@Richard Saltoun Gallery
41 Dover Street
London W1S 4NS
United Kingdom
3 SEPTEMBER−31 OCTOBER 2020
installation views
2021年01月19日
BOB LAW: IDEAS, ENERGIES, TRANSMUTATIONS @ Richard Saltoun Gallery, London
BOB LAW: IDEAS, ENERGIES, TRANSMUTATIONS
@Richard Saltoun Gallery
41 Dover Street
London W1S 4NS
United Kingdom
3 SEPTEMBER−31 OCTOBER 2020
installation views
@Richard Saltoun Gallery
41 Dover Street
London W1S 4NS
United Kingdom
3 SEPTEMBER−31 OCTOBER 2020
installation views
Catalin Pislaru: Sinopia @ Schierke Seinecke, Frankfurt
Catalin Pislaru: Sinopia
@Schierke Seinecke
Bahnhofsviertel
Niddastr. 63
60329 Frankfurt am Main
Germany
12.6.–29.8.2020
installation views
@Schierke Seinecke
Bahnhofsviertel
Niddastr. 63
60329 Frankfurt am Main
Germany
12.6.–29.8.2020
installation views
Henrik Olesen: ab 22. Mai 2020 @ Galerie Buchholz, Köln
Henrik Olesen: ab 22. Mai 2020
@Galerie Buchholz, Köln
Neven-DuMont-Str. 17 50667 Köln
Germany
22 May 2020 – 15 August 2020
installation views
Henrik Olesen
Treasure Island, 2020
oil and mixed media on wood
55 x 46.5 x 2 cm
Henrik Olesen
intestine, black, red, vertical, 2020
oil and mixed media on canvas
50 x 40 x 2 cm
Henrik Olesen
intestine, black, red, horizontal, 2020
oil and mixed media on canvas
40 x 50 x 2 cm
Henrik Olesen
intestine, red, black, 2020
oil and mixed media on wood:
42.5 x 52.5 x 2 cm
sticker: 42 x 29.7 cm
plug board: 144,5 x 37 x 22 cm
Henrik Olesen
intestine, red, black, 2020
oil and mixed media on wood:
42.5 x 52.5 x 2 cm
sticker: 42 x 29.7 cm
plug board: 144,5 x 37 x 22 cm
detail
Henrik Olesen
(rotten sun), 2020
oil and mixed media on wood:
32 x 41.5 x 2 cm
plug board: 161 x 5 x 4.2 cm
Henrik Olesen
(rotten sun), 2020
oil and mixed media on wood:
32 x 41.5 x 2 cm
plug board: 161 x 5 x 4.2 cm
detail
Henrik Olesen
intestine, blue, 2020
oil and mixed media on wood
47 x 39.5 x 2 cm
Henrik Olesen
organs, 2020
oil and mixed media on wood:
30 x 40 x 2 cm
plug board: 161 x 15 x 8 cm
Henrik Olesen
organs, 2020
oil and mixed media on wood:
30 x 40 x 2 cm
plug board: 161 x 15 x 8 cm
detail
Henrik Olesen
organ, 2020
oil and mixed media on canvas:
49,5 x 40 x 2 cm
plug board: 131 x 12 x 14 cm
Henrik Olesen
organ, 2020
oil and mixed media on canvas:
49,5 x 40 x 2 cm
plug board: 131 x 12 x 14 cm
detail
Henrik Olesen
blue insides, 2020
oil and mixed media on canvas:
40 x 50 x 2 cm
plug board: 132 x 40 x 32 cm
Henrik Olesen
blue insides, 2020
oil and mixed media on canvas:
40 x 50 x 2 cm
plug board: 132 x 40 x 32 cm
detail
Henrik Olesen
intestine, red, 2020
oil and mixed media on wood:
48.5 x 40 x 2 cm
plug board: 165 x 5 x 4.5 cm
Henrik Olesen
intestine, red, 2020
oil and mixed media on wood:
48.5 x 40 x 2 cm
plug board: 165 x 5 x 4.5 cm
detail
Henrik Olesen
line, 2020
oil and mixed media on wood:
52 x 41 x 2 cm
plug board: 172.5 x 5 x 4 cm
Henrik Olesen
line, 2020
oil and mixed media on wood:
52 x 41 x 2 cm
plug board: 172.5 x 5 x 4 cm
detail
Henrik Olesen
intestine, black and white, 2020
oil and mixed media on wood
40 x 55 x 2 cm
Henrik Olesen
intestine, orange, 2020
oil and mixed media on wood
36 x 42.5 x 2 cm
Henrik Olesen
insides, 2020
oil and mixed media on wood:
39.5 x 45.5 x 2 cm
plug board: 154.5 x 5.5 x 4.5 cm
Henrik Olesen
insides, 2020
oil and mixed media on wood:
39.5 x 45.5 x 2 cm
plug board: 154.5 x 5.5 x 4.5 cm
detail
Henrik Olesen
Body of Shit, 2020
oil and mixed media on wood:
46.5 x 55 x 2.5 cm
plug board: 170 x 5 x 4.2 cm
Henrik Olesen
Body of Shit, 2020
oil and mixed media on wood:
46.5 x 55 x 2.5 cm
plug board: 170 x 5 x 4.2 cm
detail
Henrik Olesen
Body of Shit 2, 2020
oil and mixed media on wood
30.8 x 46.7 x 2 cm
Henrik Olesen
Heaven & Hell, 2020
oil and mixed media on wood
46.7 x 54.8 x 2 cm
Henrik Olesen
1.-2. (… ), 2020
two parts
silicone, plug, cable on board:
52.5 x 74.5 x 4 cm
silicone, plug, plug board, masking tape, felt tip pen on board: 52 x 74.5 x 5 cm
Henrik Olesen
1.-2. (… ), 2020
two parts
silicone, plug, cable on board:
52.5 x 74.5 x 4 cm
silicone, plug, plug board, masking tape, felt tip pen on board: 52 x 74.5 x 5 cm
detail
Henrik Olesen
1.-2. (… ), 2020
two parts
silicone, plug, cable on board:
52.5 x 74.5 x 4 cm
silicone, plug, plug board, masking tape, felt tip pen on board: 52 x 74.5 x 5 cm
detail
Henrik Olesen
3. Auflösung, 2020
silicone on cardstock
39.5 x 52 x 1 cm
Henrik Olesen
4. Auflösung, 2020
silicone on cardstock
39.5 x 52 x 1 cm
Henrik Olesen
5. Auflösung, 2020
silicone on cardstock
39.5 x 52 x 1 cm
Henrik Olesen
6.-7. Auflösung, 2020
2 parts, silicone on cardstock
each 39,5 x 52 x 1 cm
overall dimensions: 86 x 52 x 1 cm
Henrik Olesen
6.-7. Auflösung, 2020
2 parts, silicone on cardstock
each 39,5 x 52 x 1 cm
overall dimensions: 86 x 52 x 1 cm
Henrik Olesen
8. Auflösung, 2020
