2020年07月15日

KEHINDE WILEY: Tahiti - Kehinde Wiley @ GALERIE TEMPLON PARIS – GRENIER SAINT LAZARE

KEHINDE WILEY: Tahiti - Kehinde Wiley
@GALERIE TEMPLON PARIS – GRENIER SAINT LAZARE
28 rue du Grenier Saint-Lazare
75003 Paris - France
MAY 18 - JULY 24, 2019

installation views
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Kehinde Wiley en tournage à Tahiti, 2019

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The Siesta, 2019
OIL ON LINEN
210 X 271,5 CM
82 7/8 X 106 7/8 IN.

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Portrait of Tuatini Manate III, 2019
OIL ON LINEN
180 X 241,5 CM
70 7/8 X 95 1/8 IN.

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The Call, 2019
OIL ON LINEN
271,5 X 210 CM
106 7/8 X 82 5/8 IN.

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Portrait of Tahiatua Maraetefau, 2019
OIL ON LINEN
210,5 X 180 CM
82 7/8 X 70 7/8 IN

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Portrait of Geysha Kaua, 2019
OIL ON LINEN
174,5 X 144,5 CM
68 3/4 X 56 7/8 IN

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Portrait of Shelby Hunter, 2019
OIL ON LINEN
210,5 X 271,5 CM
82 7/8 X 106 7/8 IN

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Contes Barbares, 2019
OIL ON LINEN
212,5 X 180,2 CM
83 5/ 8 X 71 IN

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Portrait of Tuatini Manate II, 2019
OIL ON LINEN
174,5 X 145 CM
69 1/8 X 57 1/8 IN

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Portrait of Kea Loha Mahuta II, 2019
OIL ON LINEN
190 X 240 CM
74 3/4 X 94 1/2 IN

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Portrait of Tahiatua Maraetefau II, 2019
OIL ON LINEN
175 X 145 CM
66 7/8 X 57 1/8 IN.


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2020年07月14日

News from Home @ Dvir Gallery, Brussels

News from Home
Ariel Schlesinger, Douglas Gordon, Jonathan Monk, Latifa Echakhch, Naama Tsabar, Remy Zaugg, Sarah Ortmeyer
@Dvir Gallery, Brussels
Rue de Fiennes 85
1070, Brussels – Anderlecht
Belgium
May 30th – Aug 15th, 2020

installation views
1news-from-home.jpg

2news-from-home.jpg

3news-from-home.jpg

4news-from-home.jpg

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6news-from-home.jpg

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Remy Zaugg
‘SCHAU, ICH BIN BLIND, SCHAU’, 1997, enamel on aluminum, 69.7 x 77.7 cm, unique

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Latifa Echakhch
‘The breeze blows gently, making more and more noise on the foliage. This heavy noise becomes unbearable. Put the hands to the ears and run away’, 2019, black India ink and sepia ink on canvas, 200 x 150 cm, unique

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Latifa Echakhch
‘The breeze blows gently, making more and more noise on the foliage. This heavy noise becomes unbearable. Put the hands to the ears and run away’ (detail), 2019, black India ink and sepia ink on canvas, 200 x 150 cm, unique

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Sarah Ortmeyer
‘KOKO’, 2015, aluminium, plastic single palm tree, 380 x 280 cm (approx), ø 16 cm (trunk), unique

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Douglas Gordon
‘I’, 2013, enamel spray paint on aluminium, 100 x 75 x 1 cm, unique

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Douglas Gordon
‘Croque Morts (A)’, 2000, digital chromogenic print, 94.5 x 136.5 x 5 cm, edition 13 of 13

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Douglas Gordon
‘SHADOWS’, 2013, enamel spray paint on aluminium, 150 x 100 x 1 cm, unique

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Ariel Schlesinger
‘At Arm’s Length’, 2019, sandblasted aluminium, lamp oil, cotton wick, 160 x 45 cm, unique

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Ariel Schlesinger
‘At Arm’s Length’, 2019, sandblasted aluminium, lamp oil, cotton wick, 160 x 45 cm, unique

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Douglas Gordon
‘Croque Morts (C)’, 2000, digital chromogenic print, 94.5 x 136.5 x 5 cm, edition 13 of 13

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Naama Tsabar
‘Untitled’, 2018, inkjet print on photo rag paper, 97 x 67.8 cm (framed), edition 2 of 3 + 1 AP

