Candida Alvarez: Estoy Bien @ Monique Meloche Gallery, Chicago

Candida Alvarez: Estoy Bien
@Monique Meloche Gallery
451 N Paulina Street
Chicago, IL 60622
United States
February 1 - March 21, 2020

installation views











Estoy Bien, from Air Paintings (2017-2019), 2017, latex ink, acrylic, and enamel on PVC mesh with aluminum, 77 x 135 x 26 in.


Here to There, from Air Paintings (2017-2019), 2018
latex ink, acrylic, enamel, and glitter on PVC mesh with aluminum and wood
81 x 71 x 26 in. (205.7 x 180.3 x 66 cm) (side B)


Here to There, from Air Paintings (2017-2019), 2018
latex ink, acrylic, enamel, and glitter on PVC mesh with aluminum and wood
81 x 71 x 26 in. (205.7 x 180.3 x 66 cm) (side B)


Candida Alvarez
Lomas, from Air Paintings (2017-2019), 2018
latex ink, acrylic, and enamel on PVC mesh with aluminum and wood
81 x 71 x 26 in. (205.7 x 180.3 x 66 cm) (side A)


Candida Alvarez
Lomas, from Air Paintings (2017-2019), 2018
latex ink, acrylic, and enamel on PVC mesh with aluminum and wood
81 x 71 x 26 in. (205.7 x 180.3 x 66 cm) (side B)


Candida Alvarez
Jellow, from Air Paintings (2017-2019), 2018
latex ink and acrylic on PVC mesh with aluminum and wood
81 x 71 x 26 in. (205.7 x 180.3 x 66 cm) (side A)


Candida Alvarez
Jellow, from Air Paintings (2017-2019), 2018
latex ink and acrylic on PVC mesh with aluminum and wood
81 x 71 x 26 in. (205.7 x 180.3 x 66 cm) (side B)


Puerto Rico Hurricane Collages (Villalba)

Ingrid Hora: Bien @ Galleria Doris Ghetta, Ortisei

Ingrid Hora: Bien
@Galleria Doris Ghetta
Pontives 8 - 39046 Ortisei (Bolzano) Italy
July 28 – October 05 2019

installation views











Ingrid Hora, Palindrome, 2014, wood, metal, 70 x 300 x 300 cm


Ingrid Hora, Sculpture Painting (1/5), 2019, print on wood, 80 x 60 x 2 cm


Ingrid Hora, Sculture Paintings (1/5), 2019, print on wood, 80 x 60 x 2 cm


Ingrid Hora, Sculture Paintings (1/5), 2019, print on wood, 80 x 60 x 2 cm


Ingrid Hora, Die Hex, 2018, acrylic paint on canvas, 80 x 60 cm


Ingrid Hora, Democracy Training Devices (N. 1) (3/9), 2013, screen print, 28.5 x 28.5 cm


Ingrid Hora, Democracy Training Devices (N. 2) (3/9), 2013, screen print, 28.5 x 28.5 cm


Ingrid Hora, Democracy Training Devices (N. 3)( 3/9), 2013, 28.5 x 28.5 cm


Ingrid Hora, Democracy Training Devices (N. 4)( 3/9), 2013, screen print, 28.5 x 28.5 cm


Ingrid Hora, Democracy Training Devices (N. 5) (3/9), 2013, screen print, 28.5 x 28.5 cm


Ingrid Hora, Democracy Training Devices (N. 6) (3/9), 2013, screen print, 28.5 x 28.5 cm


Ingrid Hora, holding on, 2007, wood, iron, 36 x 50 x 10 cm


BIEN, participative performance, 27.07.2019

HARAN KISLEV | MUD, LAND & TEARS @ Zemack Contemporary Art, Tel Aviv

HARAN KISLEV | MUD, LAND & TEARS
@Zemack Contemporary Art
68 Hey B-iyar St.
Tel Aviv, 6219814, ISRAEL
JAN 2 - FEB 7, 2020

installation views





















I'd Like To Tell You It Will Be OK But I Don't Believe It
Oil on Wood
121x121 cm
2019