silicone on cardstock
39.5 x 52 x 1 cm
@Galerie Buchholz, Köln
Neven-DuMont-Str. 17 50667 Köln
Germany
22 May 2020 – 15 August 2020
installation views
Henrik Olesen
Treasure Island, 2020
oil and mixed media on wood
55 x 46.5 x 2 cm
Henrik Olesen
intestine, black, red, vertical, 2020
oil and mixed media on canvas
50 x 40 x 2 cm
Henrik Olesen
intestine, black, red, horizontal, 2020
oil and mixed media on canvas
40 x 50 x 2 cm
Henrik Olesen
intestine, red, black, 2020
oil and mixed media on wood:
42.5 x 52.5 x 2 cm
sticker: 42 x 29.7 cm
plug board: 144,5 x 37 x 22 cm
Henrik Olesen
intestine, red, black, 2020
oil and mixed media on wood:
42.5 x 52.5 x 2 cm
sticker: 42 x 29.7 cm
plug board: 144,5 x 37 x 22 cm
detail
Henrik Olesen
(rotten sun), 2020
oil and mixed media on wood:
32 x 41.5 x 2 cm
plug board: 161 x 5 x 4.2 cm
Henrik Olesen
(rotten sun), 2020
oil and mixed media on wood:
32 x 41.5 x 2 cm
plug board: 161 x 5 x 4.2 cm
detail
Henrik Olesen
intestine, blue, 2020
oil and mixed media on wood
47 x 39.5 x 2 cm
Henrik Olesen
organs, 2020
oil and mixed media on wood:
30 x 40 x 2 cm
plug board: 161 x 15 x 8 cm
Henrik Olesen
organs, 2020
oil and mixed media on wood:
30 x 40 x 2 cm
plug board: 161 x 15 x 8 cm
detail
Henrik Olesen
organ, 2020
oil and mixed media on canvas:
49,5 x 40 x 2 cm
plug board: 131 x 12 x 14 cm
Henrik Olesen
organ, 2020
oil and mixed media on canvas:
49,5 x 40 x 2 cm
plug board: 131 x 12 x 14 cm
detail
Henrik Olesen
blue insides, 2020
oil and mixed media on canvas:
40 x 50 x 2 cm
plug board: 132 x 40 x 32 cm
Henrik Olesen
blue insides, 2020
oil and mixed media on canvas:
40 x 50 x 2 cm
plug board: 132 x 40 x 32 cm
detail
Henrik Olesen
intestine, red, 2020
oil and mixed media on wood:
48.5 x 40 x 2 cm
plug board: 165 x 5 x 4.5 cm
Henrik Olesen
intestine, red, 2020
oil and mixed media on wood:
48.5 x 40 x 2 cm
plug board: 165 x 5 x 4.5 cm
detail
Henrik Olesen
line, 2020
oil and mixed media on wood:
52 x 41 x 2 cm
plug board: 172.5 x 5 x 4 cm
Henrik Olesen
line, 2020
oil and mixed media on wood:
52 x 41 x 2 cm
plug board: 172.5 x 5 x 4 cm
detail
Henrik Olesen
intestine, black and white, 2020
oil and mixed media on wood
40 x 55 x 2 cm
Henrik Olesen
intestine, orange, 2020
oil and mixed media on wood
36 x 42.5 x 2 cm
Henrik Olesen
insides, 2020
oil and mixed media on wood:
39.5 x 45.5 x 2 cm
plug board: 154.5 x 5.5 x 4.5 cm
Henrik Olesen
insides, 2020
oil and mixed media on wood:
39.5 x 45.5 x 2 cm
plug board: 154.5 x 5.5 x 4.5 cm
detail
Henrik Olesen
Body of Shit, 2020
oil and mixed media on wood:
46.5 x 55 x 2.5 cm
plug board: 170 x 5 x 4.2 cm
Henrik Olesen
Body of Shit, 2020
oil and mixed media on wood:
46.5 x 55 x 2.5 cm
plug board: 170 x 5 x 4.2 cm
detail
Henrik Olesen
Body of Shit 2, 2020
oil and mixed media on wood
30.8 x 46.7 x 2 cm
Henrik Olesen
Heaven & Hell, 2020
oil and mixed media on wood
46.7 x 54.8 x 2 cm
Henrik Olesen
1.-2. (… ), 2020
two parts
silicone, plug, cable on board:
52.5 x 74.5 x 4 cm
silicone, plug, plug board, masking tape, felt tip pen on board: 52 x 74.5 x 5 cm
Henrik Olesen
1.-2. (… ), 2020
two parts
silicone, plug, cable on board:
52.5 x 74.5 x 4 cm
silicone, plug, plug board, masking tape, felt tip pen on board: 52 x 74.5 x 5 cm
detail
Henrik Olesen
1.-2. (… ), 2020
two parts
silicone, plug, cable on board:
52.5 x 74.5 x 4 cm
silicone, plug, plug board, masking tape, felt tip pen on board: 52 x 74.5 x 5 cm
detail
Henrik Olesen
3. Auflösung, 2020
silicone on cardstock
39.5 x 52 x 1 cm
Henrik Olesen
4. Auflösung, 2020
silicone on cardstock
39.5 x 52 x 1 cm
Henrik Olesen
5. Auflösung, 2020
silicone on cardstock
39.5 x 52 x 1 cm
Henrik Olesen
6.-7. Auflösung, 2020
2 parts, silicone on cardstock
each 39,5 x 52 x 1 cm
overall dimensions: 86 x 52 x 1 cm
Henrik Olesen
6.-7. Auflösung, 2020
2 parts, silicone on cardstock
each 39,5 x 52 x 1 cm
overall dimensions: 86 x 52 x 1 cm
Henrik Olesen
8. Auflösung, 2020
silicone on cardstock
39.5 x 52 x 1 cm
KIOSK: FLASH BACK FLASH FORWARD @ Gordon Robichaux, New York
KIOSK: FLASH BACK FLASH FORWARD
@Gordon Robichaux
41 Union Square West, #925 and #907
(Entrance 22 East 17th Street)
New York, NY 10003
USA
November 21, 2019–January 5, 2020
Marco ter Haar Romeny, First Corner, 2019, Glass neon tubes, hardware, transformer, 24 x 5 in
Marco ter Haar Romeny, On Returning to the City, 2019, Glass neon tubes, hardware, transformer, 60 x 78 x 7 in
Marco ter Haar Romeny, Jingle, 2019, Glass tubes, wiring, transformer, 13 x 29 x 6 in
Marco ter Haar Romeny, P.S., 2019 Glass tubes, wiring, transformer, 25.5 x 30 x 9 in
Marco ter Haar Romeny, Wall, 2019 ,Glass tubes, wiring, transformer, 26 x 39 x 8 in
Marco ter Haar Romeny, Air Return, 2019, Glass tubes, wiring, transformer, batteries (battery operated) 49 x .25 in
