2021年01月16日

BRIE RUAIS: Spiraling Open and Closed Like an Aperture @ Night Gallery, Los Angeles

BRIE RUAIS: Spiraling Open and Closed Like an Aperture
@Night Gallery
2276 E 16th Street
90021 Los Angeles
USA
NOVEMBER 21, 2020 – JANUARY 23, 2021

installation views
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"Turning Over, 128lbs of clay and another of rocks and rubble," 2020

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"Closing in on Opening Up, Nevada Site 6, 127lbs," 2020

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"Expanding, Circling, Protecting, 127lbs," 2020

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"In the Crosshairs," 2020

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"Marking the Spot, 128lbs," 2020

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"Opposing Tides, Shaping Forces," 2020

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"Circling Inward and Outward, 128 lbs," 2020

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"The things we build, the things we let fall apart, the things we destroy," 2020

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"Three Seasons Passed," 2020

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"Scraped Through and Alongside," 2020

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"With and Against," 2020

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"Enveloping, Merging, and Expanding, two times 130 lbs," 2020
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Andrea Grützner: HIVE @ Schierke Seinecke, Frankfurt

Andrea Grützner: HIVE
@Schierke Seinecke
Bahnhofsviertel
Niddastr. 63
60329 Frankfurt am Main
Germany
6.11.2020–13.2.2021

installation views
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Hive, Maker Space
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 107x80cm, ed. 5+1 AP, 2019

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Hive, Incubator
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 107x80cm, ed. 5+1 AP, 2020

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Hive, Green Lounge
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2020

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Hive, Connect
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2019

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Hive, Showcase
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 133x100cm, ed. 5+1 AP, 2019

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Hive, The Studio
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2019

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Hive, Machine for Living
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2020

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Hive, The Hive
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2019

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Hive, Mega Flex
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2019

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Hive, The Experience Centre
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2019

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Hive, Student Portals
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2019

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Hive, The Hall
Photography, Archival Pigment Print on on Hahnemühle Silk Baryta, 133x100cm, ed. 5+1 AP, 2018

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Hive, The Shore
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2019

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Hive, Player
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 30x45cm, ed. 5+1 AP, 2020

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Hive, Esc.
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 30x45cm, ed. 5+1 AP, 2020

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Hive, The Learning Centre
Photography, Archival Pigment Print, 60x45cm, ed. 5+1 AP, 2019
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Richard Hawkins @ Galerie Buchholz, Berlin

Richard Hawkins
@Galerie Buchholz
Fasanenstraße 30 10719 Berlin
Germany
11 September – 31 October 2020

installation views
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Richard Hawkins
“Sombre Soul Unsleeping”, 2020
acrylic on panel in artist frame
223.5 x 178 x 5 cm
installation view Galerie Buchholz, Berlin 2020

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Richard Hawkins
“Sombre Soul Unsleeping”, 2020
acrylic on panel in artist frame
223.5 x 178 x 5 cm
installation view Galerie Buchholz, Berlin 2020

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Richard Hawkins
“Sombre Soul Unsleeping”, 2020
acrylic on panel in artist frame
223.5 x 178 x 5 cm

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Richard Hawkins
“Aschenbach and Beetle”, 2020
acrylic on panel in artist frame
223.5 x 178 x 5 cm
installation view Galerie Buchholz, Berlin 2020

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Richard Hawkins
“Aschenbach and Beetle”, 2020
acrylic on panel in artist frame
223.5 x 178 x 5 cm

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Richard Hawkins
“Rooster and Cat”, 2020
acrylic on panel in artist frame
191 x 179 x 5 cm
installation view Galerie Buchholz, Berlin 2020

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Richard Hawkins
“Rooster and Cat”, 2020
acrylic on panel in artist frame
191 x 179 x 5 cm

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Richard Hawkins
“Dribbling Bulbs”, 2020
acrylic on panel in artist frame
191 x 179 x 5 cm
installation view Galerie Buchholz, Berlin 2020

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Richard Hawkins
“Dribbling Bulbs”, 2020
acrylic on panel in artist frame
191 x 179 x 5 cm

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Richard Hawkins
“To Divide Him Vein by Vein”, 2020
acrylic on panel in artist frame
178 x 223.5 x 5 cm
installation view Galerie Buchholz, Berlin 2020

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Richard Hawkins
“To Divide Him Vein by Vein”, 2020
acrylic on panel in artist frame
178 x 223.5 x 5 cm

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Richard Hawkins
“Soft yet Weirdly Ways”, 2020
acrylic on panel in artist frame
178 x 223.5 x 5 cm
installation view Galerie Buchholz, Berlin 2020

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Richard Hawkins
“Soft yet Weirdly Ways”, 2020
acrylic on panel in artist frame
178 x 223.5 x 5 cm
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

A Page from My Intimate Journal (Part II) - ​Gordon Robichaux at Parker Gallery @ Parker Gallery, Los Angeles

