2020年03月23日

MAX ERNST: Collages @ KASMIN GALLERY, 297 TENTH AVENUE, New York

MAX ERNST: Collages
@KASMIN GALLERY, 297 TENTH AVENUE
297 TENTH AVENUE
New York, NY 10001
USA
NOVEMBER 07, 2019 − DECEMBER 21, 2019

installation views
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Max Ernst, Loplop presente Loplop, 1931, pencil, ink, and collage on paper, 25 x 19 inches, 63.5 x 48.3 cm.

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Max Ernst, Untitled, 1970, gouache, ink and collage on paper, 7 x 5 1/2 inches, 17.8 x 14 cm.

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Max Ernst, Lettrine D, 1948, ink and collage on paper, 4 1/2 x 2 1/2 inches, 11.4 x 6.3 cm.

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Max Ernst, Untitled, 1969, collage on paper, 9 3/4 x 7 1/4 inches, image, 24.8 x 18.4 cm; 12 x 9 1/4 inches, paper, 30.5 x 23.5 cm.

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Max Ernst, Untitled, 1972, ink, pencil and collage on paper, 10 3/4 x 7 1/4 inches, 27.3 x 18.4 cm.

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Max Ernst, Les Filles La Mort Le Diable, 1970, gouache, watercolor, pencil, and paper collage on paper, 12 1/2 x 9 1/4 inches, 31.8 x 23.5 cm.

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Max Ernst, Lettrine N, 1974, collage on paper, 2 3/4 x 3 5/8 inches, image, 7 x 9.2 cm, 4 7/8 x 5 7/8 inches, paper, 12.3 x 14.8 cm.
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JOSEF ALBERS AND FRED SANDBACK @ Krakow Witkin Gallery, Boston

JOSEF ALBERS AND FRED SANDBACK
@Krakow Witkin Gallery
10 Newbury Street
Boston, Massachusetts 02116
USA
MAY 11, 2019 – JUNE 15, 2019

installation views
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Fred Sandback
Untitled (Triangle with a Broken Leg) 1988
The sculpture is composed from four lengths of white, light green, and brown acrylic yarn arranged to form a free-standing triangle. The size of the triangle is determined by the height of the ceiling. The work should be installed parallel and perpendicular to the surrounding walls.
This installation size: 119 1/2 x 263 inches (303.5 x 668 cm)
Accompanied with a letter of authenticity from the Fred Sandback Estate
(Inventory #30233)

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Josef Albers
SP II 1967
Screenprint
Image size: 19 5/8 x 19 3/4 inches (49.8 x 50.2 cm)
Paper size: 24 1/4 x 24 1/4 inches (61.6 x 61.6 cm)
Frame size: 30 7/8 x 30 7/8 inches (78.4 x 78.4 cm)
Edition of 125
Signed and dated “A ’67” and dated lower right, titled and numbered “SP II” lower left
(Inventory #28392)

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Josef Albers
SP VII 1967
Screenprint on Schöllers Hammer Board
Image size: 19 1/2 x 19 1/2 inches (49.5 x 49.5 cm)
Paper size: 24 1/4 x 24 1/4 inches (61.6 x 61.6 cm)
Frame size: 31 x 31 inches (78.7 x 78.7 cm)
Edition of 125
Signed and dated “A ’67” lower right; titled “SP VII” and numbered lower left
(Inventory #28700)

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Josef Albers
SP III 1967
Screenprint on Schöllers Hammer Board
Image size: 19 1/2 x 19 1/2 inches (49.5 x 49.5 cm)
Paper size: 24 1/4 x 24 1/4 inches (61.6 x 61.6 cm)
Edition of 125
Signed and dated “A ’67” lower right; titled “SP III” and numbered lower left
(Inventory #28696)

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Josef Albers
SP XI 1967
Screenprint on Schöllers Hammer Board
Image size: 19 1/2 x 19 1/2 inches (49.5 x 49.5 cm)
Paper size: 24 1/4 x 24 1/4 inches (61.6 x 61.6 cm)
Frame size: 31 x 31 inches (78.7 x 78.7 cm)
Edition of 125
Signed and dated “A ’67” lower right; titled “SP XI” and numbered lower left
(Inventory #28704)