@Gordon Robichaux
41 Union Square West, #925 and #907
(Entrance 22 East 17th Street)
New York, NY 10003
USA
November 21, 2019–January 5, 2020
Marco ter Haar Romeny, First Corner, 2019, Glass neon tubes, hardware, transformer, 24 x 5 in
Marco ter Haar Romeny, On Returning to the City, 2019, Glass neon tubes, hardware, transformer, 60 x 78 x 7 in
Marco ter Haar Romeny, Jingle, 2019, Glass tubes, wiring, transformer, 13 x 29 x 6 in
Marco ter Haar Romeny, P.S., 2019 Glass tubes, wiring, transformer, 25.5 x 30 x 9 in
Marco ter Haar Romeny, Wall, 2019 ,Glass tubes, wiring, transformer, 26 x 39 x 8 in
Marco ter Haar Romeny, Air Return, 2019, Glass tubes, wiring, transformer, batteries (battery operated) 49 x .25 in
WANDA KOOP: HeartBeat Bots @ Night Gallery, Los Angeles
WANDA KOOP: HeartBeat Bots
@Night Gallery
2276 E 16th Street
90021 Los Angeles
USA
OCTOBER 3 – NOVEMBER 14, 2020
installation views
"Breaking News (Colour Bars)," 2019
"Heartbeat Bot (Jaune)," 2020
"Smalt Blue (Reflection)," 2020
"Heartbeat Bot (Smalt Blue)," 2020
"Dreamline (Seeway)," 2019
"Clear Lake," 2020
"Heartbeat Bot (Luminous Red Eyes)," 2020
"Tree (Dusk Grey)," 2020
"Mauve Reflection," 2020
"Heartbeat Bot (Bleu)," 2020
"Web (Soft Grey-Blue)," 2020
"Caravaggio Blue," 2020
"Moon Beam," 2020
Heartbeat Bot #4, 2019
"Heartbeat Bot #3," 2019
"Heartbeat Bot (Pale Peach)," 2020
"Heartbeat Bot (Orange - Smokey Blue)," 2020
"Heartbeat Bot (Ivory)," 2020
"Heartbeat Bot (Marine Green)," 2020
"Heartbeat Bot (Rouge)," 2020
"Web (orange)," 2020
"Heartbeat Bot (Taupe)," 2020
"Dreamline (Satellite City)," 2019
"Tree (Shell Pink)," 2020
"Heartbeat Bot (Bright Eyes)," 2020
"Midday in Eden," 2020
"Still (Nocturnal)," 2020
"Heartbeat Bot (Dark Eyes)," 2020
@Night Gallery
2276 E 16th Street
90021 Los Angeles
USA
OCTOBER 3 – NOVEMBER 14, 2020
installation views
"Breaking News (Colour Bars)," 2019
"Heartbeat Bot (Jaune)," 2020
"Smalt Blue (Reflection)," 2020
"Heartbeat Bot (Smalt Blue)," 2020
"Dreamline (Seeway)," 2019
"Clear Lake," 2020
"Heartbeat Bot (Luminous Red Eyes)," 2020
"Tree (Dusk Grey)," 2020
"Mauve Reflection," 2020
"Heartbeat Bot (Bleu)," 2020
"Web (Soft Grey-Blue)," 2020
"Caravaggio Blue," 2020
"Moon Beam," 2020
Heartbeat Bot #4, 2019
"Heartbeat Bot #3," 2019
"Heartbeat Bot (Pale Peach)," 2020
"Heartbeat Bot (Orange - Smokey Blue)," 2020
"Heartbeat Bot (Ivory)," 2020
"Heartbeat Bot (Marine Green)," 2020
"Heartbeat Bot (Rouge)," 2020
"Web (orange)," 2020
"Heartbeat Bot (Taupe)," 2020
"Dreamline (Satellite City)," 2019
"Tree (Shell Pink)," 2020
"Heartbeat Bot (Bright Eyes)," 2020
"Midday in Eden," 2020
"Still (Nocturnal)," 2020
"Heartbeat Bot (Dark Eyes)," 2020
2021年01月18日
OUR INHERITANCE WAS LEFT TO US BY NO TESTAMENT @ Richard Saltoun Gallery, London
OUR INHERITANCE WAS LEFT TO US BY NO TESTAMENT
@Richard Saltoun Gallery
41 Dover Street
London W1S 4NS
United Kingdom
12 NOVEMBER−19 DECEMBER 2020
installation views
Běla Kolářová
Business cards (Diary from the week in the mountains), 1977
Assemblage of metal frames and makeup on card
14 3/5 × 12 3/5 in
37 × 32 cm
Běla Kolářová
Variation: Two Triangles IV, 1968
Snap fasteners mounted on board
22 4/5 × 22 4/5 in
58 × 58 cm
Běla Kolářová
Bullets and Flowers , 1974
Assemblage on paper
18 9/10 × 13 4/5 in
48 × 35 cm
Erna ROSENSTEIN
City, 1991
Oil on canvas
19 7/10 × 23 3/5 in
50 × 60 cm
Barbara LEVITTOUX-ŚWIDERSKA
The Blurry Space [Rozmyta przestrzeń], 1984
Sisal, thread, metal frame
177 1/5 × 98 2/5 × 98 2/5 in
450 × 250 × 250 cm
Erna ROSENSTEIN
I want to go up, 1996
Oil and collage on canvas
16 1/10 × 10 7/10 in
41 × 27.3 cm
Jagoda Buić
La Voile [The Sail], 1971
Wool and sisal
96 1/2 × 94 1/2 in
245 × 240 cm
Jagoda Buić
Untitled, 1976
Felt tip
40 3/5 × 28 3/10 in
103 × 72 cm
Jolanta Owidzka
Warszawa [Warsaw], 1967
Wool, linen and metallic thread
90 1/5 × 68 1/10 in
229 × 173 cm
Renate Bertlmann
Übergestülpt – Boris-Zyklus (Slipped over – Boris Cycle), 1976
Pencil, color pencil, Transparency paper backed with tissue paper
20 4/5 × 15 3/10 in
52.8 × 38.8 cm
Renate Bertlmann
Farphalla transparent rosa (Farphalla rose lucent), 1998
Plastic, dildo, perspex, wood
11 2/5 × 17 3/10 × 11 4/5 in
29 × 44 × 30 cm
Renate Bertlmann
Boris lügt [Boris is Lying], 1974
Pencil, gouache and tracing paper on paper
14 1/5 × 19 3/10 in
36 × 49 cm
Alina Szapocznikow
Sculpture Lamp (Double Mouth on Phallus), 1967-1969
Coloured polyester, lightbulb and electrical wiring
21 7/10 × 19 3/10 × 15 in
55 × 49 × 38 cm
Jagoda Buić
Fallen Angel, 1966
Wool and sisal
74 4/5 × 17 3/10 in
190 × 44 cm
Renate Bertlmann
Wurfmesser (Throwing Knife) , 1980
Condom, knife, polyurethane foam, perspex, velvet, wood, needles
6 9/10 × 16 7/10 × 5 1/2 in
17.5 × 42.5 × 14 cm
Jagoda Buić
Dubrovnik, 1973
