SOLEIL VERT @ New Galerie, Paris

SOLEIL VERT
SALOMÉ CHATRIOT, HOËL DURET, RASMUS MYRUP, SEAN RASPET, LI SHURUI, ZHANG ZHENYU
@New Galerie
2 rue Borda
75003 Paris
France
January,11 – February 15, 2020

installation views


















SEAN RASPET - NONBAR 2020
Algae-based nutrition bars Variable dimensions


SALOMÉ CHATRIOT - H.1 2019
Print on plexiglass, aluminium
125 x 316 cm


ZHANG ZHENYU - DUST191107 2019
Dust on canvas on wood
100 x 100cm


ZHANG ZHENYU - DUST191111 2019
Dust on canvas on wood
100 x 25 cm


ZHANG ZHENYU - DUST191021 2019
Dust on canvas on wood
130 x 77 cm


ZHANG ZHENYU - DUST191025 2019
Dust on canvas on wood
80 x 55 cm


ZHANG ZHENYU - DUST191220 2019
Dust on canvas on wood
100 x 100 cm


ZHANG ZHENYU - DUST191112 2019
Dust on canvas on wood
100 x 100 cm


HOËL DURET - QUANTUM 2019
Mixed Media
Variable dimensions


HOËL DURET - QUANTUM 2019
Mixed Media
Variable dimensions


RASMUS MYRUP - SAPIENS VICTORY 2020
Dry pastel on paper, dried reeds, custom framing
100 x 80 cm

KIM TSCHANG-YEUL: New York to Paris @ Tina Kim Gallery, New York

KIM TSCHANG-YEUL: New York to Paris
@Tina Kim Gallery
525 West 21st Street
NY 10011 New York
USA
24 October 2019 - 1 February 2020

installation views














Composition, 1969. Acrylic and cellulose lacquer on burlap. 63.78 x 53.54 inches (162 x 136 cm).


Composition, 1969. Acrylic and nitrocellulose lacquer on linen. 28.54 x 22.44 inches (72.5 x 57 cm).


Kim Tschang-Yeul, Composition, 1970. Acrylic and cellulose lacquer on canvas. 59.06 x 59.06 inches.


Kim Tschang-Yeul, Composition, 1970. Acrylic and cellulose lacquer on canvas. 63.79 x 53.54 inches.


Kim Tschang-Yeul, Événement de la nuit, 1970. Oil on canvas. 27.56 x 27.56 inches.


Kim Tschang-Yeul, Water drop, 1976. Oil on canvas. 12.99 x 18.11 inches.


Kim Tschang-Yeul, Waterdrops, 1980. Oil on canvas. 23.62 x 23.62 inches.


Kim Tschang-Yeul, Water drops, 1973. Oil on canvas. 28.74 x 23.62 inches.

L: FACETS OF BEING @ SHOOT THE LOBSTER, Los Angeles

L: FACETS OF BEING
@SHOOT THE LOBSTER, Los Angeles
3315 West Washington Blvd
Los Angeles, CA 90018
USA
10.10.2020 - 11.11.2020 (Extended through 11.22.2020)

installation views


















Spell for Health - Glass, oil, mixed materials - 2020 - 5 x 5 x 12 inches (13 x 13 x 30 cm)


Spell for Unity + Adunamentum - Glass, oil, mixed materials - 2020 - 5 x 5 x 12 inches (13 x 13 x 30 cm)


Detail view of Spell for Unity + Adunamentum - Glass, oil, mixed materials - 2020 - 5 x 5 x 12 inches (13 x 13 x 30 cm)


Detail view of Spell for Endurance - Glass, oil, mixed materials - 2020 - 5 x 5 x 12 inches (13 x 13 x 30 cm)


Spell for Safety - Glass, oil, mixed materials - 2020 - 5 x 5 x 12 inches (13 x 13 x 30 cm)


Detail view of Spell for Safety - Glass, oil, mixed materials - 2020 - 5 x 5 x 12 inches (13 x 13 x 30 cm)


Detail view of Spell for Slowness - Glass, oil, mixed materials - 2020 - 5 x 5 x 12 inches (13 x 13 x 30 cm)


Spell for Slowness - Glass, oil, mixed materials - 2020 - 5 x 5 x 12 inches (13 x 13 x 30 cm)


Spell for Security - Glass, oil, mixed materials - 2020 - 5 x 5 x 12 inches (13 x 13 x 30 cm)


Spell for Looseness - Glass, oil, mixed materials - 2020 - 5 x 5 x 12 inches (13 x 13 x 30 cm)

Rasmus Nilausen: Eye Dialect @ Team Gallery, New York

Rasmus Nilausen: Eye Dialect
@Team Gallery
83 Grand Street
ny ny 10013
USA
January 24th – March 2nd 2019

installation views






Tiziano Said
Rasmus Nilausen
2018
oil on linen
79 x 63 inches; 200 x 160 cm.