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Josef Albers
SP IV 1967
Screenprint on Schöllers Hammer Board
Image size: 19 1/2 x 19 1/2 inches (49.5 x 49.5 cm)
Paper size: 24 1/4 x 24 1/4 inches (61.6 x 61.6 cm)
Edition of 125
Signed and dated “A ’67” lower right; titled “SP IV” and numbered lower left
(Inventory #28697)
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ANTHEA HAMILTON: THE PRUDE @ Thomas Dane Gallery, 11 Duke Street St James's & 3 Duke Street St James's, London

ANTHEA HAMILTON: THE PRUDE
@Thomas Dane Gallery, 11 Duke Street St James's & 3 Duke Street St James's, London
11 Duke Street St James's
London SW1Y 6BN
&
3 Duke Street St James's
London SW1Y 6BN
UK
7 MAR - 18 MAY 2019

installation views
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Transposed Lime Butterfly, 2019
foam, digitally printed organic panama cotton, printed cotton, faux fur

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Long Sofa, 2019
spruce plywood, terracotta tiles, grout

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Wrestler Sedan Chair, 2019
spruce plywood, porcelain tiles, grout

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Slanted Tartan Scramble Chair #01, 2019
spruce plywood, porcelain tiles, grout

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Folded Wing Moth, 2019
foam, minky plush fabric, silver knit jersey

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Full Stone Wavy Boot, 2019
dark emperador marble

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Wavy Socks and Sandals Boot, 2019
statuario marble, stainless steel
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Connor Camburn: twinless twin @ Regards, Chicago

Connor Camburn: twinless twin
@Regards
2216 West Chicago Avenue
Chicago, Illinois 60622
USA
January 12 - February 23, 2019

installation views
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1-2: vinyl on steel panel, 2018, 22 x 10 inches each

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3-8: photo assemblage on panel, 2018, approximately 16 x 14 inches each

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9: aluminum, 2018, 15 x 5 1/2 inches

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10: steel and resin on board, 2019, 41 x 29 inches

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11: vinyl on wooden frame. 2018, 29 x 31 x 7 inches

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12: graphite drawing, 2018, 26 x 19 1/4 inches

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13: photo assemblage on canvas, 2011, 18 x 14 inches

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14: plexiglass, 2019, 21 x 17 1/2 x 7 inches

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Veronica Ryan: The Weather Inside @ PAULA COOPER GALLERY, 521 W 21ST STREET, New York

Veronica Ryan: The Weather Inside
@PAULA COOPER GALLERY, 521 W 21ST STREET
529 West 21st Street, New York, 10011
USA
SEPTEMBER 7 – OCTOBER 19, 2019

installation views
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Peak, Stratification, 2012-2018
Foamcore, needles, orange peels
28 × 34 1/2 × 16 in
71.1 × 87.6 × 40.6 cm

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Liminal Spaces, 2019
Liminal Spaces
39 × 16 × 4 1/2 in
99.1 × 40.6 × 11.4 cm

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Between Spaces, 2011
Ultracal
16 × 9 3/4 × 8 1/2 in
40.6 × 24.8 × 21.6 cm

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Restless Cone, 2011
Ultracal
20 1/2 × 23 × 24 in
52.1 × 58.4 × 61 cm

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Bundle I, 2019
Paper, crochet, plastic net, elastic
9 3/4 × 9 × 9 1/2 in
24.8 × 22.9 × 24.1 cm

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Blocked, 2011
Ultracal, metal, hair
8 1/4 × 8 × 8 in
21 × 20.3 × 20.3 cm

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Coral Polyp IV, 2018
Coral, bandage
4 × 6 × 5 1/2 in
10.2 × 15.2 × 14 cm

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Pathways, 2017
Fabric, thread
9 1/2 × 9 1/2 in
24.1 × 24.1 cm

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Bundle II, 2019
Paper, plastic net, elastic
9 × 10 1/2 × 12 in
22.9 × 26.7 × 30.5 cm

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Seen, Unseen, 2012
Ultracal
20 × 16 × 17 in
50.8 × 40.6 × 43.2 cm
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2020年03月22日

