Charlotte Moth: enjambment @ Marcelle Alix, Paris

Charlotte Moth: enjambment
@Marcelle Alix
4 rue Jouye-Rouve, 75020 Paris
France
10.09.2020 - 05.12.2020

installation views









Charlotte Moth
To a favourite tree, 2020
metal cube frame with oiled finish, heat-treated bronze, natural mat varnish
330 x 288 x 237 cm
unique
Photo : Aurélien Mole for Marcelle Alix


Charlotte Moth
Still Life in a White Cube, 2019
16mm digitally transferred film, colour, sound
8 min
ed 5 + 1
photo Patricia Nieto, exhibition view, CA2M, Mostoles (ES), 2019
production Centro Arte Dos de Mayo, Mostoles (ES)


Charlotte Moth
morning noon and evening #5, 2020
black and white analogue print
15 x 22.5 cm
ed 3 + 1


Charlotte Moth
morning noon and evening #3, 2020
black and white analogue print
11 x 16,5 cm
ed 3 + 1


Charlotte Moth
morning noon and evening #4, 2020
black and white analogue print
14 x 21 cm
ed 3 + 1


Charlotte Moth
morning noon and evening #1,
black and white analogue print
27 x 39,5 cm
ed 3 + 1


Charlotte Moth
placement #10, 2020
wood, paint, aluminium, plexiglas, glue
12 x 21.5 x 9.5 cm
unique
Photo : Aurélien Mole


Charlotte Moth
placement #7, 2020
card box, cotton dripped in wax
15 x 19.5 x 2.5 cm
unique
Photo : Aurélien Mole


Charlotte Moth
placement #6, 2020
dripped in wax, convex lens
20.5 x 14.5 x 4.5 cm
unique
Photo : Aurélien Mole


Charlotte Moth
placement #2, 2020
foam, ostrich feather
20 x 25,5 x 8,5 cm
unique

Emily Sundblad: Promenade des Anglais @ Campoli Presti, Paris

Emily Sundblad: Promenade des Anglais
@Campoli Presti, Paris
4–6 rue de Braque
Paris 75003
France
12 September – 17 October 2020

installation views












Emily Sundblad
Untitled, 2020
Gouache on paper
Framed dimensions: 42.5 x 37.5 cm / 16.73 x 14.76 inches


Emily Sundblad
Roses dans un Verre à Champagne en Plastique, 2020
Oil on canvas
41 x 33 cm / 16.14 x 12.99 inches


Emily Sundblad
Untitled, 2020
Oil and metallic pigment on canvas
61 x 38 cm / 24.01 x 14.96 inches


Emily Sundblad
Untitled, 2020
Gouache on paper
Framed dimensions: 42.5 x 37.5 cm / 16.73 x 14.76 inches


Emily Sundblad
Roses dans un Verre à Champagne en Plastique, 2020
Oil on canvas
41 x 33 cm / 16.14 x 12.99 inches


Emily Sundblad
Untitled, 2020
Oil on canvas
61 x 38 cm / 24.01 x 14.96 inches


Emily Sundblad
Untitled, 2020
Gouache on paper
Framed dimensions: 42.5 x 37.5 cm / 16.73 x 14.76 inches


Emily Sundblad
Untitled, 2020
Acrylic on wooden door and frame
287 x 120 cm / 112.99 x 47.24 inches

Daniele Genadry: Staring in place @ In Situ - Fabienne Leclerc, Paris

Daniele Genadry: Staring in place
@In Situ - Fabienne Leclerc
43 rue de la Commune de Paris 93230 Romainville France
12.09.2020- - 31.10.2020



Exhibition view




















Daniele Genadry
Barriers (obstructed vison), 2020
Acrylique et huile sur toile
215 x 290 cm
Pièce unique
Courtesy Daniele Genadry & Galerie In Situ-fabienne leclerc, Grand Paris
c Marc Domage












Daniele Genadry
Purple Glade, Pink Gleam, White Clearing, 2018
Acrylique et huile sur toile
215 x 290 cm (each) / total 215 x 900 cm
Pièce unique
Courtesy Daniele Genadry & Galerie In Situ-fabienne leclerc, Grand Paris

Yann Sérandour, project @ gb agency, Paris

Yann Sérandour, project
@gb agency
18 rue des 4 Fils F-75003 Paris
France
From June 13 to July 5, 2020

installation views








Yann Sérandour
Beppie’s Friends, Miniature Schnauzers, 2017
Used book, lacquered fiberboard panel, embedded leather laces
47 x 39,5 x 4 cm
Unique
The graphic design in this series of images is an extension of the covers of a group of guides about dog breeds. The size of each image corresponds to the ideal measurements of each breed as defined by the World Canine Organization. A Mondrian-like grid expansively and ornately extends around the books.


Yann Sérandour
Beppie’s Friends, Pekingese, 2017
Used book, lacquered fiberboard panel, embedded leather laces
36 x 39 x 4 cm
Unique
The graphic design in this series of images is an extension of the covers of a group of guides about dog breeds. The size of each image corresponds to the ideal measurements of each breed as defined by the World Canine Organization. A Mondrian-like grid expansively and ornately extends around the books.


