2020年05月29日

JOSEPHINE HALVORSON : ON THE GROUND @ Sikkema Jenkins & Co., New York

JOSEPHINE HALVORSON : ON THE GROUND
@Sikkema Jenkins & Co.
530 WEST 22ND STREET
NEW YORK NY 10011
USA
JANUARY 23 – FEBRUARY 29, 2020

installation views
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Ground Register: Bricks/Ruler, 2019
Gouache and site material on panel
42 x 32 inches (106.7 x 81.3 cm)

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Ground Register: Rake/Chart, 2019
Gouache and site material on panel
42 x 32 inches (106.7 x 81.3 cm)

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Ground View: Desert Bloom, 2019
Gouache and site material on panel
32 x 32 inches (81.3 x 81.3 cm)

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Ground Panorama, Boundary Marker, 2019
Gouache and site material on panel
36 x 132 inches (91.4 x 335.3 cm)

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Ground Register: Coals/Coins, 2019
Gouache and site material on panel
42 x 32 inches (106.7 x 81.3 cm)

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Ground Panorama, Gravel Track, 2019
Gouache and site material on panel
36 x 132 inches (91.4 x 335.3 cm)

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Ground Panorama, Gravel Track, 2019
Gouache and site material on panel
36 x 132 inches (91.4 x 335.3 cm)

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Matanzas (Jaw Bone), 2019
Gouache, ink, and site material on panel
24 x 20 inches (61 x 50.8 cm)

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Matanzas (Rock Pool), 2019
Gouache, ink, and site material on panel
24 x 20 inches (61 x 50.8 cm)

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Matanzas (Ritual), 2019
Gouache, ink, and site material on panel
24 x 20 inches (61 x 50.8 cm)

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Ground View: Gasket, 2019
Gouache and site material on panel
32 x 32 inches (81.3 x 81.3 cm)
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Jacob Hashimoto: Work @ Rhona Hoffman Gallery, Chicago

Jacob Hashimoto: Work
@Rhona Hoffman Gallery
1711 West Chicago Avenue
Chicago, Illinois 60622
USA
NOVEMBER 8 - DECEMBER 20, 2019

installation views
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Whole Worlds of Time Fragments and Ambition Blurred into Madness, 2019. Wood, acrylic, bamboo, paper and Dacron, 72.5 x 56 x 8.25 inches.

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A Crippling Myth in One Breath, 2019. Wood, acrylic, bamboo, paper and Dacron, 26 x 18.75 x 8.5 inches.

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From Time to Time, The Tragedy of All Beginnings Whispers Furious Continuities, 2019. Wood, acrylic, bamboo, paper and Dacron, 26 x 18.75 x 8.5 inches.

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The Accidental Destruction of All Possible Worlds, 2019. Wood, acrylic, bamboo, paper and Dacron, 26 x 18.75 x 8.5 inches.

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The Long Shadow of This Forest's Terrible Darkness, 2019. Wood, acrylic, bamboo, paper and Dacron, 52 x 42 x 8.25 inches.

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The Extraction of Magic, 2019. Wood, acrylic, bamboo, paper and Dacron, 28 x 21 x 8.25 inches.

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As If Invention Were Some Irrecoverable Point of Departure, 2019. Wood, acrylic, bamboo, paper and Dacron, 52 x 42 x 8.25 inches.

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Time's Great Pull Earthward – Innocent and Best Forgotten, 2019. Wood, acrylic, bamboo, paper and Dacron, 72.5 x 56 x 8.25 inches.