Jen Mazza: no subjects where none intended @ C.G. Boerner, LLC, New York

Jen Mazza: no subjects where none intended
@C.G. Boerner, LLC
526 West 26th Street, Rm 304
New York, NY 10001
USA
January 25 - March 1, 2019

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Landscape after Memling, 2010
oil on linen; 12 x 15 inches

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The Tartar Steppe, 2010
oil on linen; 11 x 14 inches

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The object removed (landscape after Memling), 2009
oil on linen; 12 x 14 inches

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The Resurrection 2010
gouache, watercolor and tempera on paper; image size 5 ¾ x 7 ¼ inches

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Saint Anthony tempted by a pile of gold, 2010
gouache, watercolor and tempera on paper; image 9 x 6 1/2 inches

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Saint Anthony tempted by the devil in the shape of a woman, 2010
gouache, watercolor and tempera on paper; image size 6 5/8 x 7 inches

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Flame (lapis), 2010
Gouache and Tempera on Arches; 15 x 11.25 inches

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Page for a saint, 2010
Gouache and Tempera on Arches; 15 x 11.25 inches

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Flame (Indigo), 2010
Gouache and Tempera on Arches; 15 x 11.25 inches

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The Hunt,2018
pen and ink on Fabriano Rosapina paper with marbled paper insert; 11 x 14 inches

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The Quarry I (after Stefano della Bella) 2018
pen and ink on hemp laid RUSCOMBE paper with marbled-paper insert; 5 x 6.5 inches
signed on the lower right and dated 2018 on verso

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La Chasse (after Courbet) 2018
pen and ink on hemp laid RUSCOMBE paper with marbled-paper insert, 4 3/8 x 6 5/8 inches
signed and dated 2018 on verso

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Little Deer 2018
digital print with marbled-paper insert; 5 1/4 x 7 3/8 inches
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ALMA ALLEN @ KASMIN GALLERY, 509 WEST 27TH STREET, New York

ALMA ALLEN
@KASMIN GALLERY, 509 WEST 27TH STREET
509 WEST 27TH STREET
New York, NY 10001
USA
JANUARY 23, 2020 − MARCH 04, 2020

installation views
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Alma Allen, Not Yet Titled, 2019, bronze, 83 1/2 x 22 7/8 x 23 1/4 inches, 212 x 58 x 59 cm

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Alma Allen, Not Yet Titled, 2019, marble, 37 1/8 x 63 3/4 x 14 1/8 inches, 94 x 162 x 36 cm

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Alma Allen, Not Yet Titled, 2020, bronze, 56 3/4 x 23 1/4 x 23 1/4 inches, 144 x 59 x 59 cm

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Alma Allen, Not Yet Titled, 2019, green cantera Oaxaca, 39 3/8 x 43 1/4 x 74 3/4 inches, 100 x 110 x 190 cm

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Alma Allen, Not Yet Titled, 2020, walnut, 35 x 24 x 24 inches, 88.9 x 61 x 61 cm

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Alma Allen, Not Yet Titled, 2019, bronze, 194 1/8 x 37 3/4 x 10 1/4 inches, 493 x 96 x 26 cm
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ROBERT RYMAN: THE FIRST 25 YEARS OF PRINTS: 1969-1994 @ Krakow Witkin Gallery, Boston

ROBERT RYMAN: THE FIRST 25 YEARS OF PRINTS: 1969-1994
@Krakow Witkin Gallery
10 Newbury Street
Boston, Massachusetts 02116
USA
JUNE 22, 2019 – JULY 26, 2019

installation views
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Robert Ryman
Untitled 1990-1991
Etching with aquatint
Image/paper size: 33 7/8 x 33 7/8 inches (86 x 86 cm)
Frame size: 39 1/4 x 39 1/4 inches (99.7 x 99.7 cm)
Edition of 80
Signed lower left, dated lower center, and numbered lower left in graphite
(Inventory #25336)

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Robert Ryman
Untitled [1] 1972
Etching and sugarlift aquatint (ink: White Lead) on Rives BFK with deckled edges
Image/plate size: 21 11/16 x 21 13/16 inches (55.1 x 55.4 cm)
Paper size: 23 9/16 x 23 15/16 inches (59.8 x 60.8 cm)
Edition of 50
Signed and dated top right within plate, numbered top left within plate
(Inventory #30431)