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Remy Zaugg
‘SCHAU, ICH BIN BLIND, SCHAU’, 1997 & ‘SCHAU, ICH BIN BLIND, SCHAU’, 1997, enamel on aluminum, 69.7 x 77.7 cm (each), unique

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Jonathan Monk
‘Hand holding negative’, 2015, lightbox, 38 x 38 x 9 cm, edition 2 of 2

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Sarah Ortmeyer
‘PALMA’, 2019 & ‘PALMA’, 2019, gesso on paper, 29.7 x 21 cm (each), unique

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exhibition view, ‘News from Home’, 2020, Dvir Gallery, Brussels

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Sarah Ortmeyer
‘PALMA’, 2019, gesso on paper, 29.7 x 21 cm, unique

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Naama Tsabar
‘Untitled’, 2018, inkjet print on photo rag paper, 97 x 67.8 cm (framed), edition 1 of 3 + 1 AP

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Douglas Gordon
‘Croque Morts (E)’, 2000, digital chromogenic print, 94.5 x 136.5 x 5 cm, edition 13 of 13

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Sarah Ortmeyer
‘PALMA’, 2019, gesso on paper, 29.7 x 21 cm, unique

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Remy Zaugg
‘SCHAU, ICH BIN BLIND, SCHAU’, 1997, enamel on aluminum, 69.7 x 77.7 cm, unique
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Hugh Hayden: American Food @ Lisson Gallery, 27 Bell Street, London

Hugh Hayden: American Food
@Lisson Gallery, 27 Bell Street, London
27 Bell Street
London
NW1 5BY
UK
12 March – 2 May 2020

installation views
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Hugh Hayden: American Food
Communion, 2020
Chestnut with steel hardware
405 x 1050 x 620 cm
159 3/8 x 413 3/8 x 244 in

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Hugh Hayden: American Food
Communion, 2020
Chestnut with steel hardware
405 x 1050 x 620 cm
159 3/8 x 413 3/8 x 244 in

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Hugh Hayden: American Food
Jazz 10, 2020
Cast iron
42 x 30 x 8 cm
16 1/2 x 11 3/4 x 3 1/8 in
ed. 1 of 2 + 1 AP

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Hugh Hayden: American Food
The Cosby's, 2020
Cast iron
3 skillets: 47.7 x 36 x 7 cm, 38.5 x 27.5 x 12, 33 x 21 x 17 cm
3 skillets: 12 1/8 x 8 1/4 x 5 7/8 in; 14 1/2 x 10 5/8 x 4 1/4 in; 18 7/8 x 14 1/8 x 2 1/2 in
ed. 1 of 1 + 1 AP

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Hugh Hayden: American Food
The Cosby's, 2020
Cast iron
3 skillets: 47.7 x 36 x 7 cm, 38.5 x 27.5 x 12, 33 x 21 x 17 cm
3 skillets: 12 1/8 x 8 1/4 x 5 7/8 in; 14 1/2 x 10 5/8 x 4 1/4 in; 18 7/8 x 14 1/8 x 2 1/2 in
ed. 1 of 1 + 1 AP

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Hugh Hayden: American Food
The Cosby's, 2020
Cast iron
3 skillets: 47.7 x 36 x 7 cm, 38.5 x 27.5 x 12, 33 x 21 x 17 cm
3 skillets: 12 1/8 x 8 1/4 x 5 7/8 in; 14 1/2 x 10 5/8 x 4 1/4 in; 18 7/8 x 14 1/8 x 2 1/2 in
ed. 1 of 1 + 1 AP

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Hugh Hayden: American Food
The Cosby's, 2020
Cast iron
3 skillets: 47.7 x 36 x 7 cm, 38.5 x 27.5 x 12, 33 x 21 x 17 cm
3 skillets: 12 1/8 x 8 1/4 x 5 7/8 in; 14 1/2 x 10 5/8 x 4 1/4 in; 18 7/8 x 14 1/8 x 2 1/2 in
ed. 1 of 1 + 1 AP

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Hugh Hayden: American Food
Rhythm, 2020
Record player, vinyl, speakers, amplifier, plywood, enamel
97.5 x 77.5 x 67.5 cm
38 3/8 x 30 1/2 x 26 1/2 in
ed. 1 of 2

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Hugh Hayden: American Food
Rhythm, 2020
Record player, vinyl, speakers, amplifier, plywood, enamel
97.5 x 77.5 x 67.5 cm
38 3/8 x 30 1/2 x 26 1/2 in
ed. 1 of 2