On Writing II
Rasmus Nilausen
2018
oil on linen
16 x 12 inches; 40 x 30 cm.


Signorina Buonasera
Rasmus Nilausen
2018
oil on linen
77 x 51 inches; 195 x 130 cm.


Saliva
Rasmus Nilausen
2018
oil on linen
46 x 35 inches; 116 x 89 cm.


Dorian's Dream
Rasmus Nilausen
2018
oil on linen
63 x 52 inches; 160 x 130 cm.


i is for idiolect
Rasmus Nilausen
2018
oil on linen
79 x 63 inches; 200 x 160 cm.

KEREN CYTTER: FASHIONS @ Galerie Nagel Draxler GmbH, Cologne

KEREN CYTTER: FASHIONS
@Galerie Nagel Draxler GmbH, Cologne
Elisenstraße 4–6
50667 Cologne
Germany
01/11/2020 – 02/21/2020

installation views






















„Fashion“, 2019
Leatherjacket, aluminium and plastic stand
174 x 52 x 45 cm


„Fashion“, 2019
Leatherjacket, aluminium and plastic stand
174 x 52 x 45 cm


“Apartment view”, 2019
Pen on paper
4 pieces, each 45,5 x 45,5 cm


“Apartment view”, 2019
Pen on paper
4 pieces, each 45,5 x 45,5 cm


“Apartment view”, 2019
Pen on paper
4 pieces, each 45,5 x 45,5 cm


“Apartment view”, 2019
Pen on paper
4 pieces, each 45,5 x 45,5 cm


“Apartment view”, 2019
Pen on paper
4 pieces, each 45,5 x 45,5 cm

André Butzer @ Galerie Christine Mayer, Munich

André Butzer
@Galerie Christine Mayer
Liebigstraße 39
Munich 80331
Germany
12.01.2019 - 16.02.2019

installation views














Untitled, 2018, acrylic on canvas
271 x 188 cm


Untitled, 2018, acrylic on canvas
50 x 50 cm


Untitled, 2018, watercolour and graphite on paper
45,7 x 61 cm


Untitled, 2018, watercolour on paper
45,7 x 61 cm


Untitled, 2018, watercolour and graphite on paper
61 x 45,7 cm


Untitled, 2018, acrylic on canvas
50,8 x 40,5 cm


Untitled, 2018, acrylic on canvas
51 x 40 cma


Untitled, 2018, watercolour and graphite on paper
45,7 x 61 cm


Untitled, 2018, graphite on paper
61 x 45,7 cm

LEE SEUNG JIO: Nucleus @ Tina Kim Gallery, New York

LEE SEUNG JIO: Nucleus
@Tina Kim Gallery
525 West 21st Street
NY 10011 New York
USA
20 February - 4 April 2020

installation views
















Lee Seung Jio (1941-1990), Nucleus 10, 1968, Oil on canvas, 51.18 x 51.18 inches


Lee Seung Jio (1941-1990), Nucleus, 1968, Oil on canvas, 68.39 x 51.54 inches


Lee Seung Jio (1941-1990), Nucleus F-G-999, 1970, Oil on canvas, 63.78 x 63.78 inches


Lee Seung Jio (1941-1990), Nucleus 73-18, 1973, Oil on canvas, 51.57 x 67.72 inches


Lee Seung Jio (1941-1990), Nucleus 77-10, 1977, Oil on canvas, 63.39 x 51.18 inches


Lee Seung Jio (1941-1990), Nucleus 87-99, 1987, Oil on canvas, 157.48 x 78.74 inches


Lee Seung Jio (1941-1990), Nucleus, 1984, Oil on canvas, 76.38 x 88.19 inches


Lee Seung Jio (1941-1990), Nucleus 77-30, 1977, Oil on canvas, 63.78 x 51.18 inches