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Robert Ryman
Untitled [2] 1972
Etching and aquatint on Rives BFK with deckled edges
Image size: 13 7/8 x 13 9/16 inches (35.2 x 34.4 cm)
Paper size: 24 1/16 x 23 1/2 inches (61.1 x 59.7 cm)
Edition of 50
Signed and dated ‘Ryman72’ and numbered lower left
(Inventory #30432)

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Robert Ryman
Untitled [3] 1972
Aquatint (ink: White Lead) on Rives BFK with deckled edges
Image/plate size: 21 7/8 x 21 9/16 inches (55.6 x 54.8 cm)
Paper size: 24 1/4 x 24 1/8 inches (61.6 x 61.3 cm)
Edition of 50
Signed and dated bottom margin, to the right; numbered bottom margin, to the left
(Inventory #30433)

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Robert Ryman
Untitled [4] 1972
Aquatint (ink: White Lead) with etching (blue) on Rives BFK with deckled edges
Image/plate size (irregular) bleed on top edge: 18 3/16 x 14 3/4inches (46.2 x 37.5 cm)
Paper size: 24 x 24 inches (61 x 61 cm)
Edition of 50
Signed and dated bottom margin, left of center; numbered right margin, at bottom right corner of plate mark
(Inventory #30434)

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Robert Ryman
Untitled [5] 1972
Aquatint (ink: White Lead) on Rives BFK with deckled edges
Image/plate size: 11 13/16 x 11 7/8 inches (30 x 30.2 cm)
Paper size: 19 1/2 inches diameter (49.5 cm diameter)
Edition of 50
Signed and dated bottom margin, centered to the right; numbered top margin, to the top left edge
(Inventory #30435)

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Robert Ryman
Untitled [7] 1972
Aquatint (ink: White Lead) and embossing (blind) on Rives BFK with deckled edges
Plate size: 21 5/8 x 21 1/2 inches (54.9 x 54.6 cm)
Embossing plate size: 22 3/4 x 22 7/8 inches (57.8 x 58.1 cm)
Paper size: 24 x 24 1/16 inches (61 x 61.1 cm)
Edition 3 of 50
Signed and dated bottom margin, to the right; numbered bottom margin, to the left
(Inventory #30437)

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Robert Ryman
Untitled 1990-1991
Etching with aquatint
Image/paper size: 32 15/16 x 32 15/16 inches (83.7 x 83.7 cm)
Frame size: 39 1/4 x 39 1/4 inches (99.7 x 99.7 cm)
Edition of 80
Signed, dated and numbered
(Inventory #25334)

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Robert Ryman
Untitled, from 10 From the Bowery 1969-1971 1969
Silkscreen
Image/paper size: 25 3/4 x 25 3/4 inches (65.4 x 765.4 cm)
Edition of 100
Signed and dated lower center in image, numbered upper center in image
(Inventory #28645)

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Robert Ryman
Untitled 1990-1991
Etching
Image/paper size: 35 1/8 x 35 5/16 inches (89.2 x 89.7 cm)
Frame size: 39 1/4 x 39 1/4 inches (99.7 x 99.7 cm)
Edition of 80
Signed, dated and numbered
(Inventory #25338)

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Robert Ryman
Untitled 1993-1994
Inked aquatint on Twinrocker Buff paper
Image/plate size: 12 7/8 x 12 7/8 inches (32.7 x 32.7 cm)
Paper size: 13 1/2 x 16 5/8 inches (34.3 x 42.2 cm)
Edition of 75
Signed along left edge, numbered upper left and dated bottom in image
(Inventory #29421)

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Robert Ryman
Untitled [1] 1975
Aquatint (ink: White Lead)
Image/paper size: 35 1/16 x 35 7/16 inches (89.1 x 90 cm)
Edition of 50
Signed, dated, and numbered lower left of verso
(Inventory #30728)

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Robert Ryman
Untitled [2] 1975
Aquatint (ink: 50% Titanium White and 50% White Lead)
Image/paper size: 35 1/2 x 35 1/8 inches (90.2 x 89.2 cm)
Edition of 50
Signed, dated, and numbered lower left; impression within printed plate, the edition number in unprinted area.
(Inventory #30729)