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Hugh Hayden: American Food
The ease of forgetting, 2020
Cardboard boxes, wooden panels
208 x 203 x 9.5 cm
81 7/8 x 79 7/8 x 3 5/8 in

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Hugh Hayden: American Food
The ease of forgetting, 2020
Cardboard boxes, wooden panels
208 x 203 x 9.5 cm
81 7/8 x 79 7/8 x 3 5/8 in

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Hugh Hayden: American Food
Can't we all just get along, 2020
Hornbeam with steel hardware and oak dowels
206 x 362 x 254 cm
81 x 142 1/2 x 100 in

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Hugh Hayden: American Food
Can't we all just get along, 2020
Hornbeam with steel hardware and oak dowels
206 x 362 x 254 cm
81 x 142 1/2 x 100 in

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Hugh Hayden: American Food
Jazz 17, 2020
Cast iron
41.5 x 26.5 x 18 cm
16 1/4 x 10 3/8 x 7 in
ed. 1 of 2 + 1 AP

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Hugh Hayden: American Food
Jazz 17, 2020
Cast iron
41.5 x 26.5 x 18 cm
16 1/4 x 10 3/8 x 7 in
ed. 1 of 2 + 1 AP

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Hugh Hayden: American Food
The Sun, 2020
Cast iron
46 x 30 x 13 cm
18 x 11 3/4 x 5 in
ed. 1 of 2 + 1 AP

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Hugh Hayden: American Food
The Moon, 2020
Cast iron
54 x 39.4 x 7.6 cm
21 1/4 x 15 1/2 x 3 in
ed. 1 of 2 + 1 AP

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Hugh Hayden: American Food
Jazz 18,, 2020
Cast iron
50 x 24.5 x 13 cm
19 5/8 x 9 5/8 x 5 in
ed. 1 of 2 + 1 AP

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Hugh Hayden: American Food
Jazz 18,, 2020
Cast iron
50 x 24.5 x 13 cm
19 5/8 x 9 5/8 x 5 in
ed. 1 of 2 + 1 AP

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Hugh Hayden: American Food
Jazz 9, 2020
Cast iron
41 x 26 x 15 cm
16 1/8 x 10 1/8 x 5 7/8 in
ed. 1 of 2 + 1 AP

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Hugh Hayden: American Food
Honorary Natives and the elephant in the middle of the room, 2020
Chestnut with steel hardware
236 x 478 x 160 cm
92 7/8 x 188 1/8 x 62 7/8 in

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Hugh Hayden: American Food
Honorary Natives and the elephant in the middle of the room, 2020
Chestnut with steel hardware
236 x 478 x 160 cm
92 7/8 x 188 1/8 x 62 7/8 in

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Hugh Hayden: American Food
Jazz 19, 2020
Cast iron
54 x 30.5 x 14 cm
21 1/4 x 12 x 5 1/2 in
ed. 1 of 2 + 1 AP

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Hugh Hayden: American Food
Jazz 19, 2020
Cast iron
54 x 30.5 x 14 cm
21 1/4 x 12 x 5 1/2 in
ed. 1 of 2 + 1 AP

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Hugh Hayden: American Food
The Scream, 2020
Cast iron
44 x 33 x 8 cm
17 1/4 x 12 7/8 x 3 1/8 in
ed. 1 of 2 + 1 AP

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Hugh Hayden: American Food
Jazz 16, 2020
Cast iron
37 x 30 x 12 cm
14 1/2 x 11 3/4 x 4 5/8 in
ed. 1 of 2 + 1 AP

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Hugh Hayden: American Food
Untitled, 2020
Cardboard boxes, wooden panels
97 x 93 x 9.5 cm
38 1/8 x 36 1/2 x 3 5/8 in

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Hugh Hayden: American Food
Untitled, 2020
Cardboard boxes, wooden panels
97 x 93 x 9.5 cm
38 1/8 x 36 1/2 x 3 5/8 in

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Hugh Hayden: American Food
Jazz 15, 2020
Cast iron
43 x 29 x 16 cm
16 7/8 x 11 3/8 x 6 1/4 in
ed. 1 of 2 + 1 AP

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Hugh Hayden: American Food
The Banks', 2020
Cast iron
3 skillets: 40 x 25.5 x 15 cm, 46 x 36 x 8 cm, 35.7 x 23.5 x 5.5 cm
3 skillets: 14 7/8 x 10 x 6 1/4 in; 16 7/8 x 13 7/8 x 3 1/4 in; 13 3/4 x 9 3/8 x 2 1/4 in
ed. 1 of 1 + 1 AP