Wool
31 1/2 × 25 1/5 in
80 × 64 cm
@Richard Saltoun Gallery
41 Dover Street
London W1S 4NS
United Kingdom
12 NOVEMBER−19 DECEMBER 2020
installation views
Běla Kolářová
Business cards (Diary from the week in the mountains), 1977
Assemblage of metal frames and makeup on card
14 3/5 × 12 3/5 in
37 × 32 cm
Běla Kolářová
Variation: Two Triangles IV, 1968
Snap fasteners mounted on board
22 4/5 × 22 4/5 in
58 × 58 cm
Běla Kolářová
Bullets and Flowers , 1974
Assemblage on paper
18 9/10 × 13 4/5 in
48 × 35 cm
Erna ROSENSTEIN
City, 1991
Oil on canvas
19 7/10 × 23 3/5 in
50 × 60 cm
Barbara LEVITTOUX-ŚWIDERSKA
The Blurry Space [Rozmyta przestrzeń], 1984
Sisal, thread, metal frame
177 1/5 × 98 2/5 × 98 2/5 in
450 × 250 × 250 cm
Erna ROSENSTEIN
I want to go up, 1996
Oil and collage on canvas
16 1/10 × 10 7/10 in
41 × 27.3 cm
Jagoda Buić
La Voile [The Sail], 1971
Wool and sisal
96 1/2 × 94 1/2 in
245 × 240 cm
Jagoda Buić
Untitled, 1976
Felt tip
40 3/5 × 28 3/10 in
103 × 72 cm
Jolanta Owidzka
Warszawa [Warsaw], 1967
Wool, linen and metallic thread
90 1/5 × 68 1/10 in
229 × 173 cm
Renate Bertlmann
Übergestülpt – Boris-Zyklus (Slipped over – Boris Cycle), 1976
Pencil, color pencil, Transparency paper backed with tissue paper
20 4/5 × 15 3/10 in
52.8 × 38.8 cm
Renate Bertlmann
Farphalla transparent rosa (Farphalla rose lucent), 1998
Plastic, dildo, perspex, wood
11 2/5 × 17 3/10 × 11 4/5 in
29 × 44 × 30 cm
Renate Bertlmann
Boris lügt [Boris is Lying], 1974
Pencil, gouache and tracing paper on paper
14 1/5 × 19 3/10 in
36 × 49 cm
Alina Szapocznikow
Sculpture Lamp (Double Mouth on Phallus), 1967-1969
Coloured polyester, lightbulb and electrical wiring
21 7/10 × 19 3/10 × 15 in
55 × 49 × 38 cm
Jagoda Buić
Fallen Angel, 1966
Wool and sisal
74 4/5 × 17 3/10 in
190 × 44 cm
Renate Bertlmann
Wurfmesser (Throwing Knife) , 1980
Condom, knife, polyurethane foam, perspex, velvet, wood, needles
6 9/10 × 16 7/10 × 5 1/2 in
17.5 × 42.5 × 14 cm
Jagoda Buić
Dubrovnik, 1973
Wool
31 1/2 × 25 1/5 in
80 × 64 cm
Frederick Weston: Blue Bedroom Blues @ Ace Hotel New York
Frederick Weston: Blue Bedroom Blues
presented by Gordon Robichaux
@Ace Hotel New York
20 W 29th Street New York, NY 10001
USA
January 6–February 6, 2020
installation views
Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches
Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches
Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches
Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches
Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches
presented by Gordon Robichaux
@Ace Hotel New York
20 W 29th Street New York, NY 10001
USA
January 6–February 6, 2020
installation views
Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches
Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches
Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches
Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches
Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches
Gili Tal "For the Sake of Those Who Would Discriminate Between Hallucinations" @ Galerie Buchholz, Berlin
Gili Tal "For the Sake of Those Who Would Discriminate Between Hallucinations"
@Galerie Buchholz
Fasanenstraße 30 10719 Berlin
Germany
19 June 2020 – 15 August 2020
Gili Tal
“Inward Looking”, 2020
painted steel, raw steel, plexiglass globes, electrical components, light bulbs
300 x 144 x 35 cm
249 x 120 x 33 cm
&
“Windows”, 2020
digital print on canvas
130 x 135 cm
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Windows”, 2020
digital print on canvas
130 x 135 cm
Gili Tal
“Inward Looking”, 2020
painted steel, raw steel, plexiglass globes, electrical components, light bulbs
300 x 144 x 35 cm
249 x 120 x 33 cm
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Inward Looking”, 2020
painted steel, raw steel, plexiglass globes, electrical components, light bulbs
300 x 144 x 35 cm
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Inward Looking”, 2020
painted steel, raw steel, plexiglass globes, electrical components, light bulbs
290 x 144 x 35 cm
282 x 144 x 35 cm
&
“Blinds”, 2020
digital print on roller blind
5 x 130 x 7.5 cm
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Blinds”, 2020
digital print on roller blind
5 x 130 x 7.5 cm
Gili Tal
“For the Sake of Those Who Would Discriminate Between Hallucinations”
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“For the Sake of Those Who Would Discriminate Between Hallucinations”
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Windows”, 2020
digital print on canvas
each 130 x 135 cm
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Windows”, 2020
digital print on canvas
130 x 135 cm
Gili Tal
“Windows”, 2020
digital print on canvas
130 x 135 cm
Gili Tal
“Windows”, 2020
digital print on canvas
