MATTI BRAUN: Ku Lak @ Esther Schipper, Berlin

MATTI BRAUN: Ku Lak
@Esther Schipper
Potsdamer Strasse 81E
D-10785 Berlin
Germany
January 17 – February 22, 2020

installation views









Untitled, 2019 (left)
Silk, dye, powder-coated aluminium
130 x 100 cm
Untitled, 2019 (middle)
Silk, dye, powder-coated aluminium
130 x 100 cm
Untitled, 2019 (right)
Silk, dye, powder-coated aluminium
260 x 200 cm


Untitled, 2019 (left)
Silk, dye, powder-coated aluminium
260 x 340 cm
Untitled, 2019 (right)
Silk, dye, powder-coated aluminium
260 x 200 cm














Silk, dye, powder-coated aluminium, 2019
Silk, dye, powder-coated aluminium
102 2/5 × 133 9/10 in
260 × 340 cm


Untitled, 2019
Silk, dye, powder-coated aluminium
51 1/5 × 39 2/5 in
130 × 100 cm


Untitled, 2019
Silk, dye, powder-coated aluminium
51 1/5 × 39 2/5 in
130 × 100 cm


Untitled, 2019
Silk, dye, powder-coated aluminium
51 1/5 × 39 2/5 in
130 × 100 cm


Untitled, 2019
Hand blown glass
6 7/10 × 10 4/5 × 10 4/5 in
16.9 × 27.5 × 27.5 cm


Untitled, 2019
Hand blown glass
7 1/5 × 10 2/5 in
18.3 × 26.3 cm


Untitled, 2019
Hand blown glass
10 1/5 × 10 1/5 in
26.03 × 26.03 cm

Shannon Ebner: WET WORDS IN A HOT FIELD @ Altman Siegel, San Francisco

Shannon Ebner: WET WORDS IN A HOT FIELD
@Altman Siegel
1150 25th Street
San Francisco, CA 94107
USA
November 16 - December 21, 2019

installation views



















Shannon Ebner
A 6-SIDED CAMERA POEM, 2019
Archival Pigment Print on Tyvek in 5 parts
Dimensions variable


Shannon Ebner
SUBJECT FIELD: PANEL 1, 2019
Archival Pigment Print on Tyvek
33 x 95 in
83.8 x 241.3 cm


Shannon Ebner
SUBJECT FIELD: PANEL 1 (Detail), 2019
Archival Pigment Print on Tyvek
33 x 95 in
83.8 x 241.3 cm


Shannon Ebner
SUBJECT FIELD: PANEL 2, 2019
Archival Pigment Print on Tyvek
33 x 135 in
83.8 x 342.9 cm


Shannon Ebner
SUBJECT FIELD: PANEL 3, 2019
Archival Pigment Print on Tyvek
33 x 100 in
83.8 x 254 cm


Shannon Ebner
SUBJECT FIELD: PANEL 4, 2019
Archival Pigment Print on Tyvek
44 x 106 in
111.7 x 269.2 cm


Shannon Ebner
SUBJECT FIELD: PANEL 4 (Detail), 2019
Archival Pigment Print on Tyvek
44 x 106 in
111.7 x 269.2 cm


Shannon Ebner
SUBJECT FIELD: PANEL 5, 2019
Archival Pigment Print on Tyvek
44 x 116 in
111.7 x 294.6 cm


Shannon Ebner
SUBJECT FIELD: PANEL 6, 2019
Archival Pigment Print on Tyvek
33 x 66 in
83.8 x 167 cm


Shannon Ebner
SECTION 3: MULTIPLE EXPOSURES, 2019
Archival Pigment Print on Tyvek
118 x 179 in
299.7 x 454.6 cm


Shannon Ebner
SECTION 3: MULTIPLE EXPOSURES (Detail), 2019
Archival Pigment Print on Tyvek
118 x 179 in
299.7 x 454.6 cm


Shannon Ebner
EARTHLY TRIO, 2019
3 channel video with audio
2:38 minutes
Trumpet: Nate Wooley


Shannon Ebner
EARTHLY TRIO (Detail), 2019
3 channel video with audio
2:38 minutes
Trumpet: Nate Wooley

Gorka Mohamed, I Would Prefer Not To @ Galerie Thomas Bernard - Cortex Athletico, Paris

Gorka Mohamed, I Would Prefer Not To
@Galerie Thomas Bernard - Cortex Athletico
13 Rue des Arquebusiers, 75003 Paris, France
04.27.2019 - 06.15.2019

installation views

















Gorka Mohamed, El Esquema Dinamico De La Ventosa, 2017
Acrylic on linen, 210 x 170 cm