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Hugh Hayden: American Food
The Banks', 2020
Cast iron
3 skillets: 40 x 25.5 x 15 cm, 46 x 36 x 8 cm, 35.7 x 23.5 x 5.5 cm
3 skillets: 14 7/8 x 10 x 6 1/4 in; 16 7/8 x 13 7/8 x 3 1/4 in; 13 3/4 x 9 3/8 x 2 1/4 in
ed. 1 of 1 + 1 AP

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Hugh Hayden: American Food
The Banks', 2020
Cast iron
3 skillets: 40 x 25.5 x 15 cm, 46 x 36 x 8 cm, 35.7 x 23.5 x 5.5 cm
3 skillets: 14 7/8 x 10 x 6 1/4 in; 16 7/8 x 13 7/8 x 3 1/4 in; 13 3/4 x 9 3/8 x 2 1/4 in
ed. 1 of 1 + 1 AP

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Hugh Hayden: American Food
The Banks', 2020
Cast iron
3 skillets: 40 x 25.5 x 15 cm, 46 x 36 x 8 cm, 35.7 x 23.5 x 5.5 cm
3 skillets: 14 7/8 x 10 x 6 1/4 in; 16 7/8 x 13 7/8 x 3 1/4 in; 13 3/4 x 9 3/8 x 2 1/4 in
ed. 1 of 1 + 1 AP
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Jaro Varga: We Don’t Know That We Know @ hunt kastner, Prague

Jaro Varga: We Don’t Know That We Know
@hunt kastner
Bořivojova 85
13000 Prague
Czech Republic
31|8 – 4|10|2019

installation views
1Jaro-Varga.jpg

2Jaro-Varga.jpg

3Jaro-Varga.jpg

4Jaro-Varga.jpg

5Jaro-Varga.jpg

6Jaro-Varga.jpg

7Jaro-Varga.jpg

8Jaro-Varga.jpg

9Jaro-Varga.jpg

10Jaro-Varga.jpg

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Félise De Conflans: THE MIRROR @ Galerie Jérôme Pauchant, Paris

Félise De Conflans: THE MIRROR
Quentin Euverte (1991), Eddie Martinez, Mario Picardo (1985)
@Galerie Jérôme Pauchant
61, rue Notre Dame de Nazareth
75003 Paris, France
September 6 - October 5, 2019

Exhibition views
1the-mirror.jpg

2the-mirror.jpg

3the-mirror.jpg
Félise DE CONFLANS
Poison ivy hearts, 2019
Acrylic on canvas mounted on shaped stretchers
78 x 150 x 8,5 cm

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Félise DE CONFLANS
Mimivirus, 2019
Acrylic on canvas mounted on shaped stretchers
32,5 x 27,5 x 4 cm

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Félise DE CONFLANS
To Spell, 2019
Acrylic on canvas mounted on shaped stretchers
92,5 x 110 x 4,5 cm

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Félise DE CONFLANS
POWERS, 2019
Acrylic on canvas mounted on shaped stretchers
99 x 151 x 8,5 cm

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Félise DE CONFLANS
The Reading stone, 2019
Acrylic on canvas mounted on shaped stretchers
31,5 x 23 x 4 cm

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Félise DE CONFLANS
The Poem, 2019
Transfer and acrylic on canvas mounted on shaped stretchers
43,5 x 34 x 6 cm

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Félise DE CONFLANS
It can only go up, 2019
Acrylic on canvas mounted on shaped stretchers
31,5 x 26 x 4,8 cm

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Félise DE CONFLANS
Reflections, 2019
Acrylic on canvas mounted on shaped stretchers
90 x 67 x 4,5 cm
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PAUL FÄGERSKIÖLD, XIMENA GARRIDO-LECCA ≫GEOPOETICS≪ @ GALERIE NORDENHAKE MEXICO S de RL de CV

PAUL FÄGERSKIÖLD, XIMENA GARRIDO-LECCA ≫GEOPOETICS≪
@GALERIE NORDENHAKE MEXICO S de RL de CV
Colima 159, Roma Norte
06700, CDMX, Mexico
February 04, 2020 - April 25, 2020

installation views
1paul-faegerskioeld.jpg

2paul-faegerskioeld.jpg

3paul-faegerskioeld.jpg

4paul-faegerskioeld.jpg

5paul-faegerskioeld.jpg

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Paul Fägerskiöld, Untitled, 2019, oil on canvas with walnut frame, 241 x 307cm

