2021年02月18日

Larissa Fassler: Ground Control @ GALERIE POGGI, Paris

Larissa Fassler: Ground Control
@GALERIE POGGI
2 rue Beaubourg
75004 Paris
France
23 Jan – 27 Feb. 2021

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Gare du Nord (Machine tournez vite), 2019-2020, Panneau de pulpe de bois finlandais gravé au laser, MDF, verre acrylique, acier, 175 x 150 x 125 cm, Courtesy Galerie Poggi, Paris c CLAD / THE FARM

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Columbus Circle, NYC I & NYC II, 2017-2020, Crayon, stylo bille et acrylique sur toile, 180 x 130 cm, Courtesy Galerie Poggi, Paris c CLAD / THE FARM

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Gare du Nord (Machine tournez vite), 2019-2020, Panneau de pulpe de bois finlandais gravé au laser, MDF, verre acrylique, acier, 175 x 150 x 125 cm, Courtesy Galerie Poggi, Paris c CLAD / THE FARM

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Gare du Nord (Machine tournez vite), 2019-2020, Panneau de pulpe de bois finlandais gravé au laser, MDF, verre acrylique, acier, 175 x 150 x 125 cm, Courtesy Galerie Poggi, Paris c CLAD / THE FARM

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Vue d'exposition c CLAD / THE FARM

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Moritzplatz ? FORMS OF BRUTALITY, Détail, 2019, Crayon, stylo bille et acrylique sur toile, 170 x 180 cm chaque, Courtesy Galerie Poggi, Paris c CLAD / THE FARM

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Larissa Fassler, Moritzplatz ? (≪ Licht, Luft und Sonne ≫ / ≪ Light, air and sun ≫), 2017, Crayon, stylo bille et acrylique sur toile, 170 x 180 cm, Courtesy Galerie Poggi, Paris c CLAD / THE FARM

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Larissa Fassler, Manchester, New Hampshire, USA, 2019, 12 dessins, stylo bille et crayon sur papier, 21 x 14,8 cm, Courtesy Galerie Poggi, Paris c CLAD / THE FARM

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Vue d'exposition c CLAD / THE FARM

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Yona Friedman, Hommage, Papiers découpés sur mur bleu, Courtesy Fonds de Dotation Denise et Yona Friedman c CLAD / THE FARM

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Yona Friedman, Hommage, Papiers découpés sur mur bleu, Courtesy Fonds de Dotation Denise et Yona Friedman c CLAD / THE FARM
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Erik A. Frandsen: Karantænebilleder (Quarantine Images) @ Hans Alf Gallery, København K

Erik A. Frandsen: Karantænebilleder (Quarantine Images)
@Hans Alf Gallery
Holbergsgade 8
DK-1057 København K
Denmark
01.05.2020 - 23.05.2020

installation views
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Weie's Paintbrush, Falster, 2020
Oil on canvas
53 1/10 × 39 2/5 in
135 × 100 cm

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Odalisque, Fælledvej, 2020
Oil on canvas
79 1/10 × 52 4/5 in
201 × 134 cm

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Haiti, Moorish Bath (Gerome), Fælledvej, 2020 , 2020
Oil on canvas
72 4/5 × 50 2/5 in
185 × 128 cm

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Blue Orchids (small), 2020
Oil on canvas
63 × 47 1/5 in
160 × 120 cm

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5 Car Stud, 2020
Oil on canvas
91 3/10 × 77 3/5 in
232 × 197 cm

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Minerva, 2020
Oil on canvas
78 7/10 × 57 1/10 in
200 × 145 cm

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Blue Orchids (Large), 2020
Oil on canvas
78 7/10 × 57 1/10 in
200 × 145 cm

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Goethe's Bedroom (Large), 2020
Oil on canvas
79 1/10 × 57 1/10 in
201 × 145 cm

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Jon, Easter, Fælledvej, 2020
Oil on canvas
70 9/10 × 47 1/5 in
180 × 120 cm

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Easter, Flamenco Dancer, Falster, 2020
Oil on canvas
63 × 47 1/5 in
160 × 120 cm
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HOSPITALITÉS @ Galerie Jocelyn Wolff, Paris – Romainville

HOSPITALITÉS
Eric Baudelaire, Jimmie Durham, Jochen Lempert, Gilda Mantilla & Raimond Chaves, Dave McKenzie
@Galerie Jocelyn Wolff, Paris – Romainville
43 rue de la Commune de Paris , 93230 Romainville (Grand Paris), France
October 21 – October 31, 2020

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Gilda Mantilla & Raimond Chaves, Tierra de nadie, 2019, Seven photo objects and plastic turtle, Variable dimension. Jochen Lempert, selection of works. Courtesy ProjecteSD, Barcelona

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Gilda Mantilla & Raimond Chaves, Tierra de nadie, 2019, Seven photo objects and plastic turtle, Variable dimension. Courtesy ProjecteSD, Barcelona


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Dave McKenzie, One Hundred Percent Sure, 2014, Fabric, wood and print. Dave McKenzie, Up and Against Space, 2014, Fabric and wood, 94 x 76 x 6 cm. Courtesy Barbara Wien, Berlin

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Gilda Mantilla & Raimond Chaves, Un determinado relato, 2019 + Accidente en la Casa de fierro, 2019, Digital giclée print on cotton paper, 100 x 75 cm. Un determinado relato, 2019, Assemblage of two found objects, 40 x 29 x 33,5 cm. Courtesy ProjecteSD, Barcelona

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Jimmie Durham, Red, Blew, 2020, Mixed media on paper, numbered and signed, 107 x 78 cm. Night Vision, 2020, Mixed media on paper, numbered and signed, 107 x 70 cm. Je n‘ sais quoi, 2020, Mixed media on paper, numbered and signed, 107 x 78 cm. Chagrin, 2020, Mixed media on paper, numbered and signed, 107 x 78 cm. Courtesy Barbara Wien, Berlin.