Gorka Mohamed, May I Introduce Myself, 2019
Acrylic on linen, 200 x 170 cm


Gorka Mohamed, Economy Of Self-Fulfillment, 2016
Oil painting on canvas, 160 x 140,5 cm


Gorka Mohamed, Long Gone, 2018
Acrylic painting on canvas, 91 x 72,5 cm


Gorka Mohamed, Portrait of Louis XIV with an Imaginary Prosthesic Cubist Leg, 2018
Oil painting on canvas, 120 x 100 cm


Gorka Mohamed, Lorraine Upanishads del Stranger Things, 2018
Pastel on paper, 75 x 60 cm

Gabriel Vormstein: Binge-watching (the world collapse) @ Meyer Riegger, Karlsruhe

Gabriel Vormstein: Binge-watching (the world collapse)
@Meyer Riegger, Karlsruhe
Klauprechtstr. 22
76137 Karlsruhe
Germany
16.11.2019 – 21.12.2019

installation views





















Gabriel Vormstein
bricks, oranges, 2019
dimensions variable


Gabriel Vormstein
Big sleep, 2019
Acrylic, advertisement on cotton
210 x 150 cm


Gabriel Vormstein
bricks, oranges, 2019
variable dimensions


Gabriel Vormstein
Smudged Love, 2019
Acrylic, newspaper on cotton
210 x 150 cm


Gabriel Vormstein
Haushouse, 2019
Pencil, watercolor on linen
125 x 100 cm


Gabriel Vormstein
Melancholy, 2019
Acrylic, watercolor, newspaper on cotton
210 x 150 cm


Gabriel Vormstein
Bacterio, 2019
Acrylic, pencil, watercolor on linen
130 x 105 cm


Gabriel Vormstein
LIdded eyes and smudged reality, 2019
Pencil, watercolor, digital-print on linen
115 x 95 cm


Gabriel Vormstein
Treppauf Treppab, 2019
Acrylic, advertisment on cotton
210 x 150 cm


Gabriel Vormstein
Molecular Tears II, 2019
Acrylic, advertisement on cotton
210 x 150 cm


Gabriel Vormstein
Andless, 2019
Acrylic, advertisement on cotton
210 x 145 cm


Gabriel Vormstein
Poetryp, 2019
Acrylic, advertisement on cotton
210 x 135 cm


Gabriel Vormstein
Spolitics, 2019
Acrylic, watercolor, newspaper on cotton
210 x 150 cm


Gabriel Vormstein
The Withering, 2019
Acrylic, advertisement on cotton
210 x 150 cm


Gabriel Vormstein
Suffix, 2019
branches, neon lights, cable ties
225 x 230 x 40 cm


Gabriel Vormstein
It's a wrap, 2019
Acrylic, watercolor, newspaper on cotton
210 x 150 c

Dashiell Manley: Pastimes @ Jessica Silverman Gallery, San Francisco

Dashiell Manley: Pastimes
@Jessica Silverman Gallery
488 Ellis Street
San Francisco, CA 94109
USA
January 9-February 29, 2020

installation views













one rock, one thousand rocks etc., 2019
Oil on linen
24 x 110 inches
61 x 279.4 cm


Pastimes (a great wall, the mental bear or something more, unsigned), 2019
Gouache, oil, and enamel on paper mounted on linen
60 x 48 inches
152.4 x 121.9 cm


Pastimes (1983, 1994, 2018, 2019, signed), 2019
Gouache, oil, and enamel on paper mounted on linen
60 x 48 inches
152.4 x 121.9 cm


Pastimes (double dragons, unsigned), 2019
Gouache, oil, and enamel on paper mounted on linen
60 x 48 inches
152.4 x 121.9 cm


Pastimes (a foggy memory perfected, unsigned), 2019
Gouache, oil, and enamel on paper mounted on linen
60 x 48 inches
152.4 x 121.9 cm


Pastimes (some difference between right and right, signed), 2019
Gouache, oil, and enamel on paper mounted on linen
60 x 48 inches
152.4 x 121.9 cm


Hanging man (blue eagle), 2019
Gouache and oil on paper
Framed: 60 1/2 x 46 inches
153.7 x 116.8 cm


Black Dragons (grey eagle), 2019
Gouache, oil, and enamel on paper
Framed: 60 1/2 x 46 inches
153.7 x 116.8 cm


Split constitution (red eagle), 2019
Gouache and oil on paper
Framed: 60 1/2 x 46 inches
153.7 x 116.8 cm