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Detail, Ximena Garrido-Lecca

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Ximena Garrido-Lecca, Fields of Polarity IV, 2019, Ceramics, tin and lead welding, glass tubes with LED light, solar paner, variable dimensions

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Solar panel generating energy for the LED of Fields of Polarity IV, Ximena Garrido-Lecca

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Paul Fägerskiöld, Untitled, 2019, acrylic on canvas with walnut frame, 115.5 x 170 cm

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Paul Fägerskiöld, Untitled, 2019, Acrylic on canvas with walnut frame, 202.5 x 241 cm

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Paul Fägerskiöld, Untitled, 2019, Oil on linen with walnut frame 44.5 x 104 x 4 cm

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Paul Fägerskiöld, Untitled, 2019 -2020, Oil on canvas with walnut frame, 88 × 61 × 4 cm

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Paul Fägerskiöld, Untitled , 2019 -2020, Oil on canvas with walnut frame, 88 × 61 × 4 cm

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Paul Fägerskiöld, Untitled , 2019 -2020, Oil on canvas with walnut frame, 88 × 61 × 4 cm

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Paul Fägerskiöld, Untitled, 2019 - 2020, oil on linen with walnut frame, 88 x 104 x 4 cm

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Paul Fägerskiöld, Untitled, 2019, Oil on linen with walnut frame 44.5 x 104 x 4 cm
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VALERIO ADAMI: Les années 80 @ GALERIE TEMPLON PARIS - 30 RUE BEAUBOURG

VALERIO ADAMI: Les années 80
@GALERIE TEMPLON PARIS - 30 RUE BEAUBOURG
30 rue Beaubourg
75003 Paris - France
SEPTEMBER 7 - OCTOBER 19, 2019

installation views
1valerio-adami.jpg

2valerio-adami.jpg

3valerio-adami.jpg

4valerio-adami.jpg

5valerio-adami.jpg
L'Ascensione, 1984
ACRYLIC ON CANVAS
203,5 X 152,5 CM
80 1/8 X 60 IN.

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Un amore : la morte, 1990
ACRYLIC ON CANVAS
216 X 165 CM
85 X 65 IN.

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Anagrammi, 1986
ACRYLIC ON CANVAS
199,5 X 266 CM
78 1/2 X 104 3/4 IN.

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Autoportrait, 1983
ACRYLIC ON CANVAS
198 X 147 CM
78 X 57 7/8 IN.

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L'incantesimo del lago, 1984
ACRYLIC ON CANVAS
198,5 X 265 CM
78 1/8 X 104 3/8 IN.
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2020年07月13日

Dom Sylvester Houédard: tantric poetries @ Lisson Gallery, 67 Lisson Street, London

Dom Sylvester Houédard: tantric poetries
@Lisson Gallery, 67 Lisson Street, London
67 Lisson Street
London
NW1 5DA
UK
12 March – 2 May 2020

installation views
1dom-sylvester-houedard-tantric-poetries.jpeg

2dom-sylvester-houedard-tantric-poetries.jpeg

3dom-sylvester-houedard-tantric-poetries.jpeg

4dom-sylvester-houedard-tantric-poetries.jpeg

5dom-sylvester-houedard-tantric-poetries.jpeg

6dom-sylvester-houedard-tantric-poetries.jpeg

7dom-sylvester-houedard-tantric-poetries.jpeg
Untitled, Circa 1967
Typed page 29.6 x 21 cm, 11 5/8 x 8 1/4 in

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clarify the intensions of the original, 1968
Vinyl plastic laminate (newspaper cuttings, miscellaneous material and PVC plastic) 14.6 x 8.3 cm, 5 3/4 x 3 1/4 in

9dom-sylvester-houedard-tantric-poetries.jpeg
AN ANGELS OPPORTUNITY, 1967
Vinyl plastic laminate (newspaper cuttings, miscellaneous material and PVC plastic) 9.4 x 7.4 cm, 3 5/8 x 2 7/8 in

10dom-sylvester-houedard-tantric-poetries.jpeg
chakravartin, 1967
Typed page 16.2 x 20.2 cm, 6 3/8 x 7 7/8 in
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Looking Forward @ Galerie Nathalie Obadia, Cloître Saint-Merri, Paris

