MIKHAIL CHEREMNYKH, AMSHEY NURENBERG, IVAN MALYUTIN, VLADIMIR MAYAKOVSKY AND ANONYMOUS WITH DARJA BAJAGIĆ, FABIO MAURI, CADY NOLAND
Organized with Olivier Renaud-Clément
@New Galerie
2 rue Borda
75003 Paris
France
September 13 – November 14, 2020
installation views
ANONYMOUS, GLAVPOLITPROSVET(GPP).C/1 1921
Stencil on newsprint paper, printing ink 42,5 x 30 cm
The world stands on a volcano.
ANONYMOUS, GLAVPOLITPROSVET(GPP).C/2 1921
Stencil on newsprint paper, printing ink 42,5 x 33,9 cm
Take heart! Destroy the bars of the prisons.
ANONYMOUS, GLAVPOLITPROSVET(GPP).C/3 1921
Stencil on newsprint paper, printing ink
43 x 32 cm
The powerful magnet of the Communist International will bring together steel dust.
ANONYMOUS, GLAVPOLITPROSVET(GPP).C/4 1921
Stencil on newsprint paper, printing ink 42,3 x 31,8 cm
To forge a sword and a shield
ANONYMOUS, GLAVPOLITPROSVET(GPP).47 1 TO 8 1921
Stencil on newsprint paper, printing ink, 8 panels
ANONYMOUS, GLAVPOLITPROSVET(GPP).47/1 1921
Stencil on newsprint paper, printing ink
51 x 41 cm
There are neither nails nor scythes.
ANONYMOUS, GLAVPOLITPROSVET(GPP).47/2 1921
Stencil on newsprint paper, printing ink
50,5 x 46 cm
I have neither clothes nor shoes.
ANONYMOUS, GLAVPOLITPROSVET(GPP).47/3 1921
Stencil on newsprint paper, printing ink
51 x 46 cm
That’s because there are few factories in our country. The war destroyed everything
ANONYMOUS, GLAVPOLITPROSVET(GPP).47/4 1921
Stencil on newsprint paper, printing ink 50,5 x 45,5 cm
But when we’re done with the battles
ANONYMOUS, GLAVPOLITPROSVET(GPP).47/5 1921
Stencil on newsprint paper, printing ink
47 x 39,5 cm
We will restart the construction of the factories
ANONYMOUS, GLAVPOLITPROSVET(GPP).47/6 1921
Stencil on newsprint paper, printing ink 51 x 41 cm
And month after month, year after year, we’ll have textiles, nails and livestock
ANONYMOUS, GLAVPOLITPROSVET(GPP).47/7 1921
Stencil on newsprint paper, printing ink
50 x 40 cm
But for this to happen I must give bread to the workers
ANONYMOUS, GLAVPOLITPROSVET(GPP).47/8 1921
Stencil on newsprint paper, printing ink
50 x 40 cm
To be able to feed all Russia,
I’m going to seed all my lands
MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).47 1 TO 9 1921
Stencil on newsprint paper, printing ink, 8 panels
MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/1 1921
Stencil on newsprint paper, printing ink 43,5 x 35 cm
Bureaucracy reigns in Soviet administrations
MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/2 1921
Stencil on newsprint paper, printing ink
44 x 35 cm
Is it possible to defeat it?
In the picture: BUSINESS
MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/3 1921
Stencil on newsprint paper, printing ink
44,5 x 35 cm
Sovnarkom (T.N the People’s Commissariat) has decided to fight bureaucratism
MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/4 1921
Stencil on newsprint paper, printing ink
44,5 x 35,5 cm
Female workers
MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/5 1921
Stencil on newsprint paper, printing ink 44,5 x 35,5 cm
And female farmers are mobilized.
MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/6 1921
Stencil on newsprint paper, printing ink
46 x 36 cm
Instead of explaining in vain to the bureaucrat:
MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/7 1921
Stencil on newsprint paper, printing ink 46,5 x 36 cm
“You must make our work easier."
MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/8 1921
Stencil on newsprint paper, printing ink
46,5 x 36 cm
Be yourself accurate and fast.