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Dave McKenzie, Will Not, 2018, Dye sub print on polyester, unique piece, 300 x 180 cm. Courtesy Barbara Wien, Berlin
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Anders Brinch: Dawn @ Hans Alf Gallery, København K

Anders Brinch: Dawn
@Hans Alf Gallery
Holbergsgade 8
DK-1057 København K
Denmark
08.08.2020 - 12.09.2020

installation views
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Green Bay, 2020
Oil on canvas
55 1/10 × 78 7/10 in
140 × 200 cm

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Brown Bar, 2020
Oil on canvas
31 1/2 × 47 1/5 in
80 × 120 cm

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Point Break, 2020
Oil on canvas
17 7/10 × 21 7/10 in
45 × 55 cm

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Botanical Garden, 2020
Oil on canvas
78 7/10 × 55 1/10 in
200 × 140 cm

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Le Jardin d'Eden, 2020
Oil on canvas
47 1/5 × 31 1/2 in
120 × 80 cm

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Darwin's Motel, 2020
Oil on canvas
23 3/5 × 23 3/5 in
60 × 60 cm

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Under the Moon, 2020
Oil on canvas
21 7/10 × 17 7/10 in
55 × 45 cm
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Les Soirées de Paris @ Galerie Crèvecoeur, Paris

Les Soirées de Paris
Julien Carreyn, Doris Guo, Em Rooney, Hayley Silverman, Naoki Sutter-Shudo, Organized by Bodega and Crèvecoeur
@Galerie Crèvecoeur
9, Rue des Cascades
75020 Paris
France
10.01.19 − 23.02.19

installation views
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Julien Carreyn, ii (series), 2018-2019, mixed media mounted on paper, perspex frame

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Julien Carreyn, ii (series), 2018-2019, mixed media mounted on paper, perspex frame

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Julien Carreyn, ii (58), mixed media, 5,5 × 7,8 cm (framed 28,5 × 22 cm) c Julien Carreyn

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Julien Carreyn, ii (62), mixed media, 5,5 × 7,8 cm (framed 28,5 × 22 cm) c Julien Carreyn

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Julien Carreyn, ii (79), mixed media, 8,6 × 10,8 cm (framed 28,5 × 22 cm) c Julien Carreyn

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Hayley Silverman, Repatriation of the Aura (II and I), 2018 
c Aurélien Mole

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Hayley Silverman, Repatriation of the Aura II, 2018, blown glass, wooden prayer hands, 27 × 15 × 16 cm 
c Aurélien Mole

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Hayley Silverman, Repatriation of the Aura III, 2018, blown glass, wooden prayer hands, 26 × 13 × 13 cm 
c Aurélien Mole

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Hayley Silverman, Repatriation of the Aura I, 2018, blown glass, wooden prayer hands, 19 × 11 × 12 cm 
c Aurélien Mole

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Naoki Sutter-Shudo, Juj recil, 2018, wood, enamel, 6,3 × 34,5 × 10 cm c Aurélien Mole

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Naoki Sutter-Shudo, Theft (earths), 2018, wood, enamel, plexiglass, nylon, stainless steel, foam stress balls, 30,5 × 71 × 33 cm c Aurélien Mole

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Naoki Sutter-Shudo, Podium (moons), 2019, wood, enamel, stainless steel, nickel-plated steel, polyester and cotton, foam stress balls, 35,5 × 35,2 × 19,7 cm 
c Naoki Sutter-Shudo

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Naoki Sutter-Shudo, Room (blue with stars), 2019, wood, enamel, stainless steel, brass, rubber, foam stress balls, 32,3 × 21 × 21 cm 
(closed) c Naoki Sutter-Shudo

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Naoki Sutter-Shudo, Untitled, 2019, plastic, enamel, wine corks c Aurélien Mole

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Em Rooney, Are Scared By the Land, 2018, pewter, berglass, aqua-resin, silver, steel, screws, iPad, 4:20 loop video, 101,6 × 40,6 × 33 cm

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Em Rooney, Are Scared By the Land, 2018, pewter, berglass, aqua-resin, silver, steel, screws, iPad, 4:20 loop video, 101,6 × 40,6 × 33 cm c Aurélien Mole

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Em Rooney, Are Scared By the Land, 2018, pewter, berglass, aqua-resin, silver, steel, screws, iPad, 4:20 loop video, 101,6 × 40,6 × 33 cm c Aurélien Mole

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Em Rooney, Are Scared By the Land, 2018, pewter, berglass, aqua-resin, silver, steel, screws, iPad, 4:20 loop video, 101,6 × 40,6 × 33 cm c Aurélien Mole

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Em Rooney, Or Ourselves, 2018, pewter, steel, screws, maple, glass, silver gelatin print, resin, German silver, 101,6 × 40,6 × 33 cm c Aurélien Mole

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Em Rooney, Or Ourselves, 2018, pewter, steel, screws, maple, glass, silver gelatin print, resin, German silver, 101,6 × 40,6 × 33 cm c Aurélien Mole

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Em Rooney, See Too Much, 2018, pewter, steel, screws, maple, glass, silver gelatin print, resin, German silver, ash, copper pigment, 101,6 × 40,6 × 33 cm c Aurélien Mole

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Doris Guo, Bronze Guestbook, 2018, bronze, 13,5 × 8 × 2 cm c Aurélien Mole
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