A Page from My Intimate Journal (Part II) - ​Gordon Robichaux at Parker Gallery
@Parker Gallery
2441 Glendower Ave
90027 Los Angeles
USA
March 15 – June 14, 2020

installation views
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Wilder Alison, Untitled, 2019, dyed wool and thread, 31.4 × 55 inches

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Leilah Babirye, Omulodi Omuvubuka we Kibuga (Stylish Boy of The City), 2020, Glazed ceramic, wire, found object, 18 × 12 × 7 inches

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Leilah Babirye, Banalukalala Bomu Lubiri Mengo (Notorious Woman in The Lubiri Mengo Palace) #1, 2020
Glazed ceramic, wire, found object 9 × 6 1/2 × 7 inches

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Leilah Babirye, Nankulu we Kibuga (Female Mayor of The City), 2020, wood, metal, nails, screws, found objects, wax, 59 5/8 x 11 x 12 inches

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Leilah Babirye. Kuchu Series, (Queer Ugandans), 2020, Acrylic on paper
24 × 18 inches

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Matt Connors, Second Section, 2020, Oil, acrylic, colored pencil on panel, 20 × 16 inches

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Jenni Crain, Study I, 2019, Walnut, 6 9/16 x 3 5/8 x 1 4/8 inches

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Jenni Crain, Study II, 2019, Walnut, 3 × 3 × 3 inches

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Jenni Crain, Study III, 2020, Walnut, glass, 8 × 15 1/2 × 2 inches

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Stephanie Crawford, Still Life with Green Vase, 2016, Watercolor on paper, 22 × 15 inches

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Stephanie Crawford, Chocolates #3, 2017, Watercolor on paper, 15 × 11 inches

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Florence Derive, September, 2017, Oil on linen, 36 1/4 × 24 1/2 inches

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Florence Derive, July, 2017, Oil on linen, 36 1/4 × 22 1/2 inches

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Daphne Fitzpatrick, Chrome Cock, 2020, Found object, 6 × 7 × 3 inches

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Daphne Fitzpatrick, Complete Combustion, 2020, Beeswax, found object, aluminum, 52 × 6 × 10 inches

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Daphne Fitzpatrick, Quadrifolio, or Spotsylvania girl charms her way into Guinness book of world records by finding 166 four-leaf clovers, 2020, Found object, wax, 1 × 3/4 inches

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Daphne Fitzpatrick, Lesbian Seagulls for Maya Rudolph and Kristen Wiig, 2020, Found objects, epoxy, screw, 16 × 8 × 2 inches

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Daphne Fitzpatrick, Goodbye Christopher Robin, 2020, Found and torn paper, 3 × 2 inches

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Daphne Fitzpatrick, Your Zipper is Down, 2020. Wax casting, steel rope, steel armature, 48 × 7 × 7 inches

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Daphne Fitzpatrick, Bell, Book and Candle, 2020, Found objects, black shoe polish, 25 × 6 × 2 1/2 inches

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Janice Guy, Untitled, 1979/2016, Gelatin Silver print, hand colored, 24 × 20 inches, Edition 1/5

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Otis Houston Jr., Mother Sadie, 2018, Mixed media, found and altered objects, 27 × 16 × 28 inches

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Otis Houston Jr. with Miles Huston, Educate Yourself, 2017, Paint on canvas with grommets, 95 × 17 inches

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Miles Huston, Verse, Blue is Blue Because of Red, 2019, Colored pencil on paper, 33 × 33 inches

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Miles Huston, Verse, Yellows, 2019, Colored pencil on paper, 33 × 33 inches

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Miles Huston, Fresh Vegetables San Joaquin Valley, 2020, Water jet aluminum with UV print, cast aluminum stand-offs, 58 × 45 × 2 inches

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Miles Huston, Everything is Corn, 2020, Feed Corn cast in UV stabilized epoxy, 12 × 21 × 8 inches

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Elisabeth Kley, Fountain with Crescents and Leaves, 2019, Glazed earthenware, pump, epoxy, wax, and coins, 50 1/2 × 18 × 18 inches

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Elisabeth Kley, Fountain with Crescents and Leaves, (Detail), 2019, Glazed earthenware, pump, epoxy, wax, and coins, 50 1/2 × 18 × 18 inches

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Elisabeth Kley, Yellow and Turquoise Eye-Shaped Planter, 2019, Glazed earthenware, 9 × 6 × 9 inches

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Elisabeth Kley, Yellow and Turquoise Eye-Shaped Planter, (Alternate view) 2019, Glazed earthenware, 9 × 6 × 9 inches

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Elisabeth Kley, Cylinder with Arrow Leaves, 2020, Glazed earthenware, 8 × 3 1/4 × 3 1/4 inches

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Elisabeth Kley, Leaf Column Cylinder, 2020, Glazed earthenware, 5 1/2 × 3 1/4 × 3 1/4 inches