Lee Seung Jio (1941-1990), Nucleus 75-10, 1975, Oil on canvas, 57.09 x 57.09 inches


Lee Seung Jio (1941-1990), Nucleus 73-23, 1973, Oil on canvas, 67.72 x 51.18 inches


Lee Seung Jio (1941-1990), Nucleus, Unknown, Oil on canvas, 21.65 x 29.53 inches


Lee Seung Jio (1941-1990), Nucleus 85-1, 1985, Oil on canvas, 57.28 x 44.09 inches


Lee Seung Jio (1941-1990), Nucleus 84-49, 1984, Oil on canvas, 63.78 x 51.18 inches


Lee Seung Jio (1941-1990), Nucleus 88-50, 1988, Oil on canvas, 57.48 x 35.83 inches

Kunle F. Martins: Portraits: Looking Like A Snack @ SHOOT THE LOBSTER, New York

Kunle F. Martins: Portraits: Looking Like A Snack
@SHOOT THE LOBSTER, New York
76 Bowery
New York, NY 10013
USA
January 18 - February 17, 2019

installation views














Kunle F. Martins, Matt, 2018, pencil on found white cardboard box, 30 × 23 ½ inches


Kunle F. Martins, Stella, 2019, pencil on found white cardboard box, 16 x 22 1/2 inches


Kunle F. Martins, Tony, 2019, pencil on found white cardboard box, 29 × 23 ½ inches


Kunle F. Martins, Kenji, 2018, pencil on found white cardboard box, 29 ½ × 23 inches


Kunle F. Martins, A-Ron, 2018, pencil on found white cardboard box, 16 x 22 1/2 inches


Kunle F. Martins, Dash, 2018, pencil on found white cardboard box, 31 × 24 inches


Kunle F. Martins, Self Portrait, 2019, pencil on found white cardboard box, 29 × 23 ½ inches


Kunle F. Martins, Jack, 2019, pencil on found white cardboard box, 31 × 31 inches


Kunle F. Martins, DAD, 2018, pencil on white canvas board, 37 × 31 inches

Scenes of the American Landscape @ Team Gallery, New York

Scenes of the American Landscape
Theodore Darst, Lili Jamail, Andrew Jilka, Collin Leitch, Jheyda McGarrell, Alissa McKendrick, Josh Reames, Mark Verabioff, and Thomas Tomczak
@Team Gallery
83 Grand Street
ny ny 10013
USA
April 25th – June 1st 2019

installation views










The Conversions
Collin Leitch
2019
4k video, 43 inch monitor, wood, media player, plastic, AV cables, stain, spray paint
display panel: 51 x 43 x 3.5 inches; 130 x 109 x 9 cm.
duration: 1 minute, 12 seconds


The Hidden Truths Discovered in Adult Coloring Books
Andrew Jilka
2019
oil and enamel on canvas
87 x 62 inches; 221 x 158 cm.


Untitled
Alissa McKendrick
2019
flashe and oil on canvas
60 x 48 inches; 152 x 122 cm.


Let you in Last Night
Jheyda McGarrell
2018
inkjet print
48 x 36 inches; 123 x 91 cm.


I hear your voice all the time.
Thomas Tomczak
2019
watercolor and pencil on wood panel
72 x 48 inches; 183 x 123 cm.


Sharks in the Pool
Josh Reames
2019
oil, acrylic and Celluclay on canvas
84 x 60 inches; 213 x 152 cm.


Chair
Lili Jamail
2019
inkjet print
50 x 40 inches; 127 x 102 cm.


Tango & The-Distance
Theodore Darst
2019
digital video
duration: 4 minutes, 30 seconds


Marxism and Art Beware of Fascist Broism I
Mark Verabioff
2018
acrylic on canvas, page tears, rubber-undercoating, HP-564, matte medium, gum
97 x 73 inches; 246 x 185 cm.