Looking Forward
Martin Barré
Valérie Belin
Carole Benzaken
Shirley Jaffe Estate
Benoît Maire
Youssef Nabil
Laure Prouvost
Sarkis
Andres Serrano
Mickalene Thomas
Wang Keping
@Galerie Nathalie Obadia, Cloître Saint-Merri, Paris
3 rue du Cloître Saint-Merri
75004 - Paris - France
May 22 - July 31, 2020

installation views
1Looking_Forward.jpg

2Looking_Forward.jpg

3Looking_Forward.jpg

4Looking_Forward.jpg
Au réveil, il était midi (8)
2020
Indian ink, acrylic and oil on canvas
80 x 70 cm (31 1/2 x 27 1/2 in)

5Looking_Forward.jpg
The Red Line in Blue
1961
Oil on canvas
161 x 130 x 2,4 cm (63 3/8 x 51 3/16 x 0 15/16 in)

6Looking_Forward.jpg
Peinture de nuages
2020
Oil and spray painting on canvas
154 x 104 x 5 cm (60 5/8 x 40 15/16 x 1 31/32 in)

7Looking_Forward.jpg
Peinture de nuages
2020
Oil and spray painting on canvas
104 x 79 x 4 cm (40 15/16 x 31 3/32 x 1 9/16 in.)

8Looking_Forward.jpg
Grand mas Laboratory
2020
Tapestry, thread - Provenance : Flanders Tapestries BVBA
290 x 433,5 cm (114 3/16 x 170 21/32 in)
Edition of 3 + 1 AP

9Looking_Forward.jpg
In Sinc We Think
2019
Tapestry, thread - Provenance : Flanders Tapestries BVBA
175 x 148 cm (68 29/32 x 58 9/32 in)
Edition of 3 + 1 AP

10Looking_Forward.jpg
The Hidden Painting Grandma Improved - Connected
2020
Oil on canvas
150,5 x 170 x 4,5 cm (59 1/4 x 66 15/16 x 1 25/32 in)

11Looking_Forward.jpg
2018.09.03 Munch "18930"
2018
Oil, pencil on photo on Arche 300gr paper
63 x 83 cm (24 13/16 x 32 11/16 in)

12Looking_Forward.jpg
“Black Dolls - Larry” Vintage Rag Doll (Infamous)
2019
Pigment print, back-mounted on dibond, wooden frame
115,6 x 96,5 cm (45 1/2 x 38 in.)
Edition of 7 + 2 AP
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Peppi Bottrop: The Birds @ Sies + Höke, Düsseldorf

Peppi Bottrop: The Birds
@Sies + Höke
Poststrasse 2+3
D-40213 Düsseldorf
Germany
Apr 8th − May 30th, 2020

Installation views
Courtesy the artist; Sies + Höke, Düsseldorf
Photographer Achim Kukulies, Düsseldorf
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Metro III, 2018
Graphite and charcoal on canvas 244 x 366 cm
Courtesy the artist; Sies + Höke, Düsseldorf
Photographer Achim Kukulies, Düsseldorf

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Northrop, 2018
Graphite and charcoal on canvas 244 x 244 cm
Courtesy the artist; Sies + Höke, Düsseldorf
Photographer Achim Kukulies, Düsseldorf

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St.B, 2018
Graphite and charcoal on canvas 262 x 389 cm
Courtesy the artist; Sies + Höke, Düsseldorf
Photographer Achim Kukulies, Düsseldorf

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AEW&C, 2018
Graphite and charcoal on canvas, artist's frame 244 x 122 cm 249,5 x 127 x 6,4 cm (framed)
Installation view
Courtesy the artist; Sies + Höke, Düsseldorf
Photographer Achim Kukulies, Düsseldorf

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I-strip, 2018
Graphite and charcoal on canvas, artist's frame 244 x 122 cm 249 x 126,6 x 6,4 cm (framed)
Courtesy the artist; Sies + Höke, Düsseldorf
Photographer Achim Kukulies, Düsseldorf

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33HFB 320, 2018
Graphite and charcoal on canvas, artist's frame 121,5 x 243,5 cm 127 x 249 x 6,6 cm (framed)
Courtesy the artist; Sies + Höke, Düsseldorf
Photographer Achim Kukulies, Düsseldorf

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Pilatus PC-9, 2018
Graphite and charcoal on canvas, artist's frame 244,4 x 244,4 cm 249 x 249 x 6,4 cm (framed)
Courtesy the artist; Sies + Höke, Düsseldorf
Photographer Achim Kukulies, Düsseldorf