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Elisabeth Kley, Red, Turquoise and Gold Cylinder with Triangles and Flowers, 2020, Glazed earthenware, 8 × 3 1/4 × 3 1/4 inches

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Wayne Koestenbaum, Blue Pleasure Cruises, 2018, Acrylic on paper, 24 × 18 inches

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Siobhan Liddell, Diagram of Clay Objects, 2020, Watercolor on paper, 9 × 11 inches

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Siobhan Liddell, Big Shell, Red Knot, Leaf in Hand, 3 Cups, Green Circle, Small Shell, U, 2020, Glazed ceramic, Dimensions variable

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Siobhan Liddell, Just Dust, 2020, Glazed ceramic, found objects, string, screw, 45 1/2 × 17 × 9 1/2 inches

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Siobhan Liddell, E (in your Exquisite light), 1995-2020, Pigment print, 20 × 16 inches, Edition 1/3

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Daniel Marcellus Givens, Coming Up For Air (Surrounded by Blues), 2018, Acrylic, watercolor, marker, pen on paper, 14 × 11 inches

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Daniel Marcellus Givens, Something About Him (I Always Knew), 2018, Acrylic, watercolor, marker, pen on paper, 14 × 11 inches

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Rosemary Mayer, Connections, 1978, Colored pencil, graphite, charcoal on paper, 20 × 26 inches

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Rosemary Mayer, Connections, 1978, Colored pencil, graphite on paper, 26 × 40 inches

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Reverend Joyce McDonald, Family Strong, 2001, Air dry clay, acrylic paint, 8 1/2 × 5 1/2 × 2 3/4 inches

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Reverend Joyce McDonald, Joy In The Storm, 2001, Air dry clay, acrylic paint, staples, 8 1/2 × 5 1/2 × 2 3/4 inches

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McDermott & McGough, Twilight Men, 1965 -2017, Oil on board, 9 × 10 1/2 inches

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McDermott & McGough, Unveiling the Secrets, 1965-2017, Oil on board, 12 × 9 inches

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Signe Olson, Prospect Park, 2020, Gouache and Flashe on paper, 22 1/2 × 15 inches, 25 × 18 inches (framed)

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Sanou Oumar, 6/10/19, 2019, Pen on paper board, 40 × 30 inches

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Matt Paweski, FILTR, 2020, Aluminum, aluminum rivets, plastic, rubber, vinyl paint, 40 × 20 × 10 inches

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Matt Paweski, FILTR, (Alternate view) 2020, Aluminum, aluminum rivets, plastic, rubber, vinyl paint, 40 × 20 × 10 inches

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Clifford Prince King, The Lovers, 2016, C-print on luster paper, 24 × 16 inches, Edition 1/3

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Marco ter Haar Romeny, Air Return, 2019, Glass tube, wiring, transformer, 49 × 1/4 inches

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Kerry Schuss, Untitled (Blue Bars), 1979-2020, Dye sublimation print on aluminum with artist frame, 41 1/2 × 33 3/4 inches, Edition 1/6 + II AP

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Tabboo!, Rhapsody in Blue, 2020, Acrylic and glitter on canvas, 60 x 60 inches

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Tabboo!, Pears, 2020, Acrylic on linen, 10 × 16 inches

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Tabboo!, Rhapsody in Turquoise, 2020, Acrylic and glitter on canvas, 42 × 32 inches

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Ken Tisa, Swelling Thighs, 1988, Glass beads, sequin, cotton, 20 1/8 × 21 1/2 × 1 3/4 inches

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Ken Tisa, Untitled, circa 1980s, Acrylic, gouache, watercolor on canvas, 14 × 18 inches

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Boris Torres, Portrait of Esther McGowan, 2019, Acrylic on paper, 24 × 18 inches

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Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches

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Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches

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Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches

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Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches

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Dean Spunt, Catalog #1 and #2, 2014, Paint, glass vases, cassette tapes, cassette players, plastic figurine, 12 x 6 inches, 8 x 6 inches

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Dean Spunt, Total Shutdown Live, 2020, Paint, glass vases, cassette tapes, cassette players, 12 x 5 inches (each cylinder)
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする

Geneviève Cadieux, Pascal Grandmaison, Mathieu Grenier: IT TAKES TIME TO SEE @ Arsenal Contemporary Art, Toronto

Geneviève Cadieux, Pascal Grandmaison, Mathieu Grenier: IT TAKES TIME TO SEE
CURATED BY: RENÉ BLOUIN
@Arsenal Contemporary Art, Toronto
45 ERNEST AVE
TORONTO ON M6P 3M7
CANADA
June 18 - Aug 29, 2020

installation views
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Geneviève Cadieux, Marfa (trois fleurs noires), 2014, Edition 1 of 2, Inkjet print on Hahnmühle paper mounted on aluminum, 95” x 118”.
posted by makuuchi at 09:00| memo | このブログの読者になる | 更新情報をチェックする