Haran Kislev, Darling Someday It Will Probably Be Remarkably Hot We will make the best of it, or We Will Be Used to The Fullest Covered And That's It, 2019
Oil on Wood, 118 x 118 x 14 cm


Haran Kislev, Self Portrait of The Painter, Naked, 2019
Oil on Wood, 124 x 83 x 17 cm


If There Was a Dining Room in Bureij
And They Ate There
But
Discarded The Leftovers Here
Before They Drank Their Coffee
Oil on Wood
26x26 cm
2019


Let's Be Honest
Oil on Wood
70x70 cm
2019


You Try to Melted So I Enfold You
You Try to Disappear But I'm Still Holding You
If You Stay, Even a Part of You
I Promise
Oil and pencil on Wood
122x122 cm
2019


There Has to Be a Place
Where The Topography
Won't Get You to Choke
Oil on Wood
40x40 cm
2019


We talked about the ongoing war situation
And I did not know what to say
I made you an
Arabic salad
Oil on Wood
70x70 cm
2019


There isn’t a distant border,
Deeper then groundwater,
Higher than the sky
Concrete
Iron
I’m wondering towards you​
Oil on Wood
43x43 cm
2019


Ever since the last war he fears the night
And I just want it to arrive
I think about them both a lot
Oil on Wood
45x45 cm
2019


When I go
Most of the time
It will be fine
Like now
Slightly different
Oil on Wood
60x60 cm
2019

Vernacular Interior @ Hales New York

Vernacular Interior
Beverly Buchanan, Genevieve Gaignard, Trenton Doyle Hancock, Esteban Jefferson, Devin N Morris, Tajh Rust, Curtis Talwst Santiago, Cal Siegel, Becky Suss
@Hales New York
547 West 20th Street
NY 10011, USA
6 June - 20 July 2019

installation views

























Becky Suss
Rhymes of Early Jungle Folk by Mary E. Marcy (Wharton Esherick), 2018
Oil on canvas over panel
35.6 x 27.9 cm
14 x 11 in


Beverly Buchanan
Low Country House, n.d.
Wood
45.1 x 42.5 x 27.9 cm
17 3/4 x 16 3/4 x 11 in


Cal Siegel
ttrroouubbllee, 2018
Wood, plaster, acrylic, and shingles
217 x 161 x 26 cm
85 3/8 x 63 3/8 x 10 1/4 in


Tajh Rust
Idowu I, 2019
Oil on PVC
182.9 x 121.9 cm
72 x 48 in


Curtis Talwst Santiago
A Luz, 2018
Spray paint, oil, charcoal, pastel, acrylic on canvas
69.8 x 50.2 cm
27 1/2 x 19 3/4 in


Devin N. Morris
12:44 pm; And Then A Breeze Swept Across the Floor, Stirring Out The Window In Disbelief, 2019
Left panel: Acrylic, oil pastel, tensile, watercolor, iron gate, collage, plexiglass, leather, glass tray, plastic beads, plastic keychain, metal ring, vinyl, & canvas on wood panel
Right panel: Acrylic, oil pastel, house paint, collage, metal hook, wood dowel, silk, glass doorknob on canvas
Left panel: 162.6 x 127 x 3.8 cm
64 x 50 x 1 1/2 in
Right panel: 118.1 x 109.2 cm
46 1/2 x 43 in


Trenton Doyle Hancock
You Are A Liar And The Truth Is NOT In You, 2010
Acrylic and mixed media on canvas
228.6 x 335.3 cm
90 x 132 in


Genevieve Gaignard
Dynasty, 2018
Chromogenic print
81.91 x 122.93 cm
32 1/4 x 48 3/8 in
Edition of 3 plus 2 artist's proofs (#2/3)

To Exalt the Ephemeral: Alina Szapocznikow, 1962 – 1972 @ Hauser & Wirth, New York, 69th Street

