
27.94h x 21.59w cm


Gary Panter
Mutation Sequence 3, 1984
Ink on paper
11h x 8 1/2w in
27.94h x 21.59w cm


Gary Panter
I Drew the Sponge (page 20) from Jimbo in Purgatory, 1999
Ink on paper
23h x 16w in
58.42h x 40.64w cm


Gary Panter
Such Pulsing Springs (page 27) from Jimbo in Purgatory, 1999
Ink on paper
23h x 16w in
58.42h x 40.64w cm


Gary Panter
The Innocent Root of All Man's Seed (page 28) from Jimbo in Purgatory, 2000
Ink on paper
23h x 16w in
58.42h x 40.64w cm


Gary Panter
Snowflakes Fallen New (page 29) from Jimbo in Purgatory, 2000
Ink on paper
23h x 16w in
58.42h x 40.64w cm


Gary Panter
Psychedelic Landscape, 1990
Ink on paper
11h x 8 1/2w in
27.94h x 21.59w cm


Gary Panter
Jimi, 1999
Ink on paper
8 1/2h x 11w in
21.59h x 27.94w cm


Gary Panter
Smulkin, 1999
Ink on paper
11h x 14w inches
27.94h x 35.56w cm


Gary Panter
Hovering Dr. Nightmare Telephone, 2000
Ink on board
13h x 11w in
33.02h x 27.94w cm


Gary Panter
Born Wild, 2012
Ink on paper
11 3/4h x 14 1/2w in
29.84h x 36.83w cm


Gary Panter
Fog Pad, 2019
Ink on paper
13 3/4h x 26w in
34.92h x 66.04w cm

Walead Beshty: Abstract of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench @ Petzel, 456 W 18th Street, New York

Walead Beshty: Abstract of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench
@Petzel, 456 W 18th Street, New York
456 W 18th Street
New York, New York 10011
USA
October 24 – December 14, 2019

installation views









































Walead Beshty
Prologue to A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels are Lying Around at Random All Over the Workbench (1 August–8 October 2013)
2014
Ferric ammonium citrate and potassium ferricyanide on cellulose-based material
Dimensions variable, 1,384 pieces


Walead Beshty
Prologue to A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels are Lying Around at Random All Over the Workbench (1 August–8 October 2013)
2014
Bound letterpress and digital offset print volumes, seven numbered volumes
27.5 x 19.75 inches each, 7 pieces


Walead Beshty
Prologue to A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels are Lying Around at Random All Over the Workbench (1 August–8 October 2013)
2014
Bound letterpress and digital offset print volumes, seven numbered volumes
27.5 x 19.75 inches each, 7 pieces


Walead Beshty
Prologue to A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels are Lying Around at Random All Over the Workbench (1 August–8 October 2013)
2014
Bound letterpress and digital offset print volumes, seven numbered volumes
27.5 x 19.75 inches each, 7 pieces


Walead Beshty
Prologue to A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels are Lying Around at Random All Over the Workbench (1 August–8 October 2013)
2014
Bound letterpress and digital offset print volumes, seven numbered volumes
27.5 x 19.75 inches each, 7 pieces


Walead Beshty
Prologue to A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels are Lying Around at Random All Over the Workbench (1 August–8 October 2013)
2014
Bound letterpress and digital offset print volumes, seven numbered volumes
27.5 x 19.75 inches each, 7 pieces


Walead Beshty
Prologue to A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels are Lying Around at Random All Over the Workbench (1 August–8 October 2013)
2014
Bound letterpress and digital offset print volumes, seven numbered volumes
27.5 x 19.75 inches each, 7 pieces


Walead Beshty
Prologue to A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels are Lying Around at Random All Over the Workbench (1 August–8 October 2013)
2014
Bound letterpress and digital offset print volumes, seven numbered volumes
27.5 x 19.75 inches each, 7 pieces


Walead Beshty
Prologue to A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels are Lying Around at Random All Over the Workbench (1 August–8 October 2013)
2014
Bound letterpress and digital offset print volumes, seven numbered volumes
27.5 x 19.75 inches each, 7 pieces


Walead Beshty
Marginalis (Los Angeles, California, September 2–30, 2013)
2019
Cyanotype chemistry on canvas
60 x 128 inches


Walead Beshty
Marginalis (Los Angeles, California, August 1-30, 2013)
2016
Cyanotype chemistry on canvas
55 x 92.5 inches


Walead Beshty
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (9 October 2013–8 October 2014)
2014
Ferric ammonium citrate and potassium ferricyanide on cellulose-based material
Dimensions variable, 10,174 pieces


Walead Beshty
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (9 October 2013–8 October 2014)
2014
Bound letterpress and digital offset print volumes, 52 numbered volumes
27.5 x 19.75 inches each, 52 pieces


Walead Beshty
Blind Collage (Two 180o Rotations, New York Post, Thursday, October 10, 2019)
2019
Newspaper, tape, and 22 karat gold leaf
39.4 x 31.5 inches


Walead Beshty
Blind Collage (Three 180o Rotations, The New York Times, Friday, October 11, 2019)
2019
Newspaper, tape, and 22 karat gold leaf
39.4 x 31.5 inches


Walead Beshty
Blind Collage (Two 180o Rotations, New York Post, Monday, October 14, 2019)
2019
Newspaper, tape, and 22 karat gold leaf
39.4 x 31.5 inches


Walead Beshty
Blind Collage (Two 180o Rotations, New York Post, Tuesday, October 15, 2019)
2019
Newspaper, tape, and 22 karat gold leaf
39.4 x 31.5 inches


Walead Beshty
Blind Collage (Two 180o Rotations, New York Post, Wednesday, October 16, 2019)
2019
Newspaper, tape, and 22 karat gold leaf
39.4 x 31.5 inches


Walead Beshty
Blind Collage (Three 180o Rotations, The New York Times, Thursday, October 17, 2019)
2019
Newspaper, tape, and 22 karat gold leaf
39.4 x 31.5 inches


Walead Beshty
Blind Collage (Three 180o Rotations, The New York Times, Friday, October 18, 2019)
2019
Newspaper, tape, and 22 karat gold leaf
39.4 x 31.5 inches


Walead Beshty
Blind Collage (Two 180o Rotations, New York Post, Saturday, October 19, 2019)
2019
Newspaper, tape, and 22 karat gold leaf
39.4 x 31.5 inches


Walead Beshty
Blind Collage (Three 180o Rotations, The New York Times, Sunday, October 20, 2019)
2019
Newspaper, tape, and 22 karat gold leaf
39.4 x 31.5 inches


Walead Beshty
Blind Collage (Three 180o Rotations, The New York Times, Monday, October 21, 2019)
2019
Newspaper, tape, and 22 karat gold leaf
39.4 x 31.5 inches


Walead Beshty
Blind Collage (Two 180o Rotations, New York Post, Tuesday, October 22, 2019)
2019
Newspaper, tape, and 22 karat gold leaf
39.4 x 31.5 inches


Walead Beshty
Blind Collage (Three 180o Rotations, The New York Times, Wednesday, October 23, 2019)
2019
Newspaper, tape, and 22 karat gold leaf
39.4 x 31.5 inches