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IAI Arava, 2018
Graphite and charcoal on canvas 244 x 122 cm
Courtesy the artist; Sies + Höke, Düsseldorf
Photographer Achim Kukulies, Düsseldorf
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Zbyněk Baladrán: The Beginning of Something Yet to be Determined @ hunt kastner, Prague

Zbyněk Baladrán: The Beginning of Something Yet to be Determined
@hunt kastner
Bořivojova 85
13000 Prague
Czech Republic
August 31 – November 2, 2019

installation views
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Zbyněk Baladrán, The Continuity of Imagination in Retail Business and the Art of Making Collages, 2019, photo by Michal Czanderle

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Zbyněk Baladrán, The Continuity of Imagination in Retail Business and the Art of Making Collages, 2019, photo by Michal Czanderle (detail)

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Zbyněk Baladrán, The Continuity of Imagination in Retail Business and the Art of Making Collages, 2019, photo by Michal Czanderle (detail)

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Zbyněk Baladrán, Apparatus as a Goal of History, 2019, photo by Michal Czanderle

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Zbyněk Baladrán, Contingent Propositions, 2017, photo by Michal Czanderle

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Zbyněk Baladrán, Contingent Propositions, 2017, photo by Michal Czanderle (detail)

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Zbyněk Baladrán, Discourse, 2008, photo by Michal Czanderle

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Zbyněk Baladrán, Discourse, 2008, photo by Michal Czanderle (detail)

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Zbyněk Baladrán, The End of the History in Czechoslovakia, 2017, 9 digital prints, each 30 x 21 cm. photo by Michal Czanderle

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Zbyněk Baladrán, The End of the History in Czechoslovakia, 2017, 9 digital prints, each 30 x 21 cm. photo by Michal Czanderle (detail)

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Zbyněk Baladrán, History is Possible, 2018, installation, print on plexiglass, aluminum rod, 500 x 41 cm, photo by Michal Czanderle

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Zbyněk Baladrán, History is Possible, 2018, installation, print on plexiglass, aluminum rod, 500 x 41 cm, photo by Michal Czanderle

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Zbyněk Baladrán, History is Possible, 2018, installation, print on plexiglass, aluminum rod, 500 x 41 cm, photo by Michal Czanderle (detail)
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ABSTRACT EXISTENTIALISM @ Galerie Jérôme Pauchant, Paris

ABSTRACT EXISTENTIALISM
Quentin Euverte (1991), Eddie Martinez, Mario Picardo (1985)
@Galerie Jérôme Pauchant
61, rue Notre Dame de Nazareth
75003 Paris, France
October 11 - December 20, 2019

Exhibition views
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Quentin EUVERTE (1991)
New Jack Kourou City, 2019
Neons, plastic bags, cables, razors, various objects and electric system
215 x 180 x 160 cm

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Mario PICARDO (1985)
Sans titre, 2019
Acrylic and polyurethane on canvas
210 x 140 cm

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Quentin EUVERTE (1991)
Cleaning out of my closet - ft. Drakko (prod. L Rey), 2019
Supply closet, plastic crates, media player, iron chain and hook and other mixed media
155 x 91 x 70 cm

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Quentin EUVERTE (1991)
Cars, scars and stars, 2019
Plexiglas box, plastic crate, t-shirt, plastic bag, various objects, I-pod, J.G Ballard - Crash audio-book and speaker
153,5 x 128 x 84 cm

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Quentin EUVERTE (1991)
I believe in nothing, 2019
Bag, stickers, plastic bags, zip ties and printed text
93 x 70 x 45 cm

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Quentin EUVERTE (1991)
Image is nothing: thirst is everything, 2019
Cardio trainer, PC and TV screens, plastic bag, original unique video, usb driver, wires and zip ties
118 x 72,5 x 118 cm

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Quentin EUVERTE (1991)
Boredom of afternoons, fear of calendars, treachery of clocks, 2019
Glass, aluminum, iron, paper collage, tape, stickers, leather and various razor blades, key rings and fish hook
159,5 x 88 x 46 cm

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Quentin EUVERTE (1991)
Thank you for dying, 2019
Plastic bag, plaster, coat-hanger, stickers, zip ties
90 x 45 x 12 cm

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Mario PICARDO (1985)
Sans titre #1, 2019
Mixed media on paper
59,5 x 42 cm

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Mario PICARDO (1985)
Sans titre #5, 2019
Mixed media on paper
59,5 x 42 cm

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Mario PICARDO (1985)
Sans titre #3, 2019
Mixed media on paper
59,5 x 42 cm