Fog Dog: DANIEL STEEGMANN MANGRANÉ @ Esther Schipper, Berlin

Fog Dog: DANIEL STEEGMANN MANGRANÉ
@Esther Schipper
Potsdamer Strasse 81E
D-10785 Berlin
Germany
March 7 – May 27, 2020

installation views











Ne voulais prendre ni forme, ni chair, ni matière, 2020 (detail)
Installation (plywood, paint, plaster, diffusion fabric)
Installation dimensions variable


------ -- -- --------, 2015
16 channel sound installation, gravel (Yellow Sun)
Variable (minimum of 60 sq. m)
Audio duration: 1hour (loop)


Ne voulais prendre ni forme, ni chair, ni matière, 2020
Installation (MDF, paint, plaster, diffusion filter)
Installation dimensions variable


Ne voulais prendre ni forme, ni chair, ni matière, 2020
Installation (MDF, paint, plaster, diffusion filter)
Installation dimensions variable


Ne voulais prendre ni forme, ni chair, ni matière, 2020
Installation (MDF, paint, plaster, diffusion filter)
Installation dimensions variable


Fog Dog, 2020
2k video (color, stereo sound)


Fog Dog, 2020
2k video (color, stereo sound)


Fog Dog, 2020
2k video (color, stereo sound)


Fog Dog, 2020
2k video (color, stereo sound)


Fog Dog, 2020
2k video (color, stereo sound)


Fog Dog, 2020
2k video (color, stereo sound)

Simon Denny: Security Though Obscurity @ Altman Siegel, San Francisco

Simon Denny: Security Though Obscurity
@Altman Siegel
1150 25th Street
San Francisco, CA 94107
USA
January 14 - February 22, 2020

installation views



























Simon Denny
Power Vest 4, 2019
Scarf formerly owned by Margaret Thatcher, Patagonia M’s Down Sweater Vest parts, Down sourced from second hand San Francisco garments, Ripstop Nylon, Salesforce and Quip embroidered logos, wood, glass, photo paper, cardboard
52 3/4 x 60 1/4 x 9 1/8 in
134 x 153 x 23 cm


Simon Denny
Power Vest 4 (detail), 2019
Scarf formerly owned by Margaret Thatcher, Patagonia M’s Down Sweater Vest parts, Down sourced from second hand San Francisco garments, Ripstop Nylon, Salesforce and Quip embroidered logos, wood, glass, photo paper, cardboard
52 3/4 x 60 1/4 x 9 1/8 in
134 x 153 x 23 cm


Simon Denny
Power Vest 4, 2019
Scarf formerly owned by Margaret Thatcher, Patagonia M’s Down Sweater Vest parts, Down sourced from second hand San Francisco garments, Ripstop Nylon, Salesforce and Quip embroidered logos, wood, glass, photo paper, cardboard
52 3/4 x 60 1/4 x 9 1/8 in
134 x 153 x 23 cm


Simon Denny
Document Relief 14 (Salesforce.com, inc patent: SYSTEMS AND METHODS OF PRESENTING PERSONALIZED PERSONAS IN ONLINE SOCIAL NETWORKS), 2019
Ink Jet Print on Archival Paper, Glue, Custom metal wall mount
11 3/4 x 8 1/4 x 5 1/2 in
29.7 x 21 x 14 cm


Simon Denny
Document Relief 14 (Salesforce.com, inc patent: SYSTEMS AND METHODS OF PRESENTING PERSONALIZED PERSONAS IN ONLINE SOCIAL NETWORKS), 2019
Ink Jet Print on Archival Paper, Glue, Custom metal wall mount
11 3/4 x 8 1/4 x 5 1/2 in
29.7 x 21 x 14 cm


Simon Denny
Document Relief 14 (Salesforce.com, inc patent: SYSTEMS AND METHODS OF PRESENTING PERSONALIZED PERSONAS IN ONLINE SOCIAL NETWORKS) (detail), 2019
Ink Jet Print on Archival Paper, Glue, Custom metal wall mount
11 3/4 x 8 1/4 x 5 1/2 in
29.7 x 21 x 14 cm


Simon Denny
Remainder 2 (detail), 2019
Margaret Thatcher scarves, Patagonia 850 Down Sleeping Bag 30 F/-1 C - R parts, Ripstop Nylon, Down sourced from second hand San Francisco garments, carbon fibre, glass fibre, wood
82 5/8 x 21 5/8 x 15 3/4 in
210 x 55 x 40 cm


Simon Denny
Remainder 2 (detail), 2019
Margaret Thatcher scarves, Patagonia 850 Down Sleeping Bag 30 F/-1 C - R parts, Ripstop Nylon, Down sourced from second hand San Francisco garments, carbon fibre, glass fibre, wood
82 5/8 x 21 5/8 x 15 3/4 in
210 x 55 x 40 cm