130 x 135 cm
Gili Tal
“For the Sake of Those Who Would Discriminate Between Hallucinations”
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Inward Looking”, 2020
painted steel, raw steel, plexiglass globes, electrical components, light bulbs
various dimensions
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Inward Looking”, 2020
painted steel, raw steel, plexiglass globes, electrical components, light bulbs
various dimensions
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Inward Looking”, 2020
painted steel, raw steel, plexiglass globes, electrical components, light bulbs
various dimensions
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Blinds”, 2020
digital print on roller blind
5 x 130 x 7.5 cm
installation view
Galerie Buchholz, Berlin 2020
@Galerie Buchholz
Fasanenstraße 30 10719 Berlin
Germany
19 June 2020 – 15 August 2020
Gili Tal
“Inward Looking”, 2020
painted steel, raw steel, plexiglass globes, electrical components, light bulbs
300 x 144 x 35 cm
249 x 120 x 33 cm
&
“Windows”, 2020
digital print on canvas
130 x 135 cm
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Windows”, 2020
digital print on canvas
130 x 135 cm
Gili Tal
“Inward Looking”, 2020
painted steel, raw steel, plexiglass globes, electrical components, light bulbs
300 x 144 x 35 cm
249 x 120 x 33 cm
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Inward Looking”, 2020
painted steel, raw steel, plexiglass globes, electrical components, light bulbs
300 x 144 x 35 cm
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Inward Looking”, 2020
painted steel, raw steel, plexiglass globes, electrical components, light bulbs
290 x 144 x 35 cm
282 x 144 x 35 cm
&
“Blinds”, 2020
digital print on roller blind
5 x 130 x 7.5 cm
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Blinds”, 2020
digital print on roller blind
5 x 130 x 7.5 cm
Gili Tal
“For the Sake of Those Who Would Discriminate Between Hallucinations”
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“For the Sake of Those Who Would Discriminate Between Hallucinations”
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Windows”, 2020
digital print on canvas
each 130 x 135 cm
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Windows”, 2020
digital print on canvas
130 x 135 cm
Gili Tal
“Windows”, 2020
digital print on canvas
130 x 135 cm
Gili Tal
“Windows”, 2020
digital print on canvas
130 x 135 cm
Gili Tal
“For the Sake of Those Who Would Discriminate Between Hallucinations”
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Inward Looking”, 2020
painted steel, raw steel, plexiglass globes, electrical components, light bulbs
various dimensions
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Inward Looking”, 2020
painted steel, raw steel, plexiglass globes, electrical components, light bulbs
various dimensions
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Inward Looking”, 2020
painted steel, raw steel, plexiglass globes, electrical components, light bulbs
various dimensions
installation view
Galerie Buchholz, Berlin 2020
Gili Tal
“Blinds”, 2020
digital print on roller blind
5 x 130 x 7.5 cm
installation view
Galerie Buchholz, Berlin 2020
Laura Aberham: Breaking Blue @ Schierke Seinecke, Frankfurt
Laura Aberham: Breaking Blue
@Schierke Seinecke
Bahnhofsviertel
Niddastr. 63
60329 Frankfurt am Main
Germany
1.5.–1.6.2020
installation views
Breaking Blue
Acrylic on canvas, 280x200cm, 2019
Break
Acrylic on canvas, 160x130cm, 2020
Untitled
Acrylic on canvas, 50x40cm, 2019
Untitled
Acrylic on canvas, 50x40cm, 2019
Move
Acrylic on canvas, 200x150cm, 2020
@Schierke Seinecke
Bahnhofsviertel
Niddastr. 63
60329 Frankfurt am Main
Germany
1.5.–1.6.2020
installation views
Breaking Blue
Acrylic on canvas, 280x200cm, 2019
Break
Acrylic on canvas, 160x130cm, 2020
Untitled
Acrylic on canvas, 50x40cm, 2019
Untitled
Acrylic on canvas, 50x40cm, 2019
Move
Acrylic on canvas, 200x150cm, 2020
MARCEL ALCALÁ: Solita @ Night Gallery, Los Angeles
MARCEL ALCALÁ: Solita
@Night Gallery
2276 E 16th Street
90021 Los Angeles
USA
DECEMBER 12, 2020 – JANUARY 16, 2021
installation views
"Solita," 2020
"Lucy," 2020
"Luchador hasta el final," 2020
"Segura por la noche," 2020
"Arizona," 2020
"Jirafa Maricón," 2020
"Payasa on 1st," 2020
"View from my room," 2020
"Ego Death," 2020
"Spirit takes me," 2020
@Night Gallery
2276 E 16th Street
90021 Los Angeles
USA
DECEMBER 12, 2020 – JANUARY 16, 2021
installation views
"Solita," 2020
"Lucy," 2020
"Luchador hasta el final," 2020
"Segura por la noche," 2020
"Arizona," 2020
"Jirafa Maricón," 2020
"Payasa on 1st," 2020
"View from my room," 2020
"Ego Death," 2020
"Spirit takes me," 2020
2021年01月17日
Anna Nero: Res Extensa @ Schierke Seinecke, Frankfurt
Anna Nero: Res Extensa
@Schierke Seinecke
Bahnhofsviertel
