Come together @ Meyer Riegger, Berlin

Come together
Franz Ackermann, Heike Aumüller, Alexandra Bachzetsis, Katinka Bock, Armin Boehm, Ulla von Brandenburg, Björn Braun, Miriam Cahn, Henrik Håkansson, Uwe Henneken, Anna Lea Hucht, Zara Idelson, Jamie Isenstein, Robert Janitz, Daniel Knorr, Korpys / Löffler, Eva Koťátková, Ján Mančuška, Meuser, John Miller, Helen Mirra, Jonathan Monk, Melvin Moti, Scott Myles, Paulo Nazareth, Daniel Roth, Silke Schatz, David Thorpe, Gabriel Vormstein, Waldemar Zimbelmann, Jan Zöller
@Meyer Riegger, Berlin
Schaperstrasse 14
10719 Berlin
Germany
29.06.2019 – 03.08.2019

Installation views, Come together, Meyer Riegger, Berlin, 2019
All images: Sergio Belinchon







































Armin Boehm
Riot, 2019
oil on canvas, tape, plastic, mirror
135 x 155 cm


Katinka Bock
La part de l'autre II, November, 2017
ceramic
61 x 17 x 17 cm


Katinka Bock
La part de l'autre I, November, fin, 2017
ceramic
70 x 36 x 36 cm


Ulla von Brandenburg
8 Bänder (Orange, Türkis, Braun, Grün, Pink, Gelb, Lila, Blau), 2018
dyed ribbons, paint
193 x 76 cm


Daniel Roth
Der Baron auf den Bäumen (RF 312 m. ü. M.), 2018
watercolor on stone chalk ground
196 x 150 x 6,5 cm


Robert Janitz
137, 2019
oil, wax, flour on linen
137,2 x 106,7 cm


Anna Lea Hucht
Ohne Titel, 2018
water color on paper
56 x 42 cm


Jonathan Monk
Forty Five 45, 2014
matchbox cars, wood
50 x 152 x 51 cm


Melvin Moti
E.S.P. (Birds), detail, 2007
series of 5 archival prints on watercolour paper, framed
79,5 x 94 cm


Melvin Moti
E.S.P. (Birds), detail, 2007
series of 5 archival prints on watercolour paper, framed
79,5 x 94 cm


Melvin Moti
E.S.P. (Birds), detail, 2007
series of 5 archival prints on watercolour paper, framed
79,5 x 94 cm


Korpys/Löffler
Geist, Reste der zerstörten Fettecke von Joseph Beuys (1982, Raum 3, Staatliche Kunstakademie Düsseldorf), 2014
mixed media
28,5 x 18,8 x 14 cm


Gabriel Vormstein
The advertising pillar, 2017
pencil, watercolor, acrylic, wallpaint on newspaper
220 x 154 cm


Eva Kot'átková
Head no.4: Lonely Head (Social Anxiety Disorder), 2018
metal, shoes
230 x 100 x 150 cm


Zara Idelson
Car journey, 2018
oil and acrylic on canvas
56 x 71 cm


Uwe Henneken
Leaders of the Golden Age - from monetary to planetary Consciousness, 2019
oil on canvas
71 x 93 cm


Waldemar Zimbelmann
Desire Lines 4, 2019
mixed media
34 x 57 x 3,5 cm


Meuser
Zitronenstreifen, 2018
oil on steel
110 x 16 x 12 cm


Henrik Hakansson
JULY 12, 2010 (12.18.55), 2010
digital c-print installation
217 x 150 cm


Scott Myles
Swapping Pockets, 2018
screenprint, truegrain on canvas
153 x 90 cm


Jamie Isenstein
Untitled (infinite maze), 2019
cotton rag, pencil and watercolor, framed
50 x 70 cm


Jamie Isenstein
Infinite Beauty, 2016
wig, plastic, floor fan
dimensions variable


Silke Schatz
Point of view – Voßstrasse 41, 1985, 2003
lead and colored pencil on paper
150 x 180 cm


Alexandra Bachzetsis
An Ideal for Living, 2018
artist book


Jan Zöller
Vogelbrunnen, 2019
acrylic, oil based colored pen and charcoal on canvas, framed
70 x 50 cm


Heike Aumüller
dont change a hair for me, 2019
print on paper
92 x 59 cm


John Miller
Wishing the Impossible - gold phallus w/backdrop, 1987
paint on canvas, paper mache, gold leaf
canvas 183 x 274 cm, column 210 x 15 x 15 cm


Paulo Nazareth
Sem título, da série Notícias de América, 2011
photo printing on cotton paper, framed
45 x 60 cm


Paulo Nazareth
Sem título, da série Notícias de América, 2011
photo printing on cotton paper, framed
45 x 60 cm


Paulo Nazareth
Sem título, da série Notícias de América, 2011
photo printing on cotton paper, framed
45 x 60 cm


Franz Ackermann
Tisch, 2018
mixed media
48,5 x 80,5 x 80,5 cm


Helen Mirra
August, Muir, 2017
linen, wool
47 x 31 cm


David Thorpe
Wild Body in Joy Growing, 2016
mixed media
70,5 x 65 x 7,5 cm


Björn Braun
Phillip, 2019
video, colour, loop, 12:00 min


Miriam Cahn
o.t., 1995
oil on canvas
37 x 28 cm


Daniel Knorr
Minimal Change, 2019
stainless steel, polished, heat treated, site-specific installation