Simon Denny
Remainder 2 (detail), 2019
Margaret Thatcher scarves, Patagonia 850 Down Sleeping Bag 30 F/-1 C - R parts, Ripstop Nylon, Down sourced from second hand San Francisco garments, carbon fibre, glass fibre, wood
82 5/8 x 21 5/8 x 15 3/4 in
210 x 55 x 40 cm


Simon Denny
Remainder 2 (detail), 2019
Margaret Thatcher scarves, Patagonia 850 Down Sleeping Bag 30 F/-1 C - R parts, Ripstop Nylon, Down sourced from second hand San Francisco garments, carbon fibre, glass fibre, wood
82 5/8 x 21 5/8 x 15 3/4 in
210 x 55 x 40 cm


Simon Denny
Global Charge 3, 2019
UV printed image of scarf formerly owned by Margaret Thatcher on plastic table cloth, used wool British army blanket, static electricity
Tablecloth print:
64 1/8 x 64 1/8 in
150 x 150 cm
Wool Blanket:
86 5/8 x 66 7/8 in
220 x 170 cm


Simon Denny
Global Charge 3 (detail), 2019
UV printed image of scarf formerly owned by Margaret Thatcher on plastic table cloth, used wool British army blanket, static electricity
Tablecloth print:
64 1/8 x 64 1/8 in
150 x 150 cm
Wool Blanket:
86 5/8 x 66 7/8 in
220 x 170 cm


Simon Denny
Global Charge 3 (detail), 2019
UV printed image of scarf formerly owned by Margaret Thatcher on plastic table cloth, used wool British army blanket, static electricity
Tablecloth print:
64 1/8 x 64 1/8 in
150 x 150 cm
Wool Blanket:
86 5/8 x 66 7/8 in
220 x 170 cm


Simon Denny
Document Relief 16 (Salesforce.com, inc patent: COMMUNITY SWITCHING), 2019
Ink Jet Print on Archival Paper, Glue, Custom metal wall mount
11 3/4 x 8 1/4 x 4 1/8 in
29.7 x 21 x 10.5 cm


Simon Denny
Document Relief 16 (Salesforce.com, inc patent: COMMUNITY SWITCHING), 2019
Ink Jet Print on Archival Paper, Glue, Custom metal wall mount
11 3/4 x 8 1/4 x 4 1/8 in
29.7 x 21 x 10.5 cm


Simon Denny
Document Relief 16 (Salesforce.com, inc patent: COMMUNITY SWITCHING) (detail), 2019
Ink Jet Print on Archival Paper, Glue, Custom metal wall mount
11 3/4 x 8 1/4 x 4 1/8 in
29.7 x 21 x 10.5 cm


Simon Denny
Remainder 1 (detail), 2019
Margaret Thatcher scarves, Patagonia 850 Down Sleeping Bag 30 F/-1 C - R parts, Ripstop Nylon, Down sourced from second hand San Francisco garments, carbon fibre, glass fibre, wood
82 5/8 x 21 5/8 x 15 3/4 in
210 x 55 x 40 cm


Simon Denny
Remainder 1 (detail), 2019
Margaret Thatcher scarves, Patagonia 850 Down Sleeping Bag 30 F/-1 C - R parts, Ripstop Nylon, Down sourced from second hand San Francisco garments, carbon fibre, glass fibre, wood
82 5/8 x 21 5/8 x 15 3/4 in
210 x 55 x 40 cm


Simon Denny
Document Relief 15 (Salesforce.com, inc patent: SYSTEMS AND METHODS FOR CUSTOMIZING CONTENT FEEDS), 2019
Ink Jet Print on Archival Paper, Glue, Custom metal wall mount
11 3/4 x 8 1/4 x 4 1/8 in
29.7 x 21 x 10.5 cm


Document Relief 15 (Salesforce.com, inc patent: SYSTEMS AND METHODS FOR CUSTOMIZING CONTENT FEEDS), 2019
Ink Jet Print on Archival Paper, Glue, Custom metal wall mount
11 3/4 x 8 1/4 x 4 1/8 in
29.7 x 21 x 10.5 cm


Simon Denny
Document Relief 15 (Salesforce.com, inc patent: SYSTEMS AND METHODS FOR CUSTOMIZING CONTENT FEEDS) (detail), 2019
Ink Jet Print on Archival Paper, Glue, Custom metal wall mount
11 3/4 x 8 1/4 x 4 1/8 in
29.7 x 21 x 10.5 cm