Niddastr. 63
60329 Frankfurt am Main
Germany
4.9.–30.10.2020
installation views
Unmanly Man
Oil, acrylics & spraypaint on canvas, 40x30cm, 2020
Cluster
Oil, acrylic, oil-pen & marker on canvas, 40x30cm, 2020
Heavy Loop
Oil & acrylics on canvas, 160x120cm, 2020
Quarantine Playground
Oil, acrylic, spraypaint & marker on canvas, 130x100cm, 2020
Flint
Oil, acrylic & oil-chalk on canvas, 180x130cm, 2020
@Schierke Seinecke
Bahnhofsviertel
Niddastr. 63
60329 Frankfurt am Main
Germany
4.9.–30.10.2020
installation views
Unmanly Man
Oil, acrylics & spraypaint on canvas, 40x30cm, 2020
Cluster
Oil, acrylic, oil-pen & marker on canvas, 40x30cm, 2020
Heavy Loop
Oil & acrylics on canvas, 160x120cm, 2020
Quarantine Playground
Oil, acrylic, spraypaint & marker on canvas, 130x100cm, 2020
Flint
Oil, acrylic & oil-chalk on canvas, 180x130cm, 2020
ANNA ROSEN: Egg and Dart @ Night Gallery, Los Angeles
ANNA ROSEN: Egg and Dart
@Night Gallery
2276 E 16th Street
90021 Los Angeles
USA
NOVEMBER 21, 2020 – JANUARY 23, 2021
installation views
"The Peasant Look," 2020
"Fabergé," 2020
"Milliner's Shop," 2020
"The Residence," 2020
"Swallowed whole," 2020
"Coup de grâce (Oh, Ryan)," 2020
"The Plank," 2020
"Spaghetti and Meatballs," 2020
"The Peasant Look," 2020
@Night Gallery
2276 E 16th Street
90021 Los Angeles
USA
NOVEMBER 21, 2020 – JANUARY 23, 2021
installation views
"The Peasant Look," 2020
"Fabergé," 2020
"Milliner's Shop," 2020
"The Residence," 2020
"Swallowed whole," 2020
"Coup de grâce (Oh, Ryan)," 2020
"The Plank," 2020
"Spaghetti and Meatballs," 2020
"The Peasant Look," 2020
Louise Lawler, R.H. Quaytman, Cameron Rowland @ Galerie Buchholz, Köln
Louise Lawler, R.H. Quaytman, Cameron Rowland
@Galerie Buchholz, Köln
Neven-DuMont-Str. 17 50667 Köln
Germany
4 September 2020 – 24 October 2020
installation views
R.H. Quaytman
“Spine, Chapter 20 [Fraser, Anastas, Lawler]”, 2010
oil, silkscreen ink and
gesso on wood
50.8 x 82.2 x 1.9 cm
Louise Lawler
“Corner (distorted for the times, perturbée)”, 2014/2018
digital Fujiflex print face mounted to Plexiglas on museum box
66 x 54.3 cm
R.H. Quaytman
“+ ×, Chapter 34 [IV]”, 2018
indigo distemper and gesso on wood
94.1 x 94.1 x 3.2 cm
R.H. Quaytman
“+ ×, Chapter 34 [V]”, 2018
indigo distemper and gesso on wood
94.1 x 94.1 x 3.2 cm
Cameron Rowland
“Out of sight”, 2020
19th-century slave iron, 19th-century slave iron with missing rattle
13,5 (h) x 28 (w) x 15 (d) cm
Irons with rattles built into their handles, called slave irons, were designed to be used by the enslaved working inside the plantation house to iron the laundry of the masters. While out of sight, the rattle audibly signaled to the master that the slave was working continuously. Removing the rattle was a refusal of this oversight.
Rental
Cameron Rowland
“Out of sight”, 2020
19th-century slave iron, 19th-century slave iron with missing rattle
13,5 (h) x 28 (w) x 15 (d) cm
Irons with rattles built into their handles, called slave irons, were designed to be used by the enslaved working inside the plantation house to iron the laundry of the masters. While out of sight, the rattle audibly signaled to the master that the slave was working continuously. Removing the rattle was a refusal of this oversight.
Rental
Louise Lawler
“Water to Skin (catalogue size)”, 2016/2017
digital fujiflex print face mounted to Plexiglas on museum box
28.6 x 20.3 cm
Louise Lawler
“Vienna (lavender)”, 2018/2019
gelatin silver print in artist frame
57.8 x 45.1 cm
(framed: 78.1 x 64.8 cm)
Louise Lawler
“Vienna (mustard)”, 2018/2019
gelatin silver print in artist frame
57.8 x 45.1 cm
(framed: 78.1 x 64.8 cm)
Cameron Rowland
“Reasonable Suspicion”, 2020
Form DCJS 3205
34.5 x 50.5 x 3.5 cm
The NYPD incident report records the race of both the victim and suspect, but it only records the skin tone of the suspect. The suspect description functions to create a wanted profile that police seek to match. Matching a description in the vicinity of a reported crime is often considered enough to meet the standard for reasonable suspicion.
According to the NYPD COMPSTAT report, in 2019 Black people constituted 52.35% of misdemeanor and felony suspects and 60.3% of Stop, Question, and Frisk subjects.
In 2019 Black people constituted 24.3% of the city’s population.
R.H. Quaytman
“An Evening, Chapter 32”, 2017-2019
oil, silkscreen ink
and gesso on wood
50.8 x 82.2 x 1.9 cm
Cameron Rowland
“Management”, 2020
time horn clock
Overseers, using the master’s clock, would sound a horn or bell to signal the start or stoppage of work across the miles of the plantation. Plantation time management was enforced through punishment. The sound of the horn, dislocated from the governing clock, dictated the master’s claim to the time of enslaved life.