To Exalt the Ephemeral: Alina Szapocznikow, 1962 – 1972
@Hauser & Wirth, New York, 22nd Street
548 West 22nd Street
New York 10011
USA
29 Oct – 21 Dec 2019

installation views





















































Ventre-coussin (Belly cushion)
Ventre (Belly)
Alina Szapocznikow
Ventre-coussin (Belly cushion)
1968
Polyurethane foam
27.9 x 30.5 x 17.8 cm / 11 x 12 x 7 in
–
Ventre (Belly)
1968
Plaster
30.5 x 22.9 x 35.6 cm / 12 x 9 x 14 in
_
Installation view, Alina Szapocznikow Malakoff Studio, Paris, 1968
c ADAGP, Paris. Courtesy The Estate of Alina Szapocnikow / Piotr Stanislawski / Loevenbruck, Paris


Pielgrzym (Pilgrim)
Alina Szapocznikow
1965 - 1966
Bronze
13 x 6.5 x 4 cm / 5 1/8 x 2 1/2 x 1 5/8 in
c ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
Photo: Fabrice Gousset


Dyl Sowizdrzał (The Deal was Scowling)
Alina Szapocznikow
1965 - 1966
Bronze
14.5 x 3.5 x 4 cm / 5 3/4 x 1 3/8 x 1 5/8 in
c ADAGP, Paris. Courtesy The Estate of Alina Szapocnikow / Piotr Stanislawski / Loevenbruck, Paris








Sculpture-Lampe (Sculpture-Lamp)
Alina Szapocznikow
Coloured polyester resin, electrical wiring and metal
54 x 37 x 23 cm / 21 1/4 x 14 5/8 x 9 in
c ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
Photo: Fabrice Gousset


Lampe-Bouche (Illuminated Lips)
Alina Szapocznikow
1966
Coloured polyester resin, electrical wiring and metal
43 x 15 x 11 cm / 16 7/8 x 5 7/8 x 4 3/8 in
c ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
Photo: Fabrice Gousset


Sans Titre (No Title)
Alina Szapocznikow
1964 - 1965
Original plaster
c ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris




Lampe-Bouche (Illuminated Lips)
Alina Szapocznikow
1966
Coloured polyester resin, electrical wiring and metal
36 x 11 x 8 cm / 14 1/8 x 4 3/8 x 3 1/8 in
c ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
Photo: Fabrice Gousset




Forma II (Form II)
Alina Szapocznikow
1964 - 1965
Unfired pink clay
15.2 x 28.6 x 14 cm / 6 x 11 1/4 x 5 1/2 in
c ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
Photo: Filip Vanzieleghem


Cendrier de Célibataire I (The Bachelor's Ashtray I)
Alina Szapocznikow
1972
Coloured polyester resin and cigarette butts
c ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
Photo: Fabrice Gousset




Tumeur (Tumor)
Alina Szapocznikow
1970
Coloured polyester resin and gauze
4.6 x 6.5 x 8 cm / 1 3/4 x 2 1/2 x 3 1/8 in
c ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
Photo: Fabrice Gousset


Człowiek z instrumentem (Man with an Instrument)
Alina Szapocznikow
1965
Cement, car part and black patina
148 x 40 x 35 cm / 15 3/4 x 13 3/4 in
c ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
Photo: Fabrice Gousset






Iluminowana (Illuminated Woman)
Alina Szapocznikow
1966 - 1967
Plaster, coloured polyester resin, electrical wiring and metal
155 x 57 x 40 cm / 61 x 22 1/2 x 15 3/4 in
c ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Loevenbruck, Paris
Private collection


Noga (Leg)
Alina Szapocznikow
1962
Plaster
20 x 49.8 x 63.5 cm / 7 7/8 x 19 5/8 x 25 in
c ADAGP, Paris
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
Photo: Thomas Barratt


Autoportrait (Self-portrait)
Alina Szapocznikow
1971
Polyester resin and gauze
18 x 29 x 28 cm / 7 1/8 x 11 3/8 x 11 in
c ADAGP, Paris
Courtesy the Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / and Hauser & Wirth
Photo: Thomas Barratt