2020年07月07日

SIMON STARLING ‘A-A’, B-B’’ @ The Modern Institute, 14−20 Osborne Street, Glasgow

SIMON STARLING ‘A-A’, B-B’’
@The Modern Institute, 14−20 Osborne Street, Glasgow
14−20 Osborne Street
Glasgow G1 5QN
United Kingdom
07/09/2019−09/11/2019

installation views
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A-A', B-B', Giovanni Battista Tiepolo, A Halberdier in a Landscape, 1736–38 (Formerly the right-hand portion of The Finding of Moses) Collection Pinacoteca Giovanni e Marella Agnelli, Turin, Fiat 125 Special, 1968 / Cutaway View (Front Section), 1:1 scale archival pigment print, perspex, Fiat 125 Special, 2019 (detail)

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A-A', B-B', Giovanni Battista Tiepolo, A Halberdier in a Landscape, 1736–38 (Formerly the right-hand portion of The Finding of Moses) Collection Pinacoteca Giovanni e Marella Agnelli, Turin, Fiat 125 Special, 1968 / Cutaway View (Front Section), 1:1 scale archival pigment print, perspex, Fiat 125 Special, 2019 (detail)

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A-A', B-B', Giovanni Battista Tiepolo, A Halberdier in a Landscape, 1736–38 (Formerly the right-hand portion of The Finding of Moses) Collection Pinacoteca Giovanni e Marella Agnelli, Turin, Fiat 125 Special, 1968 / Cutaway View (Front Section), 1:1 scale archival pigment print, perspex, Fiat 125 Special, 2019 (detail)

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Clutching an imaginary halberd in his right hand and wearing a mask by the master mask maker Yasuo Miichi based on the halberdier from Giovanni Battista Tiepolo’s painting A Halberdier in a Landscape (1736–38), the artist looks east, 2019 (detail), Wood, gesso, paint, horsehair, leather, Jesmonite, steel, iron filings, 177 x 60 x 62 cm

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Manual Transmission, 2019, Willow basket, silkscreen print, handmade lightbulb, Dimensions variable

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Manual Transmission, 2019 (detail), Willow basket, silkscreen print, handmade lightbulb, Dimensions variable

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Pedigree English Greyhounds, Valldemossa dell’Attimo Fuggente (Vera) photographed at Four Studios, Mirafiori Car Plant, Turin, 2019, Silver gelatin type LE/Selenium toned print, 107 x 132 x 4.5 cm

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Pedigree English Greyhound, Valldemossa dell’Attimo Fuggente (Vera) photographed at Four Studios, Mirafiori Car Plant, Turin, 2019, Silver gelatin type LE/Selenium toned print, 107 x 132 x 4.5 cm

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The artist, wearing a mask of the former Fiat supremo Giovanni Agnelli, reads an aside from Dario Fo’s political satire Trumpets and Raspberries (1974) in which a disfigured Agnelli has his face reconstructed in the image of a Fiat worker in whose jacket he is found, following a near-fatal kidnapping attempt, 2019, Wood, gesso, paint, horsehair, leather, Jesmonite, steel, paper, 175 x 58 x 35 cm

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Hand of the Artist’s Father, Hand of the Artist, Hand of the Artist’s Son, 2019, Set of 3 daguerreotypes on silver-plated copper, Each 57.3 x 50.8 x 5 cm

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A-A', B-B' (Posters), 2019, In collaboration with NORM and Lézard Graphique, Four colour silkscreen print, 120 x 160 cm

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NORM, Boards, 2019 (detail), 1:1 scale archival Indigo print, Reconstructions of 7 of the 14 presentation boards reproduced on the 35 mm colour transparencies, 42 x 21.7 cm each

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Building, 1:100 scale model, Reconstruction of the Italcore headquarters building reproduced according to the 35 mm colour transparencies No. 20 and 21, MDF, perspex, plasticard, metal, paint, 60 x 40 x 35.8 cm


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