Louise Lawler
“Water to Skin (traced)”, 2016/2020
vinyl adhesive wall material
Louise Lawler
“Position (verb)”, 1982/2020
gelatin silver print
17.8 x 12.7 cm
(framed: 38.4 x 33 cm)
Louise Lawler
“Position (noun)”, 1982/2020
gelatin silver print
12.7 x 17.8 cm
(framed: 38.4 x 33 cm)
@Galerie Buchholz, Köln
Neven-DuMont-Str. 17 50667 Köln
Germany
4 September 2020 – 24 October 2020
installation views
R.H. Quaytman
“Spine, Chapter 20 [Fraser, Anastas, Lawler]”, 2010
oil, silkscreen ink and
gesso on wood
50.8 x 82.2 x 1.9 cm
Louise Lawler
“Corner (distorted for the times, perturbée)”, 2014/2018
digital Fujiflex print face mounted to Plexiglas on museum box
66 x 54.3 cm
R.H. Quaytman
“+ ×, Chapter 34 [IV]”, 2018
indigo distemper and gesso on wood
94.1 x 94.1 x 3.2 cm
R.H. Quaytman
“+ ×, Chapter 34 [V]”, 2018
indigo distemper and gesso on wood
94.1 x 94.1 x 3.2 cm
Cameron Rowland
“Out of sight”, 2020
19th-century slave iron, 19th-century slave iron with missing rattle
13,5 (h) x 28 (w) x 15 (d) cm
Irons with rattles built into their handles, called slave irons, were designed to be used by the enslaved working inside the plantation house to iron the laundry of the masters. While out of sight, the rattle audibly signaled to the master that the slave was working continuously. Removing the rattle was a refusal of this oversight.
Rental
Cameron Rowland
“Out of sight”, 2020
19th-century slave iron, 19th-century slave iron with missing rattle
13,5 (h) x 28 (w) x 15 (d) cm
Irons with rattles built into their handles, called slave irons, were designed to be used by the enslaved working inside the plantation house to iron the laundry of the masters. While out of sight, the rattle audibly signaled to the master that the slave was working continuously. Removing the rattle was a refusal of this oversight.
Rental
Louise Lawler
“Water to Skin (catalogue size)”, 2016/2017
digital fujiflex print face mounted to Plexiglas on museum box
28.6 x 20.3 cm
Louise Lawler
“Vienna (lavender)”, 2018/2019
gelatin silver print in artist frame
57.8 x 45.1 cm
(framed: 78.1 x 64.8 cm)
Louise Lawler
“Vienna (mustard)”, 2018/2019
gelatin silver print in artist frame
57.8 x 45.1 cm
(framed: 78.1 x 64.8 cm)
Cameron Rowland
“Reasonable Suspicion”, 2020
Form DCJS 3205
34.5 x 50.5 x 3.5 cm
The NYPD incident report records the race of both the victim and suspect, but it only records the skin tone of the suspect. The suspect description functions to create a wanted profile that police seek to match. Matching a description in the vicinity of a reported crime is often considered enough to meet the standard for reasonable suspicion.
According to the NYPD COMPSTAT report, in 2019 Black people constituted 52.35% of misdemeanor and felony suspects and 60.3% of Stop, Question, and Frisk subjects.
In 2019 Black people constituted 24.3% of the city’s population.
R.H. Quaytman
“An Evening, Chapter 32”, 2017-2019
oil, silkscreen ink
and gesso on wood
50.8 x 82.2 x 1.9 cm
Cameron Rowland
“Management”, 2020
time horn clock
Overseers, using the master’s clock, would sound a horn or bell to signal the start or stoppage of work across the miles of the plantation. Plantation time management was enforced through punishment. The sound of the horn, dislocated from the governing clock, dictated the master’s claim to the time of enslaved life.
Louise Lawler
“Water to Skin (traced)”, 2016/2020
vinyl adhesive wall material
Louise Lawler
“Position (verb)”, 1982/2020
gelatin silver print
17.8 x 12.7 cm
(framed: 38.4 x 33 cm)
Louise Lawler
“Position (noun)”, 1982/2020
gelatin silver print
12.7 x 17.8 cm
(framed: 38.4 x 33 cm)
Kerry Schuss: Electrograms 1978–2020 @ Gordon Robichaux, New York
Kerry Schuss: Electrograms 1978–2020
@Gordon Robichaux
41 Union Square West, #925 and #907
(Entrance 22 East 17th Street)
New York, NY 10003
USA
January 19–February 23, 2020
installation views
Kerry Schuss, Electrogram (copper tube in hand), 1979-2019, silver gelatin print, 16 x 13 in (paper); 16.5 x 13.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (copper squares mirrored), 1979-2019, silver gelatin print, 16 x 13 in (paper); 16.5 x 13.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (twin copper squares), 1978-2019, silver gelatin print, 19 x 16 in (paper); 20 x 16.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (square within a square), 1978-2019, silver gelatin print, 19.5 x 16 in (paper); 20 x 16.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (squares electrified), 1978-2019, silver gelatin print, 19.5 x 16 in (paper); 20 x 16.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (multiple copper squares), 1978-2019, silver gelatin print, 19.5 x 16 in (paper); 20 x 16.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (small square in hand), 1978-2019, silver gelatin print, 19.5 x 16 in (paper); 20 x 16.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (large square in hand), 1978-2019, silver gelatin print, 19.5 x 16 in (paper); 20 x 16.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (mirror), 1979-2019, silver gelatin print, 27 x 22 in (paper); 27.5 x 22.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (mirrors, copper square & magnet), 1979-2019, silver gelatin print, 19.5 x 16 in (paper); 20 x 16.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (copper ring), 1979-2019, silver gelatin print, 54 x 44 in (paper); 54.5 x 44.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (R.C. & K.S. portrait), 1979-2019, silver gelatin print, 10 x 12 in (paper); 10.5 x 12.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (V.L. & K.S. portrait), 1979-2019, silver gelatin print, 16 x 19.5 in (paper); 16.5 x 20 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (mirrors and magnets), 1979-2019, silver gelatin print, 40 x 33 in (paper); 40.5 x 33.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (copper squares hi voltage), 1979-2019, silver gelatin print, 16 x 19.5 in (paper); 16.5 x 20 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (copper square & dust), 1979-2019, silver gelatin print, 44 x 54 in (paper); 44.75 x 54.75 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (copper squares), 1979-2019, silver gelatin print, 22 x 27 in (paper); 22.5 x 27.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (finger tips & squares), 1979-2019, silver gelatin print, 22 x 27 in (paper); 22.5 x 27.5 in (artist frame), Ed of 6 + 2 AP