Simon Denny
Document Relief 17 (Salesforce.com, inc patent: DYNAMIC GENERATION OF TARGETED MESSAGE USING MACHINE LEARNING), 2019
Ink Jet Print on Archival Paper, Glue, Custom metal wall mount
11 3/4 x 8 3/8 x 5 1/8 in
29.7 x 21.3 x 13 cm


Simon Denny
Document Relief 17 (Salesforce.com, inc patent: DYNAMIC GENERATION OF TARGETED MESSAGE USING MACHINE LEARNING), 2019
Ink Jet Print on Archival Paper, Glue, Custom metal wall mount
11 3/4 x 8 3/8 x 5 1/8 in
29.7 x 21.3 x 13 cm


Simon Denny
Document Relief 17 (Salesforce.com, inc patent: DYNAMIC GENERATION OF TARGETED MESSAGE USING MACHINE LEARNING) (detail), 2019
Ink Jet Print on Archival Paper, Glue, Custom metal wall mount
11 3/4 x 8 3/8 x 5 1/8 in
29.7 x 21.3 x 13 cm


Simon Denny
Power Vest 3, 2019
Scarf formerly owned by Margaret Thatcher, Patagonia M’s Down Sweater Vest parts, Down sourced from second hand San Francisco garments, Ripstop Nylon, Salesforce and Quip embroidered logos, wood, glass, photo paper, cardboard
52 3/4 x 60 1/4 x 9 1/8 in
134 x 153 x 23 cm


Simon Denny
Power Vest 1, 2019
Scarves formerly owned by Margaret Thatcher, Patagonia M’s Down Sweater Vest parts, Down sourced from second hand San Francisco garments, Ripstop Nylon, Salesforce and Quip embroidered logos, wood, glass, photo paper, cardboard
52 3/4 x 60 1/4 x 9 1/8 in
134 x 153 x 23 cm

Vincent Gicquel - Qu'est ce que je fais là ? @ Galerie Thomas Bernard - Cortex Athletico, Paris

Vincent Gicquel - Qu'est ce que je fais là ?
@Galerie Thomas Bernard - Cortex Athletico
13 Rue des Arquebusiers, 75003 Paris, France
11.30.2019 - 01.11.2020

installation views















Vincent Gicquel, Fouille, 2019
Oil painting on canvas, 200 x 150 cm


Vincent Gicquel, Laxatif, 2019
Oil painting on canvas, 190 x 140 cm


Vincent Gicquel, Voeu, 2019
Oil painting on canvas, 200 x 150 cm


Vincent Gicquel, Tub, 2019
Oil painting on canvas, 200 x 270 cm


Vincent Gicquel, Rempart, 2019
Oil painting on canvas, 200 x 146 cm

Waldemar Zimbelmann: Der Kreis ist rund Die Ellipse ist oval Der Kreis ist kugelrund Der Mensch ist jovial @ Meyer Riegger, Karlsruhe

Waldemar Zimbelmann: Der Kreis ist rund Die Ellipse ist oval Der Kreis ist kugelrund Der Mensch ist jovial
@Meyer Riegger, Karlsruhe
Klauprechtstr. 22
76137 Karlsruhe
Germany
18.01.2020 – 07.03.2020

installation views







Waldemar Zimbelmann
Gelegenheit zum ehrl. Denken, 2019
oil on glass, oil on cardboard, acriylic behind glass
93,5 x 92,5 x 3 cm


Waldemar Zimbelmann
Tadoma, 2019
oil on canvas
200 x 150 cm


Waldemar Zimbelmann
Der Himmel ELLENO, 2019/2020
oil on glass and wood, acryl on velour paper and cardboard
53 x 95 x 3 cm


Waldemar Zimbelmann
Hell lesen wir am Nebelhimmel wie dick die Winterlager sind, 2019/2020
oil on wood and glass, acryl behind glass, bookbinding cardboard
45 x 91,5 x 3 cm


Waldemar Zimbelmann
Collision between people and figures, 2019/2020
oil on paper and glass, oil and varnish on wood and cardboard
71,5 x 54 x 3 cm


Waldemar Zimbelmann
Ohne Titel, 2019
wood, plaster, mortar, acryl, oil,
canvas 133 x 46 x 89 cm


Waldemar Zimbelmann
Der Kreis ist rund die Ellipse ist oval der Kreis ist Kugelrund, der Mensch ist jovial, 2019/2020
oil on glass, cardbord and wood, acryl behind glass
109,5 x 36,5 x 9,5 cm


Waldemar Zimbelmann
Du-Ich-jovial, 2019/2020
acryl behind glass, oil on wood and cardboard
86,5 x 32,5 x 4 cm

Rodrigo Oliveira | Sex, Shadow Boxing and a Wall @ Galeria Filomena Soares, Lisbon