MIKHAIL CHEREMNYKH, GLAVPOLITPROSVET(GPP).168/9 1921
Stencil on newsprint paper, printing ink
46 x 36 cm
It’s a way to fight administrative burdens.
FABIO MAURI, WARUM EIN GEDANKE EINEN RAUM VERPESTET ? 1972
/ Perché un pensiero intossica una stanza ?
INNERE REALANSIGHT
Iron, wood and canvas with Letraset
71 x 43 cm / 28 x 16 7/8 inches
FABIO MAURI, WARUM EIN GEDANKE EINEN RAUM VERPESTET ? 1972
/ Perché un pensiero intossica una stanza ?
DIE KRIEGSWITWE (The War Widow)
Iron, wood and canvas with Letraset
71 x 43 cm / 28 x 16 7/8 inches
FABIO MAURI, WARUM EIN GEDANKE EINEN RAUM VERPESTET ? 1972
/ Perché un pensiero intossica una stanza ?
ARBEITSEINSCHÄTZUNG (Working Evaluation)
Iron, wood and canvas with Letraset
71 x 43 cm / 28 x 16 7/8 inches
FABIO MAURI, WARUM EIN GEDANKE EINEN RAUM VERPESTET ? 1972
/ Perché un pensiero intossica una stanza ?
EINEN KUSS, NANETTE (A Kiss, Nanette )
Iron, wood and canvas with Letraset
71 x 43 cm / 28 x 16 7/8 inches
FABIO MAURI, WARUM EIN GEDANKE EINEN RAUM VERPESTET ? 1972
/ Perché un pensiero intossica una stanza ?
GANZMASKEN (Full-face Masks)
Iron, wood and canvas with Letraset
71 x 43 cm / 28 x 16 7/8 inches
FABIO MAURI, QUESTO MEZZOPUNTO È ARIANO 1995
(This gobelin stitch is Aryan)
Embroidery on fabric
56.5 x 51.5 cm
FABIO MAURI, SENZA IDEOLOGIA 1975
(Without Ideology)
Film projector, 16mm film “Alexander Nevsky” by Sergei Eisenstein, bucket, milk
Duration: 112 min
FABIO MAURI, SENZA IDEOLOGIA 1975
(Without Ideology)
Film projector, 16mm film “Alexander Nevsky” by Sergei Eisenstein, bucket, milk
Duration: 112 min
FABIO MAURI, SENZA IDEOLOGIA (DETAIL) 1975
(Without Ideology)
Film projector, 16mm film “Alexander Nevsky” by Sergei Eisenstein, bucket, milk
Duration: 112 min
FABIO MAURI, RADIO 2003
Wood, metal, canvas, valve, electronic material
24 x 24 x 12 cm
FABIO MAURI, IL MUSE DI GOEBBELS 1984
(The Muzzle of Goebbels)
Charcoal and oil on paper
33 x 45 cm
FABIO MAURI, L’ARTE FA PERCHÉ È STORIA E MONDO 2009
(Art does because it is history and the world)
Cut doormat
210 x 420 x 1.8 cm
FABIO MAURI, L’ARTE FA PERCHÉ È STORIA E MONDO 2009
(Art does because it is history and the world)
Cut doormat
210 x 420 x 1.8 cm
DARJA BAJAGIĆ, EX AXES − WALLS SWEAT IMAGES 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP
DARJA BAJAGIĆ, EX AXES − WALLS SWEAT IMAGES 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP
DARJA BAJAGIĆ, EX AXES − THIS IS SERENITY! 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP
DARJA BAJAGIĆ, EX AXES − THIS IS SERENITY! 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP
DARJA BAJAGIĆ, EX AXES − ANOTHER LOST YEAR 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP
DARJA BAJAGIĆ, EX AXES − ANOTHER LOST YEAR 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP
DARJA BAJAGIĆ, EX AXES − THE PLEASURES RECEIVED IN PAIN 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP
DARJA BAJAGIĆ, EX AXES − THE PLEASURES RECEIVED IN PAIN 2018
Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP
DARJA BAJAGIĆ, TRANSFIGURATION 2019
Acrylic and UV print on canvas
87,5 x 76 cm
Unique
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