@Gordon Robichaux
41 Union Square West, #925 and #907
(Entrance 22 East 17th Street)
New York, NY 10003
USA
January 19–February 23, 2020
installation views
Kerry Schuss, Electrogram (copper tube in hand), 1979-2019, silver gelatin print, 16 x 13 in (paper); 16.5 x 13.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (copper squares mirrored), 1979-2019, silver gelatin print, 16 x 13 in (paper); 16.5 x 13.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (twin copper squares), 1978-2019, silver gelatin print, 19 x 16 in (paper); 20 x 16.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (square within a square), 1978-2019, silver gelatin print, 19.5 x 16 in (paper); 20 x 16.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (squares electrified), 1978-2019, silver gelatin print, 19.5 x 16 in (paper); 20 x 16.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (multiple copper squares), 1978-2019, silver gelatin print, 19.5 x 16 in (paper); 20 x 16.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (small square in hand), 1978-2019, silver gelatin print, 19.5 x 16 in (paper); 20 x 16.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (large square in hand), 1978-2019, silver gelatin print, 19.5 x 16 in (paper); 20 x 16.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (mirror), 1979-2019, silver gelatin print, 27 x 22 in (paper); 27.5 x 22.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (mirrors, copper square & magnet), 1979-2019, silver gelatin print, 19.5 x 16 in (paper); 20 x 16.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (copper ring), 1979-2019, silver gelatin print, 54 x 44 in (paper); 54.5 x 44.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (R.C. & K.S. portrait), 1979-2019, silver gelatin print, 10 x 12 in (paper); 10.5 x 12.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (V.L. & K.S. portrait), 1979-2019, silver gelatin print, 16 x 19.5 in (paper); 16.5 x 20 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (mirrors and magnets), 1979-2019, silver gelatin print, 40 x 33 in (paper); 40.5 x 33.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (copper squares hi voltage), 1979-2019, silver gelatin print, 16 x 19.5 in (paper); 16.5 x 20 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (copper square & dust), 1979-2019, silver gelatin print, 44 x 54 in (paper); 44.75 x 54.75 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (copper squares), 1979-2019, silver gelatin print, 22 x 27 in (paper); 22.5 x 27.5 in (artist frame), Ed of 6 + 2 AP
Kerry Schuss, Electrogram (finger tips & squares), 1979-2019, silver gelatin print, 22 x 27 in (paper); 22.5 x 27.5 in (artist frame), Ed of 6 + 2 AP
Hannah Perry: LIQUID LANGUAGE @ Arsenal Contemporary Art, Toronto
Hannah Perry: LIQUID LANGUAGE
CURATED BY DAVID LISS
@Arsenal Contemporary Art, Toronto
45 ERNEST AVE
TORONTO ON M6P 3M7
CANADA
Nov 16, 2019 - Apr 4, 2020
installation views
Rage Fluids, 2018, Steel, car body wrap, subwoofers, Variable dimensions
Cock Blocking, 2017, Foam, vinyl, streep, strapping, 53’’ x 30’’ x 29’’
North Face Folie, 2019, Screenprint on aluminum, vinyl wrap, paint, 47 1/8’’ x 35 3/8’’
Salty Salty A Woman, 2019, Screenprint on aluminum, vinyl wrap, paint, 47 1/8’’ x 35 3/8’’
Rage Fluids, 2019, Steel, car body wrap, subwoofers, variable dimensions.
Rage Fluids, 2019, Steel, car body wrap, subwoofers, variable dimensions.
Rage Fluids, 2019, Steel, car body wrap, subwoofers, variable dimensions.
Rage Fluids, 2019, Steel, car body wrap, subwoofers, variable dimensions.
Our Separate Ways, 2019, Screenprint on mirror, vinyl wrap, paint, 72’’ x 120’’
Counter Narrative, 2019, Screenprint on Dibond mirror, vinyl wrap, paint, 47 1/8’’ x 35 3/8’’
Interview With Paranoia, 2019, Screenprint on Dibond mirror, vinyl wrap, paint, 47 1/8’’ x 35 3/8’’
GUSH, 2018, Video installation, 21 min.
GUSH, 2018, Video installation, 21 min.
CURATED BY DAVID LISS
@Arsenal Contemporary Art, Toronto
45 ERNEST AVE
TORONTO ON M6P 3M7
CANADA
Nov 16, 2019 - Apr 4, 2020
installation views
Rage Fluids, 2018, Steel, car body wrap, subwoofers, Variable dimensions
Cock Blocking, 2017, Foam, vinyl, streep, strapping, 53’’ x 30’’ x 29’’
North Face Folie, 2019, Screenprint on aluminum, vinyl wrap, paint, 47 1/8’’ x 35 3/8’’
Salty Salty A Woman, 2019, Screenprint on aluminum, vinyl wrap, paint, 47 1/8’’ x 35 3/8’’
Rage Fluids, 2019, Steel, car body wrap, subwoofers, variable dimensions.
Rage Fluids, 2019, Steel, car body wrap, subwoofers, variable dimensions.
Rage Fluids, 2019, Steel, car body wrap, subwoofers, variable dimensions.
Rage Fluids, 2019, Steel, car body wrap, subwoofers, variable dimensions.
Our Separate Ways, 2019, Screenprint on mirror, vinyl wrap, paint, 72’’ x 120’’
Counter Narrative, 2019, Screenprint on Dibond mirror, vinyl wrap, paint, 47 1/8’’ x 35 3/8’’
Interview With Paranoia, 2019, Screenprint on Dibond mirror, vinyl wrap, paint, 47 1/8’’ x 35 3/8’’
GUSH, 2018, Video installation, 21 min.
GUSH, 2018, Video installation, 21 min.