Rodrigo Oliveira | Sex, Shadow Boxing and a Wall
@Galeria Filomena Soares
Rua da Manutenção no 80 (Xabregas)
1900-321 Lisbon | Portugal
24.Jan.2019 | 04.May.2019

installation views















Entre quatro paredes (#66), 2016-2019
Watercolor, temper and graphite on wooden card
32,5 x 52,5 cm


Entre quatro paredes (#27), 2016-2019
Watercolor, temper and graphite on wooden card
75 x 52,5 cm


Entre quatro paredes (#38), 2016-2019
Watercolor, temper and graphite on wooden card
75 x 52,5 cm


Entre quatro paredes (#21), 2016-2019
Watercolor, temper and graphite on wooden card
105 x 75 cm


Entre quatro paredes (#1), 2016-2019
Watercolor, temper and graphite on wooden card
75 x 105 cm


Entre quatro paredes (#14), 2016-2019
Watercolor, temper and graphite on wooden card
75 x 105 cm


Entre quatro paredes (#36), 2016-2019
Watercolor, temper and graphite on wooden card
52,5 x 75 cm


Post Card (from Japan) #1, 2018
Watercolor, temper and graphite on wooden card
105 x 75 cm


Transladação, 2018
Wood, plastics, polyurethane foam, pigment, varnishes and paint
Linear version GFS: (17x) 300 x 1900 x 40 cm


Transladação, 2018
Wood, plastics, polyurethane foam, pigment, varnishes and paint
Linear version GFS: (17x) 300 x 1900 x 40 cm


Quadro vermelho (Acesso Restrito), 2004
Gauge steel key cabinet, coloured key rings with text on paper
25x18x5 cm

Koak: Return to Feeling @ Altman Siegel, San Francisco

Koak: Return to Feeling
@Altman Siegel
1150 25th Street
San Francisco, CA 94107
USA
March 5 – May, 2020

installation views



























Koak
Return to Feeling, 2020
Signed and dated on verso
Acrylic, graphite, pastel, and casein on muslin mounted to panel
40 x 30 in
101.6 x 76.2 cm


Koak
Return to Feeling, 2020
Signed and dated on verso
Acrylic, graphite, pastel, and casein on muslin mounted to panel
40 x 30 in
101.6 x 76.2 cm


Koak
The Mask, 2020
Signed and dated on verso
Acrylic, graphite, and pastel on linen mounted to panel
30 x 24 in
76.2 x 61 cm


Koak
The Mask, 2020
Signed and dated on verso
Acrylic, graphite, and pastel on linen mounted to panel
30 x 24 in
76.2 x 61 cm


Koak
Trimmed, 2020
Signed and dated on verso
Oil, acrylic, and graphite on muslin
15 x 12 in
38.1 x 30.5 cm


Koak
Trimmed, 2020
Signed and dated on verso
Oil, acrylic, and graphite on muslin
15 x 12 in
38.1 x 30.5 cm


Koak
Moat, 2020
Signed and dated on verso
Acrylic, graphite, pastel, pigment and oil on linen mounted to panel
77 1/2 x 62 in
196.8 x 157.5 cm


Koak
Moat (detail), 2020
Signed and dated on verso
Acrylic, graphite, pastel, pigment and oil on linen mounted to panel
77 1/2 x 62 in
196.8 x 157.5 cm


Koak
Bridge, 2020
Signed and dated on verso
Acrylic, graphite, chalk, pastel, pigment and oil on linen mounted to panel
77 1/2 x 62 in
196.8 x 157.5 cm


Koak
Bridge (detail), 2020
Signed and dated on verso
Acrylic, graphite, chalk, pastel, pigment and oil on linen mounted to panel
77 1/2 x 62 in
196.8 x 157.5 cm


Koak
Having Feelings, 2020
Signed and dated on verso
Acrylic, charcoal, chalk, graphite and pastel on canvas
84 x 108 1/2 in
213.4 x 275.6 cm


Koak
Having Feelings (detail), 2020
Signed and dated on verso
Acrylic, charcoal, chalk, graphite and pastel on canvas
84 x 108 1/2 in
213.4 x 275.6 cm


Koak
Bench, 2020
Cast bronze and walnut
86 x 34 1/2 x 31 in
218.4 x 87.6 x 78.7 cm


Koak
Bench, 2020
Cast bronze and walnut
86 x 34 1/2 x 31 in
218.4 x 87.6 x 78.7 cm


Koak
Bench (detail), 2020
Cast bronze and walnut
86 x 34 1/2 x 31 in
218.4 x 87.6 x 78.7 cm