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Robert Ryman
Untitled [3] 1975
Aquatint (ink: White Lead)
Image size: 35 x 34 7/8 inches (88.9 x 88.6 cm)
Paper size: 37 3/8 x 37 1/4 inches (94.9 x 94.6 cm)
Edition of 50
Signed and dated lower right; numbered right margin, centered, running vertically down the sheet.
(Inventory #30730)

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Robert Ryman
Untitled [4] 1975
Aquatint printed from two plates (ink: Titanium White)
Image size: 35 3/8 x 34 15/16 inches (89.9 x 88.7 cm)
Paper size: 35 11/16 x 35 7/16 inches (90.6x 90 cm)
Edition of 50
Signed and dated lower left; numbered far right, the impression number within the bottom of the printed plate, the edition number in the bottom margin.
(Inventory #30731)

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Robert Ryman
Untitled [5] 1975
Aquatint (ink: Titanium White)Image/paper size: 35 1/4 x 35 1/2 inches (89.5 x 90.2 cm)
Edition of 50
Signed and dated within exposed paper at top left edge of the center opening; numbered within exposed paper at bottom right edge of center opening.
(Inventory #30732)

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Robert Ryman
Untitled [6] 1975
Sugarlift aquatint applied with a brush (ink: Titanium White)
Image size: 35 9/16 x 35 3/4 inches (90.3 x 90.8 cm)
Paper size: 39 x 39 5/16 inches (99.1 x 99.9 cm)
Edition of 50
Signed, dated, and numbered within plate at bottom right of open center above outer band.
(Inventory #30733)
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CECILY BROWN: WE DIDN'T MEAN TO GO TO SEA @ Thomas Dane Gallery, Naples

CECILY BROWN: WE DIDN'T MEAN TO GO TO SEA
@Thomas Dane Gallery, Naples
Via Francesco Crispi, 69 (1o Piano)
Napoli 80122
Italy
16 MAR - 27 JUL 2019

installation views
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Black shipwreck, 2018
oil on linen

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The last shipwreck, 2018
oil on linen

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We didn't mean to go to sea, 2018
oil on linen

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The Sirens and Ulysses (after William Etty), 2018
watercolour, ink on paper

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The Sirens and Ulysses (after William Etty), 2018
watercolour, ink on paper

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The Sirens and Ulysses (after William Etty), 2018
watercolour, ink on paper

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The wine faced sea, 2016-2017
oil on linen
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Megan Greene: Beasts Unseen @ Regards, Chicago

Megan Greene: Beasts Unseen
@Regards
2216 West Chicago Avenue
Chicago, Illinois 60622
USA
March 2 - April 20, 2019

installation views
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Walgin, 2019, colored pencil on paper, 29 1/2 x 23 1/8 inches

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Pincher Prober, 2019, colored pencil and collage on paper, 31 x 24 1/8 inches

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Half Down Drain, 2019, colored pencil and ink on paper, 29 1/2 x 23 7/8 inches

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Eel Soup, 2019, colored pencil on paper, 29 x 22 1/8 inches

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Still Life of Swamp, 2019, colored pencil and collage on paper, 31 1/8 x 23 7/8 inches

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Our Heads are Round 2019, colored pencil, collage and ink on paper, 29 3/4 x 22 7/8 inches

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The Snake Charmer, 2018, colored pencil on paper, 45 x 33 1/2 inches

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An Ear in a Pond, 2019, colored pencil and collage on paper, 32 1/2 x 24 inches

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Paper Plane, 2019, colored pencil and collage on paper, 30 x 24 inches
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Liz Glynn @ PAULA COOPER GALLERY, 529 W 21ST STREET, New York

Liz Glynn
@PAULA COOPER GALLERY, 529 W 21ST STREET
529 West 21st Street, New York, 10011
USA
SEPTEMBER 7 – NOVEMBER 30, 2019

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Liz Glynn, To Sow, 2016/2017; eleven 3-D printed gypsum and nylon elements on powder-coated steel; 15 x 78 x 4 in. (38.1 x 198.1 x 10.2 cm)

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Liz Glynn, To Sow (detail), 2016/2017; eleven 3-D printed gypsum and nylon elements on powder-coated steel; 15 x 78 x 4 in. (38.1 x 198.1 x 10.2 cm)

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Liz Glynn, To Write, 2016/2017; sixteen 3-D printed gypsum and nylon elements on powder-coated steel; 15 x 77 1/2 x 4 in. (38.1 x 196.9 x 10.2 cm).