Yann Sérandour
Beppie’s Friends, Chihuahas, 2017
Used book, lacquered fiberboard panel, embedded leather laces
43,5 x 28,5 x 4 cm
Unique
The graphic design in this series of images is an extension of the covers of a group of guides about dog breeds. The size of each image corresponds to the ideal measurements of each breed as defined by the World Canine Organization. A Mondrian-like grid expansively and ornately extends around the books


Yann Sérandour
Still Dogs (Pride of Ginger), 2017
Vintage silverprint and safelight film on cardboard, conservation box, plexiglass hood, lid
43,8 x 53,4 x 6 cm


Yann Sérandour
Thinking Out-Of-The-Box, 2017
Installation
Dog tether, 9 pegs, 2 nails
300 x 240 x 10 cm
Unique
The goal in the ‘9 dots puzzle’ is to connect nine dots using four lines without lifting the pencil from the paper. The solution requires going outside of the imaginary square defined by the dots. This puzzle, also known as “Thinking Out-Of-The-Box”, is often used as an example of creative thinking when teaching management classes. Here, it is recreated using a dog tether with mismatched pegs as dots to evoke various domestic settings.
Installation view, gb agency, Paris, 2020.
Photo: Aurélien Mole


Yann Sérandour
Thinking Out-Of-The-Box, 2017
Installation
Dog tether, 9 pegs, 2 nails
300 x 240 x 10 cm
Unique
The goal in the ‘9 dots puzzle’ is to connect nine dots using four lines without lifting the pencil from the paper. The solution requires going outside of the imaginary square defined by the dots. This puzzle, also known as “Thinking Out-Of-The-Box”, is often used as an example of creative thinking when teaching management classes. Here, it is recreated using a dog tether with mismatched pegs as dots to evoke various domestic settings.

Anne Daems: The slug had a forget-me-not in it’s mouth @ Micheline Szwajcer, Antwerpen

Anne Daems: The slug had a forget-me-not in it’s mouth
@Micheline Szwajcer
Verlatstraat 14
B-2000 Antwerpen
Belgium
15.11 – 11.01.2019

installation views






Compost tafel voor tuinkamer #1 / Garden Room’s Compost Table #1, 2019
58 x 77,5 x 39 cm + 16 x 16 x 3 cm
Unbaked clay, pencil, watercolor paint, 100% cotton archival quality watercolor paper, tempered glass, pine plywood, ayous wood, black paint, beeswax.
Ontwerp tafel i.s.m. Christoph Van Damme & Kenneth Andrew Mroczek.


detail:
Compost tafel voor tuinkamer #1 / Garden Room’s Compost Table #1, 2019


Compost tafel voor tuinkamer #3 / Garden Room’s Compost Table #3, 2019
58 x 77,5 x 39 cm + 16 x 16 x 3 cm
unbaked clay, pencil, watercolor paint, 100% cotton archival quality watercolor paper, tempered glass, pine plywood, ayous wood, black paint, beeswax.
Ontwerp tafel i.s.m. Christoph Van Damme & Kenneth Andrew Mroczek.


detail:
Compost tafel voor tuinkamer #3 / Garden Room’s Compost Table #3, 2019


Compost tafel voor tuinkamer #4 / Garden Room’s Compost Table #4, 2019
58 x 77,5 x 39 cm + 16 x 16 x 3 cm
unbaked clay, pencil, watercolor paint, 100% cotton archival quality watercolor paper, tempered glass, pine plywood, ayous wood, black paint, beeswax.
Ontwerp tafel i.s.m. Christoph Van Damme & Kenneth Andrew Mroczek.


detail:
Compost tafel voor tuinkamer #4 / Garden Room’s Compost Table #4, 2019


Wormenbak #3 / Vermicompost #3, 2019
56,5 x 76,5 cm
pencil, watercolor paint on 100% cotton archival quality watercolor paper


Wormenbak #5 / Vermicompost #5, 2019
56,5 x 76,5 cm
pencil, watercolor paint on 100% cotton archival quality watercolor paper


Wormenbak #6 / Vermicompost #6, 2019
56,5 x 76,5 cm
pencil, watercolor paint on 100% cotton archival quality watercolor paper


Wormenbak #9 / Vermicompost #9, 2019
56,5 x 76,5 cm
pencil, watercolor paint on 100% cotton archival quality watercolor paper


De naaktslak had een vergeet-me-nietje in de mond #1 / The Slug Had a Forget-me-not in its Mouth #1, 2019
56,5 x 76,5 cm
pencil, watercolor paint on 100% cotton archival quality watercolor paper


De naaktslak had een vergeet-me-nietje in de mond #2 / The Slug Had a Forget-me-not in its Mouth #2, 2019
56,5 x 76,5 cm
pencil, watercolor paint on 100% cotton archival quality watercolor paper


Stoel Gustave Serrurier-Bovy bedekt met kledingstukken #3 / Gustave Serrurier-Bovy Chair Covered With Garment #3, 2019
43,9 x 33,8 cm (with frame)
pencil, watercolor paint on 100% cotton archival quality watercolor paper in white painted maple wood frame


Stoel Gustave Serrurier-Bovy bedekt met kledingstukken #5 / Gustave Serrurier-Bovy Chair Covered With Garment #5, 2019
43,9 x 33,8 cm (with frame)
pencil, watercolor paint on 100% cotton archival quality watercolor paper in white painted maple wood frame


Stoel Gustave Serrurier-Bovy bedekt met kledingstukken #7 / Gustave Serrurier-Bovy Chair Covered With Garment #7, 2019
43,9 x 33,8 cm (with frame)
pencil, watercolor paint on 100% cotton archival quality watercolor paper in white painted maple wood frame


Stoel Gustave Serrurier-Bovy bedekt met kledingstukken #10 / Gustave Serrurier-Bovy Chair Covered With Garment #10, 2019
43,9 x 33,8 cm (with frame)
pencil, watercolor paint on 100% cotton archival quality watercolor paper in white painted maple wood frame