Koak
Hot Boredom, 2020
Signed and dated on verso
Acrylic, ink, chalk, graphite and oil on linen mounted to panel
77 1/2 x 62 in
196.8 x 157.5 cm


Koak
Hot Boredom (detail), 2020
Signed and dated on verso
Acrylic, ink, chalk, graphite and oil on linen mounted to panel
77 1/2 x 62 in
196.8 x 157.5 cm


Koak
To Be Touched, 2020
Signed and dated on verso
Acrylic, pigment, pastel, chalk and graphite on linen
30 x 40 in
76.2 x 101.6 cm


Koak
What Is You in a Lapse, 2020
Signed and dated on verso
Graphite, charcoal, ink, and casein on pearl grey rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
The Crush, 2020
Signed and dated on verso
Graphite, charcoal, ink, and casein on stone grey rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
The Hurricane, 2020
Signed and dated on verso
Graphite and casein on pearl grey rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
Is This Desire, 2020
Signed and dated on verso
Graphite, ink, and casein on stone grey rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
Measured in Breaths, 2020
Signed and dated on verso
Graphite, ink, and casein on pearl grey rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
Your Little Worm, 2020
Signed and dated on verso
Graphite and casein on pearl grey rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
To Think That Touch Is Feeling, 2020
Signed and dated on verso
Graphite and casein on pearl grey rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
Return to Feeling, 2020
Signed and dated on verso
Graphite, ink, and casein on pale blue rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
Vampire, 2020
Signed and dated on verso
Graphite and casein on rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
Twinning, 2020
Signed and dated on verso
Graphite, ink, and casein on stone grey rag paper with pale blue inlay
15 x 11 in
38.1 x 27.9 cm


Koak
Bugger, 2020
Signed and dated on verso
Graphite, charcoal, ink, and casein on stone grey rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
1999, 2020
Signed and dated on verso
Graphite, ink, and casein on pearl grey rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
A Splintered Thorn, 2020
Signed and dated on verso
Graphite, charcoal, and casein on stone grey rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
Here Now, 2020
Signed and dated on verso
Graphite and casein on rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
Of Together, 2020
Signed and dated on verso
Graphite, charcoal, ink, and casein on stone grey rag paper
15 x 11 in
38.1 x 27.9 cm




Wet Chatter, 2020
Signed and dated on verso
Graphite and casein on pearl grey rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
The Pond, 2020
Graphite, ink, and casein on pearl grey rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
Bridaled, 2020
Signed and dated on verso
Graphite, ink, and casein on pearl grey rag paper
15 x 11 in
38.1 x 27.9 cm


Koak
The Pacifier, 2020
Signed and dated on verso
Graphite and casein on stone grey rag paper
15 x 11 in
38.1 x 27.9 cm


An Immovable Mass of Longing, 2020
Signed and dated on verso
Graphite, charcoal, ink, and casein on pearl grey rag paper with inlay dyed with acrylic ink
15 x 11 in
38.1 x 27.9 cm

Guo Hongwei: PAREIDOLIA @ Chambers Fine Art, New York

Guo Hongwei: PAREIDOLIA
@Chambers Fine Art, New York
55 East 11th St, 5th Floor
New York, NY 10003
USA
March 3 – April 4, 2020

installation views









Remedies for Sorrow Diagram No.1 - Remedy for Depression 解忧愁图(一) - 付式解郁方
2019
Watercolor on paper 纸本水彩
65 x 50 cm (25 1/2 x 19 1/2 in)


Remedies for Sorrow Diagram No. 4 – Spirit Healing Tea 解忧愁图(四 )- 还神归元茶
2019
Watercolor on paper 纸本水彩
50 x 65 cm (19 1/2 x 25 1/2 in)


Fig. 1 of Affine Transformation 仿射变换图（一）
2017
Watercolor on Paper 纸上水彩
57 x 76 cm (22 1/2 x 30 in)


Fig. 2 of Affine Transformation 仿射变换图（二）
2017
Watercolor on Paper 纸上水彩
57 x 76 cm (22 1/2 x 30 in)


Cosmic Candies No.1宇宙糖No.1
2018
Watercolor on paper 纸本水彩
67 x 102 cm (26 1/4 x 40 1/4 in)


Cosmic Candies No.2宇宙糖No.2
2018
Watercolor on paper 纸本水彩
67 x 102 cm (26 1/4 x 40 1/4 in)


Cosmic Candies No.3 宇宙糖No.3
2018
Watercolor on paper 纸本水彩
67 x 102 cm (26 1/4 x 40 1/4 in)


Painting is Collecting – Stones No.16 收集者 – 石 No.16
2017
Watercolor on paper 纸本水彩
67 x 102 cm (26 1/4 x 40 1/4 in)