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Everything Past, Present, and Imaginary Could Happen, 2019. Wood, acrylic, bamboo, paper and Dacron, 62 x 43 x 8.25 inches.
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SARAH LUCAS: Supersensible, Works 1991-2012 @ Jason Haam, Seoul

SARAH LUCAS: Supersensible, Works 1991-2012
@Jason Haam
73, Seongbuk-ro 31-gil
Seongbuk-gu, Seoul
Korea 02879
2019.09.05 - 2019.10.29

installation views
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Loungers #2 2011
tights, fluff, plastic bucket, plastic lounger
199 x 62.5 x 55.5 cm (78 ⅜ x 24 ⅝ x 21 ⅞ in)
c Sarah Lucas, courtesy Sadie Coles HQ, London
Photography by Gate Studios

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Chicken Knickers 1997
c-type print
site size: 42 x 42 cm (16 ½ x 16 ½ in)
frame size: 44 x 44 x 2 cm (17 ⅜ x 17 ⅜ x ¾ in)
edition 6 of 10 + 2 a/p
c Sarah Lucas, courtesy Sadie Coles HQ, London

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The Old In Out 1998
cast polyurethane resin
41.9 x 50.8 x 36.8 cm (16 ½ x 20 x 14 ½ in)
c Sarah Lucas, courtesy Sadie Coles HQ, London

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Great Exhibition 2006
tights, chair, bicycle wheel
75 x 44 x 111 cm (29 ½ x 17 ⅜ x 43 ¾ in)
c Sarah Lucas, courtesy Sadie Coles HQ, London
Photography by Gate Studios

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HARD NUD, 2012
cast bronze with pink patina, concrete brick plinth
35 x 20 x 21 cm (13 ¾ x 7 ⅞ x 8 ¼ in)
c Sarah Lucas, courtesy Sadie Coles HQ, London
Photography by Robert Glowacki

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Wanker 1999
fibreglass, spring on wood
31 x 16 x 58.5 cm (12 ¼ x 6 ¼ x 23 ⅛ in)
c Sarah Lucas, courtesy Sadie Coles HQ, London
Photography by Robert Glowacki

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Get Off Your Horse And Drink Your Milk 1994
c-type print on aluminium, framed
site size, each: 100 x 100 cm (39 ¼ x 39 ¼ in)
frame size, each: 103 x 103 x 3.5 cm (40 1/2 x 40 1/2 x 1 ⅜ in)
edition 2 of 3 + a/p
c Sarah Lucas, courtesy Sadie Coles HQ, London
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KO SIN TUNG: ADAPTATION @ EDOUARD MALINGUE GALLERY, Hong Kong

KO SIN TUNG: ADAPTATION
@EDOUARD MALINGUE GALLERY
Sixth Floor, 33 Des Voeux
Road Central, Hong Kong
30.05.19 - 24.08.19

installation views
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HUGH SCOTT-DOUGLAS: SPARE THE WRENCH @ Casey Kaplan, New York

HUGH SCOTT-DOUGLAS: SPARE THE WRENCH
@Casey Kaplan
121 West 27th Street
NY 10001 New York
USA
DECEMBER 12, 2019 - JANUARY 18, 2020

installation views
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UNTITLED 2019
UV-CURED INK, GESSO, MARINE EPOXY, ENAMEL, DYE, AVIAN NETTING, CANVAS ON DIBOND
53 X 40”/ 134.62 X 101.6CM

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UNTITLED 2019
UV-CURED INK, GESSO, MARINE EPOXY, ENAMEL, DYE, AVIAN NETTING, CANVAS ON DIBOND
80 X 53”/ 203.2 X 134.62CM

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UNTITLED 2019
UV-CURED INK, GESSO, MARINE EPOXY, ENAMEL, DYE, AVIAN NETTING, CANVAS ON DIBOND
80 X 120”/ 203.2 X 304.8CM

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UNTITLED 2019
UV-CURED INK, GESSO, MARINE EPOXY, ENAMEL, DYE, AVIAN NETTING, CANVAS ON DIBOND
80 X 53”/ 203.2 X 134.62CM

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UNTITLED 2019
UV-CURED INK, GESSO, MARINE EPOXY, ENAMEL, DYE, AVIAN NETTING, CANVAS ON DIBOND
80 X 120”/ 203.2 X 304.8CM

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UNTITLED 2019
UV-CURED INK, GESSO, MARINE EPOXY, ENAMEL, DYE, AVIAN NETTING, CANVAS ON DIBOND
80 X 240”/ 203.2 X 609.6CM