THOMAS KILPPER: KÖLN FRAGMENTE @ Galerie Nagel Draxler GmbH, Cologne

THOMAS KILPPER: KÖLN FRAGMENTE
@Galerie Nagel Draxler GmbH, Cologne
Elisenstraße 4–6
50667 Cologne
Germany
02/29/2020 – 06/13/2020

installation views
































THOMAS KILPPER
„Hanau, 19.02.2020“, 2020
Holzschnitt auf Multiplexplatte/ Linde
60 x 42 cm


THOMAS KILPPER
„NSU-Anschläge Probsteigasse Keupstraße …oder: Wie Gewalt entsteht und wo sie hinführt“, 2020
Holzschnitt auf Multiplexplatte/ Birke
250 x 620 cm


THOMAS KILPPER
„Das Gedächtnis der Stadt fällt in ein tiefes schwarzes Loch – Colonia Corrupta“, 2020
Holzschnitt in Multiplexplatte / Birke
250 x 500 cm


THOMAS KILPPER
„Ford Streik 1973 und die Folgen“, 2020
Holzschnitt auf Multiplexplatte/ Birke
190 x 500 cm


THOMAS KILPPER
„Für eine Gesellschaft der Vielen“, 2020
Holzschnitt auf Multiplexplatte/ Birke
250 x 125 cm


THOMAS KILPPER
„Is Art a Criminal Act?“, 2020
Holzschnitt in Multiplexplatte / Birke
250 x 380 cm


THOMAS KILPPER
„Jeff Koons“, 2020
Holzschnitt in Multiplexplatte / Birke
250 x 125 cm


THOMAS KILPPER
„Lumpenball bei Nagel Draxler“, 2020
Holzschnitt in Multiplexplatte / Birke
250 x 320 cm


THOMAS KILPPER
„Lumpenball bei Nagel Draxler“, 2020
Druck, Unikat
87 x 72 cm


THOMAS KILPPER
„Stop Braunkohle – Hambaher Forst“, 2020
Holzschnitt in Multiplexplatte / Birke
250 x 500 cm


THOMAS KILPPER
„Tribunal NSU-Komplex auflösen“, 2020
Holzschnitt auf Multiplexplatte/ Birke
250 x 375 cm


THOMAS KILPPER
„Wie sich die Zeiten ändern“, 2020
Holzschnitt auf Multiplexplatte/ Birke
275 x 140 cm


THOMAS KILPPER
„Is Art a Criminal Act?“, 2020
Druck auf Seide, Unikat
275 x 140 cm

Anne Rößner: 21 addition @ Galerie Christine Mayer, Munich

Anne Rößner: 21 addition
@Galerie Christine Mayer
Liebigstraße 39
Munich 80331
Germany
23.02.2019 - 30.03.2019

installation views




















wenn ich Tee mache dann mache ich Tee
und wenn ich Wasser mache dann mache ich Wasser, 2018, acrylic, oil, lacquer, thread on canvas
70 x 50 cm


verlang nicht mehr von mir mein Schatz
denn was ich geben kann das gab ich hin, 2018, acrylic, thread, copper heart, silver ring on canvas
70 x 50 cm


Metempsychose, 2017, dispersion, acrylic, oil, lacquer, thread, button on canvas
70 x 50 cm


introibo, 2017, acrylic, thread on canvas
70 x 50 cm


die Milch Sir, 2018, acrylic, lacquer, thread on canvas
70 x 50 cm


o du mystische Rose, 2017, acrylic, oil, thread on canvas
70 x 50 cm


Seetod mildester aller Tode, 2018, acrylic, oil, thread on canvas
70 x 50 cm


doch wie dahin zu gelangen sei
da lag der Haken, 2017, acrylic, oil, thread on canvas
70 x 50 cm


oder war allein das möglich
was sich wirklich begab, 2018, acrylic, thread on canvas
70 x 50 cm


Orangen aus Jaffa, 2018, acrylic, oil, coloured pencil, gold cardboard, thread on canvas
70 x 50 cm


sie haben bestimmt studiert
nicht wahr, 2017, acrylic, dispersion, thread on canvas
70 x 50 cm


dich hätte deine Mutter besser
am Bettpfosten festbinden sollen
so ein Luder wie dich, 2017, acrylic, oil, knife on canvas
70 x 50 cm


ich bin ganz friedlich hier, 2018, acrylic, oil, lacquer, plastic, thread on canvas
70 x 50 cm


ja ich bin wohl
einiges herumgesegelt, 2018, oil, acrylic, cardboard on canvas
70 x 50 cm


fass fass mich an, 2018, acrylic, dispersion, thread on canvas
70 x 50 cm


die neue Luft grüßte ihn, 2018, acrylic, plastic, screw, nut on canvas
70 x 50 cm