Anita Molinero - Câlins et Gadins @ Galerie Thomas Bernard - Cortex Athletico, Paris

Anita Molinero - Câlins et Gadins
@Galerie Thomas Bernard - Cortex Athletico
13 Rue des Arquebusiers, 75003 Paris, France
11.30.2019 - 12.21.2019

installation views





Anita Molinero, Sans titre, 2019
Plastic, slilicon, 8 x 11 x 18,5 cm


Anita Molinero, Sans titre, 2019, 27 x 14.5 x 10


Anita Molinero, Sans titre, 2019
Plastic, silicon, 10 x 10 x 15,5 cm


Anita Molinero, Sans titre, 2019
Plastic, silicon, 10 x 14 x 14 cm


Anita Molinero, Sans titre, 2019
Plastic, silicon, 7 x 9 x 16,5 cm


Anita Molinero, Sans titre, 2019
Plastic, silicon, 8 x 10 x 19,5 cm


Anita Molinero, Sans titre, 2019
Polistyren, silicon, 43 x 35 x 14 cm


Anita Molinero, Sans titre, 2019
Polypropylene and acrylic spray paint, silicon, 36 x 20 x 10 cm


Anita Molinero, Sans titre, 2019
Polymer, 37 x 40 x 14,5 cm


Anita Molinero, Sans titre, 2019
Mousse extrudée, fer, plastique, polysthyrène, 100 x 61 x 92 cm

Anna Lea Hucht: What are you doing the rest of your life? @ Meyer Riegger, Berlin

Anna Lea Hucht: What are you doing the rest of your life?
@Meyer Riegger, Berlin
Schaperstrasse 14
10719 Berlin
Germany
18.01.2020 – 07.03.2020

installation views













Anna Lea Hucht
Ohne Titel, 2019
watercolour on paper
48 x 36 cm


Anna Lea Hucht
Ohne Titel, 2020
watercolor on paper, framed
53,3 x 40,3 cm, paper
88,5 x 75 cm, framed


Anna Lea Hucht
Ohne Titel, 2020
ceramic
146 x 146 cm


Anna Lea Hucht
Untitled, 2020
ceramic
23,5 x 14 x 12 cm
Photo: Oliver Roura


Anna Lea Hucht
Untitled, 2020
ceramic
40 x 25 x 24 cm
Photo: Oliver Roura


Anna Lea Hucht
Untitled, 2020
ceramic
22 x 13 x 12 cm
Photo: Oliver Roura


Anna Lea Hucht
Untitled, 2020
ceramic
27,5 x 15 x 14 cm
Photo: Oliver Roura


Anna Lea Hucht
Papierkorb, 2020
watercolor on paper, framed
96,3 x 95,5 cm


Anna Lea Hucht
Ohne Titel, 2020
watercolor on paper, framed
79 x 76,5 cm


Anna Lea Hucht
Ohne Titel, 2019
watercolor on paper, framed
40,5 x 34 cm


Anna Lea Hucht
Ohne Titel , 2020
watercolor on paper, framed
61 x 42,5 cm, paper
100,5 x 81,5 cm, framed


Anna Lea Hucht
Kännchen, 2020
watercolor on paper, framed
19,9 x 14,6 cm, paper
62 x 56 cm, framed

Christine Streuli | Give me more! @ Galeria Filomena Soares, Lisbon

Christine Streuli | Give me more!
@Galeria Filomena Soares
Rua da Manutenção no 80 (Xabregas)
1900-321 Lisbon | Portugal
09.May.2019 | 14.Sep.2019

installation views











Give me more_01, 2019
Mixed media on canvas
233,5 x 164,5 cm


Give me more_02, 2019
Mixed media on canvas
233,5 x 164,5 cm


Give me more_03, 2019
Mixed media on canvas
233,5 x 164,5 cm


Give me more_04, 2019
Mixed media on canvas
233,5 x 164,5 cm


Give me more_05, 2019
Mixed media on canvas
233,5 x 164,5 cm


Over and over_01, 2019
Mixed media on canvas
173,5 x 143,5 cm


Over and over_02, 2019
Mixed media on canvas
173,5 x 143,5 cm


Not dark yet, 2016
Mixed media on canvas
199,5 x 134,5 cm


Rebel_AL, 2018
Mixed media on canvas
199,5 x 134,5 cm


Ascent, 2019
Mixed media on canvas
58,5 x 98,5 cm


Ascent, 2019
Mixed media on canvas
58,5 x 98,5 cm


Deserted valley, 2019
Mixed media on canvas
102 x 122,5 cm