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Mario PICARDO (1985)
Sans titre #7, 2019
Mixed media on paper
59,5 x 42 cm

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Mario PICARDO (1985)
Sans titre #2, 2019
Mixed media on paper
59,5 x 42 cm

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Eddie MARTINEZ
Untitled, 2016
Ink, oil paint, marker, spray paint and enamel on paper
55,9 x 71,1 cm. c Eddie Martinez. Collection privée, Paris.
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HÅKAN REHNBERG ≫NOW.≪ @ GALERIE NORDENHAKE STOCKHOLM AB

HÅKAN REHNBERG ≫NOW.≪
@GALERIE NORDENHAKE STOCKHOLM AB
Hudiksvallsgatan 8
SE-113 30 Stockholm
Sweden
February 20, 2020 - May 09, 2020

installation views
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Untitled, 2019, oil on acrylic, 170 x 150 cm

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Untitled, 2019, oil on acrylic, 220 x 200 cm

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Untitled, 2019, oil on acrylic, 67 x 75 cm

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Untitled, 2017, oil on acrylic, 170 x 150 cm

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Untitled, 2019, oil on acrylic, 170 x 150 cm

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Untitled, 2019, oil on acrylic, 67 x 75 cm

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Untitled, 2019, oil on acrylic, 170 x 150 cm

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Untitled, 2018, oil on acrylic, 200 x 185 cm

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Untitled, 2020, aluminium, 234 x 53.5 x 55 cm

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Untitled, 2019, oil on acrylic, 67 x 75 cm

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Untitled, 2019, oil on acrylic, 67 x 75 cm

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Untitled, 2019, oil on acrylic, 100 x 115 cm

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Untitled, 2019, oil on acrylic, 100 x 115 cm
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PRUNE NOURRY: Catharsis @ GALERIE TEMPLON PARIS – GRENIER SAINT LAZARE

PRUNE NOURRY: Catharsis
@GALERIE TEMPLON PARIS – GRENIER SAINT LAZARE
28 rue du Grenier Saint-Lazare
75003 Paris - France
SEPTEMBER 7 - OCTOBER 19, 2019

installation views
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Catharsis, 2019
BRONZE, INCENSE (INOX)
43 X 34 X 25 CM
16 7/8 X 13 3/8 X 9 7/8 IN.
EDITION OF 5 + 2 A.P.

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La Femme Miracle, 2019
TERRACOTTA
232 X 170 X 12 CM
91 3/8 X 66 7/8 X 4 3/4 IN.
EDITION OF 3 + 2 A.P.

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Self-Defense, 2019
WOOD
148 X 82 X 13 CM
58 1/4 X 32 1/4 X 5 1/8 IN.
EDITION OF 5 + 2 A.PS

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Fertility (in a Milky Way), 2019
WHITE GLASS
25 X 28 X 33 CM
9 7/8 X 11 X 13 IN.)
EDITION OF 5 + 2 A.P.

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River Woman (Glass), 2019
LAB GLASS
185 X 75 X 20 CM
72 7/8 X 29 1/2 X 7 7/8 IN.
EDITION OF 5 + 2 A.P.

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Amazone Erogène, 2019
WOOD
DIMENSIONS VARIABLES
VARIABLE DIMENSIONS
UNIQUE PIECE
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2020年07月12日

Julian Charrière: Thickens, pools, flows, rushes, slows @ Sies + Höke, Düsseldorf

Julian Charrière: Thickens, pools, flows, rushes, slows
@Sies + Höke
Poststrasse 2+3
D-40213 Düsseldorf
Germany
Jun 19th − Aug 8th, 2020

Installation views
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Towards No Earthly Pole - Sovetskaya, 2019
Archival pigment print on Hahnemühle FineArt Pearl, mounted on aluminium dibond, framed (alder), Mirogard anti-refective glass 80 x 100 cm framed 81,8 x 101,8 x 4,2 cm
Courtesy the artist; VG Bild-Kunst, Bonn

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Thickens, pools, fows, rushes, slows, 2020
Obsidian block 138 x 94 x 84 cm
Courtesy the artist; VG Bild-Kunst, Bonn; Sies + Höke, Düsseldorf
Photographer Achim Kukulies, Düsseldorf

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Thickens, pools, fows, rushes, slows, 2020
Obsidian block 56 x 127 x 76 cm
Courtesy the artist; VG Bild-Kunst, Bonn; Sies + Höke, Düsseldorf
Photographer Achim Kukulies, Düsseldorf
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