was ist das hier
bloß für ein Saftladen, 2017, dispersion, lacquer, oil, sock, thread on canvas
70 x 50 cm


zieht ihm die Hosen runter, 2018, acrylic, oil on canvas
70 x 50 cm


Grenzen des Diaphanen, 2018, acrylic, dispersion, lacquer, transparent paper, graphite, thread on canvas
70 x 50 cm


wo ist der Schlüssel, 2018, acrylic, metal bolt, nails on canvas
70 x 50 cm


ein herrlicher Morgen heute, 2017, acrylic, oil on canvas
70 x 50 cm


O, 2018, edding and graphite on paper
41,5 x 29,5 cm


Kyklop, 2018, collage, graphite and acrylic on paper
41,5 x 29,5 cm


Nausikaa, 2018, collage, graphite and acrylic on paper
41,5 x 29,5 cm


Sirenen, 2018, collage, graphite and acrylic on paper
41,5 x 29,5 cm


Kyklop, 2018, graphite on paper
41,5 x 29,5 cm


Nausikaa, 2018, collage, graphite and acrylic on paper
41,5 x 29,5 cm


Sirenen, 2018, acrylic and graphite on paper
41,5 x 29,5 cm

ROSTA @ New Galerie, Paris

ROSTA
MIKHAIL CHEREMNYKH, AMSHEY NURENBERG, IVAN MALYUTIN, VLADIMIR MAYAKOVSKY AND ANONYMOUS WITH DARJA BAJAGIĆ, FABIO MAURI, CADY NOLAND
Organized with Olivier Renaud-Clément
@New Galerie
2 rue Borda
75003 Paris
France
September 13 – November 14, 2020

installation views


































ANONYMOUS, GLAVPOLITPROSVET(GPP).C/1 1921
Stencil on newsprint paper, printing ink 42,5 x 30 cm
The world stands on a volcano.


ANONYMOUS, GLAVPOLITPROSVET(GPP).C/2 1921
Stencil on newsprint paper, printing ink 42,5 x 33,9 cm
Take heart! Destroy the bars of the prisons.


ANONYMOUS, GLAVPOLITPROSVET(GPP).C/3 1921
Stencil on newsprint paper, printing ink
43 x 32 cm
The powerful magnet of the Communist International will bring together steel dust.


ANONYMOUS, GLAVPOLITPROSVET(GPP).C/4 1921
Stencil on newsprint paper, printing ink 42,3 x 31,8 cm
To forge a sword and a shield


ANONYMOUS, GLAVPOLITPROSVET(GPP).47 1 TO 8 1921
Stencil on newsprint paper, printing ink, 8 panels


ANONYMOUS, GLAVPOLITPROSVET(GPP).47/1 1921
Stencil on newsprint paper, printing ink
51 x 41 cm
There are neither nails nor scythes.


ANONYMOUS, GLAVPOLITPROSVET(GPP).47/2 1921
Stencil on newsprint paper, printing ink
50,5 x 46 cm
I have neither clothes nor shoes.


ANONYMOUS, GLAVPOLITPROSVET(GPP).47/3 1921
Stencil on newsprint paper, printing ink
51 x 46 cm
That’s because there are few factories in our country. The war destroyed everything


ANONYMOUS, GLAVPOLITPROSVET(GPP).47/4 1921
Stencil on newsprint paper, printing ink 50,5 x 45,5 cm
But when we’re done with the battles


ANONYMOUS, GLAVPOLITPROSVET(GPP).47/5 1921
Stencil on newsprint paper, printing ink
47 x 39,5 cm
We will restart the construction of the factories


ANONYMOUS, GLAVPOLITPROSVET(GPP).47/6 1921
Stencil on newsprint paper, printing ink 51 x 41 cm
And month after month, year after year, we’ll have textiles, nails and livestock


ANONYMOUS, GLAVPOLITPROSVET(GPP).47/7 1921
Stencil on newsprint paper, printing ink
50 x 40 cm
But for this to happen I must give bread to the workers


ANONYMOUS, GLAVPOLITPROSVET(GPP).47/8 1921
Stencil on newsprint paper, printing ink
50 x 40 cm
To be able to feed all Russia,
I’m going to seed all my lands


MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).47 1 TO 9 1921
Stencil on newsprint paper, printing ink, 8 panels


MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/1 1921
Stencil on newsprint paper, printing ink 43,5 x 35 cm
Bureaucracy reigns in Soviet administrations


MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/2 1921
Stencil on newsprint paper, printing ink
44 x 35 cm
Is it possible to defeat it?
In the picture: BUSINESS


MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/3 1921
Stencil on newsprint paper, printing ink
44,5 x 35 cm
Sovnarkom (T.N the People’s Commissariat) has decided to fight bureaucratism


MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/4 1921
Stencil on newsprint paper, printing ink
44,5 x 35,5 cm
Female workers


MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/5 1921
Stencil on newsprint paper, printing ink 44,5 x 35,5 cm
And female farmers are mobilized.


MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/6 1921
Stencil on newsprint paper, printing ink
46 x 36 cm
Instead of explaining in vain to the bureaucrat:


MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/7 1921
Stencil on newsprint paper, printing ink 46,5 x 36 cm
“You must make our work easier."


MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/8 1921
Stencil on newsprint paper, printing ink
46,5 x 36 cm
Be yourself accurate and fast.


MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/9 1921
Stencil on newsprint paper, printing ink
46 x 36 cm
It’s a way to fight administrative burdens.


FABIO MAURI, WARUM EIN GEDANKE EINEN RAUM VERPESTET ? 1972
/ Perché un pensiero intossica una stanza ?
INNERE REALANSIGHT
Iron, wood and canvas with Letraset
71 x 43 cm / 28 x 16 7/8 inches


FABIO MAURI, WARUM EIN GEDANKE EINEN RAUM VERPESTET ? 1972
/ Perché un pensiero intossica una stanza ?
DIE KRIEGSWITWE (The War Widow)
Iron, wood and canvas with Letraset
71 x 43 cm / 28 x 16 7/8 inches


FABIO MAURI, WARUM EIN GEDANKE EINEN RAUM VERPESTET ? 1972
/ Perché un pensiero intossica una stanza ?
ARBEITSEINSCHÄTZUNG (Working Evaluation)
Iron, wood and canvas with Letraset
71 x 43 cm / 28 x 16 7/8 inches


FABIO MAURI, WARUM EIN GEDANKE EINEN RAUM VERPESTET ? 1972
/ Perché un pensiero intossica una stanza ?
EINEN KUSS, NANETTE (A Kiss, Nanette )
Iron, wood and canvas with Letraset
71 x 43 cm / 28 x 16 7/8 inches


FABIO MAURI, WARUM EIN GEDANKE EINEN RAUM VERPESTET ? 1972
/ Perché un pensiero intossica una stanza ?
GANZMASKEN (Full-face Masks)
Iron, wood and canvas with Letraset
71 x 43 cm / 28 x 16 7/8 inches


FABIO MAURI, QUESTO MEZZOPUNTO È ARIANO 1995
(This gobelin stitch is Aryan)
Embroidery on fabric
56.5 x 51.5 cm


FABIO MAURI, SENZA IDEOLOGIA 1975
(Without Ideology)
Film projector, 16mm film “Alexander Nevsky” by Sergei Eisenstein, bucket, milk
Duration: 112 min


FABIO MAURI, SENZA IDEOLOGIA 1975
(Without Ideology)
Film projector, 16mm film “Alexander Nevsky” by Sergei Eisenstein, bucket, milk
Duration: 112 min


FABIO MAURI, SENZA IDEOLOGIA (DETAIL) 1975
(Without Ideology)
Film projector, 16mm film “Alexander Nevsky” by Sergei Eisenstein, bucket, milk
Duration: 112 min


FABIO MAURI, RADIO 2003
Wood, metal, canvas, valve, electronic material
24 x 24 x 12 cm


FABIO MAURI, IL MUSE DI GOEBBELS 1984
(The Muzzle of Goebbels)
Charcoal and oil on paper
33 x 45 cm


FABIO MAURI, L’ARTE FA PERCHÉ È STORIA E MONDO 2009
(Art does because it is history and the world)
Cut doormat
210 x 420 x 1.8 cm


FABIO MAURI, L’ARTE FA PERCHÉ È STORIA E MONDO 2009
(Art does because it is history and the world)
Cut doormat
210 x 420 x 1.8 cm


DARJA BAJAGIĆ, EX AXES − WALLS SWEAT IMAGES 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP


DARJA BAJAGIĆ, EX AXES − WALLS SWEAT IMAGES 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP


DARJA BAJAGIĆ, EX AXES − THIS IS SERENITY! 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP


DARJA BAJAGIĆ, EX AXES − THIS IS SERENITY! 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP


DARJA BAJAGIĆ, EX AXES − ANOTHER LOST YEAR 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP


DARJA BAJAGIĆ, EX AXES − ANOTHER LOST YEAR 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP


DARJA BAJAGIĆ, EX AXES − THE PLEASURES RECEIVED IN PAIN 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP


DARJA BAJAGIĆ, EX AXES − THE PLEASURES RECEIVED IN PAIN 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP


DARJA BAJAGIĆ, TRANSFIGURATION 2019
Acrylic and UV print on canvas
87,5 x 76 cm
Unique

TANIA PÉREZ CÓRDOVA: Short Sight Box @ Tina Kim Gallery, New York

TANIA PÉREZ CÓRDOVA: Short Sight Box
@Tina Kim Gallery
525 West 21st Street
NY 10011 New York
USA
September 12 – November 14, 2020

installation views






















Contour #1, 2020
Bronze poured into sand
81 1/2 × 33 1/2 × 4/5 in
207 × 85 × 2 cm


Iron Rain, 2020
Graphite crucible, zinc
11 × 11 × 10 3/5 in
28 × 28 × 27 cm




Portrait of a Woman Passing By, 2019
Glazed ceramic, woman wearing a dress
35 2/5 × 19 7/10 in
90 × 50 cm




Blink, 2020
Marble, cooper cast, artificial tears, cosmetic contact lens, a person wearing one contact lens of a color different to her/ his eyes occasionally
in
cm






Panorama, 2020
Professional airbrush sunless spray tan on canvas
82 7/10 × 45 7/10 in
210 × 116 cm






Contour #5, 2020
Bronze poured into sand
19 7/10 × 39 2/5 × 4/5 in
50 × 100 × 2 cm

Dear Delia @ SHOOT THE LOBSTER, New York

Dear Delia
Whitney Claflin, Nikita Gale, E. Jane, Alima Lee, Maggie Lee, Sara Magenheimer
@SHOOT THE LOBSTER, New York
76 Bowery
New York, NY 10013
USA
February 16 - March 29, 2020

installation views






















Nikita Gale, KNOW YOUR CAR, 2020, laser print on white copy paper, 90 × 24 in.


Nikita Gale, KNOW YOUR CAR, 2020, laser print on white copy paper, 90 × 24 in.


E. Jane, mood 06 (practicing), 2015-2017, video, color, sound, TRT 00:01:21


E. Jane, mood 08 (giving no fucks), 2015-2017, video, color, sound, TRT 00:00:34


Alima Lee, Meditation on Madness, 2019, video, color, sound, TRT 00:07:41


Alima Lee, Meditation on Madness, 2019, video, color, sound, TRT 00:07:41


Maggie Lee, Sugar, 2020, mirror multi-lens film, paper, tape on canvas, 12 × 12 in.


Maggie Lee, Sugar, 2020, mirror multi-lens film, paper, tape on canvas, 12 × 12 in. (detail)


Maggie Lee, Pattern 2, 2018, paper, silver contact paper, balsa wood, 10 × 7 ⅛ in.


Whitney Claflin, untitled, 2017, ink on paper, 11 × 8 ½ in.


Whitney Claflin, untitled, 2018, ink on paper, 11 × 8 ½ in.


Whitney Claflin, untitled, 2017, ink on paper, 11 × 8 ½ in.


Whitney Claflin, untitled, 2018, ink on paper, 11 × 8 ½ in.


Sara Magenheimer, SAFE, 2020, HD video, TRT 00:04:00

Eva & Franco Mattes: Data Doubles @ Team Bungalow, Los Angeles

Eva & Franco Mattes: Data Doubles
@Team Bungalow
306 Windward Ave, Venice, CA 90291
USA
May 12th – June 23rd 2019

installation views
















Riccardo Uncut
Eva & Franco Mattes
2018
media player for iPhone
video (87 minutes); 1920 x 1080 pixels
edition number one of three




Personal Photographs, September 2009
Eva & Franco Mattes
2019
cable trays, ethernet cables, raspberry pi, photographs




Ceiling Cat
Eva & Franco Mattes
2017
taxidermy cat, polyurethane resin, hole
22 x 5 x 7 inches; 56 x 13 x 20 cm.