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UNTITLED 2019
UV-CURED INK, GESSO, MARINE EPOXY, ENAMEL, DYE, AVIAN NETTING, CANVAS ON DIBOND
80 X 53”/ 203.2 X 134.62CM

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UNTITLED 2019
UV-CURED INK, GESSO, MARINE EPOXY, ENAMEL, DYE, AVIAN NETTING ON CANVAS
82 X 62”/ 208.28 X 157.48CM
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Clare Woods: Doublethink @ Simon Lee Gallery, London

Clare Woods: Doublethink
@Simon Lee Gallery, London
12 Berkeley Street,
London W1J 8DT, U.K.
6 SEPTEMBER - 5 OCTOBER 2019

installation views
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Clare Woods
How Little I Know, 2019
Oil on aluminium
100 x 100 x 3 cm (39 3/8 x 39 3/8 x 1 1/8 in.)
Courtesy of the artist and Simon Lee Gallery

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Clare Woods
This is Now, 2019
Oil on aluminium
150 x 100 x 3 cm (59 1/8 x 39 3/8 x 1 1/8 in.)
Courtesy of the artist and Simon Lee Gallery

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Clare Woods
Ownlife, 2019
Oil on aluminium
150 x 150 x 3 cm (59 1/8 x 59 1/8 x 1 1/8 in.)
Courtesy of the artist and Simon Lee Gallery

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Clare Woods
Annoying Ben, 2019
Oil on aluminium
150 x 100 x 3 cm (59 1/8 x 39 3/8 x 1 1/8 in.)
Courtesy of Simon Lee Gallery

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Clare Woods
Consciously Contemplate, 2019
Oil on aluminium
3 panels, each: 250 x 154 x 3 cm (98 3/8 x 60 5/8 x 1 1/8 in.) Overall: 250 x 462 x 3 cm (98 3/8 x 181 7/8 x 1 1/8 in.)
Courtesy of Simon Lee Gallery

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Clare Woods
It’s the end of the World as we know it, 2019
Oil on aluminium
250 x 200 x 3 cm (98 3/8 x 78 3/4 x 1 1/8 in.)
Courtesy of Simon Lee Gallery

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Clare Woods
Memory Hole, 2019
Oil on aluminium
70 x 70 x 3 cm (27 1/2 x 27 1/2 x 1 1/8 in.)
Courtesy of Simon Lee Gallery

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Clare Woods
Notes on Madness, 2019
Oil on aluminium
250 x 200 x 3 cm (98 3/8 x 78 3/4 x 1 1/8 in.)
Courtesy of Simon Lee Gallery

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Clare Woods
Peace (small), 2019
Oil on aluminium
50 x 50 x 3 cm (19 3/4 x 19 3/4 x 1 1/8 in.)
Courtesy of Simon Lee Gallery

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Clare Woods
Still Even , 2019
Oil on aluminium
3 panels, each: 260 x 154 x 3 cm (102 3/8 x 60 5/8 x 1 1/8 in.) Overall: 260 x 462 x 3 cm (102 3/8 x 181 7/8 x 1 1/8 in.)
Courtesy of Simon Lee Gallery

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Clare Woods
Tea Fixer, 2019
Oil on aluminium
200 x 150 x 3 cm (78 3/4 x 59 1/8 x 1 1/8 in.)
Courtesy of Simon Lee Gallery

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Clare Woods
The Allnighter, 2019
Oil on aluminium
150 x 150 x 3 cm (59 1/8 x 59 1/8 x 1 1/8 in.)
Courtesy of Simon Lee Gallery

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Clare Woods
The Cook, 2019
Oil on aluminium
70 x 50 x 3 cm (27 1/2 x 19 3/4 x 1 1/8 in.)
Courtesy of Simon Lee Gallery

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Clare Woods
The Upsidedown , 2019
Oil on aluminium
150 x 100 x 3 cm (59 1/8 x 39 3/8 x 1 1/8 in.)
Courtesy of Simon Lee Gallery
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