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Liz Glynn, To Orient (detail), 2016/2017; seven 3-D printed gypsum and nylon elements on powder-coated steel; 14 7/8 x 79 7/8 x 4 in. (37.8 x 202.9 x 10.2 cm).
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MICHAEL SAILSTORFER | SINK, SANK, SUNK @ CHAPEL, KÖNIG GALERIE, Berlin

MICHAEL SAILSTORFER | SINK, SANK, SUNK
@CHAPEL, KÖNIG GALERIE
JOHANN KÖNIG GMBH
ST. AGNES
ALEXANDRINENSTR. 118–121
10969 BERLIN
Germany
26.10.–20.12.2019

installation views
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Antrieb 2
Aluminium, magnesium, salt
33 × 46 × 50 cm
unique

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Antrieb
2019
Gasoline engine, butterfly, fan
70 × 100 × 80 cm
unique

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Batterie 9
2019
Bronze
9 × 16,5 × 7,5 cm
unique

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Batterie 2
2019
Bronze
15 × 8 × 6,5 cm
unique

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Brennessel
2019
Sandpaper, slate pencil
33 × 28 cm
unique

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Distel 3
2019
Sandpaper, slate pencil
33 × 28 cm
unique

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Zahn 2
2019
Pencil, salt and inc on jute
150 × 90 cm
unique

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Zahn 1
2019
Pencil, salt and inc on jute
150 × 90 cm
unique
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2020年03月21日

WILLIAM N. COPLEY: The New York Years @ KASMIN GALLERY, 509 WEST 27TH STREET, New York

WILLIAM N. COPLEY: The New York Years
@KASMIN GALLERY, 509 WEST 27TH STREET
509 WEST 27TH STREET
New York, NY 10001
USA
MARCH 11, 2020 −

installation views
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William N. Copley, Untitled (Apples & Oranges), 1986, acrylic and lace on canvas, 77 x 60 inches, 195.6 x 152.4 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.

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William N. Copley, Death of the Unknown Whore, 1965, tempera on canvas, 46 x 59 inches, 116.8 x 149.9 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.

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William N. Copley, Dig We Must, 1963, oil on linen, 30 1/4 x 24 1/8 x 3/4 inches, 76.8 x 61.3 x 1.9 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.

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William N. Copley, Untitled, 1970, acrylic on linen, 40 x 32 inches, 101.6 x 81.3 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.

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William N. Copley, I am Awarded My Handbag and Declared a Professional, 1986, acrylic and chalk on linen, 82 x 118 inches, 208.3 x 299.7 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.

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William N. Copley, Smile (You’re on Camera), 1963, oil on canvas, 28 3/4 x 45 5/8 inches, 73 x 116 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.

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William N. Copley, Small Sonata, 1965, oil on canvas, 38 x 51 inches, 96.5 x 129.5 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.

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William N. Copley, War of the Roses, 1970, acrylic on linen, 24 x 72 inches, 61 x 182.9 cm. c 2020 William N. Copley Estate / Artists Rights Society (ARS), New York.
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Matthew Metzger: Collapse @ Regards, Chicago

Matthew Metzger: Collapse
@Regards
2216 West Chicago Avenue
Chicago, Illinois 60622
USA
April 26 - June 15, 2019

installation views
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Collapse (2nd Movement), 2016, acrylic and oil on canvas, 69 x 78 inches

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Collapse (6th Movement), 2019, acrylic and oil on canvas, 69 x 78 inches

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Collapse (7th Movement), 2019, acrylic and oil on canvas, 69 x 78 inches

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Collapse (5th Movement), 2019, acrylic and oil on canvas, 69 x 78 inches

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Collapse (3rd Movement), 2016, acrylic and oil on canvas, 69 x 78 inches

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Collapse (4th Movement), 2019, acrylic and oil on canvas, 69 x 78 inches
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